The main protagonist. Once the brutal captain of the Spartan army, Kratos made a deal with the God of War Ares to further his exploits—which took a tragic turn when the God tricked him into killing his own wife and child. Now branded the Ghost of Sparta as a mark showing his terrible deed, the rest of the series follows him in his quest for revenge against Ares, which later extends to the Gods of Olympus themselves.
Anti-Villain: The Noble or Woobie variations. Basically, what makes him somewhat sympathetic is his frankly depressing backstory, though whereas it still holds weight after the horrendous and honestly unjustifiable actions he commits is polarizing, to say the least.
The Atoner: Sort of. While Kratos does dwell a lot on his family's death, it's mostly just used as a source of his volcanic rage.
Character Development: He starts out as a man on a mission of revenge and redemption in the first game and then becomes into a tried and true "Solve all problems with intense violence" pattern. By the end of the second game, Kratos had become an amoral, self serving lunatic. Fortunately, by the end of the third game, he's finally learned to accept that he's the primary source of most of his grief and for the first time in possibly ever, performs a genuinely selfless sacrifice to help the countless people he's hurt on his quest.
The Chosen One: He is the "Marked Warrior" in a prophecy that details the downfall of Olympus.
Combat Pragmatist: Kratos will use whatever means and dirty tricks to defeat his enemies. If he figures out an enemy's weakness, he'll gladly and quickly take advantage of it. Just ask all the cyclopes which eyes had been ripped out of their sockets, or Hercules, who he performed a sneak attack behind his back and then pinned him underneath a very heavy floor that Herc was going to use against him before beating him to death.
Hephaestus: Kratos. I thought that Zeus would have killed you by now.
Kratos: I thought you would have escaped this cavern by now.
Deal with the Devil: As a young Spartan commander, he was nearly defeated by the Barbarian King until he promised to serve Ares in exchange for the strength to achieve victory. He turns on his master after Ares tricks him into killing his own family to remove his only "weakness".
Despair Event Horizon: Crosses it when he learns that the Gods cannot (or will not) end his nightmares. He attempts suicide soon afterward, only to be saved by Athena. Whether or not he actually recovers, or simply finds other channels to ease his suffering is left ambiguous.
Kratos: The Gods of Olympus have abandoned me. Now, there is no hope...
Determinator: Nothing will stand in his way for revenge. Might it be the Gods, the Sisters of Fate, the legions of Hades, the army of Rhodes, the Titans, monsters and "heroes" from Greece's all corners. Hell, not even Death itself can stop him. Literally, in Ghost of Sparta, Kratos actually kills Thanatos. And by Zeus saying he has become Death the Destroyer of Worlds, one can theorize Kratos has inherently become God of Death.
Dirty Coward: Generally, no. But a few rare moments of cowardice pop in and out. His greatest moment being the circumstances that led him to swear his life to the War God. More obsessed with his reputation than his Spartan traditions (which demanded soldiers to either win a battle or die honorably) Kratos called upon Ares to bail him out when he was threatened by the Barbarian King. This, of course, ruined his life.
The Dragon: To Ares, during his time in the God of War's service. He is a Dragon to the gods of Olympus, Athena in particular, after the deaths of his family, acting at their behest to perform tasks that they either cannot or will not do themselves, such as killing Ares.
The Dreaded: His infamous reputation as the Ghost of Sparda. On more than one occasion during the first game, the citizens of Athens are actually more terrified of him than of the monsters attacking them and prefer certain death to being saved by him.
Driven to Suicide: At the end of the first game, when he is told that the Gods can't end the horrific nightmares caused by Kratos' guilt over his family's deaths. He is saved by Athena, who had other plans for the Spartan. Such as giving him Ares' now empty throne, making Kratos the new God of War.
He seems to briefly consider suicide again after Deimos is killed, but ultimately decides against it.
He impales himself on the Blade of Olympus at the end of God of War 3, but that is more of a Heroic Sacrifice, and even then, it's left ambiguous if Kratos truly died.
Dual Wielding: The Blades of Chaos/Athena/Exile, the Claws of Hades, the Nemean Cestus and the Nemesis Whip.
Anyway, I’m of the opinion that Kratos is a bit of an anomaly in the world of Macho Action Dudes, in that he is just a bottomless sieve of emotions. Like, usually action dudes have their moment of unrestrained rage at the end of the story to prove What A Badass Dude they can be, that Super Saiyan “You wouldn’t like me when I’m angry” moment where they let it all out. Kratos, on the other hand is like… perpetually exhaustingly angry. And when he runs out of angry, he’s sad. He’s just this constant torrent of unrestrained heart-on-his-sleeve emotional whiplash. He’s never the cocky, aloof, too-cool-for-school emotionally distant robot you expect to play in a macho action dude game, he just kind of exists in this cycle of getting all angried out and trying to kill himself until someone on the suicide watch crew can find him a new thing to be angry about. He’s the only game hero I can think of who’s like “Oh man, I checked everything off my to-do list and now I’m out of things to be mad at, I am so drained I think I’m going to kill myself now”.
