!!Books

* AlternativeCharacterInterpretation: Many are prone to this.
** Gollum: A nasty sort of character to begin with, he killed his friend for the Ring and escaped with it (so far this is canon), but resisted the Ring's attempts to completely subjugate him even as he was driven insane by it and actually trapped it away from Sauron's attempts to retrieve it, [[ByronicHero fighting its influence and his twisted impulses the whole time while aware that he was doomed to fail due to his]] {{envy}}.
** The Orcs, helped by the fact that Tolkien apparently intended for them to be ProudWarriorRaceGuys serving Sauron only because of his power over them. He would have introduced this part of them and expanded their role in future editions too, [[AuthorExistenceFailure except...]]
** [[HoYay Frodo and Sam's relationship]].
** Who was the real hero - Sam or Frodo? WordOfGod favored Sam.
* {{Applicability}}: Tolkien discussed this in the foreword to a later edition. He pointed out that a lot of the things people insisted were allegories of World War II (e.g. the Ring as the A-Bomb) were conceived of ''before'' the 40's and any similarity people find is due to hindsight, as well as detailing what the story would have been if he had actually written a [=WWII=] allegory. He disclaimed allegory and used the word ''applicability'' instead--allegory is an intention of the author, but applicability is free for the reader to determine.
* AwardSnub: Issac Asimov thought so, at least. When his own ''{{Foundation}}'' trilogy got the special Hugo Award for "Best Series," he stated that he thought ''Lord of the Rings'' deserved it more.
* BigLippedAlligatorMoment
** Early on in ''The Fellowship of the Ring'', Tolkien briefly stops the action to describe a fox's train of thought, which runs something like this: "three hobbits, out at this hour, beneath a tree? I sense a disturbance in the [[IncrediblyLamePun fox]]." Tolkien concludes with: "and he was absolutely right, though he never found out any more about it."
** For those who have never read any other Tolkien, Tom Bombadil is this. They visit him and he doesn't play any other real role afterwards. The ''only'' impact this has on the story is to explain where Merry gets the sword he uses when fighting the Witch King of Angmar.
* BrokenBase
** Whether one likes Tom Bombadil and his whole episode or not.
** Denethor, opinions vary as whether he was a pitiable character or a total {{Jerkass}} who deserved what he got. It doesn't help that he was less fleshed out in the movies and made into [[AdaptationalVillainy somewhat of a villain]] rather than a AssholeVictim.
** Whether the many songs and poems in the books are any good or not.
** Whether the books are better than the movies or vice versa.
** [[EndingFatigue Some consider the end to be too long.]] Hence the whole subplot of the "Scouring of the Shire", taking place after Sauron is defeated, was dropped in the movies. Yet Tolkien wasn't eager to pawn off a pat "happy-ever-after" ending. Instead, the heroes' homecoming is just as important a part of the journey as it was in the old epics it emulates.
* CreatorsPet: Tom Bombadil; the fact that he was based on Tolkien's childhood doll doesn't make it any better.
* CriticalBacklash / VindicatedByHistory
** Did you know that if we had the internet in the 1950s, that people would probably be describing this as the same way they do to popular 2012 whipping boys like ''{{Literature/Twilight}}'' and ''Literature/InheritanceCycle''? ''The Lord of the Rings'' didn't catch on until the 1960s.
** Peter S. Beagle expressed it well in the foreword: "TheSixties[...] were when the word ''[[ForScience progress]]'' lost its ancient holiness, and ''escape'' stopped being comically obscene."
* DieForOurShip: Poor, poor Arwen. Aragorn/Boromir, Aragorn/Legolas and Éowyn/Aragorn fans hate and bash her like there's ''no'' tomorrow. The fact that she was a late addition (Tolkien didn't create her until the third draft) really doesn't help her any, nor does the fact that she doesn't actually ''do'' anything, and her love story with Aragorn is [[AllThereInTheManual in the appendices]].
* EnsembleDarkHorse: Glorfindel, Prince Imrahil, Legolas, Faramir, Arwen, the Balrog...
* FridgeBrilliance: ''Seven to the Dwarf lords...'' Apparently Tolkien [[Literature/SnowWhiteAndTheSevenDwarfs had a sense of humor.]]
* HellIsThatNoise: The shriek/howl of the Nazgul, the orc-drums in Moria, and the battle-horns in Minas Morgul are all cited. The horn at Helm's Deep apparently seems this way to Saruman's forces.
