Characters: For Better or for Worse

This is a list of characters in the comic strip For Better or for Worse by Lynn Johnston.

Elly Patterson

The matriarch of the Patterson family and the main character. She started out as a frustrated housewife who, in a break from the media conventions of the day, did not like housework or raising children at all well- Elly would grow impatient with her bratty children. Her yearning for a greater role in society than "Anonymous Drone Housewife Who Everyone Takes For Granted" informed the early era of the strip while her anxiety about how her children's lives were going informed the latter. She tends to be the "Voice of Reason" as time goes on, usually to her female friends. Based off of creator Lynn Johnston, and meant to reflect the havoc and difficulty of being a homemaker.
  • Audience Surrogate: Was this for the housewives that were the early target audience for the strip, and the 50-something women with adult children reading by the strip's end.
  • Author Avatar: Of Lynn Johnston. She drew Elly as a mild pastiche of her own appearance, and copied some of her personality traits — even the ones she confessed were unfortunate (being a bit too chatty, butting in on others' business, and often doling out punishment that could be rather unfair).
  • Berserk Button: Elly has a short fuse, and is quick to take harmless remarks or jabs personally. Since John likes to push her buttons with snarky asides, and her kids are extremely-bratty in their youth, Elly's dealing with the havoc in her home life is a defining part of the early years of the strip. She grew a lot calmer and more trusting as time went on.
  • Born in the Wrong Century: Elly is terrified of having to deal with computers- her lack of patience causes issues.
  • Can't Take Criticism: Elly would frequently get angry at John if he tried to offer criticism- she'd mope and glower if others did as well.
  • Closer to Earth: Averted — John is actually a little wiser at times.
  • Cordon Bleugh Chef: Elly spends a lot of time slaving over a hot oven cooking heavy, salty, indigestible stews and casseroles because she thinks that she's showing her creative side. Her family does not appreciate this culinary atrocities.
  • Daddy's Girl: Adores her father, and helps him come to terms when his wife (her mother) dies. She's still protective of him as time goes on.
  • Desperately Looking for a Purpose in Life: Elly's driving passion, really. She hates the idea that all she's ever going to be thought of as is just another anonymous, underappreciated housewife when she's sure that she was meant to make a bigger mark. She often interjects into public projects, the library and other things.
  • Drama Queen: One of the recurring images in the strip is Elly bellowing at the top of her lungs and jabbing her finger in the air for emphasis about how little her family appreciates her. Her frequently-bratty children and her more snarky husband both rub her the wrong way. She settles down a lot with age.
  • Felony Misdemeanor: One of the less palatable of her antics was when she exploded in a blind rage at April for DARING to calmly and politely tell her that she had put her homework away before coming down to eat dinner.
  • Gossipy Hens: Acts like this even in her twenties. Many a strip features her gabbing with one of her neighbors, generally about her other neighbors. Word of God confirms this is something that happened in all of her hometowns — nobody wanted to miss out on the gossip, because then they'd be the one gossipped about!
  • Hair-Trigger Temper: Despite promoting herself as being a loving and patient mother, Elly's rages tended towards the volcanic, especially in the earlier years of the strip.
  • Horrible Judge of Character: Elly tends to take her children's misbehavior excessively-personally, and defended the sincerity and moral goodness of someone who was stealing from her — a co-worker had to fire her when Elly went on vacation.
  • I Want Grandkids: Doesn't actually give her children this treatment, but has a very pronounced love for her grandchildren, frequently travelling to help Deanna with their care.
  • My Beloved Smother: She seems to be convinced that her endless nagging and lecturing was necessary and good. Most of her children end up living extremely close to home, and seem rather dependent on her, even after they have children of their own.
  • Parental Obliviousness: Her kids get up to a lot of mischief when she isn't paying attention — April nearly died because she snuck off and fell in a river while Elly was yakking about a vacation to her friends.
  • Rant-Inducing Slight: Given her hair-trigger temper, it doesn't take much to make Elly turn into a frothing-at-the-mouth lunatic screaming about some made-up offense.
  • Self-Inflicted Hell: Elly enjoys the idea of children, as most "good" women in the strip do — of course, the kids end up causing her no end of grief once they're born...
  • Teens Are Monsters: The title of one of the collections was She's turning into one of THEM, refering to April becoming a teenager. The image was of April dressed in weird clothing, without actually doing anything particularly awful.
  • The Unapologetic: Even when Elly knows that she's made errors in judgment, she prefers to stay silent rather than apologize.
  • You Can Panic Now: She tends to come up with some rather glaring leaps in logic. The most gnawing example of this was when she misinterpreted Mike's wanting to dress up as Adam Ant for Halloween as his turning his back on love, happiness and kindness because of the atom bomb.

John Patterson

Elly's husband; a successful dentist. Frequently doesn't "get" women, and a running gag is that he'll poke fun at something his wife did, resulting in her getting angry at him. Also spends a lot of time napping after work. However, he's generally a good provider, is rather supportive of his family's amibitions, and acts as a voice of reason. Later has a bit of a mid-life crisis, and develops an obsession with trains. Kind of moves away from prominence in the strip as time goes on. Based off of Lynn's then-husband, also a train-loving dentist.
  • Aesop Amnesia: John is constantly having to relearn that Elly feels unappreciated and that his children aren't space Nazis who are plotting to ruin him.
  • Appeal to Worse Problems: He loves shutting down his children's attempts to make him care about their problems by talking about starving refugees.
  • Berserk Button: Rather calm in the face of his children's misbehavior, but tends to reach his breaking point if he's had a rough day at the office.
  • Depraved Dentist: Averted. John is actually one of the more positive portrayals of the profession (Rod Johnston is a dentist in real life), and generally has to deal with all of the crazies and loons who have to come into his practice. It's actually a plot point in the strip that John feels hurt and offended when people break into diatribes about how much they hate dentists (Rod actually felt this as well).
  • Flanderization: John develops a love for model trains, like his real-life basis. Eventually, most of his jokes and stories would involve trains and complicated sets for them.
  • Real Life Writes the Plot: Used and averted. Rod Johnston is actually a dentist with a love for model trains (he actually had a ride-able scale model built around the family home). But Lynn carefully points out in some of the commentary that "Rod would never say this" if John says something particularly hurtful — she was creating conflict for the strip.

