Anime: Magical Shopping Arcade Abenobashi
aka: Abenobashi Mahou Shoutengai
"All things extant in this world: Gods of Heaven, Gods of Earth, let everything be as it should be. Thus shall it be!"
Arumi and Sasshi are two twelve-year-olds who have grown up together in the Abenobashi shopping arcade in Osaka. But the arcade and the neighborhood around it are now slated for redevelopment; one by one, the old familiar buildings are being torn down. Worse, Arumi and her family are moving to Hokkaido. What's poor Sasshi to do?
Well, none of that really matters, after Arumi's grandfather is hospitalized in an accident that destroys the last of four "guardian" figurines
that bound the shopping district. Before their eyes, the neighborhood changes. Sasshi and Arumi find themselves trapped in a warped version of Abenobashi as if it were an RPG, with everyone they know recast as NPCs.
But once they fight their way through the game's plot in grand slapstick style, thinking they will then return home, they find themselves transported to an outer space version of Abenobashi... then a Hong Kong martial arts movie version... then a dinosaur-filled
, prehistoric one. And many more. Will Sasshi and Arumi ever get back to the real
are they "jumping" in the first place? Who
is that blue haired sorcerer who appears to be going through a mid-life crisis?
A Deconstructive Parody
of a dozen or more genres of film and anime, Abenobashi Mahou Shoutengai
(Magical Shopping Arcade Abenobashi
in North America) generously trowels thick layers of off-the-wall comedy on top of a surprisingly serious storyline, one you're likely to forget about. Made by Gainax
, the show makes both subtle and in-your-face references
to various other series.
There is also a two-volume Manga
version, which is even weirder.
The basic plot is pretty much the same,
although different worlds are visited, the ones that are
in the show are different, and there's a character not shown in the anime (with the exception of a "blink and you'll miss her" scene in the twelfth episode.) While unfortunately the manga is no longer in print due to the demise of Tokyopop, cheap used copies can be found on Amazon, or if you're lucky, your local used bookstore.Available to watch
- Accent Adaptation: The official dub translates Osakan dialect as Texan and Kouhei's Tokyo dialect as Brooklyn.
- Alternate Universe: A new one in almost every episode.
- Arson, Murder, and Jaywalking: Sasshi to Mune-Mune
Sasshi: I ain't the only one being a little kid here! You're nothing but a kid who wants to... uh, you're just... you're just!... A little kid and... DON'T SMOKE!!
Arumi: ...that really the issue?
- Artistic License - Paleontology: In the Prehistoric Shopping Arcade episode, Sasshi going into good detail to point out how many of the dinosaurs they have encountered didn't exist for millions of years between each other and never would have encountered each other over the time span between the early Cretaceous and late Triassic periods. Sasshi, being a preadolescent boy, is an expert on dinosaurs, of course.
- Art Shift: Between a more realistic style for the mundane world and a more flat, colorful style for the alternate dimensions.
- Aside Glance: Done by Sasshi a couple times through the series. Sometimes looking at the audience, and other times just looking away from Arumi so he doesn't have to make eye contact.
- Boke and Tsukkomi Routine: Used throughout various parts of the series, but part of the Lame Pun Reaction listed below in particular.
- Breast Expansion: In the Dragon Quest-themed second episode, Sasshi defeats the final boss using a magic talisman that Arumi bought, which turned out to be used for Breast Expansion — the boss's chest swelled up so much it exploded.
- Broken Aesop: The message is clearly a set of stock aesops like Be Yourself, Live in the real world, accept reality as it is, You can't fight fate, Let the dead rest, and most specifically, You can't use magic to solve all your problems. If it wasn't clear enough, Sasshi's father even lampshades this, telling him that he should just drop the whole Onmyo business and grow out of it. All that is suddenly rendered null and void in the last few minutes of the final episode when Sasshi regains his memories of his past life and completely reforms the world, not only saving Grandpa Masa, but also bringing Abe and Mune back. At that point, the whole thing starts feeling like a Take That of stock aesops more than anything else.
