!!The original book offers the following tropes:

* AlternateCharacterInterpretation: Although he's presented as/intended as an {{Antihero}}, for a large part of the book, the Count is, arguably, a VillainProtagonist. [[spoiler:He does manipulate a greedy wife into poisoning almost every single member of her family, including one KickTheDog moment outside the count's immediate control where she poisons her nine-year-old son.]]
** AffablyEvil
** AntiHero: Type IV or V
** VillainProtagonist
** AristocratsAreEvil
** EvilIsSexy
* FunnyMoments:
** The meeting between [[PaidForFamily Cavalcanti Jr. and Sr.]], where the narration really piles on the sarcasm, as the respectful son hugs his loving father, both secure in the knowledge that they're going to be rich.
** Danglars' conversation with his wife, using a HurricaneOfEuphemisms to inform her that while he doesn't care that she's cheating on him with the minister's undersecretary, he ''does'' care that it's costing him money.
* MagnificentBastard: The Count, one of the oldest and best.
* MartyStu: Arguably protected by GrandfatherClause, but think about it; the Count himself spends several years in ''prison'', and in the meantime, obtains ''permanent'' night vision and manages to become a master of every common-for-the-day fighting style and several languages.
* MisaimedFandom: Readers are often left fascinated with the Count's overly-elaborate revenge plots, to the point that modern adaptations often just focus on the revenge and none of the moral nuances of the original novel. In fact, the author himself portrays the Count as morally questionable, and the final part of the book is spent on Dantes [[MustMakeAmends realizing he went too far and trying to make amends for it.]]
* OlderThanTheyThink: Among other things, the book is one of the first to introduce invisible ink and the treasure map as concepts, and the scheme employed to bankrupt Danglars is not only a version of the con known as "the wire", but is essentially the same trick done in the Eddie Murphy movie, ''TradingPlaces''. Also, although invisible ink was used earlier by EdgarAllanPoe in his story "The Gold Bug", this novel is one of the earlier uses of the idea before it became a cliche.
* ValuesDissonance: As noted in FanPreferredCouple, the fact that the count ends up in love with his adopted daughter/slave is just plain wrong to modern audiences.
** An in-universe one: several characters note that Albert ''apologizing'' for insulting the count, having learned of his father's behavior, comes off as dishonorable. One claims that "had my father committed ten Janinas, I would only have seen fit to fight ten times".

!!The various adaptations (radio, films, TV series, etc.) offer the following tropes:

* CrowningMusicOfAwesome: The 1973 English/Italian animated series [[http://www.youtube.com/watch?v=dTpHTpSKFfs had a pretty sweet opening theme.]]
** [[https://www.youtube.com/watch?v=SicOw6aNx3M A story told from the musical adaptation.]]
** [[https://www.youtube.com/watch?v=tQUK19zJqyc I will be there can give you chills.]]
* [[GermansLoveDavidHasselhoff Russians, Mexicans, Arabians, Nigerians And Others Love The Count Of Monte Cristo 70's Animated Series]]: As seen in the comments to the above video, people from several countries all over the world watched the 1973 series as kids and remember it fondly.
* FanPreferredCouple: Edmond/Mercedes, which is incorporated into most adaptations of the novel. This is most likely partly due to Edmond/Haydee being a case of WifeHusbandry.
* HilariousInHindsight: The 2002 film with Jim Caviezel gives him long hair and a beard from all those years of incarceration. He later played [[Film/ThePassionOfTheChrist Jesus]].
* NightmareFuel: The Depardieu film has a moment where Danglars' wife (in the movie, they're childless) starts ranting that she ''did'' have a son (with Villefort), the one Monte Cristo was [[IKnowYouKnowIKnow ever so subtly hinting at earlier]], [[KubrickStare staring at him]] the whole time while wearing a kind of [[TheUnsmile weirdly happy grin]].

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