When I'm writing music, so much of the time I feel like I'm being pulled around by a big dog. I've got the dog on a leash and sometimes I'm leading this dog along just where I want it to go. And then sometimes the dog gets real big and starts yanking me. I think when I'm reacting the way I should be, I let the thing yank me around. Because it yanks me into places where I wouldn't go. And I look at it and go, "Oh! Thanks, boy! It's a strange place, but there had to be a reason why I went here, so I'm just going to leave it."Former leader of Oingo Boingo, Danny Elfman first broke into film scoring with Pee Wee's Big Adventure. Since then, he has worked steadily in Hollywood (most notably for Tim Burton), composing scores and themes for movies, TV, and even video games and a Cirque du Soleil show (namely IRIS, a 2011 show inspired by the history of cinema).Like John Williams, Elfman tends to compose classical, Romantically-themed music reminiscent of Bernard Hermann, although Elfman makes more limited use of Leitmotif and his music tends to have darker overtones — which seem to mesh well with Tim Burton's films.His scores are frequently used in trailers.He's married to Bridget Fonda, and they have a son together named Oliver, which in old English means "Elf Army". He also has two daughters, Lola and Mali, from previous relationships.
Films scored by Elfman include (but are certainly not limited to):