- Butt Monkey:
- Sasshi throughout most of the series. Anytime Sasshi and Arumi end up crashing or falling somewhere, Arumi lands on her feet while Sasshi crashes into the ground. In Episode 11 in particular, He becomes an Iron Buttmonkey as he is a lowly private of the army and is constantly ordered to do everything for everyone. He even lampshades this by asking if he's even any use at all because the messages he's suppose to be delivering to his superiors become known to them before he can even report it.
- In the Dating Sim Episode however, Arumi is the Butt Monkey which is quite satisfying.
- Calling Your Attacks: As part of the Sci-Fi/Mecha episode. Though since they don't know any of the pre-existing attack names, Sasshi and Arumi just make up new ones on the fly (and comment on how difficult it really is..)
- Catch Phrase: Arumi's "Being human, having your health. That's what matters", which she says three times in the first episode but rarely after that. Sasshi steals it for the last line of the show.
- Cluster F-Bomb: Mr. Kouhei in episode 12. Also counts as a Crowning Moment of Funny.
Mr. Kouhei: "HEY FUCKING COWBOY, FUCKING COWGIRL! HOW THE FUCK ARE YOU DOIN'? So tell me, are you kids on your FUCKING way home from school or something like that? FUCK, why don't you two buy a FUCKING hotdog from me, Mr. Kouhei! Come on bebah, don't be cruel you FUCKING cowboy! Tell you what, I'll give you the King Special with a ton of FUCKING ketchup and FUCKING mustard to go with those FUCKING hotdogs, and sell you a pair of them for 500 FUCKING Yen! How do you like those bargains, bebah? A-FUCK-YOU-VERY-MUCH-AH! Hey, are you lonesome tonight you FUCKING-Cheer-FUCKING-Girls? FUCKING HOTDOGS FOR SALE, FUCK YEAH!
- Cultural Cross-Reference: Owing to the show's premise, being Reference Overdosed is unavoidable. However, it isn't terribly discriminating about from which parts of the globe it lifts its references. Anything that fits the topic of the episode is fair game.
- Dating Sim: An entire episode dedicated to it, and it doesn't take Sasshi very long to figure out that he's in one. The end of the episode resulted in him seeing an ending that would have made more sense to him if he had achieved the proper relationship flags to develop that character. Arumi was the Goblin of that world. Needless to say, she was angry.
- Dead All Along: Mune-Mune, who is ultimately revealed to be the incarnation of both a woman from the Heian Period who was murdered by her husband and also of Sasshi's grandmother, by way of the phlebotinum responsible for the whole alternate-reality thing.
- Deadpan Snarker: Arumi, to contrast with Sasshi's Idiot Hero general behavior.
- Deconstructive Parody: A gigantic middle finger towards geekdom. Well, at least that's what it looks like for the first half. After that, it gets... weird.
- Deus ex Machina: Sasshi's finally ready to go back to the real world and face reality, when in the last few minutes he has a change of heart and suddenly gets enough power to rewrite reality.
- Early-Bird Cameo: Of a sort. During the portal sequence in the Hollywood episode, the manga-only character "Ne-ne-ne Okane" briefly appears.
- Expy: Young Grandpa Masa in not entirely unlike two cartoon characters modeled after a certain actor who played their live action counterparts.
- Fan Disservice: ...Ms. Aki, who takes this trope Up to Eleven. See Glamorous Wartime Singer below for an example. Other examples include Grandpa Masa in the Hong Kong Arcade; later on the plot reveals that Mune-Mune, is the alternate-reality counterparts of Sasshi's grandmother.
- Fanservice: Played for Laughs throughout the whole series with Mune-Mune and Sasshi's sister.
- Fate Worse than Death: People who are shot in the Film Noir world don't die. Instead they're chibified and turned into comic relief characters that nobody can take seriously.
- The Four Gods: In the form of four statues on the roofs of family businesses in the shopping district. Three of the businesses have already closed, and the destruction of The Grill Pelican's pelican statue kicks off the plot but not because of the statues' power....
- Gag Boobs: Mune-mune. Not only is it right there in her name, boob humor is practically the entire point of her character until The Reveal, when she turns out to be both the alternate-reality counterparts of Sasshi's grandmother and an integral part of the events in the backstory which set the whole plot in motion in the Heian Period.
