In some ways, [[TurnOfTheMillennium The Oughts]] was much like TheNineties -- however, there were a few key differences that will be highlighted here.

'''Headlines & Daily Life:'''
* In '''2001''', a certain event happened which made everyone paranoid to fly ''anywhere''. If you really don't know what we're talking about, [[DontExplainTheJoke we mean the September 11 attacks]], which occurred when several terrorists hijacked some planes and flew them into the two World Trade Center towers, the Pentagon, and... a field in Pennsylvania (that plane was probably meant to hit the US Congress or perhaps the White House, but [[HeroicSacrifice the passengers banded together and forced it to the ground]]). If you're really too young to remember, it was a ''huge'' deal when it happened, on par with the Kennedy assassination. While terrorists hijacking planes was the official explanation for the incident, a few have [[GovernmentConspiracy different]] [[FalseFlagOperation opinions]].
* In the same year, UsefulNotes/TheNetherlands became the first nation in the world to allow same-sex marriages.
* In '''2002''', the new decade saw a new country become a free, independent nation. EastTimor broke free of UsefulNotes/{{Indonesia}}'s oppressive rule[[note]]This is part of the 1998 Reformation movement, which transformed the government into a democratic one. The Indonesian pretty much let them go, no-questions-asked-no-compensations-demanded, as they see the control of East Timor as part of the despicable military hegemony.[[/note]] and became the world's youngest Asian democracy.
* In '''2003''', America lost its second Space Shuttle with the breakup of ''Columbia'' during reentry. This tragic event pretty much heralded the end of the US manned space program, although sporadic launches would still occur throughout the decade as it wrapped things up. However, thanks to [=SpaceShipOne=] and a [[MoneyDearBoy desperate-for-cash]] Russian space program, space tourism and private space travel took their first faltering steps to being a reality... but only for the super-rich. Dennis Tito was the first tourist in space in 2000. By the end of the decade, this would fall from super-rich to merely really-rich (although the really rich would only make it to the edge of orbit and a few minutes of weightlessness.
* In '''2005''', the Kyoto Protocol came into force (although the protocol itself was adopted earlier), and by now 191 states have signed and ratified the protocol. It is the most famous symbol of world-wide action with the stated aim of reducing climate change.
* In '''2008''', BarackObama was elected President of the United States and sworn in the following year, making him the first African-American to do so.
** Also in '''2008''', a long-coming, massive economic bubble burst in the US, resulting in an economic recession that almost, but not quite, rivaled the Great Depression in terms of fallout. The effects resonated throughout the world, resulting in the collapse of the Greek and Irish economies, hideously high unemployment worldwide, and other terrible consequences (such as the appearance of "ghost towns" throughout the Iberian peninsula: fully constructed, modern cities that have been abandoned). The economic crisis, in the US, resulted in a backlash against "corrupt banks" and a business-friendly Congress, culminating in such events as the Occupy Wall Street movement and a closer scrutiny of banking policies and practices.
* MoralGuardians were no less frantic than they were in the previous decade; video games (particularly ''VideoGame/GrandTheftAuto'') remained a popular whipping boy, but the main crux of their efforts was meant to do something about this whole [[{{Homosexual}} gay thing]].
** That, and the [[{{Qurac}} Muslims]].
** In spite of conservative opposition, however, the decade was a major tipping point regarding public views of homosexuality. Over the course of the Oughts, especially in more liberal areas and amongst young people, homophobia quickly became on a par with racism in terms of social taboos, and people who opposed gay rights tended to be viewed as religious weirdos. By the end of the decade, words like "fag" and similar epithets required NWordPrivileges to use, and same-sex marriage, considered unthinkable in the 20th century, was legalized in UsefulNotes/WashingtonDC (in 2009), five US states[[note]]Massachusetts in 2004, Connecticut in 2008, and Vermont, Iowa and New Hampshire in 2009 (though NH's law only came into effect at the start of 2010)[[/note]], Mexico City, and seven countries on three continents[[note]]the Netherlands in 2001, Belgium in 2003, Spain and Canada in 2005, South Africa in 2006, and Norway and Sweden in 2009[[/note]]. This trend has continued into the 2010s.\\
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At the same time, openly gay or bisexual entertainers, such as Creator/NeilPatrickHarris, Music/LadyGaga, [[Series/{{Glee}} Jane Lynch]], Creator/AnnaPaquin, Creaotr/JohnBarrowman and Ellen Degeneres (who hosted a highly successful daytime talk show, in what is traditionally viewed as a rather conservative TV timeslot), achieved substantial popularity when, in prior decades, they would have been shunned by the mainstream. The fact that, by the end of the decade, Lynch and Harris were able to appear on children's programs like ''Series/ICarly'' and ''SesameStreet'' without anybody accusing them of "''[[ConspiracyTheorist recruiting for the gay agenda!]]''" is a major advancement over the prevailing wisdom just five years earlier, when ''SpongeBob'' and ''Series/{{Teletubbies}}'' were accused of the same.\\
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Of course, a certain amount of backlash against gay marriage (though, notably, not against civil unions) still did occur, most notably in California, whose attempt to legalize gay marriage proved short-lived. It's also fair to say that more traditional attitudes still tended to prevail among certain groups, most notably some ethnic minorities and religious communities, even in otherwise liberal areas.
* With news media reporting fast over the web, politics took something of a center stage in the American consciousness, though the divisive tactics of the era can be traced back to 1972. The most notable change in politics in this era is both the ''speed'' of information spread[[note]]While the nightly TV news has been around for decades, the Internet meant that voters could stay up-to-date with little difficulty, with hourly and even minute-by-minute reporting, which resulted in ''far'' more information being available[[/note]] and the ''accessibility'' of the same[[note]]Similarly, the TV news and newspapers were no longer the only sources available. Fact checking became ''de rigeur'', exposing the common practice among politicians of making shit up. "Gotcha" moments became increasingly common, and arguably sunk John Kerry's 2004 presidential bid.[[/note]].

'''Entertainment:'''

[[foldercontrol]]

[[folder: Television ]]