Establishing Character Moment: Two, really, during the first chapter. The first is when Kratos finds a trapped slave/prisoner, who declares that even being locked up on a sinking vessel with monsters swarming over it won't persuade him to accept Kratos' help. The second is at the end of the boss fight, where Kratos saves the captain who was previously Swallowed Whole... then deliberately yanks away the key he was wearing around his neck before deliberately throwing him down into the dead hydra's stomach. For absolutely no reason.
Even Villain Protagonists Have Loved Ones: His wife Lysandra and his daughter Calliope. In the comic is revealed that he even went on a dangerous quest (actually organized by the gods) in order to retrieve the mythical Ambrosia to cure Calliope of a skin disease.
Kratos is no saint, but there are even levels that he will never stoop too — well, not willingly any more. Despite almost being killed by Hephaestus, he understands why he did it; to save his child. A child is the one thing that Kratos is never seen killing — except for his own daughter — in any of the games.
Genius Bruiser: Can go toe-to-toe with gods as well as solve puzzles and death traps.
God Is Evil AND God Is Good: The former as the God of War as he leads a brutal conquest of all of Greece in the name of Sparta (as far as non-Spartans can see, though he has good reasons) and the latter from the eyes of his fellow Spartans and through the implications that he will take on the role of God.
Gone Horribly Right: Ares wanted to make Kratos the perfect warrior in his bid to conquer Olympus. First he gained his loyalty through a Deal with the Devil. Then he gave him the powerful Blades of Chaos. Then he tricked Kratos into killing his wife and child because they were all that was holding him back from being the perfect murder machine.
Ares: I was trying to make you a great warrior! Kratos: You succeeded. (runs Ares through with the Sword of the Gods, killing him)
Heel-Face Turn: After an unbelievable amount of bloodshed in the third game, however it was too late for him to truly fix all the collateral damage.
Heel Realization: After causing the apocalypse, Kratos realizes that he's made a bad call.
Heroic Sacrifice: After all is said and done in III, Kratos runs himself through with the Blade of Olympus, releasing the power of hope to mankind.
Hero with Bad Publicity: While "hero" is stretching it, notice how the Olympians constantly throw flak on Kratos for supposedly trying to Take Over the World, without remembering that maybe they shouldn't have transformed his mother into a grotesque creature that he had to Mercy Kill. The Spartans' rampage through Greece was more of a giant "Screw you" than it was out of boredom or conquest as Zeus feared. Granted, Kratos wasn't really forthcoming about it, but he never actually tried attacking the Olympians until after Zeus destroyed Sparta. Not only that, but during his ten years of servitude to the gods, it's shown that several mortals who are aware of his past deeds are more scared of him than they are of the monsters attacking him and would rather be killed than be saved by him.
Hypocrite: Kratos' whole motive is revenge for the deaths of his family, but without hesitation he killed countless families during his service to Ares and shows little to no hesitation to doing the same during his quest for vengeance.
Implacable Man: And how. No amount of monsters, warriors, obstacles, traps or Gods will stop Kratos from getting his revenge. Even death itself is little more than a delay for Kratos.
It's All About Me: His Fatal Flaw. When he wants revenge on someone he'll get it, no matter who he hurts or kills along the way. The climax of God of War 3 has him realize this and finally attempt to atone.
Kick the Dog: Kratos does this a lot. Literally in the case of the ever-annoying Cerberus Pups.
Light Is Good: Post God of War I, Kratos is powered by the Light of Hope. Pretty much his sole redeeming trait, for a given value of "redeeming", is his stubborn refusal to give up hope (of revenge, of closure, etc.) and die. Ultimately, the realization of the kind of power that gives him leads him to try to atone by killing himself and releasing hope to the world to help make up for the destruction he's caused.
Made of Iron: Even if he's no longer a god, he still can take punishment that would kill an average person. Justified in that he is Zeus' son, making him a Demi-God.
Mark of Shame: Cursed to bear the ashes of his murdered family forever, turning his skin ghostly-pale.
His eye scar and tattoo as well. He gained this scar when he tried to stop Ares from taking Deimos, while the tattoo is a tribute to Deimos, who had a birth mark with the same shape. In other words, his whole body is a Mark of Shame.
Never Found the Body: The post-credits scene in God of War 3 shows Kratos' body missing from the spot where he stabbed himself, and a trail of blood leading over a nearby ledge, raising the possibility that Kratos had survived even this.
Never My Fault: The bulk of his turmoil is caused by an inability to blame himself. Our Spartan friend prefers to point fingers at the gods rather than own up to what he's done. By the time he finally realizes this and the full consequences of his actions in III, it's seemingly too late to fix anything.