- Gainax Ending: Sasshi turned out to be one of the greatest Onmyou Mystics ever, because he's the heir of Eutus - I mean, Abe no Seimei. In order to keep Arumi from moving away, he remade the world, as he had been throughout the series, except this time, it stayed remade, with the help of Sasshi's future self that has grown into his powers. As a bonus Mune-Mune and Masa lived, and The Grill Pelican stays open.
- The Idiot from Osaka: Sasshi. Subverted by Arumi, who is anything but an idiot.
- Imperial Stormtrooper Marksmanship Academy: In the Film Noir version of the arcade, Sasshi has to compete with Arumi's father to prove which one is the real "legendary sniper Regolgo" by shooting a can on the other side of the room. Sasshi manages to hit the can with a pistol by complete accident, while Arumi's father empties an entire M16 clip and hits everything but the can. Then he walks right up to the can and blows it up with a bundle of TNT. Arumi's father is declared the winner.
- Incredibly Conspicuous Drag: Crossdresser "Ms." Aki. is never outed, but is rather obvious — so much so that it seems the rest of the cast is aware of it and just treats him/her as a lovable eccentric.
- Kamehame Hadoken: Sasshi tries to fire one off in the Hong Kong Shopping Arcade episode. He ends up burning his hands in the process and drops it. He tries it again, but it took so long to summon that during the 2nd time, they cut the scene and say "The rest has been abridged" then shows him firing at his opponent.
- Lame Pun Reaction:
Sasshi: "Woah, Arumi. Since when did you have boobs?"
Arumi: "Aww shoot, you noticed already."
Arumi's Dad: "No-no-no, you still have not deciphered the meaning of this tank unit, ey mon ami?"
: "You pad Arumi's boobs so now it's really a Pad-Ton tank unit? Heheheh Like it would really be something THAT stupid."
Sasshi's Dad: "Uhhh...."
Sasshi: "What, you went through all of this for something that lame?"
Arumi's Dad: "Ooooh! That's why I didn't want to say it! Sacre Bleu!"
Sasshi: "If you didn't wanna, you shouldn't have done it to begin with."
Arumi's Dad: "But there's more! *grabs into Arumi's chest takes out a gold orb while switching to an Irish accent* Dontyeknow, it's a real pad o' gold?"
Sasshi: "Not pad, POT of gold!"
- Little Boy Seeks Big Girl: 12 year old Sasshi has a crush on fanservice girl, Mune Mune, not knowing she's really his grandmother, who perpetually looks like her 19 year old self thanks to a time paradox.
- Long Title: "Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army, reporting for duty, Ma'am!"
- Even sillier, as mentioned in the pop-up notes. The Japanese version goes just as long, but goes biggest to smallest unit (reverse order).
- Mood Whiplash: Between the middle and end of the first episode, and the series in general around episode six.
- No OSHA Compliance: Parodied when Sasshi tumbles through a factory, nearly getting chopped up and cooked into a giant dumpling.
- Old Master: Subverted in episode 4. Sasshi's granddad makes like he's about to show off his elite fighting skills; Arumi beats him up with her Paper Fan of Doom.
- Once an Episode: Whenever he ends up going to a new world, Sasshi always ends up finding an animal and trying to name it Spot (except for the Dating Sim world, where there was already an animal named Spot.)
- Otaku: In the "dinosaur" episode, Sasshi briefly turns into the Japanese stereotype of an otaku. In fact, it's the very picture for the trope's page.
- Overly-Long Gag: "Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army, reporting for duty, sir!"
- Paper Fan of Doom: Arumi's weapon of choice.
- Post Episode Trailer: Extremely idiosyncratic. Sasshi's lifelong dream of doing a next episode preview is constantly thwarted, and by the time he finally gets everyone else to shut up, it's the last episode already. When their live action counterparts come to the manga, he tries to do it again, and fails because it's the last volume of the manga as well.
- Power Perversion Potential: The primary reason Sasshi and Arumi constantly fail to get home is because Sasshi quickly realizes he can use the magical reality-warping that's going on to let his imagination run wild and fulfill his own desires.
