"All things extant in this world: Gods of Heaven, Gods of Earth, let everything be as it should be. Thus shall it be!"
Arumi and Sasshi are two twelve-year-olds who have grown up together in the Abenobashi shopping arcade in Osaka. But the arcade and the neighborhood around it are now slated for redevelopment; one by one, the old familiar buildings are being torn down. Worse, Arumi and her family are moving to Hokkaido. What's poor Sasshi to do?Well, none of that really matters, after Arumi's grandfather is hospitalized in an accident that destroys the last of four "guardian" figurines that bound the shopping district. Before their eyes, the neighborhood changes. Sasshi and Arumi find themselves trapped in a warped version of Abenobashi as if it were an RPG, with everyone they know recast as NPCs.But once they fight their way through the game's plot in grand slapstick style, thinking they will then return home, they find themselves transported to an outer space version of Abenobashi... then a Hong Kong martial arts movie version... then a dinosaur-filled, prehistoric one. And many more. Will Sasshi and Arumi ever get back to the real Abenobashi? Why are they "jumping" in the first place? Who is that blue haired sorcerer who appears to be going through a mid-life crisis?A Deconstructive Parody of a dozen or more genres of film and anime, Abenobashi Mahou Shoutengai (Magical Shopping Arcade Abenobashi in North America) generously trowels thick layers of off-the-wall comedy on top of a surprisingly serious storyline, one you're likely to forget about. Made by Gainax and Madhouse, the show makes both subtle and in-your-face references to variousotherseries.There is also a two-volume Manga version, which is even weirder. The basic plot is pretty much the same, although different worlds are visited, the ones that are in the show are different, and there's a character not shown in the anime (with the exception of a "blink and you'll miss her" scene in the twelfth episode.)Available to watch on Hulu.
Accent Adaptation: The official dub translates Osakan dialect as Texan and Kouhei's Tokyo dialect as Brooklyn.
Breast Expansion: In the second episode, Sasshi had to defeat the final boss by using a magic talisman that Arumi bought, which turned out to be used for Breast Expansion — the boss's chest swelled up so much it exploded.
Broken Aesop: The message is clearly a set of stock aesops like Be Yourself, Live in the real world, accept reality as it is, You can't fight fate, Let the dead rest, and most specifically, You can't use magic to solve all your problems. If it wasn't clear enough, Sasshi's father even lampshades this, telling him that he should just drop the whole Onmyo business and grow out of it. All that is suddenly rendered null and void in the last few minutes of the final episode when Sasshi regains his memories of his past life and completely reforms the world, not only saving Grandpa Masa, but also bringing Abe and Mune back. At that point, the whole thing starts feeling like a Take That of stock aesops more than anything else.
Sasshi throughout most of the series. Anytime Sasshi and Arumi end up crashing or falling somewhere, Arumi lands on her feet while Sasshi crashes into the ground. In Episode 11 in particular, He becomes an Iron Buttmonkey as he is a lowly private of the army and is constantly ordered to do everything for everyone. He even lampshades this by asking if he's even any use at all because the messages he's suppose to be delivering to his superiors become known to them before he can even report it.
Calling Your Attacks: As part of the Sci-Fi/Mecha episode. Though since they don't know any of the pre-existing attack names, Sasshi and Arumi just make up new ones on the fly (and comment on how difficult it really is..)
Catch Phrase: Arumi's "Being human, having your health. That's what matters", which she says three times in the first episode but rarely after that. Sasshi steals it for the last line of the show.
Mr. Kouhei: "HEY FUCKING COWBOY, FUCKING COWGIRL! HOW THE FUCK ARE YOU DOIN'? So tell me, are you kids on your FUCKING way home from school or something like that? FUCK, why don't you two buy a FUCKING hotdog from me, Mr. Kouhei! Come on bebah, don't be cruel you FUCKING cowboy! Tell you what, I'll give you the King Special with a ton of FUCKING ketchup and FUCKING mustard to go with those FUCKING hotdogs, and sell you a pair of them for 500 FUCKING Yen! How do you like those bargains, bebah? A-FUCK-YOU-VERY-MUCH-AH! Hey, are you lonesome tonight you FUCKING-Cheer-FUCKING-Girls? FUCKING HOTDOGS FOR SALE, FUCK YEAH!
Cultural Cross-Reference: Owing to the show's premise, being Reference Overdosed is unavoidable. However, it isn't terribly discriminating about from which parts of the globe it lifts its references. Anything that fits the topic of the episode is fair game.
Dating Sim: An entire episode dedicated to it, and it doesn't take Sasshi very long to figure out that he's in one. The end of the episode resulted in him seeing an ending that would have made more sense to him if he had achieved the proper relationship flags to develop that character. Arumi was the Goblin of that world. Needless to say, she was angry.
