His review of Grave of the Fireflies, which he explains was very hard to do, considering the reputation it has would make any dissenting opinion of his come off as petty and/or nitpicky; but regardless, he flat out nails it, going into detail about how the movie seemed to be less of a stand alone story and more of a cautionary tale for the youth of Japan, bringing up statistics of how crime rates amongst the youth skyrocketed in the 1980's because of conflicts between the privileged newer generation, who were enjoying the wealth and success of Japanese industry and their parents, who had to live in Japan after the second world war. He states at the beginning that he didn't like this movie for more personal reasons rather than just because it was sad, and after deconstructing the movie's purpose; that is essentially guilt tripping the youth into respecting the sacrifices their parents had made just growing up, he just demonstrates an amazing sort of bravery to get so involved and determined to critique a movie of such acclaimed proportions. It was a very impressive, sobering review, and you can watch it here.
Just the fact that he gives a negative review of a critically acclaimed film is a CMOA in-and-of itself. In an age where reviews are considered to be the absolute word on the quality of a film, it's nothing short of amazing to see someone give a rather detailed and emotionally-involved explanation as to why he dislikes a film while still understanding its significance. Sage could've simply gone the old Accentuate the Negative approach but doesn't, and it makes the reasonings for his opinion all the stronger for it. It shows that a movie doesn't have to be "bad" for someone to not like it.
Credit where it's due for Bennett, but after two crappy movies, he finally breaks JesuOtaku with Highschool of the Dead, seeming to pass the torch to her. The fact that he also managed to get Linkara, Angry Joe and Marzgurl out of their rooms long enough for the review, and that he broke Jesu enough to show them some kind of horror (Remember that Linkara has fought The Entity, which threatened to consume the entire world, and that Joe and Marzgurl fought off Zod's troops in To Boldly Flee) just tops it off.
That's not what tops it off. If one watches JO's other crossovers, she's kind of a Creator's Pet in them (The Film Brain crossover is pretty much nothing but one Double Standard joke after another), so seeing her lose, just once, is awesome.
In his review of Odin, Sage demonstrates impressive knowledge in physics during his ripping apart of the movie's lack of logic during a scene where the spaceship demonstrates its hyperspace drive capable of reaching relativistic speeds while going after an SOS signal it was seeking out, six days after departing from base.
In the review of 8 Man After he learns that the hero of the original 8 Man series was just deleted from his cyborg body, Killed Off for Real basically, with no explanation as to why or how. A comparison of how DC Comics does character death more gracefully has Linkara cameo to remind us of Ted Kord, to which Sage angrily counters (to the point his shouting causes feedback in the audio) that Ted got some finallines and an on panel death, whereas the hero of the original anime got none of this. Linkara, who's nerd rage was once to the point he'd become evil if not stopped, backed off.
He also called out April on calling out the new 8 Man, as she was making it look like she was in favor of the psychotic football playing cyborgs that murdered a stadium full of people.
Then there's a moment that was awesome to this troper due to the fact that it's linked to something many have wanted Sage to review, as at the end, Sage revealed that he was gonna review Devilman, from the creator of Violence Jack.
At the end of the Devilman review, he takes out Violence Jack as if it were the next review. It's even the uncut version, so rare that it can't even be found as a torrent... and he keeps it that way, throwing the rare VHS off a bridge into a stream with a 'good riddance' and spit.
Though, to by the look of things with the cryptic after-credit bit, looks like it isn't gonna be the last time we seen that VHS tape as due to the darkness and red light coming out of the box before briefly on screen the words "VIOLENCE IS COMING" pops up in red before cutting to black. Either he didn't really throw the tape off the bridge or he's just not doing the uncut version.
Or maybe it was a bootleg tape; but, only time will tell...
In A Wind Named Amnesia, once it's revealed that aliens were the ones responsible for enforcing Laser-Guided Amnesia upon humanity and reduced them to rioting savages and that the reason they did it was both because they wanted to eliminate a threat and to make humans be happy, Sage simply called them out on their bullshit, going with a rant on how hypocritical they are and how much of a bastard they are.
In the Guyver review, Sage getting tired of Critic's insults, calling him out and refusing to apologise or back down. Especially satisfying for anyone angry at the latter for acting like an asshole in reboot reviews.
Critic: How can you not see it as bad? Was your brain and soul a package deal when you sold them?
Sage: Critic! Shut up. Alright? I just wanted you to have some fun riffing on a dumb movie with me, okay? You don't need to insult me.
In the Violence Jack review, the entire episode is about him working up the bravery to admit, on camera, that sometimes you need to admit that sometimes there isn't a way to do something, and that rarely, you have to Know When to Fold 'Em. In a quite good mini-movie.
Not to mention, despite the fact that he can't show the anime itself, he manages to clearly show how horrible and gruesome it is, just by talking about the content and playing the audio in one scene.
In each of his Love Hina reviews, he repeatedly calls the show out for its blatant misandry and unwarranted abuse of its male lead simply because he's male and possibly having a love life, and playing all of it for laughs.