* The state of television was rocked very suddenly by the decreased cost of [=DVDs=] and Internet access. This time period has become thought of as a "Silver Age" of television.
* The "Big Four" networks were constantly in a state of flux. While Creator/{{NBC}} held on at the beginning of the decade, after the end of ''Series/{{Friends}}'', they started to slip towards the bottom. Creator/{{CBS}} had a couple of hits in ''Series/EverybodyLovesRaymond'', ''Series/{{CSI}}'' and ''Series/{{NCIS}}'', which propelled them back to the top, where they remained for most of the decade. Creator/{{ABC}} languished in low ratings in the first half of the decade, then the premieres of ''Series/DesperateHousewives'' and ''Series/{{Lost}}'' gave them the footing they needed to claw their way out of the basement. Finally, Creator/{{FOX}} stumbled upon a little show named ''Series/AmericanIdol'' that would go on to launch several careers and would become the decade's highest-rated show (it could be expected to pull in about 30 million on a bad night). The other two broadcast networks (Creator/{{UPN}} and Creator/{{The WB}}) [[Creator/TheCW merged]] in the middle of the decade, but that didn't really help either of them.
* Cable programming truly came into its own; {{HBO}}, backed by such hits as ''Series/TheSopranos'' and ''Series/SexAndTheCity'', developed a reputation as the best producer of episodic television for quite a few years. Those two shows could usually be counted on to sweep the Emmys anytime they were nominated. {{Showtime}} would join them in prestige towards the end of the decade with hits like ''Series/NurseJackie'' and ''Series/{{Dexter}}''. Creator/{{AMC}} and [=FX=] would also join in the original-programming game later on, with fantastic results. Additionally, the USANetwork has put out a string of successful shows, most notably ''Series/{{Monk}}'', which gave star Tony Shalhoub eight Emmy nominations (and three wins). Added to that the success of shows such as ''WhiteCollar'' and ''Series/BurnNotice,'' and USA at times seems to be in better shape that its "parent" network, NBC.
* Ratings were starting to become less of a be-all, end-all for programming. When ''WesternAnimation/FamilyGuy'' was cancelled by Fox, strong [=DVD=] sales and solid ratings on Creator/AdultSwim allowed it to return back to the airwaves with new episodes - and it's still running to this day, with more episodes post-cancellation than pre-cancellation. ''Series/{{Firefly}}'' was also another show resurrected by [=DVD=] sales, and that got a movie in the form of ''Film/{{Serenity}}''.
** Similarly, networks and studios began to recognize the importance of shows with a "cult audience." Low-rated but much loved shows such as ''Supernatural'' and ''Mad Men'' seem "safer" and have higher chances of renewal than previous cult favorites such as ''Firefly'' and ''Veronica Mars.'' The powers that be have begun to realize that a smaller but much more devoted audience can be just as good as a larger but much more passive audience who only are watching because they can't find anything else on.
* The ''Star Trek'' franchise finally ran out of steam with the failure of ''Series/StarTrekEnterprise'' and the movie ''Film/StarTrekNemesis''. Four years after ''Enterprise'', [[Film/StarTrek a reboot film series]] directed by Creator/JJAbrams fared far better. By contrast, ''Series/{{Battlestar Galactica|Reimagined}}'' was successfully remade from an [[Series/BattlestarGalacticaClassic 1970s]] ''StarWars'' imitation into a savvy science fiction political fable while ''{{Stargate}}'' cemented itself as an SF franchise that defied all expectations for its robust lifespan.
* In the UK, ''Series/DoctorWho'' finally made a comeback in 2005, and for the first time it reached American shores on schedule. It spun off [[Series/{{Torchwood}} two]] [[Series/TheSarahJaneAdventures shows]] featuring former companions of the Doctor as team leaders.
* The fairly standard motoring show ''TopGear'' was rebooted into its current magazine/challenge/three men goofing around format in 2002, giving us the team of James May, Richard Hammond and Jeremy Clarkson. The show receives many accolades and 350 million viewers worldwide.
* The "single camera, on-location, laugh track-free" sitcom becomes commonplace on both sides of the Atlantic thanks to the success of shows like ''Series/MalcolmInTheMiddle'', ''Series/StrangersWithCandy'', ''{{Spaced}}'' and ''Series/TheLarrySandersShow'' at the end of the last decade. These shows, including ''Series/ArrestedDevelopment'', ''TheOffice'' (both versions), ''[[Series/ThirtyRock 30 Rock]]'', ''Series/MyNameIsEarl'', ''Series/{{Scrubs}}'', ''PeepShow'', ''ItsAlwaysSunnyInPhiladelphia'', ''FlightOfTheConchords'', ''CurbYourEnthusiasm'', ''ModernFamily'', and ''Series/{{Community}}'' (the last two, premiering in 2009, means this may last far into TheNewTens) aren't all ratings hits, but they are often beloved by television critics and a small passionate fanbase. Some wind up being canceled by [[TheFireflyEffect networks who weren't willing to give them a fighting chance]], although many - despite their poor ratings - are [[AdoredByTheNetwork as loved by the network]] as they are by their fanbase and are kept on long after a show with its ratings should have been canceled.
* Increasing media globalization, the rise of TV on DVD, and the creation of [[TheBBC BBC]] America led to what can be described as a [[TheBritishInvasion British Telly Invasion]] of US airwaves in the latter half of the decade. For the first time, American viewers could get their ''Series/DoctorWho'', ''Series/{{Torchwood}}'', ''Series/{{Skins}}'', ''Series/BeingHuman'', ''TopGear'' and other BritishSeries almost day and date with their British counterparts rather than having to depend on unreliable Creator/{{PBS}} stations, allowing UK television to [[GermansLoveDavidHasselhoff gain substantial popularity]] across ThePond. American networks took notice and [[TransAtlanticEquivalent remade]] some of the more successful British shows; the results ranged from the spectacular (''TheOffice'') to the... [[AdaptationDecay unremarkable]] (''{{Coupling}}'', ''Series/{{Skins}}'').
* In Australia, there was a huge surge in home-made scripted satire. The meteoric rise to fame of the controversy-courting shows of Chris Lilley and TheChaser[[note]] In the case of ''The Chaser's War on Everything'' its success went global, and it aired in countries such as the UK, Finland, Israel, New Zealand, Norway, Belgium, South Korea, and Poland[[/note]], the run of the subversive ''{{Pizza}}'', and ''KathAndKim'''s premiere and ascension to national icon status, all occurred in this decade. Most of these shows originated on TheABC.
** Speaking of TheABC, this was the decade the network launched Australia's first and only free-to-air kids' channel, Creator/{{ABC3}} (which incidentally brought more cartoons and anime onto Australian airwaves).
* ''Series/{{Lost}}'' sparked a wave of new dramas. These dramas were often mysterious, MythArc-based serials that followed their progenitor's formula - lots and lots of questions, weird things happening, mysterious characters, and so forth. However, this fad was short-lived, as many of the Lost clones didn't make it to a second season - if they even made it to the end of their first.

[[/folder]]

[[folder: Film ]]