Fate Worse Than Death: People who are shot in the Film Noir world don't die. Instead they're chibified and turned into comic relief characters that nobody can take seriously.
Gainax Ending: Sasshi turned out to be one of the greatest Onmyou Mystics ever, because he's the heir of Eutus - I mean, Abe no Seimei. In order to keep Arumi from moving away, he remade the world, as he had been throughout the series, except this time, it stayed remade, with the help of Sasshi's future self that has grown into his powers. As a bonus Mune-Mune and Masa lived, and The Grill Pelican stays open.
A large part of each episode is Sasshi and Arumi trying to figure out "what kind" of world they're in and what the rules are. This starts from the very first episode, where Sasshi immediately takes to the Dragon Quest-esque RPG world that they inhabit, and remarks that spending 600 of their initial 800 gold pieces in an initial shopping spree is ideal, since the strategy guide recommends saving 200 GP for inns and the like. Another example occurs in a sci-fi world: when Sasshi discovers that their sci-fi world has all of the elements of a Super Robot show, it just becomes a matter of locating the Humongous Mecha that is awaiting the two destined pilots.
That said, Sasshi understanding how each world "works" is probably a side effect of each world being retrieved from his subconscious.
Glamorous Wartime Singer: Hillariously subverted in the War episode when Ms. Aki shows up for a USO show. After getting a good look at her face, all the troops fall to the ground in a near-death state. After pulling a Marilyn Maneuver but before she can finish her introduction, she's quickly grabbed by Gas Mask Mooks, shoved into a body bag, and stuffed into a nuclear waste containment barrel, which is then filled with cement, bolted shut, lowered into a larger air-tight container, sealed in cement, tested for radiation levels, boxed up into a cargo crate, put onto the helicopter she arrived in on, and immediately flown out.
Going Commando: Arumi spends an entire episode without underwear, which was stolen by the goblin while she was relieving herself behind a bush. She's then subjected to just about every suggestive trope found in Humongous Mecha anime, including piloting a giant robot in a skimpy minidress after a Transformation Sequence that inserted Sasshi into the cockpit directly between her legs. She's constantly mortified but Sasshi, being twelve, is so preoccupied by all of the cool robot stuff going on he doesn't even notice.
Gratuitous English: Part of the opening theme is in English, but you just try to understand it without subtitles. (Or with them, for that matter.) There's also a guy rapping in English in the background.
Gratuitous French: Arumi's father often uses this trope as he's a chef who specializes in French cuisine. This irritates Grandpa Masa.
Grandpa Masa: "Like hell I'm gonna stand for your lectures with bad French mixed in!"
Imperial Stormtrooper Marksmanship Academy: In the Film Noir version of the arcade, Sasshi has to compete with Arumi's father to prove which one is the real "legendary sniper Regolgo" by shooting a can on the other side of the room. Sasshi manages to hit the can with a pistol by complete accident, while Arumi's father empties an entire M16 clip and hits everything but the can. Then he walks right up to the can and blows it up with a bundle of TNT. Arumi's father is declared the winner.
Incredibly Conspicuous Drag: Crossdresser "Ms." Aki. is never outed, but is rather obvious — so much so that it seems the rest of the cast is aware of it and just treats him/her as a lovable eccentric.
Kamehame Hadoken: Sasshi tries to fire one off in the Hong Kong Shopping Arcade episode. He ends up burning his hands in the process and drops it. He tries it again, but it took so long to summon that during the 2nd time, they cut the scene and say "The rest has been abridged" then shows him firing at his opponent.
Long Title: "Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army, reporting for duty, Ma'am!"
Even sillier, as mentioned in the pop-up notes. The Japanese version goes just as long, but goes biggest to smallest unit (reverse order).
Magical Girl: Subverted. In one world, Sasshi tries to give Arumi everything she'd ever want in order to be happy. His own screw up antics eventually result in Arumi being forced to transform into a Magical Girl (complete with the poses being controlled by one of Sasshi's little oni servants). She was less than enthusiastic about it.
Magical Girlfriend: Subverted. If you want to count Arumi for this role, she has no magical powers at all. In the Dating Sim episode, She's actually That world's magical goblin and everything she tried to inflict on Sasshi backfires on her. The same episode plays it straight with characters from the world itself.
Sasshi: AAAH! I DON'T WHETHER TO BE SCARED OR HAPPY! I'M SO CONFUSED!!
Meaningful Name: "Mune" is Japanese for "chest." Sounds like a nickname at first, but no, that's her actual given name. She also adopts the pseudonym "Muneyama Muneko" (literally "Chestmountain Chestchild") in the last episode.