No Indoor Voice: Which makes the few times he isn't screaming (notably in Ghost of Sparta) rather surprising.
Nice Job Breaking It, Hero: By opening Pandora's box, he released the evil inside, which possessed the Olympians and turned them all into bastards.
Well moreso anyway since judging by the many atrocities of Greek Mythology, they were dicks beforehand.
Not So Different: Like Ares, Kratos was willing to do virtually anything for what he wants no matter how cruel his action or whom he has to hurt. In GOWII it is stated he has become worse than Ares ever was. By GOWIII even his concern for Sparta is thrown out the window as he does not spare it a thought despite knowing that killing gods is destroying the world.
The Oathbreaker: He broke his Blood Oath to forever serve Ares. Ascension reveals that The Furies captured and punished him for it, but he managed to escape and kill them.
Redemption Equals Death: Played with, at the end of III, he kills himself with the Blade of Olympus to release the power of Hope. It is up to the viewer to decide if this was to humanity and try to make up for destroying the world in his quest for revenge or just to spite Athena.
Redemption Rejection: In Chains of Olympus, he was forced to undo his redemption by embracing his monstrous self again when Persephone reveals her scheme to undo reality. The consequence is that he will never see Calliope again.
Regret Eating Me: In III, Cronos tries to finish him off by eating him alive. Kratos just cuts his way out with the Blade of Olympus.
Self-Made Orphan: Killed his mother after she was turned into a monster, then killed his father Zeus.
Shell-Shocked Veteran: He's constantly attacked by the memories of his campaigns through Greece and the only way he can cope with them is through battle. The reason why he allied with the Olympians in the first place was the hope that they would take them away. Since they promised they would forgive him, but not take the memories away if he killed Ares, this is what pisses him off. At the third game, Zeus attempted to use his memories to break Kratos' will through a Mind Rape and almost succeed with it.
Super Strength: Kratos has occasionally pushed down giant stone structures by himself, used large and heavy objects to bludgeon enemies to death, and regularly manhandles beings several orders of magnitude larger than himself.
Took a Level in Jerkass: Make no mistake, Kratos was never a nice person. But, as seen in Ascension, there was a time in which he still had some empathy for others. However, he gradually loses more and more of whatever standards he had left until, by the time by God Of War III, he has cast almost all of his moral concerns aside.
Undying Loyalty: Regarding Sparta. Kratos has shown dedication to their cause and almost fatherly concern for his fellow soldiers, particularly the Last Spartan. Unlike his predecessor, Kratos doesn't backstab his fellow Spartans or manipulate them like pawns. If anything, Kratos was lending Sparta a helping hand to their cause - it just so happened that the Spartans are very much a Blood Knight society, which (intentionally or otherwise) played into his hand of flipping the bird to the Olympians over what happened to his mother. Furthermore, Kratos only swears revenge on Zeus after he destroys all of the soldiers (from both sides of the conflict, no doubt) before his eyes.
Ironically, the destruction he causes by killing the gods would have destroyed Sparta. By then he is too far gone to give any thought to his actions.
Villain Protagonist: In the second game, Kratos cares almost nothing about anyone but himself, and leaves countless innocents to die in his wake.
To be fair, he is visibly outraged at the destruction of his home, Sparta and the countless deaths of it's soldiers.
War God: Was this for a short time as a reward from the Olympians for defeating Ares. However, he lost his god status when Zeus tricked him into giving up his god powers in exchange for the ability to use the Sword of Olympus against the Colossus of Rhodes.
What Have I Become?: Asks himself this at the end of Ghost of Sparta. Zeus/The Grave Digger answers with Death, The Destroyer of Worlds.
Weapon of Choice: The trusty Blades of Chaos, later replaced with the near-identical Blades of Athena, and, later still, with the Blades of Exile.
Would Hurt a Child/Wouldn't Hurt a Child: It's ambiguous as to which actually applies. Kratos killed his own daughter, but didn't do so intentionally, and later claimed that "a simple child will not trouble me" when Athena tells him that Pandora must be sacrificed in order to kill Zeus. However, when the time actually came to let Pandora die, Kratos couldn't bring himself to do so, and only released her into the flame to attack Zeus in a blind rage.
Tropes That Apply To Two Or More Gods:
Art Evolution: All of them save Athena and Ares are drastically different-looking from the original game to sequels.
Badass: Ares, Zeus, Poseidon, and Hades certainly qualify.
Fisher King: In III, every time Kratos kills one of them, their death causes something to happen to one of their dominions.
Flaming Hair: Ares. Hermes had this in his original design, but his appearance was tweaked between II and III to give him hair made of pure light.