* The thing that really defined Noughties cinema can be summarized in three letters: [[ComputerGeneratedImages CGI]]. LoveItOrHateIt, CGI completely changed the field in terms of special effects and filmmaking. This was further pioneered towards the end of the decade by films like ''Film/{{Avatar}}'' and ''Film/{{District 9}}''.
* The Noughties were the age of the {{comic book|s}} movie. After a few successes and misfires in the two preceding decades, the smash success of ''{{Blade}}'', ''Film/{{X-Men}}'' and ''Film/{{Spider-Man}}'' between 1998 and 2002 created a boom of {{summer blockbuster}}s that were based on comic book / {{superhero}} properties, such as [[Film/TheDarkKnightSaga Batman]], the Film/FantasticFour, Film/{{Daredevil}} and the [[Film/{{Hulk}} Incredible Hulk]]. Eventually, MarvelComics, after getting burned one too many times by lackluster adaptations, decided that [[LetsSeeYOUDoBetter they could do better]] and created their own film studio, setting up the MarvelCinematicUniverse. To this day, at least three comic book movies can be counted on in any given summer.
** However, it should be noted that Marvel is doing much better in this regard than its counterpart DC is. Marvel has had great success with ''Spider-Man'' and the ''Avengers'' films. DC, on the other hand, has only really struck gold with the ''Batman'' films. ''Superman Returns'' slightly underperformed and got mixed reviews, necessitating a one-movie reboot ''Man of Steel.'' DC just seems to be having trouble getting into the Comic Movie groove.
*** Perhaps the ultimate example of [=DCs=] failures at movie adaptations is ''Film/{{Constantine}}''. Most didn't even know it was a comic book movie until they saw the DC logo on the screen in the opening titles. Those who knew about ''ComicBook/{{Hellblazer}}'' going into the theaters were '''beyond''' disappointed long before the end credits rolled. However, there were a series of films based on DC Comics publications that were successful even if the public didn't know about the source material: ''Film/AHistoryOfViolence'', ''Film/VForVendetta'' and ''Film/RoadToPerdition'', the last of which won an AcademyAward.
** In terms of critical clout, ''The Dark Knight'' represented a tipping point for comic book films. Whereas in the early part of the year, they were viewed as dumb, bright, mindless fun, 2008's ''The Dark Knight'' saw an unprecedented amount of critical acclaim, even ending up on several "best movies of 2008" lists. It was also the first comic book movie to compete for an acting Oscar, which it won[[note]]Best Supporting Actor for Heath Ledger as the Joker[[/note]].
* ''Film/TheLordOfTheRings'' films also proved a massive draw, and made the world familiar with the mountains of UsefulNotes/NewZealand. This led to a [[FollowTheLeader brief revival]] of the epic HeroicFantasy genre on the big screen. In 2004, history was made when ''The Lord Of The Rings: The Return Of The King'' won eleven {{Academy Award}}s, including Best Picture, thus becoming both the first film sequel to win the top prize without its predecessor having already won it [[note]]Unless you count TheSilenceOfTheLambs, which was a quasi-sequel to Film/{{Manhunter}}[[/note]] ''and'' the first "fairy-tale" epic movie to beat out more "serious" or "historical" works.
* The ''PiratesOfTheCaribbean'' series was a surprise success and had the world asking "where has all the rum gone" and muttering "savvy?" at the slightest provocation.
* On the darker side of things, the Noughties were also when the MPAA's monopoly over the film industry was in full swing. NC-17 movies were given a harder time than ever, and studios would pay behind the back to have their movies get a PG-13. The ratings in general were stricter and more conservative than in previous decades. Around this time, the MPAA was also responsible for the infamous "[[DigitalPiracyIsEvil You Wouldn't Steal A Car]]" PSA.
* This decade was the dark age of Disney's animation studios, who released film after unsuccessful film during this decade. In its place, a rivalry emerged; {{Pixar}} proved to be a powerhouse, matched only by Creator/DreamWorksAnimation. Ask someone about the most memorable films of this decade, and they'll tell you movies like ''TheIncredibles'' (2004), the ''{{Shrek}}'' CashCowFranchise (2001-2010), ''WesternAnimation/KungFuPanda'' (2008) and ''WesternAnimation/{{Up}}'' (2009), the latter even being nominated for Best Picture at the Academy Awards, only the [[Disney/BeautyAndTheBeast second animated film]] to ever do so. However, Disney got better by the end of the decade, going back to its DisneyRenaissance roots with ''ThePrincessAndTheFrog'' (2009).
* Three trends dominated North American horror cinema in the 2000s. Early in the decade remakes of (and films influenced by) Japanese ghost movies, starting with ''TheRing'', made a killing at the box office. This style was known as J-Horror, or sometimes the "ghost-girl" genre.\\
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Later in the decade saw the rise of "TorturePorn," a phrase that seems to have been coined by critic [[http://nymag.com/movies/features/15622/ David Edelstein]] of New York Magazine. The success of 2004's ''Film/{{Saw}}'' and 2006's ''Film/{{Hostel}}'' (and their sequels) let to a glut of imitators in the second half of the 2000s, such as ''Film/{{Turistas}}'' and ''Film/{{Captivity}}'', all of which were splatter movies that relied on extended sequences of torture for most of their scares. The late-decade success of ''Film/ParanormalActivity'' started to turn the tide back toward low-key ghost stories.\\
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The 2000s also bore witness to the Great Horror Movie {{Remake}} Trend, with [[Film/TheTexasChainsawMassacre2003 seemingly]] [[Film/{{Halloween 2007}} every]] [[Film/TheFog notable]] [[Film/DawnOfTheDead2004 70s]] [[Film/TheWickerMan and]] [[Film/PromNight2008 80s]] [[Film/TheAmityvilleHorror fright]] [[Film/TheOmen flick]] [[Film/MyBloodyValentine3D getting]] [[Film/WhenAStrangerCalls a]] [[Film/TheHillsHaveEyes remake]] [[Film/TheHitcher at]] [[Film/BlackChristmas2006 some]] [[Film/ItsAlive point]] [[Film/AprilFoolsDay during]] [[Film/DayOfTheDead the]] [[Film/FridayThe13th2009 decade]].

[[/folder]]

[[folder: Literature ]]

* It was a bit of mournful decade for literature, with the 2000s seeing the deaths of DouglasAdams, Creator/DavidGemmell, Creator/LSpragueDeCamp and many others. In 2007, Creator/TerryPratchett was diagnosed with a rare form of Alzheimer's.
* The NancyDrew and HardyBoys franchises both hit their 80th anniversaries in this decade, the Hardys in 2007, Nancy in 2010. Both original series were retired, and replaced with more contemporary updates. ''Nancy Drew: Girl Detective'' and ''Hardy Boys: Undercover Brothers'' were unveiled in 2004 and 2005, and have breathed new life into the characters. NancyDrew has also been going on as a very successful PC game franchise, revealing its twenty-fourth title, ''The Captive Curse'' in 2011.
* The ''Literature/HarryPotter'' series, while starting in the late '90s, reached the apex of its popularity in the early '00s. It proved so popular that in 2000, the ''New York Times'' bestseller list was split into adults' and children's sections due to how the first three ''Potter'' books were so thoroughly dominating the list. Starting in 2001, [[Film/HarryPotter the film adaptations]] proved themselves to be solid bankable blockbusters for WarnerBros, becoming the highest-grossing film series in history. The books are often credited with nearly single-handedly restoring children's interest in reading at the dawn of the digital age, as well as both creating a boom in new fantasy and children's literature and renewed interest in older fantasy novels, such as ''Literature/TheLordOfTheRings'' and ''TheChroniclesOfNarnia'' (both of which also received successful film adaptations).
* Starting in 2005, the ''Literature/{{Twilight}}'' series became, in many ways, the DistaffCounterpart to ''Literature/HarryPotter''. It turned into a pop culture sensation, especially once the movies started coming out late in the decade. Like ''Potter'' before it, it sparked interest in various literary genres, this time YoungAdult novels and books based around [[OurMonstersAreDifferent paranormal creatures]] (vampires, werewolves, etc.). In addition, it took the romanticization of vampires that began with AnneRice and ''Series/{{Buffy|TheVampireSlayer}}'' and brought it to new heights, leaving an impact on vampire lore almost as great as ''{{Dracula}}''. For this reason ([[CanonSue and]] [[StalkingIsLove many]] [[UnfortunateImplications others]]), the series has proven to be ''very'' [[LoveItOrHateIt polarizing]], with both an enormous fandom and an even larger {{hatedom}}.
* Though ''Literature/HarryPotter'' and ''Literature/{{Twilight}}'' dominated the scene, this decade was overall an excellent one for children and young adults' literature; in addition to the two above, ''PercyJacksonAndTheOlympians'' (2005), ''TheMortalInstruments'' (2007), ''Literature/ArtemisFowl'' (2001), ''Literature/TheHungerGames'' (2008) and more proved to be extremely popular franchises.

