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* SugarWiki/AwesomeMusic:
** "[[https://www.youtube.com/watch?v=3wxyN3z9PL4 Nothing's Gonna Stop us Now]]" by Starship.
** Don't forget "[[https://www.youtube.com/watch?v=bdqp0wRJesc In My Wildest Dreams]]" by Belinda Carlisle.
* BigLippedAlligatorMoment: The AnimatedCreditsOpening, which seem to imply Emmy somehow time traveled and [[BeenThereShapedHistory got involved in various historical events]]. The only time any of this is alluded to in the film itself is one remark by Emmy about dating Christopher Columbus and Leonardo da Vinci.
* CriticalDissonance: Oh boy, critics tore it to pieces when it came out. Most notably, Creator/RogerEbert gave it half a star out of four! Even nowadays, it currently holds a 22% on Rotten Tomatoes. Audiences were much more receptive to it, even if in a so-bad-it's-good way, and has become a CultClassic.
* EnsembleDarkhorse: Hollywood Montrose, the CampGay, LargeHam store window dresser, is one the most remembered characters of the first film, and is the only major cast member to be brought back in the sequel.
* FashionVictimVillain: BJ Wirt, his henchmen, and his entire department store Illustra collectively represent the most heinous 1980's fashion crimes all crammed into one setting. Wirt's love of tacky metallic fabrics is a particularly notable offense.
* HilariousInHindsight: Given how she can only move when no one is directly looking at her (apart from her chosen 'partner'), Emmy is effectively a [[Characters/DoctorWhoWeepingAngels Weeping Angel]]. Eat your heart out, Creator/StevenMoffat.
* MisaimedFandom: Hollywood Montrose has a complicated relationship with gay male viewers. While they generally acknowledge that he's a walking hodgepodge of every stereotype associated with gay men (especially gay black men) in the 1980s and take some issue with his less flattering traits, such as his vanity and perchance for emotional breakdowns, pretty much everything else about the character, such as his unfaltering confidence and witty one-liners, has kept him ''extremely'' popular in that demographic, especially since, some of his more outlandish actions notwithstanding, it's largely agreed that most people like Hollywood in real life are ''awesome!''
* SugarWiki/MomentOfAwesome: Quite a few.
** Jonathan battling the Illustra security personnel on ''their own turf.'' Almost ''singlehandedly.'' While this is ''never'' a smart or wise idea in RealLife, there's no denying that B.J. Wert (Claire's EvilCounterpart, played by Steve Vinovich) and Richards (his mole, played by James Spader) had it all coming. Hollywood helps out too, delaying the guards, Richards and Wert ''with a firehose''.
** Watching the conspirators (their employers) get carted off by the same personnel? Priceless, priceless, priceless.
** From the sequel, Jason's saber duel with Count Spretzle. Plus the go-kart chase, and Spretzle's ultimate defeat.
* RetroactiveRecognition: Creator/KimCattrall as Egyptian princess Ema Hesire/Emmy, years before her breakout role in ''Series/SexAndTheCity''.
* {{Sequelitis}}: ''On The Move'' has far fewer fans than the original, and critics were even less kind to it.
* SoBadItsGood: Intentionally. It is a cheesy 80's film about a mannequin that comes to life, after all.
* ValuesDissonance:
** It's a 1980s film, so that means a [[CampGay stereotypical gay man]], a white woman playing an Egyptian princess (though to their credit, the flashback sequence didn't have Kim Cattrall wearing {{Brownface}}), and Roxie's relationship with her boss at Illustra (definitely a no-go now, given the [=MeToo=] movement). Roxie's LaserGuidedKarma is a janitor forcibly kissing her ([[ItMakesSenseInContext thinking she was a mannequin that came to life]]) and it's PlayedForLaughs.
** At one point, Hollywood threatens to commit suicide if Jonathan is fired and he even opens a window in anticipation of this, only for the latter to pull him away. This is all PlayedForLaughs.
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