Jerkass Gods: Many of them. The comic is reveals that in order to see which one of them was better, they forced their chosen champions to take part in the quest for Ambrosia... by plaguing their home-lands with disease, famine and plague. Being infected by the evils of Pandora's Box certainly didn't help.
The King of the Olympian Gods and father of several Gods and mortals, Kratos included. Zeus initially supports Kratos in his revenge against Ares, but later grows paranoid over the power Kratos obtains and betrays him.
Crazy-Prepared: Zeus figured one day a god would turn against him and he would have to either violate his decree forbidding the gods from battling one another or have a way for a mortal to kill a god. He left a path to Pandora's Box open when the maze was built a thousand years ago for this day.
It's implied he wasn't still completely benevolent before though, specially considering what he did to Prometheus.
Not completely benevolent, but at least somewhat benevolent, considering how he gave Kratos missions to kill monsters which made the mortals' life hard, and Ares, who almost destroyed Athens. And he did try hard to keep the evils inside Pandora's box forever sealed so they wouldn't corrupt him or anyone.
Hero Antagonist: His paranoia in the second game isn't entirely unjustified, or his fault, and his rule beats chaos, marginally. And in the third game, he's trying to kill Kratos while Kratos is causing untold destruction and death among mortals by killing the gods.
Hypocrite/Not So Different: Zeus seeks to destroy both Ares and Kratos for their excessive violence and interference in the mortal world, but personally destroys the armies of Sparta and Rhodes and then all of Sparta out of revenge against Kratos.
Kick the Dog: Like Kratos, Zeus tends to lash out for his own petty reasons.
Manipulative Bastard: In the GOW book, Zeus left a path open to Pandora's Box thousands of years ago knowing one day a god would turn against him and he would need a way to get around the decree forbidding the gods from fighting each other. Athena infers Zeus manipulated her into manipulating Kratos to kill Ares and for the latter to commit suicide to rid himself of both his problems.
Mind Rape: Attempts this on Kratos during their final battle. He tried to break him by forcing him to feel the pain and angst of those he killed during his rampage and if it wasn't for Pandora's soul, his mind would've been destroyed by his sheer overwhelming guilt.
Offing the Offspring: The reason why he antagonized Kratos was because he was paranoid that his son would overthrow him the way he overthrew his own father, Cronos.
Pet the Dog: In his guise as the gravedigger, giving Deimos and Callisto proper burials.
Albeit that could be seen as a twisted from of self-assuring his victory, by burying those prompted Kratos to rebel against him. And then he says ominously "Now, only one remains" and the camera shows a third, open grave, meant for Kratos.
Rousing Speech: Delivers one to the other gods before the second Titan War.
My brothers, we were forged in victory. A victory that ended the great war and brought forth the reign of Mt. Olympus. Born from the depths of the underworld. Rooted in the river of souls. Our mountain emerged out of the Chaos. As it grew, so to did the might of the Olympians. We created a world of peace, a world of prosperity, a world that lives in the shadow and safety of my mountain. A mountain that has come to be the absolute measure of strength and power. Now, on this day, that power is to be tested. The mortal Kratos, seeks to destroy all that I have wrought. Brothers, put aside the petty grievances that have splintered us for so long. We will unite. We will stand together. And I will wipe out this plague! OLYMPUS... WILL PREVAIL!!!
You will never be the Ruler of Olympus. The Cycle ends here.
Self-Fulfilling Prophecy: His attempt to off Kratos to prevent the recurring son-kills-father cycle and save his own hide did little more than give Kratos just the incentive he needed to kill Zeus and continue said cycle.
He barely even took notice when Athena sacrificed herself to save him. Arguably even worse than his betrayal of Gaia, as Athena was Zeus' own daughter.
Villainous Valor: Throughout the third game in particular Zeus is defending the world as it stands from Kratos' thoughtless and destructive actions. He's fighting for family, subjects, and arguably, given the consequences of the game up until that point, life itself; the only reason he's a villain is because Kratos is the player character.
The Goddess of Wisdom. Athena acts as one of Kratos's closest allies throughout the series, guiding him throughout his servitude to the Gods.
Voiced by: Carole Ruggier (God of War, God of War II), Erin Torpey (Chains of Olympus, God of War III, Ghost of Sparta)
Batman Gambit: Athena's plan for Kratos in God of War III to kill Zeus so she can take over as chief god.
Broken Pedestal: In the third game, she becomes just like the rest of the Gods and only manipulated Kratos in his quest for revenge, just so she could take over Olympus. Maybe subverted, since it was probably the evil of Pandora's box that corrupted her.
Manipulative Bitch: Due to her newfound lust for power, she manipulated Kratos' hatred for the Gods into killing them so that she could be the last God of Greece. Her plan ultimately failed, due to Kratos killing himself rather than letting her have the power of hope he had taken from Pandora's Box.
