Superman: Earth One is a 2010 graphic novel from DC written by J. Michael Straczynski and illustrated by Shane Davis. It is the first installment of DC's "Earth One" line, an Ultimate Universe of sorts where the DC Universe's most iconic characters are re-imagined for the modern era.The story focuses on a 21-year-old Clark Kent that moves to the big city of Metropolis per the advice of Ma Kent in order to basically "find himself" and do something with his life. A little more sullen and moody this time around, Clark soon discovers that, when a strange evil rears its head, that he's destined to become something much greater than he realizes, even if he doesn't want it at first.A second volume to the Superman: Earth One series, where Supes battles Parasite and gets involved in both the local problems of his neighbourhood, and a brewing revolution in South America, was released in November 2012, over two years after the original graphic novel came out.
Superman: Earth One provides examples of the following tropes:
The Ace: Clark at the start of the story — he has contract offers from all of the sports teams & laborotories in Metropolis.
Adaptational Badass: The Parasite, often treated as a two-bit thug in regular continuity, is a colossal threat, not only to Superman, but to the planet as a whole, contemplating murdering everyone on Earth at one point.
Adaptational Villainy: This version of The Parasite is also a hell of a lot more evil, having gotten his start as a murderous child, before progressing to serial killing.
Big Brother Instinct: Parasite displays it towards his little sister, Theresia, the only human being that he shows an ounce of sympathy for.
Big Damn Heroes: Jimmy Olsen and Lois Lane manage to pull this off. Their courage and integrity in the face of Tyrell's attack are what convinces Clark that he wants to spend his life working at the Planet — since he could have easily become a wealthy athlete or scientist if he'd wanted to.
Black Helicopters: Invoked by name. Jonathan and Martha get the idea that there's something strange about that baby when a bunch of mysterious men arrive in Black Helicopters to carry off the spacecraft that he arrived in.
Blondes are Evil: Alexandra Luthor, who is far more manipulative and morally ambiguous than her husband Lex.
The Bully: Parasite was one of these as a child. He later graduated to far more troubling, and eventually sociopathic behaviour.
Clark is a hell of a lot more brooding and emotional, for one thing.
Krypton was intentionally destroyed at the climax of an interplanetary war, for another. And the Kryptonians were just as (if not more) at fault for that war as Tyrell's species was.
The implications of Clark's extra-terrestrial heritage are explored a bit more than usual — Jonathan and Martha are forced to keep him a secret after government agents secretly impound his spaceship in a secret base.
Even after he saves Metropolis from Tyrell, most of the citizens seem to openly distrust him—for all his heroism, he's still considered a freakish outsider by most.
Generic Doomsday Villain: Tyrell doesn't get much in the way of a personality. He shows up, takes the Earth hostage, and exposes Superman to the world, providing a little exposition before dying unceremoniously. Parasite, conversely, gets a lot of characterisation and development.
Lady Macbeth: So far Doctor Alexandra Luthor is far more evil and manipulative than her husband, Doctor Lex Luthor. While Alexandra sees killing Superman as an interesting intellectual exercise, Lex regards it as unethical and expresses some sympathy for Superman's position. Alexandra has to persuade him sexually to go along with the government, and even then, he's not thrilled about it.
Moral Myopia: Parasite as a child sees nothing wrong with beating on his fellow classmates, but loses it when kids bully his sister.
Never My Fault: Parasite refuses to accept that his sister's death was his fault, instead choosing to blame Superman for it.
Nice Guy: Clark is one under his somewhat unhappy surface. So, surprisingly enough, is Lex Luthor (at least so far).
The Nondescript: Clark made a deliberate attempt at turning himself into one of these from the tenth grade on out. He got a "C" in every class, participated in no extracurricular activities, and made no friends, effectively becoming a ghost who no-one in his classes remembers.
Power Nullifier: Red sun radiation takes over for Kryptonite. Technically, the weakness exists in the mainstream continuity as well, but Kryptonite was always more convenient. Sort-of. Obviously it would be difficult for any of his enemies to utilize this weakness.
La Résistance: Superman aids a revolutionary army during volume two.
Ripped from the Headlines: The Daily Planet's depiction is heavily rooted in the current state of the newspaper industry. At the beginning, Perry White openly complains about the blogosphere ruining the integrity and quality of the news, and makes it clear that the paper may soon go out of business. In the end, getting exclusive coverage of Superman's battle with Tyrell is the one thing that saves the Planet from completely folding.
In addition to looking like David Bowie, Tyrell may be a subtle one to Blade Runner — he's named after the Mad Scientist from that film, he has white hair like Roy Batty, and the marks on his face match the pattern of Pris' makeup.
Shut Up, Hannibal!: Clark delivers one of these to the villain out of sheer boredom with his speech.
The Sociopath: Ray Jensen, alias The Parasite, is a psychopath who began by torturing small animals, graduating to killing homeless men, and eventually became one of the most prolific serial killers of his time. He's superficially charming and charismatic, short-tempered and prone to mood swings, and otherwise hits all the criteria. He does have a soft spot for his sister, though.
Superman Stays Out of Gotham: Averted thus far. While he hasn't actually infringed on another hero's territory yet, Clark has refused to keep his superheroing isolated in Metropolis, becoming involved in a South American revolution among other things.