* BigLippedAlligatorMoment: On "Zealots of Stockholm (Free Information)", there is a brief clip of a woman saying "I am a freaky bitch. 5 foot 8, 390, and I am a freaky bitch".
* CreatorBreakdown: A lot of people think he's had one while working on Because the Internet, due to his demeanor in interviews, quitting {{Series/Community}}, and posting a rather disturbing post on Instagram containing his biggest fears.
* CriticalDissonance: A weird example. At the beginning of his career, critics generally liked him while the musical community considered him a joke rapper for people who didn't really take hip-hop seriously. Now it's the reverse- ''because the internet'' was the subject of huge excitement following its release (even reaching #4 on [[http://rapgenius.com/Rap-genius-top-20-rap-albums-of-2013-annotated the annual RapGenius best-of-the-year poll]]), but was received with a shrug by critics.
* CriticalResearchFailure: [[http://www.allmusic.com/album/because-the-internet-mw0002586630 The Allmusic review of]] ''because the internet,'' while largely positive, seems to have been written under the impression that "Sweatpants" (i.e. the song designed to demonstrate what a spoiled JerkAss The Boy is) is autobiographical.
* CrowningMusicOfAwesome: "Sunrise," "The Longest Text Message Ever," "Bonfire," "Lights Turned On," "Be Alone"...
** The new non-album track[[http://www.youtube.com/watch?v=SH-Ifutk-q4 "Centipede."]]
** From ''because the internet:'' "The Crawl," "Telegraph Ave," [[VillainSong "Sweatpants,"]] "No Exit," "Zealots of Stockholm," "Earth: The Oldest Computer," "Life: The Biggest Troll"
** "Yaphet Kotto", a promotional single for ''Because the Internet'' that's not on the album.
* EightPointEight: The masters of this trope, Pitchfork, gave ''Camp'' probably its lowest professional review (1.6). Rather appropriate, since at least one song on the album makes fun of Pitchfork.
** Likewise, TheNeedleDrop gave it a similarly oddly extreme rating of [=2/10=], lower than Chief Keef's album. The comments on the video are pretty entertaining.
* EnsembleDarkhorse: Gambino himself within the indie/alternative rap scene; "The Longest Text Message Ever" and "Lights Turned On" in terms of songs (the former never appeared on an album and the latter was the penultimate track on a free online EP, but both are fan favorites).
* EpicRiff: The recurring distorted, pitched voice sample in the background of "Lights Turned On."
** "All the Shine."
** "L.E.S." has an epic ''violin'' riff, of all things. The ominous synth line in the chorus qualifies too.
** There's a weird, near-incomprehensible vocal snippet that recurs throughout "Zealots of Stockholm"'s industrial middle section. And it is ''awesome.''
* EvenBetterSequel: ''because the internet'' is a lot more sophisticated than anything he's done previously, incorporating elements of [[{{Industrial}} industrial rap]], [[TrapMusic trap,]] [[PsychedelicRock psychedelic,]] and [[{{Ambient}} ambient music.]] Lyrically, it's a lot more diverse as well, without the repetitiveness that earned ''Camp'' criticism.
** Bino expressed some fairly interesting thoughts about why ''Camp'' and ''because the internet'' are so different in [[https://www.youtube.com/watch?v=WI8LUnlBkew this Westwood interview]] (around the 4-minute mark).
* {{Fanon}}: The idea that the Boy's real name is Childish Gambino is one that's fairly well supported by ''because the internet'' and generally accepted by the fandom, but never actually confirmed by Donald.
* FridgeBrilliance: The non-album track "Yaphet Kotto" samples "One Tender Moment." What band is that song by? ''Manchild.''
** "Sweatpants," which is essentially [[{{Troll}} The Boy]]'s theme song and sums up his attitude toward life, features an up-and-coming rapper named [[http://static.rcgroups.net/forums/attachments/9/8/8/4/3/a5171348-213-Troll-face-problem.jpg?d=1348177286 Problem.]]
* GrowingTheBeard: Since he's a relatively new artist, there's plenty of debate over where exactly this occurred. A significant portion of the fandom believes this happened around ''Culdesac,'' but there are plenty who won't listen to anything before ''EP'' and ''Camp.'' There's even a faction of fans who got into him through ''because the internet'' and dislike everything that came before it.
* LoveItOrHateIt: ''Camp'' and ''ROYALTY.'' People who love ''Camp'' tend to hate ''ROYALTY'' for being such a straightforward hip-hop mixtape, and people who love ''ROYALTY'' tend to hate ''Camp'' for focusing so heavily on Gambino's childhood issues.
* MemeticMutation: "Roscoe's wetsuit."
* NightmareFuel: ''because the internet'' becomes increasingly claustrophobic and surreal as it progresses, but it first takes the turn into eeriness with "ii. no exit." The videos accompanying the album exude this trope in their final moments: "v. 3005"'s teasier for "zealots of stockholm" features an empty amusement park with a solitary shadowed figure standing still; while "iv. sweatpants" features everyone in a diner slowly turning into Bino doppelgängers.
* SignatureSong: "Freaks and Geeks," arguably "Heartbeat" and "Bonfire."
* SomeAnvilsNeedToBeDropped: "Hold You Down."
-->He said I wasn't black because I had a dad
-->...I think that's kinda sad
-->Mostly cause a lot of black kids think they should agree with that
-->If you're a father, you should stick around if you could
* SurprisinglyImprovedSequel: ''because the internet'' may actually mark the end of his [[LoveItOrHateIt longtime divisiveness as a rapper.]] [[http://pitchfork.com/reviews/albums/18817-childish-gambino-because-the-internet/ Even Pitchfork grudgingly liked it]] (though ultimately giving it a 5.8, due to the implied reliance on the accompanying screenplay to enjoy the music.)
* TearJerker: "All the Shine," "Heartbeat," and the spoken-word section at the end of "That Power."
** "Fuck it All." Damn.
** "Flight of the Navigator" will make you rip your heart out. As if the context from the album wasn't bad enough ([[spoiler:when The Boy wakes up in a hospital after dreaming of drowning and seeing the afterlife afterward]]), the song was inspired by a death that was personal to Gambino in real life. The somber lyrics and tender beat don't help.