Morality Pet: One of few people Kratos has any respect for. Turned out she was no different from any other Gods after being corrupted by the evils of Pandora's box.
The Obi-Wan: She's probably the only God who treats Kratos with actual humanity and kindness, and she advises him. Subverted in the third game, when the curse of Pandora's Box has taken full grip.
The God of War himself. Ares was appealed to by Kratos and gave the young Spartan the power to fell his enemies in exchange for his servitude. However, he pulled a dirty trick on Kratos by making him kill his own family to shape him into the ultimate warrior. Kratos kills him in revenge and succeeds him as the new God of War.
Bigger Bad: For the whole series, even though he dies in the first one. His actions, based around the desire to overthrow Olympus, ultimately drive Kratos down the paths he takes; Kratos' own flaws play a role, but Ares leaned on them as hard as he could and set every destructive thing in motion that happens in the series. There's a reason the series is called GOD OF WAR instead of being named after Kratos.
The Starscream: As seen in the quote below, he did entertain the notion of dethroning Zeus. And, as Ascension revealed, it was his whole plan all along.
Take Over the World: In Ascension, it was revealed that Ares always wanted to take over and possibly destroy Olympus. That's why he wanted Kratos to be the perfect warrior; so he could do it for him, since the gods were forbidden from fighting one another.
War God: The ultimate and the most known example, and he lives up to the title when he attacks Athens.
Affably Evil: "Evil" is pushing it, but Hades acts remarkably polite to Kratos, albeit in a rather sarcastic fashion, despite utterly despising the Spartan and wanting to kill him.
Ambiguously Evil: Hades never actually goes against Kratos without a good reason. Even after being infected by the evils of Pandora's Box, he still has a good reason (several, by that point) to want Kratos dead.
Duel Boss: A brief segment of his battle has both Kratos' and Hades' left chains get tangled up; rather than try and back off to get untangled they start swinging their right-hand weapons at each other while trying to tug the other into the chasm between them.
Everybody Hates Hades: The makers attempt to avert it, by giving Hades some actually sympathetic motivation on his hatred on Kratos, and by portray him as a grieving loving husband, as well as the implication at the end of the game that it's the dark powers of Pandora's Box that made him a sadistic monster.
The game's visits to Hades and Tartarus, as well as Persephone hating her marriage so much she wants to kill herself and take the world down with her, hint that Hades was a major d-bag before the evils of the world possessed him. Then again, Persephone was rather haughty, and the aesthetics of the Underworld can be just Dark Is Not Evil.
Evil Uncle: Subverted; He's still loyal to Zeus, and Kratos ain't much the nephew of the year either. Actually, Kratos' willingness to kill his own family is the reason why Hades hates him to the core.
Face of a Thug: Despite his demonic appearance, Hades is one of the more reasonable Gods even after being infected via Pandora's Box.
Kratos, so glad you could carve out some time for us! You know, we need it... Oh, the memories, they're overwhelming really. Let's see. How many sins have you committed against me? Oh, that's right, you murdered my niece, Athena. And what else? What else?! Ah, and you killed my brother, Poseidon. And I have not forgotten that it was you who butchered my beautiful queen! I will see you suffer as I have suffered. Your soul is MINE!!!
Red Oni, Blue Oni: The blue to Kratos' red. Also note that they share similar weapons and fighting styles, but of opposing colors (red for Kratos, blue for Hades).
Stout Strength: Hades has quite a gut, but he still gives Kratos one hell of a fight.
The Cameo: Hades has his own stage in PlayStation All-Stars Battle Royale, where he overlooks the players as they fight, laughing at times. At times he will slam his Claws into the ground, stunning any player caught in the blast radius. Then... his stage is invaded by Patapons, which begin to attack him... and despite Hades' efforts to dispatch them, they kill him.
Only Sane Man: It seemed that he was the only one who wasn't possessed by the evils of Pandora's box. His notes indicate that he investigated Zeus' actions, concluding that Zeus is no longer the brother he once knew.
Granted, it's also possible he was possessed by the evil of Wrath, considering how awful he was towards the young woman Kratos happens upon. But then, this being Greek mythology, it's kinda hard to figure out where the line is on "general Greek God douchebaggery" and "EXTREME Greek God douchebaggery, seasoned with EVIL".
Pet the Dog: According to his notes, he genuinely cared for the slave girl in his quarters.
Ambiguously Evil: Helios is one of the few gods without a good reason to hate Kratos and all in all he is one of the nicer gods. He still tries to defend Olympus and by extension the world from Kratos' destructive rampage.
Blatant Lies: In an attempt to save himself from Kratos in III, he lies and says that he has to step into the Flame of Olympus to receive its power. Having already been told by Hephaestus that touching the Flame means instant death, Kratos doesn't buy it for a second.
Helios: And you believe him?! That freak has fallen from the graces of Olympus! Kratos: That is exactly why I believe him.