* HilariousInHindsight: When Galadriel gives gifts to the members of the Fellowship, most of them get some pretty cool [[MacGuffin items]]. Sam, on the other hand gets a box of dirt, leaving the reader to ask, "[[Franchise/PiratesOfTheCaribbean Is the box of dirt going to help?]]"
* HoYay: Hi, meet the fandom. Read the books. Go on the Internet in general. [[WordOfGod Tolkien himself apparently stated that Sam and Frodo were not in love with each other]], and it didn't slow the fandom down a bit.
--> "At that moment there was a knock on the door, and Sam came in. He ran to Frodo and took his left hand, awkwardly and shyly. He stroked it gently and then he blushed and turned hastily away."
** Legolas and Gimli get their fair share, too.
-->When King Elessar gave up his life Legolas followed at last the desire of his heart and sailed over Sea. We have heard that Legolas took Gimli Glóin's son because of their great friendship, greater than any that has been between Elf and Dwarf. If this is true, then it is strange indeed: that a Dwarf should be willing to leave Middle-earth for any love, or that the Eldar should receive him, or that the Lords of the West should permit it.
* InferredHolocaust: The Entwives, who lived in what is now the Brown Lands, after a campaign by Sauron. Extends to the whole Ent race, because without the other sex, there will be no new Ents. (WordOfGod confirms that [[spoiler:the Ents did "die out" after a fashion--the ones that weren't killed by something basically turned into trees]].)
** Which is a shame, because we need them now a lot more than we did then.
* InternetBackdraft: Everyone stand back... "The Balrog has no wings!" There're arguments both ways, considering how Tolkien worded it in the books, but even if it did the Balrog couldn't fly with them. But [[RuleOfCool giant fire and shadow monsters look more awesome with wings]].
* IronWoobie: Frodo is '''the''' definitive example of this trope.
* ItGetsBetter: It takes around half of ''The Fellowship of the Ring'' to properly start the quest of the Ring.
* ItWasHisSled: [[spoiler: Boromir dies. Gandalf comes back. The Ring is destroyed. Aragorn gets crowned King of Gondor.]]
* JerkassWoobie
** Gollum, in a Jekyll/Hyde split personality example: the Sméagol persona is a sniveling Woobie, while Gollum (his desire for the Ring given form) is pure AxCrazy Jerkass.
** Less of a Jerkass ''or'' a Woobie than Gollum, but still qualifying, is Boromir. He [[TheComplainerIsAlwaysWrong has several bad ideas]] (and be fair, some good ones) on how to conduct the quest and never quite understands that the Ring ''cannot be used for good'' until he actually tries to steal it. However, he has more immediate fears for his homeland than anyone else, as he's actually been on the front lines against Mordor and knows that his homeland ''will'' fall if there isn't some major intervention, so it's not surprising that the Ring finds him a willing listener.
* MagnificentBastard: Sauron. Especially after reading the appendixes and learning about everything he did to set up his victory--not to mention his role in ''The Downfall of Númenor''. Or at least, he tries to be one, but he's playing [[OutGambitted far out of his league]].
* MemeticMutation
** '''"Frodo Lives!"''' and "Gandalf for President," both popular rallying cries from TheSixties.
** "Tolkien is Hobbit-forming." Also, anything having to do with {{Hobbits}}.
** Political discourse: "Frodo failed, X has the ring" or "Y is like the One Ring, everyone wants it"... Strangely influential, perhaps because many poli-sci geeks see the Ring as an allegory for nuclear weapons or the corruption of tyranny.
** "Another piece of Mordor," often seen scrawled on ugly building projects under construction.
** "''My prrreciousssss''..."
* MisaimedFandom
** The endless suggestions that ''The Lord of the Rings'' is an allegory of World War II, [[{{Jossed}} even after Tolkien himself shot the idea down in a later introduction to the book and bluntly noted his distaste for allegory]], would also qualify.
** The same goes for those who consider it an allegory for Christianity; Tolkien similarly Jossed the idea that Gandalf's death and rebirth as Gandalf the White was [[MessianicArchetype supposed to invoke Jesus]]. This is borne out by the rest of the mythos, where it's revealed that Gandalf's "race"[[note]]for lack of a better term[[/note]] is basically a lesser Angel, and Tolkien did consider having the {{God}} figure appear as a mortal to drive out evil but ultimately discarded the idea.
** Even the One Ring itself gets this. Way too many people have used replicas of this symbol of evil as ''wedding rings''.
** Similarly, the BlackSpeech gets this, [[EvilIsCool because people thought it sounded cool]].
** The book has a strong following among white supremacists.
** {{Burzum}}, which is an example of the previous two points (the band's name itself is in BlackSpeech and Varg Vikernes is well-known for his white supremacist ideas).
