* AccidentalInnuendo: ''The Oracle'''s proclamation that "inside her lock he'll turn the key" is a little... [[FreudWasRight phallic]]. At least the fact that the key metaphor is used earlier in the soundtrack with a male[[note]]Ahrima[[/note]] as the "lock" and a female[[note]]Nidria[[/note]] as the "key" makes it slightly better (or perhaps [[RefugeInAudacity even worse]]).
* AlternateCharacterInterpretation: Is Ahrima a good guy who just didn't get enough affection from his father figure, or a whiny brat who throws world-shattering temper tantrums when he's not the center of attention?
** Is Pallis a well meaning case of BigBrotherInstinct gone ''way'' too far, or a textbook example of DarkIsEvil who would tear down anyone in his way to preserve the status quo?
* CrowningMusicOfAwesome: It's a freaking [[TheMusical musical!]]
* {{Narm}}: BROTHER NOOOOOOO
** Anhura spontaneously announcing that she really wants to have Adakais's babies can raise a few eyebrows.
* NarmCharm: Could this musical have been written with characters who don't take themselves so seriously and are less prone to ChewingTheScenery? Yes. Would it have been anywhere near as fun? Absolutely not.
* {{Squick}}: ''Doctor, Doctor,'' with Dumaya’s “plans” for Anhura.
* UncannyValley: The album cover looks a little . . . unsettling.

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