Creator / Akira Kurosawa

"It is wonderful to create."
Akira Kurosawa

Akira Kurosawa (黒澤 明, March 23, 1910 September 6, 1998) was a famous Japanese director, mainly known in the West for his samurai films, such as Seven Samurai, Ran, and Yojimbo. Other notable films include: Rashomon, The Hidden Fortress, Throne of Blood, Ikiru, Dersu Uzala, and Sanjuro.

Born on March 23, 1910, Kurosawa is widely considered one of the best and most important directors of the 20th century. Rashomon became the first non-American and non-European film to become an international success and in film history, it is considered a watershed moment in the birth of what is considered world-cinema. Japan had a film industry that was already quite fecund and productive by The '50s boasting many great films and film-makers from the silent to the sound era, and an active film culture. Rashomon wasn't the first Japanese film screened in the West (Teinosuke Kinugasa's A Page of Madness actually did circulate in the silent era in Europe, and Mikio Naruse's Wife! Be Like a Rose! also played in America) but it was the first to be critically acclaimed and popular, and within the wider culture, Kurosawa is still the Japanese film-maker.

He made films that were very influential on many American and European film directors. They include George Lucas (the Star Wars series was heavily influenced by The Hidden Fortress), John Sturges (The Magnificent Seven is a direct remake of Seven Samurai) and Sergio Leone (A Fistful of Dollars is a direct remake of Yojimbo). His "Big Four" films (Rashomon, Ikiru, Seven Samurai, and Ran) are routinely included in lists of the best films of all time. Excepting Ikiru, all of his films from 1948's Drunken Angel to 1965's Red Beard featured the actor Toshiro Mifune. In 1965, the two had a falling out during the production of Red Beard and did not speak or see each other until a brief, tearful reunion in 1993. There were rumors that they would have collaborated on Kurosawa's next film after his upcoming project After the Rain, but they both died within a year of each other, with Kurosawa dying before After the Rain began filming. There was another chance in 1975, as the Soviet producers originally wanted Mifune in the title role of Dersu Uzala, but it was prevented largely by Mifune's schedule. After 1965, there were only a few times where one spoke ill of the other, but otherwise they thought of each other — and their films together — with high regard.

The other actor most identified with Kurosawa is Takashi Shimura. Shimura appeared in Kurosawa's first film, 1943's Sanshiro Sugata and appeared in every one of Kurosawa's films from Sanshiro Sugata to 1965's Red Beard except for The Lower Depths. Unlike Mifune, however, Kurosawa and Shimura never had a falling out and remained friends until Shimura's death in 1982. Kurosawa wrote a small role for his friend in 1980's Kagemusha, which was cut from the Western release of the film (but has since been added back on The Criterion Collection DVD).

Kurosawa's films are notable for being stunning visually, with beautiful backgrounds, sometimes verging on Scenery Porn. Try watching Ran and not falling in love with some of the shots, or considering it the most beautiful movie ever made.

He was a notorious Prima Donna Director, to the point where he earned the nickname "Tenno" or "The Emperor". Kurosawa's personality and demeanor made him unpopular in the Japanese film industry, and his films were often divisive within Japan. Japanese critics often slammed Kurosawa for being "too Western" and they were not wrong. Kurosawa often drew inspiration from William Shakespeare and Fyodor Dostoevsky and he often admitted to being influenced by directors like Frank Capra and especially John Ford (Kurosawa took his love for Ford to the extent of dressing like him on the set) and a number of his films adapted American pulp fiction (Yojimbo was based on Red Harvest, High and Low adapted from Ed McBain). Kurosawa also differed from earlier Japanese film-makers (like Kenji Mizoguchi and Yasujiro Ozu) for being quite macho and having very few prominent female roles compared to his predecessors and the general women-centric nature of Japanese cinema. Kurosawa also tended to write his own dialogues as he became more successful and rely less on screenwriters and Japanese critics often noted sardonically that his films improved in subtitles noting that to a Japanese audience, his movies often came off as sentimental, hokey, and as per Yukio Mishima having the maturity of a ten-year old.