* MoralEventHorizon: With all the evil that Saruman does, it's instructing his orcs to start denuding Fangorn forest in order to fuel his forges that causes him to cross it. As Treebeard says, ''A wizard should know better!" Ultimately, it's also what brings about Saruman's downfall.
* NewerThanTheyThink
** Orcs and Balrogs - you'll find them in many generic fantasy settings alongside mythological creatures, but ''The Lord of the Rings'' is the first ([[Literature/TheSilmarillion published]]) work to use them. "Orc" is an Anglicized Elvish word ("Orch" in Sindarin, which gives the wonderfully apropos plural "Yrch"), while Balrog is Sindarin for "powerful demon."
** The word "orc" actually existed in Old English, but it was a vague term for an ogre or a demon. Same goes for "ent", which was a generic term for a giant (the related word "eoten" is a cognate for the Norse "jotunn", all referring to giants). It was only after LOTR that they started being used to refer to very specific fantasy creatures.
* NightmareFuel: Some of the scenes involving the Nazgûl are pants-shittingly terrifying, as well as the general feeling of panic and being hunted while the hobbits are escaping the Shire. Also, Sauron.
* OlderThanTheyThink: The idea of a ring that makes you invisible goes back to the Ring of Gyges from Plato's ''Republic''. Considering how well-read Tolkien was, it's probably where he got the idea in the first place.
* OneSceneWonder: The Balrog is easily as famous as the other monsters from the books despite only appearing very briefly.
* RonTheDeathEater: Poor, poor Arwen. Boromir, Denethor, and Thranduil definitely tend to get this treatment in fan fiction.
* TheScrappy: Tom Bombadil is hated by many fans of the book for being a CanonSue who has [[BigLippedAlligatorMoment virtually nothing to do with the main plot and spends his chapters singing ridiculously bad songs]].
* SeinfeldIsUnfunny: Almost every modern fantasy copies from it to some extent or another; so much of the genre is aimed at children that by the time a reader gets to the Real Thing, they've seen it before...
* SequelDisplacement: While ''Literature/TheHobbit'' is still considered a literary classic, it is ''The Lord of the Rings'' which is considered the defining work of HighFantasy.
* TheyWastedAPerfectlyGoodPlot: The faceoff between Gandalf and the Witch-King beneath the broken gate of Minas Tirith has all the makings of a truly EPIC showdown...and then the cavalry arrives (literally). The way it plays out is still awesome, but many a reader has wondered how that battle would have gone if it hadn't been interrupted.
* UglyCute: Gollum.
* UnfortunateImplications: For details, see the trope page.
* ValuesDissonance
** Some of the concepts may not go over well with some readers: the idea of inborn royal status and special fate, the general fact that most of the heroes are aristocracy, and the uncriticized use of monarchy as a positive form of government. Of course, as WordOfGod says, the book was not intended to be an allegory about "how things should be done" in the real world - it's a fantasy inspired by medieval legends and history, where people certainly didn't think like modern people do. (Plus some of the most heroic individuals--namely Sam and Beregond--were emphatically not aristocratic. Beregond didn't even have a rank beyond man-at-arms.)
** Particularly of the above, Sam frequently calls Frodo "Master". To modern audiences, this looks strange and feels wrong, since it calls to mind ExtremeDoormat and there's far less notion of deference to one's "betters" nowadays (particularly for readers in countries without a history of very strong class distinction), even though this was the usual way for a servant to refer to his employer. The movies tone it down by having him stick to "Mr. Frodo" instead, which is deferential without being servile.
** The end of Éowyn's story, where the proto-{{Action Girl}} happily sets aside her sword to {{Stay In The Kitchen}}. The films leave that part out. Although the sequence is part of AnAesop of the book that peace, healing and nurturing are better than war and violence (especially when the war is over) with language evoking a CallToAgriculture. Éowyn is paired with the AuthorAvatar Faramir, who isn't a GlorySeeker through battle like Éowyn and her people (or his brother Boromir) and thus more "enlightened" than them, and Éowyn just follows his lead. Éowyn wasn't simply a Glory Seeker but a DeathSeeker as well, so ultimately she chooses life over death, paired with a man who even as a ForestRanger ordered his men never to kill without need. Also, becoming a ruling lady of a princedom is different from becoming a housewife. (Ironically for modern readers, shieldmaidens in actual Norse sagas hung up their weapons whenever they married ["maiden" refers to being an unmarried woman], so Éowyn is perfectly in line with her legendary forbears.)