[[/folder]]

[[folder: Music ]]

* Garage Rock Revival arguably began with the release of Music/{{Blur}}'s self-titled album in 1997. The late nineties thus became an incubation period for successive bands, culminating in 2001 with the enormously successful debut of TheStrokes. Rock and roll had literally become TheNewRockAndRoll. Other bands like The Hives, The Vines, The Von Bondies, Black Rebel Motorcycle Club, The Libertines, Kings of Leon, and The White Stripes drew far more attention in the ensuing years, culminating in the runaway success of the Arctic Monkeys.
* New Wave Revival came out of the aforementioned movement very quickly. Vancouver band Hot Hot Heat was one of the earliest successes, followed by loads and loads of (mostly British) artists. As websites like [[TheOnion The A.V. Club]] and Pitchfork Media became the industry tastemakers instead of magazines like ''Spin'' and ''Rolling Stone'', New Wave Revival became synonymous with smart, versatile music.
* {{Post-grunge}} continued to dominate modern rock radio, but quickly became the new HairMetal. {{Music/Nickelback}} became the band that everyone listened to but refused to admit to it. {{Grunge}} holdouts Music/PearlJam somehow became the next GratefulDead, and one of PostGrunge's few critical darlings, Music/FooFighters, becomes one of the biggest pure rock bands in the world.
* Starting around the midpoint of the decade, we began to stop buying compact discs and started getting our music delivered to us online. While the forerunner to this idea was undoubtedly the illegal filesharing networks of the early decade, by the end, there were a plethora of legal music delivery options, including [=iTunes=], Website/YouTube, and for part of the decade, MySpace. Online music meant that plenty of bands who wouldn't be heard on the radio (for various reasons) could enjoy unmeasured success. The aforementioned Arctic Monkeys were the first band to achieve mainstream success by giving away their songs for free.
** As compact disc sales started to slip, sales of vinyl [=LPs=] began to sharply rise for many reasons: increased demand from music listeners who believed that [=LPs=] had superior sound than [=CDs=], record buyers who were sick of the LoudnessWar and were willing to pay a premium to no longer deal with it, the increased popularity of indie rock (a genre which had always released music on vinyl, including exclusive tracks only available on vinyl releases), and the fact that record playing technology had quietly advanced (including experiments with digital playback instead of reliance on needles that wore out after time) since its phasing out as a major music platform. Major labels embraced the return of the format, as [=LPs=] are quite a sight more difficult to burn to a computer than a [=CD=].
** Speaking of digital distribution, JonathanCoulton became the first artist to make a living solely from digital distribution, through a combination of iTunes-style "preview and pay for individual songs" model, [[OneOfUs nerd appeal]], and tons of free advertising and publicity by said nerds.
** A new format, FLAC, for music started to emerge for audiophiles who wanted to store their music digitally, but thought they were destroying its quality using lossy compression methods like MP3. FLAC is a lossless compression method, so it plays back exactly as the original. It started gaining popularity in the late decade when the amount of storage necessary to archive dozens of [=CDs=] was becoming cheaper.
** Whilst CD sales never ''quite'' managed to fade to zero, the audio cassette pretty much ''did'' completely die the death during the decade. Up until maybe 2001 or so, it was still possible to find cassette versions of popular music alongside their corresponding CD releases- by the end of the decade, one would have good luck finding even blank tapes. As digital audio players became ever-cheaper and had increasingly high capacities, it simply wasn't worth having the medium around as a portable music format when you could store the equivalent of dozens (if not hundreds) of tapes in a device smaller than your average tape Walkman, and without the disadvantages of background hiss or your tapes getting chewed up. Unlike vinyl, which provides much better quality and durability than cassettes, retro appeal wasn't enough to save them.
* And speaking of the LoudnessWar, it reached its apex/nadir in this decade (after kicking off late in [[TheNineties the preceding one]]), with nearly every single major label release being brickwalled to the point where even the average, non-audiophile music listener started to notice it. People began to dread the rereleases of classic albums out of fear that their dynamics would be ruined in the name of MAXIMUM LOUDNESS.
* The other major controversial application of computer technology to music in the Oughts was AutoTune, a pitch correction software first released in 1997 that spread like wildfire through the music industry. Use of Auto-Tune was mainly reserved for its intended purpose until 2005 (with a few exceptions, namely Cher's 1999 song "Believe,") when rapper T-Pain used the technology to distort his voice into a robotic, artificial sound. Countless rappers, pop stars and R&B singers followed suit, to the point where Auto-Tune distortion became the new normal in popular music -- and all the while, other musicians kept using it to remove any imperfections from their singing. Needless to say, both applications are very controversial -- the pitch correction for making every singer sound nearly identical, and the distortion for being [[FollowTheLeader unoriginal]] -- and mere mention of Auto-Tune can start a FlameWar.
* [[PopPunk Pop-punk]] and Music/{{emo}} reached new heights of popularity, a boom that started in the late '90s with TheOffspring, Jimmy Eat World, {{Weezer}} and {{Blink 182}}, and exploded in 2002 with GoodCharlotte, Simple Plan, Music/DashboardConfessional and AvrilLavigne. With it came the stereotype of their fans as being [[EmoTeen wangsty teenagers]] wearing hoodies, dyed bangs and tight jeans who [[AppealToWorseProblems didn't know what "real" problems were like]]. The media would often treat emo as ''[[YouCanPanicNow the latest threat to your children!]]'', one that would make them depressed and suicidal, and emo kids would often find themselves subjected to violence. The backlash caused a lot of emo bands to vociferously deny that they were emo, out of fear of being hit with the stereotype.
* Indie rock becomes a major viable genre, with some of the bands in the genre leaving for major labels, although many stayed independent. Many of the bands in the genre have Top 100 albums in the United States - where once that would have been unthinkable - due to the fact that most indie rock fans (as well as fans of other specialist genres, such as jazz and alternative hip-hop) actually still care about listening to a full album, instead of a few singles cherrypicked off of it like many fans of Top 40 radio.