Light Is Good/Light Is Not Good: Played with. He himself is as arrogant as the average god (except for a brief Pet the Dog moment in the prequel where he feels sorry for Kratos), but his absence means the sky will be covered by dark clouds. After Kratos kills himself and releases Hope into the world, Helios might not be necessary anymore.
The messenger of the Olympains, faster than any mortal.
Voiced by: Greg Ellis
Ambiguously Evil: A bit of a jerk, but everything he says about Kratos is true and like some of the others he is defending his home from an attack by a madman. Oh, and Kratos killed his son giving Hermes a legitimate reason to hate Kratos.
Dirty Coward: Subverted; he knows full well that he doesn't stand a chance against Kratos in close combat, and so attempts to use the chaotic environment around Olympus to kill him. It didn't end up as he planned. When he knew he couldn't run away any longer, he took a Last Stand against Kratos.
Hannibal Lecture: When he was at Kratos' mercy, he mocked Kratos about his "sense of honor" and how it had given him nothing but "nightmares of your failures". Kratos didn't seem to give it much, but later it turned out it had some effects on Kratos' mind regarding on his conscience.
Uriah Gambit: He attempted to use this card on Kratos during the middlegame. Fearing for Pandora's life, he sent Kratos to Tartarus to find the Omphalos Stone, without telling him that Cronos had it, and that he now had a grudge on Kratos since he tried to kill Gaia.
The Goddess of Love and Hephaestus's very unfaithful wife.
Voiced by: Carole Ruggier (God of War), April Stewart (God of War III)
Anything That Moves: Apparently she's making love with her handmaidens only because no men are available (the bridges to her chamber are broken). In fact, when Kratos approaches, she quickly disbands her lovers and attempt to seduce him.
Bi the Way: She regularly cheats on Hephaestus, having threesomes with her slavegirls.
Dissonant Serenity: Not really her (she's a goddess after all, she can handle things) but her apparently human slavegirls: the very world is crumbling in ruin around them outside, but they only think of "Sandwiching" their lady".
Full-Frontal Assault: Has a boob window on her shirt which gives a very good view of her breasts, same goes for her maidens.
Gainaxing: A little when she moves. Justified, as she clearly wears no bra. Also her dark-skinned maiden, who can achieve this just by breathing.
Hot Coffee Minigame: In III. Unlike in other games (where the focus point during the button mash is an innocuous piece of scenery), this one has the focus on her slavegirls feeling each other up and saying that it's not for kids.
Sole Survivor: You might have a slight Oh, Crap moment when you realize that the only deity left on Olympus (among those mentioned in the series, save for Artemis) has only one thing on her mind. Then again, it's better not to imagine what would have happened if Kratos had killed the goddess of love.
"The Reason You Suck" Speech: Delivers one to Kratos when he gives up his powers to enter the Elysian Fields and be with Calliope, calling him an idiot for not realizing that without his powers, he can't save the world and everyone will be destroyed.
Papa Wolf: Swears revenge when Kratos kills his daughter, Erinys.
Sadly Mythtaken: Not a terrible example, but Thanatos was the god of peaceful death(though considering how his being tied up prevented Ares from killing anyone Thanatos technically embodies all death including violent death while the Keres deal in death by blood loss and not other forms of death by violence). Moros, the personification/god of doom more fits Thanatos' characterization of a being feared by all.
Kick the Dog: She interrogates one unfortunate Spartan about the whereabouts of Kratos. And after he tells her what he knows (which is that he has no clue), she gruesomely disembowels him with her bare hands.
Well-Intentioned Extremist -> Knight Templar: She definitely becomes this by the end of the third game, when the war scarred the world too bad for her to handle. It wasn't better that she survived a murder attempt by Kratos and had to climb the whole of Mount Olympus again.
Womb Level: Kratos navigates the inside of his back, and uses one of his vertebrae as a platform to navigate through his back and shoulder.
The King of the Titans and father of Zeus and several other Olympians, the rest of whom he devoured to keep them from overthrowing him; of course, he was overthrown anyway. Cronos is initially condemned to carrying the Temple of Pandora housing Pandora's Box, and is later sent to Tartarus to carry out the rest of his punishment.
Voiced by: Lloyd Sherr (God of War II), George Ball (God of War III)
Fingore: One of his fingernails is torn off completely.
Huge Guy, Tiny Girl: It's not exactly clear how Cronos and Rhea were able to procreate, considering he's roughly a thousand times larger than her. But this is consistent with Greek mythology, which did not overly concern itself with little details like whether sex between two beings was physically possible.
Hypocrite: Cronos calls Kratos a "coward who kills his own kin" even though Cronos himself ate his own children out of fear that they would overthrow him.
The son of Zeus and thus Kratos's brother. Hercules harbors great jealousy towards Kratos for all the attention he gets.