** Tolkien seemed to think it was acceptable (under some circumstances) for platonic same-sex friends to hug, kiss, sleep together, and express deep love for each other. [[EveryoneIsGay Modern readers commonly disagree.]]
* VindicatedByHistory: The book wasn't really popular until the Vietnam War and then the reading public started seeing parallels between Vietnam and the War of the Ring.
* WhatDoYouMeanItsNotDidactic: Just as the only evil in Lothlorien is evil that the visitor brings there, the only symbolism in ''Lord of the Rings'' is symbolism that the reader brings there. See Tolkien's quote under WhatDoYouMeanItsNotPolitical.
** Some critics have tried to find Christian symbolism in it (similar to Creator/CSLewis's ''Literature/TheChroniclesOfNarnia'', which is more openly Christian), with Frodo, Gandalf and/or Aragorn being classified as {{Messianic Archetype}}s, [[spoiler:Boromir]]'s death by arrows evoking St. Sebastian's martyrdom, or some such other connection. It is true that Tolkien was a devout Catholic, yet the only symbolism he admitted to was the Elven "energy bread" ''lembas'' being reminiscent of the Christian Eucharist or Holy Communion.
* WhatDoYouMeanItsNotForKids: While its predecessor, ''Literature/TheHobbit'', was geared towards a younger audience, this story was intentionally targeted towards [[DarkerAndEdgier adult readers]] due to Tolkien becoming more and more uncomfortable with the fantasy genre being used solely for children's stories.
* WhatDoYouMeanItsNotPolitical
** There are many, MANY interpretations of the book as a thinly veiled allegory of WorldWarII. In particular, according to this view, Sauron is ANaziByAnyOtherName, and the whole Scouring of the Shire episode is a satire on [[DirtyCommunists Communism]]. Tolkien started to shoot down these interpretations when he was still alive, but when has WordOfGod ever stopped fans (or not-fans)?
** "I cordially dislike allegory in all its manifestations, and always have done since I grew old and wary enough to detect its presence." -Tolkien, responding to this in a forward to a later edition.
** Tolkien's old buddy CS Lewis adored allegory, hence his Narnia books being nothing but allegory. They had such a falling out over allegory in Narnia (and other things Lewis did that pissed Tolkien off) that Tolkien and Lewis didn't speak for awhile. They agreed to disagree and got over it, buddies again, but it must have really rankled Tolkien to the end of his days when people saw allegory in ''The Lord of the Rings''.
** The first complete Russian translation of LotR, and still one of the best known, ran with the "Scouring as a parody of communism" idea by translating Lotho's titles as those once used by Stalin.
** The Ring is a force of great power that is alluring to men, but cannot be controlled even if its power is harnessed and will twist you into a monster before it kills you. This is in no way a metaphor for nuclear power and weapons or radiation poisoning, the Ring's powers are completely literal.
** Tolkien stated that if the books ''were'' an allegory of World War II, the Ring would have been used against Sauron at once, and Saruman would have made his own, turning the war into an EvilVsEvil situation in which whatever side was victorious [[DownerEnding would have wiped out the hobbits]].
* TheWoobie: Faramir. For one, his father says straight out that he would have [[TheUnfavorite preferred that Faramir die]]. Then he essentially tells Faramir to go try and die anyway. This isn't as pronounced in the books as it is in the film, mind--Faramir pretty much goads his father into putting it in so many words (and their relationship wasn't nearly so antagonistic until the very last draft).

!!Ralph Bakshi Animated Film
* CompressedAdaptation: It just about doesn't come more compressed. At times, it feels like Bakshi sliced up whole pages of dialogue and left in only the lines that most people remember. Almost nothing is given a full explanation, and what we do get is usually rushed and leaves out important details. For example, Gandalf asks Frodo if he sees any writing on the ring. When Frodo says he doesn't, Gandalf tosses the ring into Frodo's fire, then pulls it out a moment later, remarking that it is still quite cool. But he doesn't bother looking for the writing he was attempting to reveal. Later, after several lines stating outright that the ring is indestructible, Elrond declares that the ring must be taken to the fires of Mount Doom. What he doesn't tell us, unfortunately, is that this is the only fire capable of melting it. Without that line, non-readers have no idea why the Fellowship is undertaking this quest.
* CrowningMusicOfAwesome: Leonard Rosenman's score.
* HoYay: If you thought the Jackson films made Frodo and Sam look gay...
* SpecialEffectsFailure: Much of the film, which was unfortunately released incomplete.