Michael Patterson

The eldest of John and Elly's three children. Starts out the strip as a very rambunctious little boy, but grows into a mature young man — if a bit overly-obsessed with his work. He becomes a very-successful writer, and ends up having two children of his own with a girl he knew (and feuded with) as a child.
  • Aesop Amnesia: Mike is constantly learning AND forgetting that other people's feelings matter as much to them as his do to him.
  • Callousness Towards Emergency: Upon coming on the scene of the accident that led to his reunion with Deanna, Mike made an ugly fool of himself complaining about the paramedics ruining his shot by getting in the way just because they were trying to save a young woman's life.
  • Cloudcuckoolander: Can be a bit overly-focused on his work.
  • Drama Queen: An extremely-theatrical child. Asking him to do anything that he isn't interested in doing always results in disgusting yowling about how nooooooooooobody loves him and how everyone loves Lizzie better and so on and so forth.
  • Generation Xerox: Michael takes after his mother, but unlike her, pursued his more artistic self. Also, ends up having a pair of children, one of each gender, like his parents in the early days of the strip. And then finally moves back into his childhood home.
  • Informed Ability: Everyone and his dog will gladly tell you that he's a gifted writer. Actual excerpts of the writing on the official website for the strip reveal that his skills are... not quite that great.
  • Real Life Writes the Plot: Averted. Michael's basis (Lynn's young son) was occasionally scolded by complete strangers for being "such a handful", when he was a lot calmer than Michael was. He also did not grow up to be a reporter nor a writer — he jokes in one documentary that his mom basically suggested he become a reporter, and when he declined, she simply wrote that trait into Michael.
  • The Resenter: Resents a lot of the attention little Lizzie got in the early years. Grew to just playfully make fun of "Lizard-Breathe" in his teen years.
  • Sibling Rivalry: He and Lizzie fought like two rats in a barrel when they were younger, often competing for attention, or just picking on each other because they were bored.
  • Too Dumb to Live: We are dealing with a man who, upon escaping a house fire, charged back into a burning building to rescue a laptop despite having a back-up copy of his important files at his place of work.

Elizabeth Patterson

The rather moody middle child of the family. Started life as a bratty young girl, constantly feuding with her older brother, and turned into a bit of an awkward teen with big glasses and a dorky boyfriend. She grew up a lot more glamorous, and started living a bit of an adventurous, exciting life, causing a lot of the strip's fanbase to identify with her character. Unfortunately, they did a "Nerd Gets the Girl" storyline with her, irritating said fanbase, leading to the strip being overwhelmed by what Lynn calls "The Snarkers". Eventually settles down with and marries a big dork.
  • Audience Surrogate: Kind of became this as time went on, though not really deliberately — the female fanbase of the strip really identified with her attempts to form an identity Post-College, and her travels around with exciting career choices and handsome men following her around. Unfortunately, she re-started a relationship with a dork, which is what set off the "Hatedom" of the strip.
  • Captain Oblivious: Her friends actually had to sit her down and explain to her that the reason Anthony kept following her around is that he had a sloppy, embarrassing crush on her that everyone but her saw.
  • Generation Xerox: An odd example — marries a man very similar to her own father.
  • Real Life Writes the Plot: Averted, like most of the cast. Lynn Johnston desperately wanted grandchildren, and her kids at the time had none. And so Michael had two, and Elizabeth very quickly became a lot more family-oriented, and was revealed to have given birth in the final strip (her basis finally did breed, to Lynn's joy).

April Patterson

The youngest of the family, and the only child to be born during the course of the strip. Starts out as a standard baby, becomes a bit brattier with age, and turns into more of a "modern teen" with time.
  • Cast Show Off: Well, it's a comic strip, but sort of. Most of her running plots after a point are based around her music, and her small group of friends who perform in a band.

Deanna Patterson

Mike's long-suffering wife whom he had a sloppy, embarrassing crush on in the fifth grade and whom he reunited with after a car accident.
  • Hypocritical Humor: One of the more annoying of her traits is her wondrous capacity for not being able to take what she dishes out. At one point, she smugly listed every little tiny thing about Mike that annoyed her only to go into a crying jag when he pointed out that she was tone deaf.
  • Mommy Issues: Deanna seems to be convinced that her mother is a domineering social climber who thinks that she has to run everything and who never listens to her children. The reason that this is kind of pathetic is that she says that this is not the case with Elly.

Anthony Caine

The rather bland, boring, unambitious man that Liz eventually married. Given that his ambition is to eventually open a bed and breakfast, John and Elly love him to bits because he's so plain and "stable", going into frequent bouts of shilling the guy. Pretty much the whole reason the strip's online fanbase turned to snarking on it.
  • Give Geeks a Chance: Elizabeth did. The fans did not. It didn't help that Johnston didn't really see Anthony as the nerd the readers saw him as.
  • Lack of Empathy: When it became obvious that his first wife was crippled by post-partum depression, Anthony treated her like a leper because she didn't turn into Suzy Homemaker like television said she would. This led to problems.