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Central Theme: Comic Books
  • 300: No one man is above anyone else.
  • All Fall Down: Bad things happen. You deal with them, because they're not just going to fix themselves.
  • Astro City: The ordinariness of the extraordinary.
  • Avengers Academy: Choosing to do the right thing, even if other options are easier.
    • Also, acknowledging and learning from past tragedies without letting them define you.
  • The three different series of Batgirl each have three different overarching themes:
    • The 2000-2006 series featuring Cassandra Cain is about innocence and redemption; specifically, about how innocence can be corrupted and what is required to redeem someone for the wrongs they've done in the past.
    • The 2009-2011 series featuring Stephanie Brown is about heroism, and what it takes to be a hero even if no one else thinks you're capable of it.
    • The post New 52 series (2011-present) featuring Barbara Gordon is about healing the wounds of the past, whether physical, emotional or psychological.
  • Batman: How the traumas of the past affect the choices we make, and thus how they shape us into the people we are in the present.
    • In particular, practically every member of Batman's Rogue's Gallery either reflects a part of Batman himself and/or like him has an over-arching trauma that has shaped their lives ever since — except where he has used his trauma to make himself a better man by defending the innocent to try and prevent what happened to him from happening to others, they have succumbed to despair and evil and use their traumas as an excuse to hurt others.
  • The Boys: The pathetic inadequacies of superheroes and the futility of relying on them (both in-universe and, in a meta-sense, as wish-fulfillment figures) to solve the problems of a complex world.
    • Alternatively, horrible ways in which corporate greed destroys everything by applying half-baked, poorly put together, but easily marketable and profitable solutions to complex problems and using corruption to make them first choice options instead of something that would actually work.
  • Captain America: Is truth, justice and the American way old-fashioned?
  • The Dark Knight Returns: To bring justice, do you have to operate outside the law, or become enslaved by it?
  • Doctor Strange - The self-defeating nature of Pride and superiority of knowledge and wits over raw power.
  • Warren Ellis' run on DV8: A really dark take on Power of Friendship - World is a harsh place you won't survive in without real friends.
  • Fantastic Four: The nature of family.
    • Also the sheer bizarre wonderfulness of the universe and the dangers — and opportunities — that exploring it can hold.
  • Flex Mentallo: Don't throw away things you love because they are seen as immature, silly or stupid.
  • From Hell: The fundamental interconnections that exist between everything and everyone, and how a serial killer is both a product of society and culture as a whole and something which goes on to shape that society further.
  • The work of Geoff Johns frequently revolves around themes such as family, managing your emotions and finding your place in the world, with the theme corresponding to the overall motif or theme of the character(s) he's writing for. For example:
    • His Green Lantern run spanning pre- and post-New52 revolves around overcoming fear and accepting your emotions.
    • His Justice Society of America run focuses on family.
    • His The Flash run explores the character's need to 'slow down' (i.e. take time out every now and again).
    • His Aquaman run looks at what it is to be an outsider
  • Global Frequency: The extraordinary things that ordinary people can do if given the chance and resources to do them. Also, how no skill or ability is truly worthless, and how even the most seemingly trivial or obscure forms of knowledge can, if applied in the correct setting, do amazing things.
  • Incredible Hercules: What does it really mean to be a god?
  • Irredeemable: How far a man has to go to become truly irredeemable?
  • Journey into Mystery, Kieron Gillen run: Is true change really possible? Or do all things have to revert to their former state sooner or later?
  • Judge Dredd: The law, no matter how harsh, really is there for your protection.
    • Alternatively, the extremes that unthinking, unyielding and over-oppressive fascist law-enforcement can go to... and the kind of society that would need this kind of law-enforcement in order to function.
  • Kingdom Come: What exactly are the differences between the The Cape and the Nineties Anti-Hero?
  • The League of Extraordinary Gentlemen: The ugliness that can be found lurking under the skin of popular culture and, by extension, civilization itself.
  • Loki: Agent of Asgard: How truth can hurt and be used as a weapon.
  • The Killing Joke: One bad day can drive a normal man to madness, but we have the choice to stay sane when confronted with tragedy and suffering.
  • Lex Luthor: Man of Steel: Might even a monster be convinced he's the hero of his own story?
  • Nemesis the Warlock: Humans can be bastards, but don't have to be.
  • Nextwave: When the world is completely insane, the only way to handle it is to go a bit mad yourself.
  • Planetary: The world is wonderful and we should do everything we can to stop anyone who wants to make it mundane and boring.
  • Phonogram: How art influences, inspires and changes but sometimes also destroys it's consumers.
  • Preacher: God Is Evil. Why else would the world be like this?
  • Rogue Trooper: War Is Hell
  • Runaways: Creating your own family.
  • The Sandman: All things change, all things end. Neither of these is terrible. And there is always more to everything (and everyone) than you expect.
  • Scott Pilgrim: Fighting for the one you love.
    • On a more serious note, learning from the mistakes of your past, accepting your flaws and becoming a better person instead of repeating the same mistakes all over again.
  • Spider-Man: With great power comes great responsibility; what it means to have power and to use it in a socially and morally responsible way.
    • This theme can be said to apply, to varying degrees, to almost any superhero story in some shape or form.
  • Superman: What it means to be a hero, a good person and an inspiration to others — and how these three qualities are not necessarily the same.
  • Transmetropolitan: The ways in which societies remain the same even in the face of inconceivable and massive-scale technological advancement, particularly with regards to social and political corruption, greed, prejudice, class systems and apathy.
    • And, by Word of God, the idea that it will always be the people willing to stand up and raise their voices who will change society.
  • V for Vendetta: What does it mean to have freedom? What price is it worth?
  • Watchmen:
    • What kind of person would dress up in a costume and beat up bad guys, and what would the world be like if they did so?
    • You don't need to be super to be a hero.
    • Also, explicitly: "Who watches the Watchmen?" (Who protects the people who protect us? And if they go wrong, how will we know, and who'll protect us from them?)
    • The choice between living without morals and letting your morals define you, and the inevitable pitfalls that come with both choices.
  • The Wicked And The Divine: Accodring to Word of God, the relationship between art and its creator, how choices and compromises artists make influence their creations, their audience and their very lives.
  • Wonder Woman: The conflict between the desire for peace and how it may be sometimes necessary to fight in order to ensure it.
  • X-Men - Choosing to do the right thing, even when faced with prejudice and injustice. More specifically, having to choose between using your abilities to help mankind and using them to rebel against an oppressive establishment.
    • New X-Men: Academy X: People and their rivals probably are Not So Different as they would like to belive.
      • Craig Kyle and Chris Yost's run: Innocence Lost, especially loss of trust in your idols and authorities.
    • X-Men: Legacy vol.2 (Legion's book): Are you really in control of your life? Or are you controlled by your past burdens and people around you?

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