* TheyJustDidntCare: Despite the rich languages that Tolkien invented, and the number of people fluent in them even back in 1978 (as much as you can be fluent in them), composer Leonard Rosenman used made-up gibberish for the soundtrack's choral chants, with the occasional word like "Sauron" or "Mordor" thrown in.


!!Rankin-Bass Animated Film
* {{Anvilicious}}: In case you miss the deeper meaning in any particular part of the movie, there's usually a song to explain it to you. Or two. Or three. See the page quote for a good example.
* AssPull: Éowyn appears out of nowhere with no prior set up to bump off the Witch-King and then vanishes completely with only a brief appearance at the end.
* CrowningMusicOfAwesome
** Orcs groove out to the funky bass riffs of ''[[http://www.youtube.com/watch?v=YdXQJS3Yv0Y Where There's a Whip, There's a Way]]'', proving once again they are Tolkien's only characters that believe in the PowerOfRock (along with the efficacy of torture).
** The terrible things they say these days about Orcs... [[DeaderThanDisco they even say]] that [[Film/MysteryMen Disco is dead?]] [[DiscoDan Disco is Life!]]
** [[http://www.youtube.com/watch?v=sMhY59n7X-Y "The bearer of the ring, the wearer of the ring, he hears a voice compelling him..."]]
** [[http://www.youtube.com/watch?v=jVgZDcUQPEY "You are standing in the eye of the storm! Move an inch, and you'll be dead..."]]
* CultClassic: Almost in spite of itself.
* DesignatedHero: Aragorn. Apparently he was just off doing his own thing with nothing to do with the rest of the party, and doesn't even help in the Siege of Gondor as the Orcs were already retreating by the time he arrived. He's rude to Gandalf, sneering at him while taunting him over his reluctance to march on Mordor, a move motivated not to buy time for Frodo but because he thinks they have Sauron on the run. And despite doing nothing to help, almost getting his army killed and being a rude prick he's still celebrated as the savior at the end. Very different from the more heroic Peter Jackson version to be sure.
* EarWorm: ''[[http://www.youtube.com/watch?v=YdXQJS3Yv0Y Where There's A Whip There's a Way]]''. "I can't! I can't continue!" I'd rather be singin' a ''[[LampshadeHanging good old hobbit song]]'' myself...
* HilariousInHindsight:
--> '''Aragorn''': ''[[Film/TheDarkKnight Why so glum, wizard]]?''
* HoYay: Some. But with Frodo and Samwise, can you expect anything less?
* {{Narm}}: The entire film, even more so than the original Hobbit.
** Especially the songs.
** It's hard to take the Witch-King seriously when he sounds like Skeletor and [[{{Transformers}} Starscream]].
* NarmCharm: '''"[[http://www.youtube.com/watch?v=am-piARxy4U#t=2m23s BEHOLD! THE GARDENS OF MY DELIGHT!!]]"''' ''Aww...'' [[ThisIsYourBrainOnEvil Dark Lord Samwise]] is ''so cute''. Samwise's blackest desires of despotic tyranny involve turning the [[{{Mordor}} Plains of Gorgoroth]] into a lush garden paradise and Sauron's army of orcs into racoons and tropical birds. Hardly the stuff to crush Middle Earth beneath his Hobbit-sized heel.
* NightmareFuel: The ram, Grond, looks like a wolf instead of a mechanical dragon, and actually seems to be alive as seen with its red saliva.
** The Witch-King's voice. Imagine watching this scene without any prior knowledge about how Skeletor sounds. [[VoiceOfTheLegion A harsh, mechanical grate grinding out in conjunction with a manic, high-pitched squeaky voice]]. The overall effect somewhere between Darth Vader and Judge Doom.

!!Peter Jackson Films

* AlternativeCharacterInterpretation:
** The relationship between Frodo and Sam is subject to HoYay interpretations just like in the books.
** And just like in the books fans debate whether Frodo was the real hero of the book or if the real hero was actually Sam, since Sam was able to resist the ring's influence despite being in close proximity to it as opposed to Frodo, who eventually did become corrupted by it, if only temporarily, after carrying it for so long.
* CantUnHearIt: Sean Astin's distinctive accent for Samwise Gamgee is very similar to one of the most famous (extant) audio narrations of the book, though Astin claims he wasn't aware of the audio version. Eerily, Sam is never actually written with such an accent in the books, making it all the weirder.
* CrazyAwesome: Viggo Mortensen. During the filming of Helm's Deep, he caught a sword in the face, and broke a tooth. He wanted to Superglue the tooth back and keep filming, but Peter Jackson brought him to his dentist to fix it instead. All of the other actors were afraid he was going to end up killing himself before they finished filming, due to his insistence on performing lots of extremely dangerous stunts himself. Even the stuntmen were impressed by his dedication, and ability to ignore pain and injuries while filming.