* Starting from 2001, Heavy Metal entered something of a second Golden Age. NuMetal finally died an ugly death as new (or just newly-recognised) acts like Arch Enemy and KillswitchEngage completely outclassed them for talent, listenability and sheer heaviness. Killswitch went on to [[TropeCodifier codify]] the {{Metalcore}} genre, which eventually became the new [[TheScrappy scrappy]] genre in turn. Young bands like Trivium took a page from [[ProgressiveRock prog’s]] book and made high-level musicianship cool again, with epic overblown guitar wankery becoming not just called for by fans, but furiously demanded. Music/{{Dragonforce}} took this new attitude UpToEleven and their song "Through The Fire And The Flames" became the ''second'' hardest song ever to appear in ''GuitarHero'' (screw you, {{Buckethead}}).
** Other tidbits from this busy little decade: {{Metallica}} checked into [[CreatorBreakdown rehab]] and made an excruciating documentary. The once-mighty Music/{{Pantera}} broke up, and guitarist Dimebag Darrell was subsequently murdered on-stage in late 2004. {{Opeth}} came out of the shadows and began to inspire something like religious awe among their smallish fanbase. Thanks to [[OneHitWonder Evanescence]], the vast symphonic compositions of SopranoAndGravel bands briefly took off before crashing again when Music/{{Nightwish}} fired [[FaceOfTheBand Tarja]].
** And of course, inspired by the younger bands, many old campaigners got their acts together and hit their second wind -– Music/{{Slayer}} got Dave Lombardo back, Music/IronMaiden got Music/BruceDickinson back, [[IAmTheBand Dave Mustaine]] reformed Music/{{Megadeth}}, and even Metallica found a bass player who wasn’t a fan ButtMonkey. Zakk Wylde and his Black Label Society came out of [[Music/OzzyOsbourne Ozzy’s]] shadow, even though Ozzy himself was still releasing albums and touring regularly. And best of all, the MoralGuardians left them all right the hell alone. Overall, the decade felt good, man.
* [[HipHop Rap music]], particularly GlamRap, threw off its violent stigma and became mainstream in the Oughts, led by such artists as T-Pain, LilJon, Music/JayZ and Pitbull. White people who listened to rap were no longer stereotyped as [[PrettyFlyForAWhiteGuy disaffected middle-class youth clinging to an alien subculture]], but rather, were viewed in much the same way as fans of any other type of pop music -- possibly a bit conformist, but otherwise normal. Late in the decade, rap musicians were instrumental in the rise of the aforementioned Auto-Tune distortion technique... and also instrumental in [[Music/JayZ the backlash]] against Auto-Tune. The rise of glam rap has caused a lot of consternation from hip-hop "purists" and older fans who feel that the genre has abandoned its roots in favor of [[MoneyDearBoy commercialization]], and that mainstream rappers are squeezing out the underground and making it harder for them to get recognition. A comparison can be made to the cycle that rock music went through in the '70s and '80s, with radio-friendly ProgressiveRock and HairMetal versus anti-commercial PunkRock and AlternativeRock.
* The dominant strains of popular music for much of the decade were GlamRap (see above) and contemporary R&B ({{Beyonce}} and {{Rihanna}} being among the bigger names). Dance pop spent most of the Oughts out of the spotlight with [[ContractualPurity an increasingly troubled]] BritneySpears carrying its torch, until around 2008-09, when LadyGaga and {{Kesha}} (and a post-CareerResurrection Britney) revived the genre and put it back on the charts.
* Proving that there is indeed somebody upstairs answering prayers, Music/LedZeppelin briefly reunited in late 2007. In fact, many bands popular in the '70s and '80s held reunions during this period.
* VisualKei began to grow in popularity. With the spread of the internet, bands new and old, ranging from Oshare pop-punk to dark Music/HeavyMetal began to gain attention and respect among fans worldwide. (And as a result, non- VisualKei Japanese Music/HeavyMetal bands also began to gain fans outside of Japan -- note Music/{{Loudness}} and Music/{{Galneryus}} getting more attention) The genre actually began to decline somewhat in Japan itself along with Music/HeavyMetal, but as the Naughts ended, old bands began to reunite and reform (Music/XJapan and Music/LunaSea being two of the most well known) and both declared intentions toward success outside of Japan.
* {{Radiohead}} followed up their 1997 masterwork ''OK Computer'' with 2000's weird, largely electronic, often guitarless ''Kid A''. Although initially a LoveItOrHateIt album that caused a BrokenBase, it became embraced by the band's fanbase almost entirely by decade's end. The band's next two albums, ''Amnesiac'' and ''Hail to the Thief'' continued their acclaim streak. Then 2008, the band broke from EMI and released ''In Rainbows'' on their website. The day it was announced. [[WhamLine For whatever price you pleased]], including free. Whereas a sizable chunk of the downloads were indeed listed as $0.00, many fans chose to pay and others paid for a [[LimitedSpecialCollectorsUltimateEdition premium option]] that included exclusive music. Even after all this, when the record was actually physically released by indie label XL Records a few months later, it still debuted at #1 in both the US and UK.
* CountryMusic entered a weird time during this decade. While country has been developing a pop feel since Garth Brooks in the early 90's, today's country, especially during the second half of the decade, had a pop flair that was much more organic (Previous country-pop acts such as Shania Twain and Faith Hill started much more traditionally, but developed pop leanings later.) The newest batch of country artists are under the age of thirty and grew up in the wake of the massive success of Madonna and Michael Jackson (as did ''everybody'') and obviously have had this bleed over into their music. Taylor Swift is the most famous, but others such as Sugarland, Thompson Square, Lady Antebellum and Gloriana are right behind her. Of course, this is a '''MASSIVE''' BrokenBase in country right now.
* Latinamericans saw the decline of "Tropical" music (read salsa, merengue derivatives, and caribbean-sounding pop) in the airwaves in favor to the rise of reggaeton. Around 2003, from seemenly nowhere [[note]]Unless you were a follower of the underground Panamian and Puerto Rican rap/reggae scene since TheNineties[[/note]], a fuckton of Puerto Rican (and in some caes, Venezuelan and gringo Hispanics) singers rapping innuendo over synthetized reggae took over most Spanish-speaking stations in Latinamerica, Usa and Spain. Daddy Yankee, Don Omar, Tito "El Bambino", Calle 13, Winsin & Yandel and dozens of others invaded the airwaves and their songs became insamely popular. Controveries arisee because of the sexualy explicit natures of many songs and of the obligarory dance, the "perreo" [[note]]A predecessor of what is now known as "twerking" in anglo circles[[/note]] were the favorites of the local MoralGuardians.

