Creator: H. R. Giger

Sexual imagery? You're probably just imagining it.

Hans Ruedi "H.R." Giger (February 5, 1940 - May 12, 2014) was a Swiss surrealist painter, sculptor, designer, and concept artist.

Known for this works' disquieting, biomechanical, often sexual imagery, Giger achieved much of his fame from his work in films as a set and creature designer. Among the film projects he's worked on are Alien, Alien³, Dune, Poltergeist II: The Other Side, Species, and Prometheus, which actually dusted off some unused concepts from Alien. Before this he provided two paintings for Emerson, Lake & Palmer's album Brain Salad Surgery, one of which had to be airbrushed for purposes of censorship. The Dead Kennedys included a poster of his painting Penis Landscape with their album Frankenchrist — for which they got in a little trouble — and Danzig used his art for the cover of Danzig III: How the Gods Kill.

Giger also contributed art to the Dark Seed games, has a number of bars in Switzerland themed after his art (which are probably nice, comfortable places to get a drink), and designed incredibly menacing furniture.

Giger sadly passed away in May 2014 after sustaining injuries in a fall.

And his name's pronounced GHEE-ger.

Common themes in Giger's work include:

  • Admiring the Abomination: His works are likely to invoke this in artists and fans of psychology, horror, and design. His claim to mastery was not merely his talent for making high octane Nightmare Fuel, but his ability to create aesthetically facinating, incredibly cool, or even beautiful, Nightmare Fuel.
  • Alien Kudzu : his favorite type of plant, closely followed by Meat Moss
  • Author Phobia: He's known to have incorporated his nightmares into his creations. Apparently, he often worked through his sleeplessness. Giger also had a phobia of worms and snakes.
  • Body Horror/Bizarre Alien Biology: Tons of it. Trope Codifier for combining the two in creature design and modern scifi horror, his style inspiring an entire generation of later concept artists.
  • Diesel Punk: Giger's art gives the impression that he was raped by a diesel engine when he was a child.
    • The engine part is debatable, but, speaking of childhood trauma, one of his birthday gifts was a genuine human skull. Presented by his father, a town's chemist, no less.
  • Dreaming of Things to Come: Giger suffered from intense and frequent nightmares. The things he saw in those dreams inspired all of his paintings and drawings.
  • Eternal Engine: Whenever he decided to do a "landscape" that isn't set in the Bloody Bowels of Hell. Or at least when he decided to do one set in hells industrial district.
  • Evil Is Visceral: Much of his artwork is based on this, thus leading to many of the subtropes of this.
  • Fan Disservice: Giger's artwork frequently features nudity and sexual situations, which tends to be more unsettling (or worse) than sensual (see Nightmare Fetishist below).
  • Freud Was Right: Invoked. His images often incorporate sexual imagery in more than one way.
  • Nightmare Fetishist: He appears to be one, considering the sexual imagery common to his art and the fact that it was literally inspired by his night terrors. He even has a portfolio collection entitled Xenoerotica, which is exactly what is sounds like.
  • Organic Technology: Much of his art portrays humans fused with machines, or humans boning machines, or humans that are fused with machines boning other humans fused with machines, etc. He even coined the term "biomechanical".
  • Phallic Weapon: Inversion: Giger occasionally uses guns as a yonic metaphor. Google "Birth Machine" for an example.
  • Scary Art, Nice Artist: Those working with him invariably say that personally he's a very pleasant guy, but also note that he was pretty weird.
  • Spikes of Villainy: If a form isn't disquietingly organic, rounded, and smooth, its probably sharp and pointy.
  • Surreal Horror: A master of the genre.

Alternative Title(s):

HR Giger