* CrowningMusicOfAwesome
** Howard Shore's score is usually recognized as one of the best in film history, sometimes even by people who weren't fans of the movies. The three {{Academy Award}}s (two for best score and one for best song) didn't hurt this either.
** Lux Aeterna's song, "Requiem for a Tower," which was present in the trailer of ''The Two Towers''. It's used for many YouTube videos.
* EarWorm: The Green Dragon song from ''The Return of the King'' has this effect.
* EndingFatigue
** Common complaint of the end of the third movie. The book has six chapters after Mount Doom, featuring crownings, burials, info on the War in the rest of Middle-Earth, the journey home, the Scouring of the Shire, and the hobbits work to restore it and settle down again, which fails for Frodo, who leaves in the end.
** It also doesn't help that the screen fades out in about five places and really looks as though the film is ending there, only for it to reappear again. Slightly different cinematography may have made this a much less common complaint.
** Discussed on the cast commentary track, where somebody says that the fade after "Here, at the end of all things" could be the end of the movie, albeit a very artsy and far-out ending.
* EnsembleDarkHorse
** Arwen -- the film [[ActionGirl slightly expands]] on [[AscendedExtra her role]], combining it with the most {{Badass}} elements of Glorfindel, and bringing in most elements of the love story which Tolkien left to the appendices.
** Peter Jackson jokingly suggested that they wanted Imrahil to appear on film, but only if they could get [[Creator/ArnoldSchwarzenegger Schwarzenegger]] to play the role.
** [[FanNickname Figwit]] is probably the epitome of this trope, but was [[CanonForeigner not in the book]].
* EvilIsCool: Heavy amount of appeal to the villains, with the menacing weapons and armor. At is peak in the final film with Sauron's army look so {{Badass}}, with huge menacing [[GiantMook trolls in armor]] and giant [[WarElephant WarElephants]].
* GeniusBonus: A little bit of extra awesome for those versed in ''Literature/TheSilmarillion''. In the scene in the extended edition where Sam tells Frodo, "There's light and beauty up there that no shadow can touch," the star he sees is no ordinary star. That's the Star of Eärendil, the Evenstar -- yeah, the one Arwen was named after. We would call it Venus. In Middle-Earth, though, it's an elf (Arwen's grandfather, no less,) on a flying ship with one of the three Silmarils, which contain the light of the Two Trees; holy light that predates the sun and moon. The Star of Eärendil was the source of the light contained in Galadriel's Phial.
* GenreTurningPoint: Along with the ''Literature/HarryPotter'' series, the LOTR trilogy proved that fantasy films didn't have to belong to cheesy B-movie fare and could be critically and commercially successful. A literal torrent of high-budget, CGI-heavy fantasy, sci-fi and superhero blockbusters followed in the next few years, and there seems to be no end to it.
* HellIsThatNoise: The Nazgûl's screams are very unnerving.
* HilariousInHindsight
** The line "Nobody tosses a dwarf!" after ''Series/GameOfThrones'' star Creator/PeterDinklage gave a ShoutOut to dwarf Martin Henderson, who was injured in a "dwarf-tossing" event, and stirring up a controversy about similar events.
** Legolas riding the Uruk-hai shield like a surfboard in ''The Two Towers'' becomes a lot funnier when you learn that Tolkien originally intended for Bilbo to kill Smaug in the earliest drafts of ''Literature/TheHobbit''. How? [[spoiler:Bilbo would have infiltrated Smaug's lair, then stabbed him through the bare spot in his chest with Sting (which went so deep it vanished completely), and then ''ride a golden bowl like a surfboard on the massive amount of blood pouring out of Smaug's belly'' before triumphantly exiting the mountain]].
** Creator/PeterJackson joking about giving Treebeard his own spin-off detective show in the commentary. Then in Film/TheHobbitFilmTrilogy Creator/MartinFreeman and Creator/BenedictCumberbatch from {{Series/Sherlock}} were cast. So alternate universe Bilbo and Smaug have 3 seasons of a detective show!
* HoYay
** Frodo and Sam, as usual. Actor Creator/IanMcKellen, who is gay, was interested in the close relationship between the two characters. He noted the attention to detail in the pair's close relationship from page to screen, such as when Sam grabs Frodo's hand after he awakens from unconsciousness. In fact, both pairs of hobbits can reasonably be called HeterosexualLifePartners. It's worth noting that Sam is ironically the only hobbit to show interest in any specific woman in the films. In this regard, Merry and Pippin might be closer to this trope than Frodo and Sam. This is pushed UpToEleven in the DVD cast commentaries for the three films (but especially ''The Two Towers''), where all four hobbit actors play with this trope at one point or another.