[[/folder]]

[[folder: Sports ]]

* ProfessionalWrestling reached heights of popularity unknown since TheEighties, with the DarkerAndEdgier "AttitudeEra" passing away and the Wrestling/{{WWE}} (the only wrestling promotion left in North America during the first half of this decade) once again starting to appeal primarily to family audiences and children in what became known as the "[[LighterAndSofter PG Era]]". JohnCena (who made it officially cool to be PrettyFlyForAWhiteGuy) was ''the'' wrestling star of the decade, becoming both the most recognizable pro wrestler since HulkHogan and the most controversial one since StoneColdSteveAustin. Other ring luminaries of the Oughts included [[JohnBradshawLayfield John "Bradshaw" Layfield]], BrockLesnar (who became the youngest WWE Champion in history before going on to equal success in UsefulNotes/MixedMartialArts), {{Batista}}, and "The Rated-R Superstar," {{Edge}}.
* Speaking of UsefulNotes/MixedMartialArts, it too exploded in popularity during the Oughts, emerging as a serious competitor to pro wrestling and boxing. Having spent much of TheNineties being viewed as a real-life BloodSport and banned in 36 states, the Ultimate Fighting Championship (the leading promoter of the sport) implemented new rules and safety regulations that made the sport more respectable in the eyes of its critics, leading to it growing in popularity across the country. By the end of the decade, UFC programming reached five continents, fighters like RandyCouture and [[ActionGirl Gina Carano]] had become celebrities in the non-sporting world, MMA clothing brands like Tapout and Affliction could be found in the wardrobes of millions of young men, and movies like ''Film/NeverBackDown'' and ''Film/{{Warrior}}'' prominently featured the young sport.
* If you had to sum up baseball in one word for the decade, that would be "steroids". If you were a top baseball player in TheOughts, odds are you had to dodge some accusations that you were juicing. Lots and lots of future first-ballot Hall of Famers (Barry Bonds, Alex Rodriguez, Roger Clemens, Mark McGwire, Manny Ramirez, and others) at least got accused of steroid usage during the decade. Some of them were even found guilty.
* In UsefulNotes/AmericanFootball news, the run-first game of yesteryear was more or less abandoned for a passing-friendly league. At the start of the decade, only the top one or two quarterbacks would break 4,000 yards. By the end of the decade, every quarterback in the top ten would break 4,000 yards. This went hand-in-hand with the increasing adoption of the hurry-up offense (exemplified by Peyton Manning and his Indianapolis Colts).
** Also, in American Football the New England Patriots joined the 1934 and 1942 Chicago Bears and the 1974 Miami Dolphins as the only teams to have a perfect regular season, and the first to do so under the extended schedule. Unlike the '74 Dolphins, it wasn't a complete perfect season, the Patriots lost to the deep-underdog New York Giants in the Superbowl.
* In [[UsefulNotes/CollegiateAmericanFootball college football]], the decade has seen "BCS Busters", high-performing teams from "mid-major" conferences[[note]]to clarify, at the time there were six conferences with a guaranteed automatic BCS bowl bid, reserved for conference champions and any other conference team in the top 16 by the end of the year. Teams from five other conferences had no such guarantee and must have exceptional seasons while being conference champion in order to obtain a bid[[/note]]. Utah[[note]]at the time a member of the mid-major Mountain West Conference; it later on got invited into what is now the Pacific-12 conference and is playing there since 2011[[/note]] went to a BCS bowl twice and won both of them ('05 Fiesta Bowl vs. #21 Pittsburgh, and '09 Sugar Bowl vs. #4 Alabama) while Boise State went to the 2007 Fiesta Bowl and beat #10 Oklahoma in overtime through a trick two-point conversion.

[[/folder]]

[[folder: Theater ]]

* After musical theater had a rough go of it in TheNineties, ''TheProducers'' was a Broadway megahit that revived audiences' tastes for fun musical comedies, sparking a long line of [[ScreenToStageAdaptation screen-to-stage adaptations]] trading on often-well-known properties and LampshadeHanging of musical theater conventions: ''ThoroughlyModernMillie'', ''Hairspray'', ''{{Spamalot}}'', etc. The similarly lighthearted JukeboxMusical genre also exploded in popularity in North America, a trend spearheaded by the import ''MammaMia''. However, the decade's most-enduring hit turned out to be ''Theatre/{{Wicked}}'', an extravagant variant on ''TheWonderfulWizardOfOz'' (based on a popular novel) that attracted a fanbase not seen since the days of ''ThePhantomOfTheOpera''.
* Creator/CirqueDuSoleil had a boom decade -- the company had only seven shows running in 2000, but by the end of 2009 had nineteen different productions running worldwide. The expansion owed to a tourism and building boom in Las Vegas, where casino company MGM-Mirage commissioned several shows for its growing stable of resorts (allowing Cirque the freedom to cross-breed their house style with other genres), and expansion into new markets (South America for tours, Asia for resident productions, and mid-sized cities with older shows). However, by decade's end the company overstretched its resources, resulting in a run of mostly-panned efforts over 2008-10; combined with the aftereffects of the Great Recession (which were particularly hard on Vegas tourism), a purging of shows resulted in TheNewTens as the company did some refocusing.

[[/folder]]

[[folder: Video Games ]]

* The concept of video games being child's play started to slowly change for a number of reasons. The big one was that many children who grew up playing video games were aging into teenagers and young adults, causing game developers to tailor their products accordingly. The RatedMForMoney trope started proliferating as a result; most of the biggest-selling games of the decade, like ''VideoGame/GrandTheftAuto'', ''Franchise/{{Halo}}'' and ''VideoGame/ModernWarfare'', were rated M. This, combined with the success of sports games like ''VideoGame/MaddenNFL'', caused a lot of young adults (particularly [[MostGamersAreMale young men]]) who hadn't been gamers before to get into gaming. Later in the decade, the rise of the Creator/{{Nintendo}} {{Wii}} and {{casual video game}}s expanded the market in completely new directions, bringing in legions of parents, women, old people, and others who weren't the traditional demographic for interactive entertainment.
** While the first Massively Multiplayer Online Games showed up towards the end of the Nineties, 2004 saw the launch of the ''VideoGame/WorldOfWarcraft'', which would develop into a gaming juggernaut and define the concept of the [=MMOG=], ultimately drawing in millions of players. Multiplayer gaming in general blossomed across most genres, with ''VideoGame/{{Counter-Strike}}'' becoming the definitive online First Person Shooter in 2000. Video games finally began turning into a social phenomenon as well as a source of entertainment, creating worldwide communities of gamers and fandoms.
* Even as the reality of video games being an all-ages medium set in across the gaming and geek communities, many MoralGuardians remained stuck in the belief that they were only for kids, and that mature content would corrupt their minds. Florida lawyer and firebrand Jack Thompson, apparently having gotten bored attacking rap music, took up the anti-gaming crusade where Joe Lieberman had left off and then some, accusing gaming of just about [[MurderSimulators every social ill affecting young people]]. Various states tried to pass anti-gaming legislation, and people as distinguished as RogerEbert claimed that video games, by their very nature as interactive media, were incapable of achieving artistic merit.[[note]]To his credit, though, he later backed off from this statement, stating that, as a ''film'' critic, he wasn't in a position to discuss a completely different medium.[[/note]] Even Thompson's very public humiliation and [[LaserGuidedKarma disbarment]] in 2009 didn't stop anti-game advocates from pressing for the censorship of games. It wouldn't be until 2011, when the Supreme Court ruled games to be protected speech under the First Amendment, that the legal teeth were taken out of the anti-gaming movement.
** Thompson's [[LandDownUnder Australian]] equivalent, South Australia Attorney-General [[SmugSnake Michael Atkinson]], managed to successfully hold up the adoption of an [[UsefulNotes/MediaClassifications R18+ rating]] for video games despite the fact that a majority of Australians supported one, causing many games that failed to meet the requirements of the [=MA15=]+ rating being [[BannedInChina Banned in Australia]]. Needless to say, he is probably one of the most hated figures in the country.
* For the first time since TheGreatVideoGameCrashOf1983, there is a successful Western-developed console in the form of Microsoft's {{Xbox}}, whose popularity has particularly been boosted by the Franchise/{{Halo}} franchise.
* Home video game consoles started coming with the ability to play online against your friends, a privilege that had previously been reserved only for PC gamers.
* Much like what is demonstrated in the Music section above, DigitalDistribution has also taken off in the video game industry as well. Considering the success of {{Steam}} for PC and XboxLive for the original Xbox, {{the seventh generation of console|VideoGames}}s started having their own online services while the PC experienced a growth in the digital market that total sales eventually surpassed that of retail sales on the platform.
* During the first several years of the decade, there was a deluge of World War II-themed first person shooters. It got to a point that gaming publications started making jokes like "by this point in time, the average video gamer has killed more Nazis than the entire Russian army." But in 2007 the release of ''Call of Duty 4: Modern Warfare'' would herald the end of the era of the WWII shooter and usher in the era of the modern military shooter, which continues to this day.
* Smartphones also became a viable gaming platform in this era. While TheNewTens would really see this idea expanded, The Oughts was where we began to see games - occasionally straight ports - appear on smartphones as well as consoles.

