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The original series movies in particular were known for creating absolutely classic themes. Just a short selection of First Gundam themes include:
Soldiers of Sorrow has become quite iconic and has been covered by several people, including:
And of course, Here Comes Char!
About "Here Comes Char", the song's lyrics are open to some Alternate Character Interpretation which makes it outright hilarious if you think of it as being sung by someone who got owned by Char.
Andrew W. K. also did a suitably awesome English version of Here Comes Char!.
This rendition of " Tobe Gundam" for the 30th Anniversary symphonic suite makes the classic opening song even more epic.
The very aptly named Men of Destiny.
The Winner is nothing to scoff at either.
We later get Oblivion from the same source as Men of Destiny. It uses the exact same instrumental, but rather than simply dubbing the lyrics into English, new somewhat apocalyptic, yet still awesomely GAR, lyrics were written, effectively making it a new song. Also somewhat unique for an English song, it was used in the original Japanese version of the show, and has perfect grammar and pronunciation. And it is freaking awesome.
Assault Waves, the perfect music to have epic MS duels to.
Dendrobium is amazing as well.
Awesome 80's music with the Opening Themes Zeta - Transcending Times and From an Aqueous Star with Love, both of which were co-written by Neil Sedaka.
The movies are no slouch in the OP department either. Case in point: the first movie opens with the awesome song "Metamorphoze" from Gackt, of which there exists a recursive adaptation in the form of the song's official music video, containing actual footage from the movie.
The Pulse of Zeta, which was used as the opening theme for the English version. For some fans it elevated Zeta to the halls of awesome space opera that gives a run for its money.
Star Wars A.E.U.G., which contains a few motifs from "Pulse of Zeta", is no slouch either.
Riders in the Skies, which plays during the climax of the finale.
As might be expected from a work by Hiroyuki Sawano, 's soundtrack is full of win. Of particular note are: " Gundam Unicorn Unicorn", " Mobile Suit", " Laplace", " Full Frontal", " RX-0", and MAD NUG. Any of these play up, and you know epicness is about to ensue. And on the other side of the coin are tracks such as the beautiful " The Univers" (sic), the wistful and majestic " Zero Gravity", and the downright uplifting " On Your Mark".
Its theme songs are nothing to scoff at either. So far we've got: " Ryuusei no Namida", " Everlasting", " merry-go-round", " B-Bird", " BROKEN MIRROR", and " RE:I AM".
More recent episodes bring us such pieces as " Mobile Armor", Mobile Suit <W-REG MIX>", and " MAD-NUG".
The third OST has Banshee, Gundam, Psycho-field, and Angelo.
There are also some Heartwarming entries of note:
First is " Remind You" from OST II, which is essentially "Unicorn" and "On Your Mark" with English lyrics that sums up the hopes and horrors of the Universal Century.
Also, Cyua's " A Letter" from the first OST (and in a similar vein, " Audrey" from the third) both used in Episode 1 and 5, respectively.
" Moeagare Toushi - Ima Washiki Shukumei o Koete" , the Shining Gundam / Shining Finger theme.
note " Kousaku Suru Kitai", the normal fight BGM in this series.
" Waga Kokoro Meikyou Shisui - Saredo Kono Tenohira wa Rekka no Gotoku" , the God Gundam / God Finger theme.
note " Sentou Danji - Kitae yo Katsu Tame ni" , the theme for the debuting God Gundam (and later) Sekiha Tenkyoken. Also notable for being sung note entirely in Cantonese.
Here is the Japanese version of "Sentou Danji - Kitae yo Katsu Tame ni", sung by Domon's seiyuu.
Flying in the Sky, the first Opening Theme.
Trust You Forever, the second Opening Theme; after this song debuts, shit starts to get real in the show.
" Saiyou no Shou ~ King of Heart" , the theme of Shining Gundam's debut (also used in several hyperkinetic moments thereafter).
note " Kizu Dakare no Yume wo Nigiri Shimete" , aka the Shining Finger theme song slowed down. Played during note Heartwarming Moments such as and the death of Master Asia .
when Domon confesses his love to Rain " Kyoudai Kasuru Yabou" , the Hyper Mode theme.
"Last Impression". What starts out calm turns out to be very upbeat, classical and... AWESOME. A fitting end to the AC Saga. This song is always the song for characters when they appear in Gundam Wing for a Super Robot Wars reason. It kicks ass.
"When the Dragon Swims, The World Ends" in the first episode where they introduce the Gundam pilots, and pretty much any song that uses Heero's motif.
All of the boys' individual battle themes are awesome: Heero's " The Wings of a Boy Who Killed Adolescence" (whose tune is used in several other songs), Trowa's " In the Returned Scent of Blood and Gunpowder", Quatre's " Looking for Peace Hiding in the Corpse", and Duo's " The Black Wind Invites Death", though the latter is a wasted song and only ever shows up in G Generation games. Also, the aforementioned " When the Dragon Swims, Everything Ends" is Wu Fei's theme.
