- The Phantom of the Opera - Although the Phantom has the previous day dropped a heavy backcloth on the Opera House's Prima Donna, the managers still think it's be a really great idea to completely ignore his demands that Christine is cast, and instead choose a singer who is much inferior to her. The Phantom promises that "if these demands are not met, a disaster beyond your imagination will occur." Let's just say these aren't empty words...
- They do wise up by the second act, however, when the Phantom crashes the Masquerade Ball and says, in effect, "Hey, here's the score for this opera I just wrote; I think you guys will know what to do with it. Oh yeah, that Falling Chandelier of Doom a few months back? That was me being nice." The managers, albeit very reluctantly, realize open defiance is not the safest of options.
- Cyrano de Bergerac: The people in this list know the guy who they are bullying is dangerous, but they did not care. Christian ends well, but the others...
Ho! he must rage at me! The end hit home… Listen!
- Act I Scene II, Ligniere brags about his song, where he exposes the persecution of Roxane by De Guiche. Ligniere himself admits De Guiche is a powerful noble who is wedded to the niece of Richelieu.
- Act I, Scene IV. A bore bluntly mentions Cyrano that he cannot pretend to humiliate Montfleury, an actor protected by the Duke of Candale, and not to have himself a protector.
- Act I, Scene IV. After seeing Cyrano dealt with the bore, De Valvert mentions Cyrano nose.
- Act II Scene IX. After some comments about Cyrano’s murdering ways by the cadets, Christian makes a Hurricane of Puns about Cyrano’s nose.