[[/folder]]

[[folder: Western Animation ]]

* This age was not the best time for TV animation, especially compared to the [[TheRenaissanceAgeOfAnimation previous decade.]] whilst there were a few bright spots like WesternAnimation/PhineasAndFerb and WesternAnimation/AvatarTheLastAirbender, overall the popularity of cartoons on TV took a sharp decline, taking the quality along with it, with CartoonNetwork[[note]]after the [[http://en.wikipedia.org/wiki/2007_Boston_bomb_scare Boston bomb scare]][[/note]] trying to move away from cartoons briefly [[NetworkDecay with CN Real.]]

[[/folder]]

[[folder: Other ]]

* 2009 in particular saw the death of many well-known celebrities. PatrickSwayze, [[Series/CharliesAngels Farrah Fawcett]], [[{{Nell}} Natasha Richardson]], [[Series/GoldenGirls Bea Arthur]], Creator/JohnHughes and Music/MichaelJackson all passed away within several months of each other. Jackson's death crashed Twitter, caused Google to mistake the sudden surge in searches for his name as some kind of attack, and caused a ''global'' Internet-lag. Fawcett had the particular misfortune to die ''mere hours'' before Jackson did, thus getting short shrift in terms of media coverage.
** The broadcast journalism world lost Creator/WalterCronkite, the Most Trusted Man in America.
* Anime continued to find even more of a fanbase throughout this decade, helped in no small part by the evolution of English dubbing. As for popular series, ''Anime/{{Pokemon}}'' declined (though still held steady ratings and survived the entire decade) and was soon joined by the likes of ''Manga/{{Naruto}}'', ''Manga/{{Bleach}}'', ''Franchise/YuGiOh'', and ''Manga/FullmetalAlchemist''. Anime's popularity began to decline toward the end of the decade, however, for a number of reasons, ranging from an ever-greater focus in Japan on the {{otaku}} market to generalized over-saturation as well as the rise of LightNovel Adapatations thanks to Yamakan. And traditional revenue continued to decline in the face of ever-more-popular internet options...
* The original ''Manga/DragonBall'' series aired an English dub in full this decade, after two previous failed attempts. At the end of the decade, a {{Recut}} of ''Anime/DragonBallZ'', titled ''Anime/DragonBallKai'', started airing in Japan for the show's 20th anniversary.
* An entire new villain was created in this decade. A lot of action-adventure and spy-fi shows and films had at least one young millionaire hacker who made his millions with dot-coms and "got out before the bubble burst" (that line is often repeated verbatim.) This allows them to hire a young, good-looking HollywoodNerd (usually), yet still get all the visual tropes of a millionaire villain (travelling by jet to foreign locations, lots of debauchery, etc.) Expect HollywoodHacking, generally acting like an AssholeVictim (or villain, depending on where their allegiances were), and living a life of wine, women and song.
* In the US, JanetJackson's "WardrobeMalfunction" at the SuperBowl halftime show in 2004 led to a period of increased {{Moral Guardians}}hip of TV, radio, and film, especially with regards to [[SexIsEvil sexual content]]. This resulted in the aforementioned MPAA backlash. HowardStern and OpieAndAnthony were forced to move to satellite radio to continue broadcasting uncensored, other shock jocks saw their careers torpedoed, and for a few years it became much more difficult to broadcast risque material. Meanwhile, the rest of the world (as well as many Americans) laughed at the US for being so hung-up on sex.\\
\\
In hindsight, this may have been the JumpTheShark moment for America's MoralGuardians, showcasing the disconnect between them and a society that was becoming increasingly accepting of sexual content. It's telling that, just five years later, they proved to be impotent at putting up much of a challenge to {{MTV}}'s ''JerseyShore''. Perhaps the clearest sign of how the tide had turned was when, in 2011, Music/NickiMinaj had a very similar malfunction while performing on ''Good Morning America'', having one of her breasts fall out of her top while she was dancing on stage.[[note]]To say nothing of the fact that a pop star as outwardly sexualized as Nicki Minaj was able to perform on ''Good Morning America'' in the first place.[[/note]] The usual guardians tried to drum up an outrage over it, but it seemed like the majority of people responded with a very simple "meh."
* The AllCGICartoon came to dominate feature-length animated filmmaking in this period, spearheaded by both {{Pixar}} moving from strength to strength which each new release and Dreamworks launching a blockbuster franchise with ''{{Shrek}}'' in 2001. The irreverent, ParentalBonus-heavy approach of the latter company was imitated thoroughly by others. Meanwhile, the DisneyAnimatedCanon would enter a prolonged DorkAge with several expensive cel-animated flops and then CGI efforts that received mixed responses. (For more, see TheMillenniumAgeOfAnimation.)

'''Fashion:'''

[[/folder]]

[[folder: Women ]]

* Ultra-low jeans for women were introduced in 1999 and became the norm by 2004. These were not your mother's hip-huggers; in fact, jeans that rode higher on the waist were often referred to as "mom jeans". Popularized by {{emo teen}}s, Music/BritneySpears, and one [[http://www.youtube.com/watch?v=u0eSKWRq9XY incredibly creepy commercial]], these low jeans were meant to create the illusion of an elongated, uncurved figure, but for many women, they often led to "muffin tops", where some of the belly spilled over the top of the pants. It was especially pronounced for overweight women, but unless you had abs of steel or zero body fat, some level of muffin top was inevitable. It was also very difficult to sit down without either showing your underwear or flat-out exposing your butt crack. At one point, women who didn't like the style had to resort to buying men's jeans because there simply weren't any women's jeans available that weren't cut like this. More traditional jeans resurfaced around 2008 and have been [[StealthPun on the rise]] since.
* And yes, before you ask, a number of women did combine low-cut jeans with thong panties in order to look sexy. In fact, the Y-shaped portion of the thong that was visible in the back got its own name, the [[http://en.wikipedia.org/wiki/Whale_tail "whale tail"]]. How derogatory that term is varies wildly depending on who's saying it.
* Just as waistlines were going down, the hem line of many shirts started going up, creating [[BareYourMidriff an unavoidable gap]]. This could be a problem for any woman or girl living in a colder climate, and had the same problem for overweight women as the low-waistline jeans: they could make the "muffin top" effect even more obvious.
** This style -- the hip-huggers with the midriff or halter tops -- had been popular in the late 1960s, but the cut of the pants was different, so that it was possible to have an attractive appearance even if you weren't a size 0.
* The huge gap between pants and shirt produced by many women's fashions led to the rise of the lower back tattoo among young women. Much like whale tails, these tattoos were widely viewed as a sign that a woman was [[ReallyGetsAround loose]] -- a common nickname for them was "tramp stamp".
* For the first time, a visible bra strap could be seen as something fashionable rather than a fashion ''faux pas'' or a sign of [[ReallyGetsAround sluttiness]], and bras were sometimes made with rhinestones or other decoration on the straps. They were mostly worn by teenagers and trendy young women, and as a result many high schools banned tank tops.
* Combine all of the above, and you have the default image of the fashionable/"slutty" young woman in the '00s -- wearing a cropped tank top that showed off her rhinestone-encrusted bra straps, along with very low-cut jeans that showed off her thong and her lower back tattoo.
* In the middle part of the decade, teenaged girls started wearing 1950s formal wear and putting their hair up on special occasions.
* The '80s women's fashion trend of [[ProperTightsWithASkirt wearing leggings under a skirt]] came back into fashion. It started with teenage girls, who used the style to [[LoopholeAbuse exploit a loophole]] in many high school {{dress code}}s that established a minimum length for skirts. If you were wearing leggings underneath, you could wear as short a skirt as you wanted, since [[ModestyShorts you were technically also wearing pants]]. Eventually, it became a fad for quite some time.

