Valérian is a French-Belgian comic book series by Jean-Claude Mézières and Pierre Christin published from 1967 to 2010. A French-Japanese Animated Adaptation of the series was released in 2007 titled Time Jam: Valerian & Laureline.In the 28th century, Earth is the center of a powerful galactic empire, governed along technocratic lines from its capital Galaxity. The basis of Earth's power and civilization is its mastery of Time Travel, which makes both instantaneous travel and control of history possible. An elite corps of time travel agents has been created so as to maintain order throughout time and space, and Valérian is one of its members.After a trip to the Middle Ages to capture a Mad Scientist who was attempting to alter human history, he met a local girl named Laureline and hired her as his fellow agent.The series was a key influence on Star Wars even though George Lucas won't acknowledge it (it is proven he owns the comic books though - Laureline wore a gold bikini a few years before Leia, Valérian was frozen in a big block of animation suspending cristal, some big villains are badly scarred humans hiding under dark masks, also most aliens in the movies are taken almost straight from the comics, and The Phantom Menace design director Doug Chiang owned several Valérian albums in his library...) and The Fifth Element, where the author was actually hired to draw some décors and machines.In Jul 1, 2012 Luc Besson, the director of The Fifth Element, has stated that he is going to direct a live-action adaptation of the comic in the near future.
After the End: The civilization of Galaxity was born of a global catastrophe that destroyed preexisting human civilizations in 1986, when a huge nuclear explosion near the North Pole caused arctic ice shelves to melt, resulting in global warming and a rise in sea levels.
Anachronism Stew: One mission sends Valérian to pocket dimensions resembling Earth at various points in history, where the presence of anachronisms is a result of sloppy design by the alien intelligence being it all.
Anti-Hero: At first a regular action hero, Valérian grows into more of an anti-hero over time.
Art Evolution: the art style in the early instalments of the series is markedly more cartoonish.
Art Imitates Art: The last panel◊ of "On the False Earths" depicts Valérian and Laureline enjoying some time off in 19th century France in a scene that recreates the painting Luncheon of the Boating Party by Auguste Renoir.
Author Tract: The authors never waste an opportunity to make a political point.
Bad Future: What Xombul almost managed to achieve.
Incredible Shrinking Man: Happens first to Laureline in "The City of Moving Waters". Valérian later ends up temporarily shrunk as well as a side-effect of impregnating an alien hive mother (see below).
Ludd Was Right: In "Welcome to Alflolol", the low-tech, environmentally-friendly lifestyle of the natives is depicted as superior to the high-tech, industrial one of the human settlers. However, Alflololians having psychic powers which allow them among other things to space travel without much technology, the Aesop of the story wasn't about technology levels, but lifestyle choices.
No Plans, No Prototype, No Backup: Done on purpose in "City of Moving Waters". Valérian and Laureline chance upon a discarded prototype for a time machine, and turn it into a functional one thanks to their 28th-century technological expertise. Once they're done with it, however, they restore it to its previous inoperable state in order to avoid any historical alteration.
Only You Can Repopulate My Race: In "Heroes of the Equinox", an alien but human-looking civilization has a single hive mother who must be impregnated anew every generation. Valérian ends up getting the job.
Powers That Be: Many stories involve shadowy political or corporate powers, such as The Master in "Birds of the Master", the greedy multinational companies Bellson&Gambler and WAAM in "Metro Chatelet, Direction Cassiopeia" and "Brooklyn Station, Terminus Cosmos", the elusive rulers of Rubanis in "The Circles of Power", and last but not least, the Lords of Hypsis whose influence is subtly behind almost every storyline.
Precision F-Strike: After staying too long in the 1980s, Valérian begins to pick up time-appropriate swear words which he uses with increasing frequency.
Send in the Clones: Expecting a high attrition rate for his mission in "On the False Earths", Valérian was cloned into dozens of short-lived copies. Most of them were expended in one go when the mission manager dressed them up as German soldiers, and sent them to battle in a live-action reenactment of a WW 1 trench charge.
Shout Out: Prof. Schroeder in "The City of Moving Waters" looks like the title character of The Nutty Professor, a supporting character in "At the Edge of the Great Void" is named Molto Cortes, a reference to Corto Maltese, and the philosopher Chatelard in "Métro Châtelet, Direction Cassiopeia" is a reference to Gaston Bachelard.
Single-Biome Planet: Several of them. The most unpleasant one is definitely Zomuk, which is essentially a giant garbage dump for the rest of the galaxy.
Sufficiently Advanced Aliens: Played straight in "Ambassador of the Shadows", in which said Shadows are an ancient race with godlike powers; played with in "The Rage of Hypsis", in which the Triune God of Christianity turns out to be three powerful aliens with a bad case of megalomania.
The Trinity of Hypsis seems to potentially go into Physical Gods territory considering the levels of power they possess, especially considering that they are apparently in the lower end of power scale on their home planet, where all the "gods" of the various galatic civilizations seem to reside.
The fact that they manage to wipe the future of planet Earth from the timeline does imply that they can back their claim of divinity at least to a point.
Time Police: The corps of agents Valérian and Laureline belong to.
Averted: in The country without Stars, an universal translator is evoked; also, both agents use mnemotechnic helmets (first seen in The Bad Dreams),to learn languages when possible before a mission. Due to the characters' job, they soon know enough languages to go around without a need to learn new languages all the time.
Artistic License - Economics: The very existence of the Grumpy Converter from Bluxte necessitates this trope. The creature can multiply any small, precious object hundreds or thousands of times as long as it has enough energy reserves, yet it's treated by everybody as a handy source of currency instead of a highly illegal living forgery machine.
Treated as such by everybody at Point Central, where shady deals are the standard operating procedure. Laureline is supposed to keep it secret.
Somewhat averted as said animal is VERY rare, EXTREMELY hard to catch, needs a thorough brainwashing by a team of professionals to actually be useful, and it has rather limited reserves. The costs of acquiring, and then keeping one, offsets their economical impacts. It is the most effective alternative to carrying around enough different currencies in a mission, but in the scheme of things doesn't offset economical balances that much.