- Punny Name: During a bombing run in episode 11, Sasshi looks through his scope at the target, then looks up and blinks in disbelief at the fact that the barber shop they're about to bomb is called "Pearl Barber".
- Random Transportation: The characters visit the various versions of the Marketplace.
- Reference Overdosed: To illustrate, one fansub group included a methodical catalogue of every popular culture reference made in the third episode at the end. It occupied most of the screen in fairly small print.
- Role-Playing Game Verse: The first world they jump to.
- Running Gag:
Sasshi's Mother: "You're Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army."
Mune-Mune: "WHAT'S THAT!? Are you Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army!?"
Sasshi: "That's right..."
- Screw Destiny: Sasshi's ultimate reaction to the revelation that Grandpa Masa is dead in the real world. And, making for either a Crowning Moment Of Awesome or a Crowning Moment of Heartwarming, he comes through with it and brings him back to life.
- Shameful Shrinking: In the Detective Noir world, anyone who gets shot with a gun doesn't die, but turns in a Chibi version of themselves, thereby cementing themselves as the shameful comic relief character who will never be taken seriously again. Others shun those who become this.
- Shōjo (Demographic): In one world, Sasshi tries to give Arumi everything she would ever want to be happy. She doesn't want any of it.
- Shout-Out: Many, though it'd be more appropriate to say they're parodying more than simply just referencing them.
- The most obvious being to Neon Genesis Evangelion — music from the series is used for a mecha combat scene, and Sasshi's sister is a Rei Ayanami Expy. Throughout the Battlefield episode, Sasshi's facial features resembles Shinji.
- Sister Princess
- Episode 2 is a shout out to JRPG's in general, but Dragon Quest in particular. Slimes, dead characters being represented by coffins, and needing to go back to town and pay to have them revived are just the tip of the iceberg.
- Episode 3 follows Science Fiction in general, including shoutouts to 2001: A Space Odyssey, Star Wars and numerous Giant Mecha series.
- Episode 4 includes a Panda who puts Sasshi through a training montage, Sasshi getting extremely muscular with constellation-shaped scars on his chest, Sasshi going Super Saiyan, arcade fighting games, and Bruce Lee in general.
- Episode 6 is a general shout out to Film Noir style Hard-boiled Detective and Mobster movies.
- Episode 11 is a shout out to war movies in general, including All Quiet on the Western Front, Patton, and others.
- Episode 12 has dozens of references to American horror, science fiction, and adventure movies, including, but certainly not limited to: Terminator, North by Northwest, The Shining, Speed Racer, Knight Rider, Twister, Jaws, Indiana Jones, Back to the Future, RoboCop, Die Hard, The Exorcist, Barbarella, Titanic, A Nightmare on Elm Street, Escape from New York, Friday the 13th, Air Force One, and 2001: A Space Odyssey''.
- There's also a brief scene where Grandpa Masa says he always wanted to be a lumberjack... In the same episode, there's also references to war wounds.
- There's one for the American short cartoon The First Bad Man during the dinosaur episode, where Mune Mune's dinosaur is slowly chipped away and reduced in size from a dinosaur to a small lizard every time they duck behind a rock.
- In the Fairy Tale episode, Sasshi creates a mini, teddy bear headed creature with little angel wings, entrusted to be guardian of a certain magical girl. At first he looks yellow. Cardcaptor Sakura, anybody?
- Don't forget about "the legendary sniper Regolgo."
- Arumi also apparently spends episode 9 and the start of episode 10 hanging out at the school from The Drifting Classroom.
- Shrines and Temples: The Abeno shrine is an important location to the plot.
- Star-Crossed Lovers: Mune-Mune and Eutus, who became lovers in both their original lives in the Heian period (where he was named Abe no Seimei), which got her murdered, then again in modern "real" world (where she was Sasshi's grandmother).
- Stock Footage: The world-transfer ritual, though there are some minor discrepancies between them each time.
- Super-Deformed: The fate of anyone who gets shot in the Film Noir world. Arumi also spends much of the Dating Sim episode like this after being turned into that world's goblin.