Medieval European Fantasy: Episode 2, and perhaps 10 too, considering it is based on fairy tales, which in turn have a generally MEF setting.
Mood Whiplash: Between the middle and end of the first episode, and the series in general around episode six.
No OSHA Compliance: Parodied when Sasshi tumbles through a factory, nearly getting chopped up and cooked into a giant dumpling.
Old Master: Subverted in episode 4. Sasshi's granddad makes like he's about to show off his elite fighting skills; Arumi beats him up with her Paper Fan of Doom.
Once an Episode: Whenever he ends up going to a new world, Sasshi always ends up finding an animal and trying to name it Spot (except for the Dating Sim world, where there was already an animal named Spot.)
Otaku: In the "dinosaur" episode, Sasshi briefly turns into the Japanese stereotype of an otaku. In fact, it's the very picture for the trope's page.
Overly-Long Gag: "Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army, reporting for duty, sir!"
Post Episode Trailer: Extremely idiosyncratic. Sasshi's lifelong dream of doing a next episode preview is constantly thwarted, and by the time he finally gets everyone else to shut up, it's the last episode already. When their live action counterparts come to the manga, he tries to do it again, and fails because it's the last volume of the manga as well.
Power Perversion Potential: The primary reason Sasshi and Arumi constantly fail to get home is because Sasshi quickly realizes he can use the magical reality-warping that's going on to let his imagination run wild and fulfill his own desires.
Punny Name: During a bombing run in episode 11, Sasshi looks through his scope at the target, then looks up and blinks in disbelief at the fact that the barber shop they're about to bomb is called "Pearl Barber".
Reference Overdosed: To illustrate, one fansub group included a methodical catalogue of every popular culture reference made in the third episode at the end. It occupied most of the screen in fairly small print.
Sasshi's Mother:"You're Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army."
Mune-Mune:"WHAT'S THAT!? Are you Private E-1 Sasshi of Squad 7, Corps 6 of Division 5 General Headquarters, Auxiliary to the 4th Battalion, Under the command of the 3rd Regiment, Under the 2nd Division of the 1st Army!?"
Screw destiny, they reversed death. That's even more awesome, and a wonderful ending for this immortalist troper.
Shameful Shrinking: In the Detective Noir world, anyone who gets shot with a gun doesn't die, but turns in a Chibi version of themselves, thereby cementing themselves as the shameful comic relief character who will never be taken seriously again. Others shun those who become this.
Shōjo (Demographic): In one world, Sasshi tries to give Arumi everything she would ever want to be happy. She doesn't want any of it.
Shout-Out: Many, though it'd be more appropriate to say they're parodying more than simply just referencing them.
The most obvious being to Neon Genesis Evangelion — music from the series is used for a mecha combat scene, and Sasshi's sister is a Rei Ayanami Expy. Throughout the Battlefield episode, Sasshi's facial features resembles Shinji.
Episode 2 is a shout out to JRPG's in general, but Dragon Quest in particular. Slimes, dead characters being represented by coffins, and needing to go back to town and pay to have them revived are just the tip of the iceberg.
There's one for the American short cartoon The First Bad Man during the dinosaur episode, where Mune Mune's dinosaur is slowly chipped away and reduced in size from a dinosaur to a small lizard every time they duck behind a rock.
In the Fairy Tale episode, Sasshi creates a mini, teddy bear headed creature with little angel wings, entrusted to be guardian of a certain magical girl. At first he looks yellow. Cardcaptor Sakura, anybody?
Don't forget about "the legendary sniper Regolgo."
Arumi also apparently spends episode 9 and the start of episode 10 hanging out at the school from The Drifting Classroom.
Somewhere, a Paleontologist Is Crying: In the Prehistoric Shopping Arcade episode, Sasshi going into good detail to point out how many of the dinosaurs they have encountered didn't exist for millions of years between each other and never would have encountered each other over the time span between the early Cretaceous and late Triassic periods. Sasshi, being a preadolescent boy, is an expert on dinosaurs, of course.
Stock Footage: The world-transfer ritual, though there are some minor discrepancies between them each time.
Super-Deformed: The fate of anyone who gets shot in the Film Noir world. Arumi also spends much of the Dating Sim episode like this after being turned into that world's goblin.
Theme Tune Cameo: In episode 12 they enter the arcade proper and hear the show's ending theme playing as muzak.
Truth in Television: The redevelopment of the Abeno area of Osaka has caused many older commercial districts to be gutted or demolished completely. A case in point is Abeno Ginza shopping arcade, which was torn down at the Turn of the Millennium and replaced by a trendy shopping mall, complete with a Krispy Kreme Doughnuts shop and the Osaka branch of Shibuya 109. Poor Sasshi...