Voiced by: Kevin Sorbo
Adaptational Villainy: This isn't the usually good/noble-natured Hercules you're used to. In fact, this may be one of few stories to portray Hercules in a rather negative light. Though he was probably affected with the evil Envy. Considering Zeus did more for Kratos than he ever did for Hercules, he has his reasons. Still, the evil seems to make him ignore that Zeus is a bastard who tormented Kratos, so it's possibly a case of a Brainwashed and Crazy situation.
Almighty Janitor: Acknowledges that this is what he was in the grand scheme of things and is really resentful over it.
While I was stuck cleaning the Augean Stables, he chose you to destroy Ares. (Kratos raises an eyebrow) Not convinced? How about this: while you were being crowned the God of War, I was sent to find an apple. (Hera laughs) They called them "Labors". Hah! Perhaps he did allow me to kill the Nemean Lion, but he made your name known amongst the people. A fierce warrior. A killer made hero. A man made a god.
Evil Gloating: He knocks Kratos out, then turns around and boasts to Hera about his "victory", allowing Kratos to recover and retaliate.
Flunky Boss: He brings Undead Legionnaires into his battle with Kratos.
The Giant: Kratos is a pretty big guy (somewhere between 6'4 and 6'6), but Herc is easily three or four feet taller.
Genius Bruiser: At least he knows how to use proper military tactics against Kratos.
Good Scars, Evil Scars: His torso is covered with claw-marks, presumably from his struggle against the Nemean Lion.
Come forward. Let us finally see which one of us is the greatest warrior in all of Greece!
A hero who seeks the help of the Sisters of Fates to rescue his love.
Voiced by: Harry Hamlin
Ascended Extra: Becomes a playable character in the multiplayer mode of Ascension, albeit with brand new, impossibly cool armor and helmet.
Boss Arena Idiocy: Fights Kratos in a room with a giant pool of water, which limits the advantage provided by his Helm of Invisibility. In fairness, he was trapped and didn't choose the location of their fight, so it isn't idiocy on his part, just circumstances.
Smug Super: Certainly has an inflated opinion of himself.
No! That door was my only escape! I have faced test after test in search of the Sisters. And now you have dashed it all away! You certainly do not live up to your reputation, Ghost of Sparta! But... perhaps this is a test. Are you watching me now, Sisters!? Give me a sign! Am I, the great Perseus, to kill this fallen god to recieve an audience with you? Will that allow me to bring my love back from the grasp of Hades himself!? If not, at least I can bathe in the glory of bringing down the mighty Kratos, the slayer of gods... Although I hardly think a harpie's fool such as yourself deserves such praise.
Badass Boast: Though she probably would have won if she hadn't blabbed her plan.
We control your destiny, foolish mortal! With our weaving, we can end your life! Or allow you to remain. Search your memory, Kratos. The sword which you stand on delivered your victory against Ares. Without it, you will be the one who dies this day. Not Ares! We can change your past and set your future! This is the power of the Fates!
Only Sane Woman: She seems to be the only sister who was against Lahkesis' decision to let Kratos waltz into their palace and the only one who seems to be actually concerned about the world if Kratos wins.
Tropes That Apply To The Furies In General
Blue and Orange Morality: One of the notes from the Scribe of Hecatonchires states that the Furies "follow their own view of right and wrong."
Doomed by Canon: Not surprising, given that they're the main antagonists in a prequel.
Lawful Stupid: All of them are ridiculously obsessed in imposing blood oaths, regardless of the morality of breaking them or their own survival. Subverted, the real reason they are enforcing Kratos' oath to Ares is because they are working with Ares to bring down Olympus, and Kratos is a crucial part of the plan.
One-Winged Angel: Turns into a giant Kraken-like monster during the final boss battle. This form is often confused with Charybdis, but there's nothing in the game to confirm the relation between the two.
Shapeshifter Guilt Trip: Briefly takes on the form of Kratos' wife Lysandra when he has the upper hand. Kratos hesitates for a brief moment before brushing it off and continuing his assault.
The deity of oaths. He is the son of Ares and the Furies, as an attempt to create "the perfect warrior". Born "weak", he was rejected by his father, but accepted by his mothers and given his position, which he served diligently until he saw the injustice in Kratos' oath.
Abusive Parents: While not actively abusive, Ares conceived him with Alecto with the sole intent of creating a perfect warrior to support his Evil Plan to overthrow Olympus, only to disown him when Orkos turned out to be a disappointment. Likewise, the Furies manipulated him into aiding their work in punishing traitors and oathbreakers, only to imprison and presumably torture him when he turned on them to help Kratos.
Body Horror: Has several open, gaping wounds on his chest
Morality Chain: Thanks to her, Kratos began to develop empathy for his fellow man and remorse for the things he had done, and not just the murder of his family. Mankind had use of it later when Kratos gave them the power of hope by killing himself.