** The cast commentary even provided some for the actors. Sir [=McKellen=] rather comes off as if he has a little crush on Elijah Wood. Everyone else sounds like they've got a crush on Sir [=McKellen=].
** Aragorn/Legolas also get a lot of this. Actually, Aragorn/anyone do. Viggo kind of encourages it.
*** It really doesn't help that some scenes with just the two of them together (like after the battle of Helm's Deep) were originally supposed to be romantic scenes of Aragorn and ''Arwen.''
*** And not only Legolas. Viggo kissed Billy Boyd offscreen. [[http://demoisellecetra.tumblr.com/post/50836206556/tossme-after-viggo-mortensen-kissed-billy-boyd Really]]
* LikeYouWouldReallyDoIt: There are ''numerous'' instances when Jackson attempts to psych the audience into thinking a character is going to die -- when even someone who has never read the book can tell, just by looking at the running time, "[[SpoiledByTheFormat It's twenty minutes into movie one]], the four main characters are not going to all die" or "No way Aragorn is going to be [[DroppedABridgeOnHim killed by an anonymous drop off a cliff]]."
* MemeticMutation
** "One does not simply WalkIntoMordor!"
** ''(sigh)'' [[HereWeGoAgain "They have a cave troll!"]]
** "They come in pints?! I'm getting one."
** "[[PunctuatedForEmphasis YOU! SHALL NOT PAAAAASS!!!]]"
** "THEY'RE TAKING THE HOBBITS TO ISENGARD!!" With the bonus of Orlando Bloom actually [[http://www.youtube.com/watch?v=5NGguk8VXYc&feature=player_embedded#at=10 performing the song in costume]] on his very last day of playing Legolas in ''Film/TheHobbit''.
** "Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Treacherous as the sea, stronger than the foundations of the earth! All shall love me and despair!"
** "Po-Ta-Toes! Boil 'em, mash 'em, stick 'em in a stew..."
** "Stupid fat hobbit! You ''ruins'' it!"
** "You have no power here" is a popular macro, complete with senile Théoden's laughing face.
** "Share the load."
** "Manflesh."
** Pretty much everything Gollum said, particularly in ''The Two Towers'' where he got his first time to shine. "My preciousss..."
* {{Narm}}
** Galadriel's rant when she is tempted by the Ring. For some, NightmareFuel of the High Octane variety. For others it can be cringeworthy. Galadriel on a whole can come off this way. The actress is attempting ethereal and somewhat inhuman... it can easily come off as if she's just really really stoned and looking at Frodo like an extra-large bag of Cheetos.
** The heck was with [[spoiler: Denethor]] running a whole mile while on fire just so he can go over the edge?
** Certain lines, especially "Let's hunt some Orc."
** Sauron's depiction as a literal flaming eye on top of Barad-dûr. In the book, Sauron was stated to still be a humanoid, and "Eye of Sauron" was just a metaphor for his power; Peter Jackson's decision to basically turn Sauron into a big, scary lighthouse has been met with some derision.
** "Fell voices on the wind", or Christopher Lee singing in the shower?
** The Extended Edition reveals that the Dead Men's first answer to Aragorn's summons was an avalanche of skulls. Apparently they had been piling them up for just such an occasion??
* NarmCharm: Many lines were perfectly fine originally, but have become Narm due to MemeticMutation. One does not simply walk into NarmCharm.
** '''"THEY'RE TAKING THE HOBBITS TO ISENGARD!"'''
** Just about every bonding scene between the hobbits, Frodo and Sam, rely on the film earning audience respect for them beforehand.
** Gollum again.
** Boromir's anguished rant at no one in particular in ''Fellowship of the Ring'', punctuated by falling into a pile of leaves. In any other film, utterly ridiculous. But Boromir's TragicHero status and Sean Bean's acting sell the hell out of it, and it's a near-TearJerker.
* NightmareFuel
** Sméagol turning into Gollum at the beginning of ''Return of the King''.
** ''Shelob''. If you are an arachnophobe at all, you will have nightmares for a good while.
* OneSceneWonder: [[FlightOfTheConchords Bret McKenzie]] as [[FanNickname Figwit]]. One scene, no lines, ''[[http://en.wikipedia.org/wiki/Figwit and an entire Wiki article]]''
** Sauron in his physical form.
* RonTheDeathEater: Denethor gets this in the movie.
