* [[AlternateCharacterInterpretation Alternate Ending Interpretation]]: [[spoiler:How much of what happened before the bombing was real?]]
* FetishFuel: The [[ADateWithRosiePalms masturbation]] scene, when you don’t think about it too much.
* IKnewIt: TheReveal becomes glaringly obvious as soon as [[spoiler:the reporter says a young woman suffered severe head trauma in the bombing]].
* {{Narm}}: Meow screaming at the sight of [[spoiler:the girl who kept calling Alex, who turns out to be her from the beginning of the film]].
* NightmareFuel: Especially if you’ve lived in a place where bombings like in this film were a very real danger.
* SpecialEffectsFailure: [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]]
* {{Squick}}: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.
* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), [[spoiler:circular]], meaningless and with no way out.’
* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.