!! The 2001 film contains examples of:
* AlternativeCharacterInterpretation:
** Though he is a thoroughly unpleasant man- and an attempted rapist to boot- it can be quite hard not to feel sorry for the Duke. Satine did, indeed, make him think that she loved him, and she treated him spectacularly badly thanks to her infatuation with Christian. Doesn't excuse the rape and threatened murder, but the Duke could be considered more sympathetic if you see things from his side.
** Essentially, Satine is a prostitute who manipulates her client into spending a ton of money on her and on a musical that covertly mocks him. She sleeps with his employee instead of him, and everyone covers up for them and mocks him behind his back.
** Was Nini Legs-in-the-air a complete {{Jerkass}} for giving away Christine and Satine, or was she entirely justified? Considering everyone was relying on Satine becoming the Duke's consort so he would fund the Moulin Rouge, and the couple just seemed to rely on everyone to keep the secret for them without being exactly discreet about it themselves, it's amazing the Duke didn't find them out in the first place.
** It's heavily implied she's motivated by jealousy, as everyone covets the "Sparkling Diamond" Satine, whereas Nini is just another Diamond Dog.
** Is Christian finally experiencing OneTrueLove and his heartbroken behavior at the end expected, or is just PuppyLove and he loves the romantic idea of the them, and thus his humiliation and degradation of Satine when his idealistic worldview of a prostitute is shattered unforgivable, and proof that it was?
* SugarWiki/AwesomeMusic: "''El Tango De Roxane''", "''Elephant Love Medley''", and "''Come What May''".
** [[https://www.youtube.com/watch?v=U8-PrJgjsmU Hindi Sad Diamonds]] is another.
* ClicheStorm: A positive example.
* CoveredUp: Many don't know that "Lady Marmalade" was originally done by Labelle in TheSeventies. Also, in spite of its popularity and the fact that it was used in a good deal of the film's marketing, that was not the version actually ''used'' in the film. The song itself, blended with Nirvana's "Smells Like Teen Spirit" and original verse spoken by Jim Broadbent, is the first really big number in the film.
* EsotericHappyEnding: It's really, really hard to find the good in the situation at the film's opening: [[spoiler: Satine dead, Christian almost broken with grief, the Moulin Rouge a closed-down, decrepit ruin.]] However, the [[spoiler: absolutely ''epic'' triumph over the Duke]] infers that [[spoiler: the protagonists' ''ideals'' go on, even if they themselves are dead or scattered]].
* HilariousInHindsight: The songs "Diamonds Are a Girl's Best Friend" and "Diamond Dogs" are both featured in the film's soundtrack. Fast-forward to the ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' episode "A Dog and Pony Show" in which both songs are referenced in close proximity to each other.
* HoYay: Defied or lampshaded, when the Narcoleptic Argentinean admires Christian's attitude. "I like this boy..." ( {{Beat}}, the Bohemians give a weird look) "Nothing funny. I just like talent."
** He also accidentally (?) touched Christian's crotch as he said it.
*** Not to mention that "talent" is later used as an UnusualEuphemism for Christian's large... [[LampshadedDoubleEntendre crotch-area]].
*** And he later ''kisses'' him.
* JerkassWoobie: The Duke is a bit of a simpleton {{Manchild}} and Satine (in conspiracy with the entire circus) is trying to seduce him for his money and connections; he is too besotted and na´ve to realize this. While his later behaviour is outright villainous, its probably a case of him JumpingOffTheSlipperySlope after he starts to see how cruelly he has been used and humiliated. He is the bad guy, but [[DesignatedHero that doesn't make the other characters the "good" guys.]]
* MagnificentBastard: Zidler makes whoremongering seem utterly glamorous. And his ''lies''!
* MoralEventHorizon: The audience knows from the start that the Duke isn't a nice person; it's when he [[spoiler:tries to rape Satine after she refuses him]] that he [[RapeIsASpecialKindOfEvil loses any sympathetic edge he might have had.]]
* LoveItOrHateIt: There really seems to be no middle ground with audiences. Either it's a festive, magical experience with beautiful set pieces or it's schmaltzy dreck that does a complete disservice to modern music.
* {{Narm}}: Some people might find [[spoiler: Christian's hysterical sobbing/laughing when Satine dies]] a bit...misplaced.
** WordOfGod is that this is [[TheyPlottedAPerfectlyGoodWaste deliberate]]; [[spoiler: Christian is so utterly devastated by Satine's loss that he's past caring whether or not he sounds ridiculous.]] Whether or not [[NarmCharm the audience agrees]] is up for debate.
** The movie's constant preaching about love is this too, especially combined with most of the [[LargeHam performances]] in the movie.
** The Duke screaming "[[SuddenlyShouting I JUST DON'T LIKE OTHER PEOPLE TOUCHING MY THINGS]][[PunctuatedForEmphasis !!!!!!]]"
* OneSceneWonder: One iconic element of this film was Music/KylieMinogue as the Green Fairy. Her scene lasted less than a minute.
** ''El Tango De Roxanne'' is performed by 2, until then, background characters.
* TearJerker: Now has its [[TearJerker/MoulinRouge own page]].
* TheyChangedItNowItSucks: Some audience members felt this way about the chopy nature of the music. Typically, this reaction comes during the first music number when they hear Music/{{Nirvana}} alongside Music/{{Madonna}}.
* TrueArtIsIncomprehensible: At first played straight, then inverted. By WordOfGod, the reason the Bohemians couldn't get their version of "The Sound of Music" right and resorted to SesquipedalianLoquaciousness, and why Christian could get it right and wow them, was because Christian had an understanding of True Art that they did not--it was a stylistic choice. This is then continually inverted throughout the whole movie, where modern songs are used in place of the sort of music there would actually have been in 1899 Montmartre in order to help the viewer understand what it would have been like then and how those going to the Moulin Rouge would have felt (their idea of decadence and ours would not mix, but that ''is'' what it was to them), as well as to express feelings the characters otherwise could not. It's an interesting conceit, but whether it [[{{Narm}} actually works]] or is [[MindScrew appropriate]] is [[SlidingScaleOfSillinessVersusSeriousness up to]] the viewer.
* WhatDoYouMeanItWasntMadeOnDrugs: If you're reading the descriptions, you know this is the biggest abysnthe trip ever filmed.

!! The 1952 film contains examples of:
* OnceAcceptableTargets: The dance scene at the very beginning opens with a tiff between La Goulue and Aicha, an African woman whom the former refers to as "that dirty-necked Algerian"; Henri seems to take it as a joke, and somewhat defends Aicha.
* TearJerker: ''Oh, dear, sweet God, yes.''
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