* SciFiGhetto: Gloriously subverted, see {{Academy Award}}s above.
** It's even been speculated that ''Fellowship'' and ''Two Towers'' were victims of AwardSnub simply to keep the trilogy from sweeping three years in a row.
* TheScrappy: Denethor from ''The Return of the King'', who is viewed in this movie as a complete crazy jerk instead of a complex, sympathetic, Shakespearean AntiVillain, gets a lot of hate due to his {{Jerkass}} behavior.
* SpecialEffectFailure: Start to pop up to the trained eye after repeated viewings - and this series is good enough for repeated viewings.
** In the aerial shot where the ring is destroyed and the ground under the orcs surrounding the good guys is collapsing, the dust is obviously swirling on a plate ''behind'' the little CGI orcs, as it doesn't pass in front of them.
** The montage of the Minas Tirth warning beacons being lit. Yes, it's a climactic moment in the film and the music and sweeping landscapes were breathtaking, but the fire effects were on the whole poorly done, with the Minas Tirith and Amon Din beacons being engulfed within five seconds with an obvious flame superimposed over the wood stacks, which just as obviously aren't burning at all. Plus, most of the montage has beacons alighting atop the very narrow peaks of towering, snow-covered and wind-blasted mountains (a task that would ''redefine'' being ReassignedToAntarctica), with nobody shown to be lighting them even in shots where the beacon is close enough to the screen where such details should be seen.
** In fight scenes, it's quite common for people being "stabbed" to actually have the sword tucked under their arm, which is one of, if not ''the'' oldest tricks in the moviemaking book. It's always in the background of shots, but once you start to notice...
** When Aragorn and Frodo are on the Collapsing Stairs of Khazad-Dum, it is...''rather obvious'' that they are in front of a green screen, with a fan blowing at their hair. (Understandably, since they couldn't possibly be filmed on a collapsing 500-ton staircase...) This was a very rare case of a failure that was quite easily visible on first viewing.
%%* UnfortunateImplications: In particular, Orcs being AlwaysChaoticEvil, which the author struggled with. The movie actually adds another layer to this. When you watch the documentaries on the DVD, you see that, under the prosthetics and make-up, the vast majority of the stunt people playing the brutish, subhuman Orcs and Uruk-Hai are actually Maori. The good guys, in contrast, are universally white; even the extras/stunt people playing random human and elf warriors. This is ''maybe'' [[JustifiedTrope justified]] by the MedievalEuropeanFantasy, but it's still quite jarring.\\
\\
The extended editions address this, mostly by restoring Faramir's character arc. Faramir, being a front-line soldier but more soft-hearted than his brother, spends some time almost lamenting over the body of one of the Sauron-aligned humans, wondering if the man had family and if he believed his cause was righteous as well.
* ValuesDissonance
** Notably lessened as allusions to Aragorn's inherently kingly status and confidence (almost magical, as mythology was wont to do) are greatly reduced in the movie, to the point his major character arc is reversed to personal ''reluctance'' to be king.
** It's still present in Gandalf's speech to Pippin in ''Return of the King'', where he is given lines that were spoken by Denethor in throes of madness in the book no less, how the rule being given to "lesser people" caused Gondor fall to to ruin.
* VisualEffectsOfAwesome: The trilogy was basically the ''StarWars'' of its time, shattering the boundaries of visual effects. Go to the main page for the details.
* WhatAnIdiot: [[WhatAnIdiot/TheLordOfTheRings Has its own page]].
** Frodo in ''Return of the King'' when he ends up not listening to Sam [[spoiler: and trusting the psychopathic Gollum instead]].
** Also in ''Return of the King'', after Gandalf knocks out Denethor after yelling, "Abandon your posts!", why does nobody (including Pippin, who is the only person to figure out that Faramir was just knocked out from poison) take advantage of Denthor being knocked unconscious and get Faramir to the House of Healings or get him medicine and have him recover?! If they did, they would've saved his life and he wouldn't almost be burned to death without regaining consciousness!
* TheWoobie: Frodo. Perhaps overly so, as a common criticism of the character (or at least Elijah Wood's portrayal thereof) is how he spends basically the entire trilogy with a pained expression on his face.

!!BBC Radio Adaptation

* FlatJoy: When Faramir asks the people of Gondor whether they will accept Aragorn as king, the book's "And the people cried out ''yea'' with one voice" sounds like a dull "Yay" in the radio version. The crowd's "Praise them! With great praise!" also comes out pretty flat.
----