* AlternateCharacterInterpretation: Were the Arab tribesmen proud warriors who were manipulated into exchanging Turkish masters for English ones? Or backwards, amoral thugs who were incapable of administering Damascus, much less a country of their own?
** Is Allenby a callous, manipulative villain or a good but conflicted man "just following orders"? The finished film leaves it ambiguous; several [[AllThereInTheManual deleted scenes]] point to the latter.
** Lawrence himself - a good albeit eccentric man fighting for a just cause, or a ManipulativeBastard out for personal glory?
* AwardSnub: A tricky one. While winning almost all the major awards, it won none for acting, leaving O'Toole (regarded as some of the best acting ever in film) empty handed. Of course, GregoryPeck won that year for ''Film/ToKillAMockingbird'', so it was either giving it to the newcomer (O'Toole) doing (in hindsight) the role of his career, or the veteran doing the role of his career. Essentially, no matter who won, the other would have equally deserved it. What makes it HarsherInHindsight is that this was very much a ToughActToFollow for O'Toole: He holds the record (8 nominations) without ever winning an Academy award.
** Similarly, the heavily-acclaimed script lost in Best Adapted Screenplay (again, to Horton Foote for ''To Kill a Mockingbird''). Without slighting Foote, the main reason appears to be co-writer Michael Wilson being denied credit by Sam Spiegel. His involvement, though unacknowledged by the production company and Robert Bolt, was an open secret (and minor scandal) in Hollywood due to Wilson's former blacklist status.
** Additionally, Omar Sharif was seen as the frontrunner to win Best Supporting Actor, even winning the Golden Globe that year. However, in a stunning upset, he lost out to Ed Begley for ''Sweet Bird of Youth''.
* BigLippedAlligatorMoment: The inexplicable Mr. Perkins, who praises Lawrence on a job well-done while only being shown from the waist-down (and is never seen or heard from again). Odd in and of itself, doubly so as MoodWhiplash during a very tense scene between Lawrence and Allenby.
* CrazyAwesome: Lawrence. Do we really need to explain this one?
* CrowningMusicOfAwesome: Maurice Jarre's sweeping orchestral score (originally recorded by the London Symphony) has long been regarded as one of the best in cinema history.
* EnsembleDarkhorse: Omar Sharif went on to play MrFanservice as a [[FakeNationality Russian]] in ''DrZhivago''.
* FairForItsDay: When originally released, ''Lawrence'' was considered fairly progressive in making the Arabs not only sympathetic, but drawing fairly complex characters in Ali, Feisal and Auda. In contrast, modern reviewers often complain about alleged stereotyping due to the emphasis on Bedouin looting and political discord, and the casting of English Alec Guinness and Hispanic Anthony Quinn as Feisal and Auda.
* FridgeBrilliance: O'Toole was primarily a stage actor before this, and it shows. But think about the way in which ''Lawrence'' is trying to create a larger-than-life persona for himself, and suddenly his grandiose way of carrying himself makes perfect sense.
* FunnyAneurysmMoment: Daud, Farraj, and Gasim are all introduced as comedic characters. Good luck with that.
* HoYay: Lawrence and Ali, intentionally so.
** Also, Lawrence, Ali, and Auda when the three dine in Auda's tent. Lawrence in particular behaves flirtatiously when trying to convice Auda to join his side. Auda even tells them, "You trouble me like women!"
* OneSceneWonder: Jose Ferrer's scene-stealing cameo as a [[DepravedHomosexual perverted]] Turkish general.
* StrawmanHasAPoint: While Murray is caricatured as an unimaginative martinet he makes a reasonable point: why encourage an Arab uprising when the British plan to rule over them anyway?