TWO-MIX in general is pretty good. Their other three theme songs ( Gundam Wing "Just Communication", "Rhythm Emotion", and "White Reflection"), while arguably not quite as awesome as Last Impression, are all excellent in their own right. Check 'em out before Nabiki overcharges for them.
The Just Communication Instrumental: Played over the dub credits. The closest American viewers ever got to seeing/hearing the original TV show openings.
...And in celebration of Gundam's 30th anniversary, composer Toshihiko Sahashi created "Believe in Love", which is basically "Just Communication" taken to its absolute zenith, with help from the London Symphony Orchestra.
Use the Cloak of Darkness, most memorable for the scene where Duo jumps a bunch of OZ mooks with the Deathscythe Hell. Much reaping ensues. "THE GOD OF DEATH IS BACK FROM HELL!"
The Wing Zero appears for the first time. "Swinging Target" plays. Mook Horror Show ensues.
"Gundams Are On Earth" first rolled out with the Toonami's airing of Endless Waltz, taking one part "Eternity & Infinity Are In These Hands", one part of Toonami's signature drum and bass and mixing them together into something that is undeniably badass.
Treize's Theme, Man Who Makes History. Epic character gets equally epic theme music. And the first minute or so of "Enforcement Rush" gets special mention for being particularly badass.
Really, all that needs to be said about Wing's soundtrack is that it was done by Kow Ohtani, the award-winning composer behind and ICO .
Shadow of the Colossus The Image Songs are nothing to sneeze either. Shigeru Nakahara (Trowa)'s "Ai wa Ryuusei", Toshihiko Seki (Duo)'s "GOOD LUCK & GOOD BYE" and Naoko Matsui (Dorothy)'s "Joy to My life" are all pretty nice themes.
There's also TWO-MIX's Orchestral Version of "Last Impression". Which given the classical feel of the series is pretty fitting.
From the first OST are: " Gundam Shutsugeki", " Kesshin", " Kanashimi", " Wazukana Fuan", " Heiwana Hoshi", " Shatei Kyori", " Namida", " Kaisou", " Hoshi e no Inori", and " Eien e no Shunkan".
From the second OST we have: " Akatsuki no Kage", " Kuuchuu Shisei", " Tekiki Shuurai", " Senjou no Ketsui", " Kougeki Taisei", " Heiwa no Inori", " Seisen no Gishin", " Sajin no Machi", " Kodoku", " Chijousen", " Kawaki no Yume", " Sentou Butai", and " Strike Shutsugeki".
From the third OST are " Justice and Freedom", " Yuukouda Geki", " Kouhoushien", " Senkou no Hate ni", " Countdown", " Sekibetsu no Shizuku", " The Secret of Birth", " Yuujou no Boueisen", " Shutsugeki Meirei", " Yuujou no Keiyaku", " Aku no 3 Heiki", " Kodoku no Senritsu", " Itsuwari no Yuujou", " Shizukanaru Hanran", and " Fly! Freedom".
Saikisen, which only played in one episode of the series. And that was Kira and Athrun's final battle with each other.
Prophecy of the End, perfectly summing up everyone's reaction to GENESIS being unleashed.
Shizuka na Yoru ni and Mizu no Akashi.
Pick a random OP/ED/insert song from either series, and more often than not, you'll find it qualifies for this category. See- Saw, Nami Tamaki, T.M. Revolution and FictionJunction YUUKA. And there's even more...
Meteor, also known as " Kira's asskicking music".
Moment, the second OP of Gundam Seed.
Theme of Rain is tearjerkingly beautiful.
And now with the HD Remastered Edition of Gundam SEED, we get new versions of Anna ni Issho Datta no ni, Shizuka na Yoru ni, Akatsuki no Kuruma, and Mizu no Akashi. We also got a brand new ending: Distance by FictionJunction.
Ignited. Probably kicks a lot of ass in terms of awesomeness.
PRIDE (the second opening theme) by HIGH and MIGHTY COLOR. Hell yes.
Life Goes On is also filled with awesome, and has more variations used in the episodes than the other ending themes. Kimi wa Boku ni Niteiru is also excellent, and is the only ending theme to be used in the series and the Special Editions.
Reason, the first ending theme, is Hot-Blooded to the max.
Kanashimi no Stella is heartbreakingly beautiful.
And then we have Stella's image song, Shinkai no Kodoku. Just as pretty, and just as heartbreaking.
Youki to Bishoumi is what makes Dearka, Yzak and Athrun teaming up again so awesome early on in the series.
Kyouki no Hate, played when the Destroy goes on its horror-laden rampage.
Kuroi Hadou, Shinn's battle theme towards the end, complete with Ominous Latin Chanting.
Sakebi to Gekitetsu, played as Athrun and Mu race to destroy the Requiem. The finale of Destiny doesn't measure up to the one in SEED, but the music for it certainly does.
Gaia x Chaos x Abyss, the theme for the Extendeds early on in the show (coincidentally, this is when they're legitimately badass).
Launch! Impulse is a majestic theme for a Gundam launching sequence. It is reused as one of Shinn's themes in SD Gundam Generation Wars.
Kira, Just As He Pleases. Kira may have taken some actions during Destiny that were questionable, but his theme music is unquestionably badass.