Kratos...murderer of children. I know this! I am aware of the misery you have brought upon my brood! ...Ruthlessly cutting down my line; your hands wear their blood. Praise to the Sisters! For on this day, Kratos... You will meet your end!
One of the Hecatonchires, or one hundred-armed giants. Having once sworn a blood oath to Zeus and them betrayed him, the Furies hunted him down and transformed his body into a living prison for those who followed his example.
And I Must Scream: Holy mother of God. For starters, when he broke his oath to Zeus, the Furies hunted him down and put him through the mother of all Fates Worse than Death: having his body hollowed out and turned into a giant prison for those who followed his example. And then Megaera uses her parasites to infest different parts of his body and turn them into monsters to fight Kratos. Judging by the way his eyes are moving when Megaera infests his head, he's still alive and fully conscious through it all.
Body Horror: His entire body was hollowed out and converted into the Prison of the Damned. On top of that, while fighting Kratos, Megaera uses her Puppeteer Parasites to infest two of his arms, as well as his face, converting them into giant bug monsters under her control.
Unwitting Pawn: Zeus promised to reunite him with his son if he built the Labyrinth, but Icarus was already dead and Zeus had no intention of bringing him back.
Voiced by: Erin Matthews
Gory Discretion Shot: Kratos forces her to hold open a gate for him, but she gets squashed and killed by the crank right after he gets through (though you can easily backtrack to see her body lying in a pool of blood).
Made a Slave: She was originally Poseidon's girlfriend, but a note of apology from him explains that the chains and bars were to keep Zeus from molesting her while he wasn't around.
Evil? It is not evil that I bring, Spartan. I bring the might of Persia and the sacrament of purification. As we speak, my Basilisk cleanses this land so that it may embrace the glory of the Persian Empire.
Oh, Crap: No doubt those very words were running through his head as Kratos, just having defeating the lion he sicced on him, began walking towards him with more-than-obvious murderous intent.
Too Dumb to Live: The fact that he tried to have Kratos killed isn't what qualifies him for this trope (as much). It's the fact that he believed that Ares, whom Kratos had already killed, was helping him out via divine influence the whole time.
Kratos's brother who was kidnapped by Ares after being mistaken for the one who would bring ruin to Olympus. He had hoped to be saved by Kratos, but that hope turned into hatred for his brother when he didn't come.
Voiced by: Elijah Wood (God of War III), Mark Deklin (Ghost of Sparta), Bridger Zadina (Ghost of Sparta - young)
The Gemini Twins who take on a grotesque Siamese-twin depiction in God of War Ascension, they are the prophets of the Time Oracle Alethia, but they have stolen her urn and the power that comes with it and now rule over her temple.
Adaptational Villainy: In the original Mythology, they were heroes who protected sailors and turned the weather in favour of those who made the appropriate sacrifice. In this, they are dictator-like prophets who stole authority from the Oracle whose temple they reside in, and they attempt to kill Kratos when he tries to force his way to the Oracle. Last but not least, they keep hapless slaves around the place whom they bully regularly.
Body Horror: Pollux is a severely atrophied man, conjoined to Castor's torso. Also, whilst the twins are very old (at least 80 something), they compensate for their age-induced unfitness when preparing to fight Kratos by using Oracle Alethia's time urn on themselves, causing them to graphically revert back to their more physically fit youth (probably 20s-30s)
Disproportionate Retribution: When one of the slaves politely explains why he and the other slaves are struggling with their immense labour work:
Castor: YOU HAVE NOT BEEN ASKED TO SPEAK!!! (Murders the slave with his staff)
The Giant: Castor is according to the Wiki for God of War roughly 8'8" tall, compared to Kratos' around 6'4". It's quite obvious, seeing as Kratos is roughly only up to his abdomen. And he's still not quite as tall as Hercules.
Hypocritical Humor: Castor taunts Kratos by calling him an "arrogant fool", even though he's the one snobbishly accepting sacrifice for people who wish to see the Oracle and bullying his slaves.
I Was Quite a Looker: Castor proves this to us when he uses the oracle's time urn on himself and his brother, making them younger and Castor looks vaguely similar to the God of War universe's Perseus.
Jerkass: Castor at least, with the aforementioned Disproportionate Retribution, among other obvious mistreatment of all their slaves, who are obviously doing the best they can.
Castor: Worthless lot, pathetic! Every last one of them.
Made of Iron: Pollux survives being graphically torn from his twin and then falling a mile, only dying when Kratos curb-stomps him. (Whilst Castor, the BIG, HEALTHY twin dies immediately from the fall.)
Comic Book Characters
A monstruous, overgrown spider sent by someone (possibly the Olympians) in order to stop Kratos on his second trip to the secret Island where Ambrosia was kept. She's slain by the Spartan.