* BaseBreaker: "Revolution 9". For some, it's brillant and revolutionary; for others, it's a horrid and irritating mess.
** Others split the difference, recognizing that it's brilliant and revolutionary but not actually liking it
** As with most long double albums, there's the constant debate over if it would've been better as a single album, and if so which songs are filler and should be cut (it doesn't help that this is probably the album where the differences between John and Paul's writing stands out the most)
* FauxSymbolism: Again "Glass Onion".
* HarsherInHindsight: As described on the main page, "Long Long Long" "sounds like a coffin is closing at a funeral while the widow weeps." George himself would be dead in 2001.
** "[[JohnLennon If I ain't dead already]], [[http://en.wikipedia.org/wiki/Death_of_John_Lennon girl you know the reason why]]."
** "Glass Onion" was intended as sarcastic attack on all those Beatle fans who sought for hidden messages and meanings in their songs.
** Sadly, American serial killer UsefulNotes/CharlesManson still managed to interpret the lyrics of the songs "Piggies", "Revolution 1", "Revolution 9", "I Will", "Honey Pie", "Blackbird" and "Helter Skelter" as a message to start murdering other people. For his CloudCuckooLander interpretations, see [[http://law2.umkc.edu/faculty/projects/ftrials/manson/mansonbeatles.html this link]].
* NightmareFuel: "Revolution 9".
** The album in general has an overall harsher, unsettling quality to it. Instruments and vocals have weird textures, songs are played roughly (sometimes with proto-heavy metal distortion) and end in minor keys, songs end (or begin) in disjointed ways, [[LastNoteNightmare Last Note Nightmares]] abound. Many of the songs lyrically deal with death, violence and mortality in a way Beatles records hadn't before. Even the more lighthearted songs don't help matters. The RealitySubtext of the band falling apart is audible. It's the band's darkest album.
*** There's also the fact the insane cult leader, UsefulNotes/CharlesManson, would twist the meanings of the songs into a megalomaniacal scheme to cause a race war through mass murder.
* OneSceneWonder: Music/EricClapton came to the studio at his friend George's request to play on "While My Guitar Gently Weeps". He delivered probably the best and certainly the most skillful guitar solo to ever appear on a Beatles record.
* SoBadItsGood: "Why Don't We Do It In The Road?"
** "Wild Honey Pie," because ''seriously now.''
** 'Yer Blues', and deliberately so. Just check out the lyrics and the guitar solo.
* SweetDreamsFuel: "Good Night".
* TastesLikeDiabetes: "Good Night," intentionally so.
* TearJerker: "Blackbird", "Julia", "Long, Long, Long", "While My Guitar Gently Weeps", "Good Night", "Mother Nature's Son", "Dear Prudence".
* WhatDoYouMeanItWasntMadeOnDrugs: Partially subverted with the making of "Ob-La-Di, Ob-La-Da" which Music/JohnLennon, high on pot, growled he didn't like the song's preliminary slow tempo and instead went to a piano and bashed out the introduction in a louder and faster tempo. As it turns out, the rest of the band agreed that sounded better and they recorded the song with that tempo in mind.