No matter what you think of Lacus Clyne during Destiny, you cannot deny that Fields of hope is one of the most beautiful songs ever featured in a Gundam show.
Honoo no Tobira is Akatsuki no Kuruma's triumphant successor, played right as Cagalli pilots the Akatsuki for the first time to defend Orb from ZAFT.
features a beautiful score by Kenji Kawai, but donít just take our word for it. Season one gives us " Gundam 00 Alarm Bell", " Intervention", " Innovation", " Power", " Setsuna", " League", " Imperial Princess", " Seizure", " Expectation", " Reason", " Fight", " Recover", " Counterattack", and " Scenery".
Special mention to Union, played first during Graham Aker's first encounter with the Exia.
Possibility, played during the first battle between the UN Army's GN-X mobile suits and the Gundam Thrones, and again during the 'Break Pillar' incident in Season 2 with Celestial Being, Katharon, Coup d'etat forces, the EFF, and even A-Laws working together to save the cities on the ground in heartwarming and well-animated scene.
From the second season are " Distortion", " Strike", " 00 Gundam", " Take Off", " Power Attack", " Innovator", " Restart", " 0 Raiser", " 00 Raiser", " Masurao", " Trans-Am Raiser", and " Decisive Battle".
" Unlimited Sky" played during Allelujah and Marie's tearjerking reunion in Season 2.
The awesome opening themes are " DAYBREAK'S BELL", " Ash Like Snow", " Hakanaku mo Towa no Kanashi (Fleeting and Everlasting Sorrow)", and " Namida no Mukou (Beyond the Tears)"; the equally awesome ending themes are " Wana (Trap)", " Friends", " Prototype", and " trust you".
The Movie's score is just as impressive as the series', with such gems as " Envoy from Jupiter", " The Battle of Strangers", " ELS ~ Impregnability", " Final Mission ~ Quantum Burst", and " We are Celestial Being".
The themes from the movie are " CHANGE" and " Tozasareta Sekai".
's choice of opening themes are nothing short of impressive. From the upbeat Gundam AGE "Asu e" and the hopeful "sharp #" to the epic "REAL" and the moving "AURORA", you'll inevitably find a song to enjoy for a long time.
So far, every generation's protagonist has their own personal theme for whenever they're about to do something awesome.
KOKIA's "Memorial days" is this and a serious Tear Jerker especially if you know Yurin's fate.
"Kimi to Boku wa Soko ni Ita", the insert song of Episode 17 is pretty catchy.
"Kimi to Ita Hibi" is the song that plays when Kio, Lu, and Deen are enjoying a day out together, shortly before Lu dies.
Kesshi no Senjou (Desperate Battlefield) makes for some pretty epic fights.
Kyoushuu is nothing to scoff at either.
Veigan Shuurai is pretty good.
Zeydra is quite catchy.
Kyouki no Kougeki. It's the " Oh Crap here come the Vagan!" music from Gen 2. More specifically, it starts out as Desil's attack theme; the title translates roughly to " Attack of Madness"
The Tear Jerker song Hitotsu no Owari for whenever a beloved character dies.
Kanashimi wo Kakero.
Hametsu no Kaze (Wind of Doom), sets the tone for several fights in the third generation, usually involving Zeheart.
Gundam AGE-FX. Whatever you think of the story arc it appeared in, it had some badass theme music.
Not to be outdone, Zeheart's Legilis gets some epic guitar rhythms.
SID joins in the fun with Saikyou no Teki (Strongest Enemy), a fittingly creepy and intimidating theme.
Innen no Taiketsu (Duel of Fate), the theme for the final confrontations between Zeheart and Asemu.
Kyodai na Henbou, when this plays, something bad is going to happen.
Tatakai no Hibuta, the battle theme for the final few episodes.
Fritto no Nichijou will light up your day.
Just a few episodes in and the opening, BACK-ON's "Nibun no Ichi" proves to be a refreshingly welcome addition to the growing list of memorable Gundam songs.
The 2nd opening, "wimp" by BACK-ON and featuring Lil' Fang from FAKY is filled with meaningful lyrics, and the opening animation matches the song well.
Tatsuya Yuuki's theme "The Crimson Comet ~ The Usual Flamenco at Three Times the Passion". Nothing quite like a little bit of flamenco to cement Yuuki as a badass Gunpla fighter.
And if that's not enough for you, there's always "Meijin ~ The Usual Flamenco at Six Times the Passion".
" Allied Force", which perfectly fits its use in Episode 15, chronicling Fellini & Fenice's history together, and their Heroic Second Wind.
When "1/48" plays, you know shit is about to get real. This perfectly fits the intimidating nature of the 1/48 Mega Size Zaku II. It's also a striking track during the first half of Reiji vs. Aila in Episode 21.
"Aila" is nothing short of a beautiful, emotional theme for said character. The heartwrenching tone of the song works incredibly well when Reiji learns the truth about Aila.
"Quick Attack", the main battle theme, is perfectly suited for the fast-paced battles - and that's before the Ominous Latin Chanting kicks in.