Nonetheless Kurosawa's visual invention and creativity found public favour, and a number of his films had populist themes and subjects. The jidaigeki genre of Historical Fiction had been seen as high art before Kurosawa, with strict attention to detail and setting, but Kurosawa was keen on introducing anachronistic elements, and contemporary sentiments into period movies, making them allegorical and fantastic. For instance Rashomon musical score adapts Maurice Ravel's Bolero, his Samurai films drew inspiration from American Western, and he introduced the concept of adapting Shakespeare to feudal Japan which greatly inspired Shakespeare scholars and producers. Kurosawa's films often pivoted on the conflict between the young and the old, while taking the side of the rebels, misfits and nonconformists, who voice criticism of the past. As Kurosawa grew older however, his vision darkened, culminating in Ran which is considered his bleakest and darkest film.

One of Kurosawa's disappointments was that he never was able to make a Godzilla film, as Toho turned down his requests to do it, fearing that Kurosawa's epic style would completely demolish the usual budget of the franchise.

In 1990, Kurosawa received an Oscar for Lifetime Achievement at the 1990 ceremony. Said award was presented to him by Steven Spielberg and George Lucas and he accepted it in person. Kurosawa was the first Japanese, and first Asian, film-maker to receive the award. He passed away on September 6, 1998 at the age of 88.


  • Uma (1941) - Kurosawa's final production as an assistant director, and he also co-wrote and co-edited the film. Sometimes included in Kurosawa's filmography because he took over most of the production from his mentor and friend Kajiro Yamamoto. Often thought by some to be lost, it actually still exists in a presentable form and was shown in The United States in theaters in the 1980's. It's just awfully difficult to find.
  • Sanshiro Sugata (1943)
  • The Most Beautiful (1944)
  • Sanshiro Sugata Part II (1945)
  • The Men Who Tread on the Tiger's Tail (1945, not released until 1952) - This and the preceding two were propaganda movies that Kurosawa and Shimura were forced to write, direct and star in (respectively) during World War II despite the fact that both were pacifists. They didn't get wide release in America until The Criterion Collection box set AK100 in 2009, mostly because after the war, Kurosawa saw them as an Old Shame (although they all remained in his filmography unlike Those Who Make Tomorrow).
  • No Regrets for Our Youth (1946)
  • Those Who Make Tomorrow (1946) - A co-direction with his mentor Kajiro Yamamoto, Kurosawa was essentially forced to co-direct the film and was so disgusted with it that he left it out of his filmography, which most Western film scholars and Wikipedia also do.
  • One Wonderful Sunday (1947)
  • Drunken Angel (1948)
  • The Quiet Duel (1949)
  • Stray Dog (1949)
  • Scandal
  • Rashomon (1950)
  • The Idiot (1951)
  • Ikiru (1952)
  • Seven Samurai (1954)
  • I Live in Fear (1955)
  • Throne of Blood (1957)
  • The Lower Depths (1957)
  • The Hidden Fortress (1958)
  • The Bad Sleep Well (1960)
  • Yojimbo (1961)
  • Sanjuro (1962)
  • High and Low (1963)
  • Red Beard (1965)
  • Dodes'ka-den (1970)
  • Dersu Uzala (1975) - Adapted from a Russian novel, this is Kurosawa's only non-Japanese language film.
  • Kagemusha (1980)
  • Ran (1985)
  • Akira Kurosawa's Dreams (1990)
  • Rhapsody in August (1991)
  • Madadayo (1993)
  • After the Rain - This film was written by Kurosawa and he planned on directing it, but his 1998 death put a stop to that. It was directed by his friend Takashi Koizumi, and many Kurosawa fans consider After the Rain to be as much a Kurosawa film as it is Koizumi's... Which may be accurate, considering that Kurosawa's pre-production methods were as meticulous as Hitchcock's or Kubrick's. Another one of his scripts that he planned on eventually directing, The Sea is Watching, was made by another director in 2002.
  • Gendai oh Noh (planned for 2010, but official date TBA) - A documentary about Noh Theater that Kurosawa started while waiting for Ran to find funding. Gendai was promptly abandoned once Ran found funding, but Kurosawa always intended to finish it. In honor of the centennial of Kurosawa's birth, the film is being completed and will include Kurosawa's hour-plus of original footage.