[[/folder]]

[[folder: Men ]]

* Teenage males in the first half of the decade wore a "gangsta" look inspired by rap musicians -- ridiculously baggy pants that exposed the tops of their boxer shorts, the crotch dropped to mid-thigh or even lower. In the second half of the decade, they switched to ridiculously tight pants... that also exposed the tops of their boxer shorts. Some guys took to wearing brightly colored boxer shorts and blousing them above the alleged waistline of their pants.
* Men's business attire shifted back from pastel and bright to dark -- gray, navy, and black were pretty much the only three accepted colors for business attire unless it was, say, a wacky tie day.
* By the end of the decade, Geek Chic was ''the'' look for guys thanks to Creator/DavidTennant from ''Series/DoctorWho'' and the cast of ''Series/TheBigBangTheory''.
* For a short period around 2004-2005, the "skater" look came into style on the heels of [[Series/{{Jackass}} Bam Margera]] and Tony Hawk's popularity. Baggy pants and shaggy hair grew more common, but most notable was the popularity of skater-brand shoes like Etnies and Vans, including over-inflated tongues and tucked-in shoe laces (which served a functional purpose for skaters[[note]]Namely, preventing the laces from getting undone and tangled in the skateboard's wheels or catching on something on the ground. Nasty spills can result otherwise.[[/note]], but was largely done for fashion if you didn't ride a skateboard). This died out pretty quickly.
* Plaid flannel shirts came back in style, especially with guys.
* "Tribal" tattoos running up and down one arm(s) became the domain of the "tough guy" (and those who wanted to look tough).
* As mentioned above, MMA clothing brands like Tapout and Affliction also became popular among the "tough guy" crowd. The combination of a baseball/trucker cap, tribal tattoos, and an MMA shirt was a sign that the guy standing in front of you could either kick your ass, or desperately wanted to look like he could.

[[/folder]]

[[folder: Unisex ]]

* Sweatpants in public became briefly acceptable (and still is acceptable in high schools), as well as other would-be fauxes pas like Ugg boots and Crocs.[[note]]As well as, briefly, a combination of the two.[[/note]]
* This decade saw the return of the FunTShirt. Shirts like "[[Film/NapoleonDynamite Vote for Pedro]]" and "Three Wolf Moon" became the "[[Music/FrankieGoesToHollywood Frankie Says Relax]]" of their time.
* Skinny jeans, or jeans that are skinny on the ankles, became popular around 2008 and continue to be popular now. They are mostly popular with young women, though there are guys that wear them, usually young men. They attracted a {{hatedom}} when they first became popular, mainly due to their association with the [[EmoTeen "emo" stereotype]], though that is dying down.
* Hoodies became acceptable casual wear for young people sometime in the middle of the decade, especially in the US and Canada. While they were also popular among {{emo teen}}s, hoodies weren't associated with them the way skinny jeans were; nearly everybody, male or female, had a hoodie for spring and fall. (It was when you wore it ''all year'', even in the summer, that it was seen as emo.) They were also popular in Britain, Australia, and New Zealand, but there, they became associated with the [[LowerClassLout "chav" stereotype]]; in those countries, "hoodie" entered the lexicon to describe young, lower-class crooks, and some stores banned people from wearing hoodies inside (at least with the hoods up).

'''Food and Drink:'''
* In a word: Organic. That one word more or less defined consumption habits for the better part of the decade. We had organic ''everything'' by decade's end. To the hopeful, it meant that people were truly starting to care for the environment. For the cynical, it meant that any old schlub would pay a couple bucks extra for a cookie with a picture of a tree on it. For the chemist, it meant that the general populace didn't understand what the word "organic" meant.
* We also started getting really concerned about the origins of our food. Thanks in no small part to animal activism groups, we had to make sure that our chicken was free range, our beef was humanely raised, and our fish was fairly caught.
** If you were in the UK, then this concern launched the television careers of JamieOliver who had a veritable franchise of "healthy" food shows. Similarly, there was also Hugh Fearnley-Whittingstall, whose warts-and-all approach to food raising from scratch (including foraging) were displayed to all in the ''RiverCottage'' series.
** Documentaries such as ''Film/SuperSizeMe'' and ''Film/FoodInc'' also contributed to such.
* In Australia, Japanese food, particularly sushi, went from almost non-existent to showing up in every food court and becoming the yuppie lunch of choice. Melbourne Coffee snobbery became an art form.
** A side effect of that is now there are more Koreans/Vietnamese/Chinese people running sushi restaurants than actual Japanese people.
** Particularly jarring, sushi rice is not actually used. Even in places that specialize in sushi (that or they're very light on the vinegar).

'''Social Concerns:'''

[[/folder]]

[[folder: Technology ]]

* This was the age when geek culture invaded the mainstream, and society's love of technology reached levels not seen since the gee-whiz, "''science!''"-loving '50s. Between the proliferation of comic book movies, the rise of {{anime}} and {{manga}} in the West, the critical acclaim received by "genre" series like ''Series/{{Lost}}'' and ''[[Series/BattlestarGalacticaReimagined Battlestar Galactica]]'', the growing mainstream acceptability of video games, and most importantly, the increasing reliance of modern society on computers and the internet, all of a sudden it was acceptable, if not even encouraged, for one to be a geek. Celebrities as diverse as sex symbol Creator/RosarioDawson, action hero Creator/VinDiesel, and rom-com starlet Creator/KristenBell won fans with [[OneOfUs their self-admitted nerdiness]], video game and comics T-shirts were worn with pride, and of course, there's ThisVeryWiki. Even [[BarackObama the President of the United States]] joined in on the action, with his geekiness, computer-savvy and ability to mobilize supporters on the internet playing a key role in his winning the 2008 election.
* The Internet really started developing (that is, of course, if corporate assimilation and conglomeration are to be defined as progress) throughout this decade. Perhaps the biggest indicator of online growth was the consolidation of various websites. Whereas early on, you could conceivably find about 30 sites on which to shop for electronics or search for other sites, a few frontrunners started emerging from the pack. Amazon started swallowing up the e-tailers, Website/{{Google}} was the predominant search engine, and Wiki/{{Wikipedia}} slowly became the be-all end-all for information.
* {{Friending network}}s took off during the decade. It would not be uncommon for people under 25 people to do most of their interaction online by the late '00s. Website/LiveJournal and other {{blog}} sites pioneered the idea of social networking, Friendster and later Website/{{Myspace}} refined it, and Website/{{Facebook}} turned into a massive cash cow. Internet Relay Chat, an older, non-corporate, and decentralised text-based chatting system, was usurped by Website/{{Twitter}}.
* By the end of the decade, everything that could feasibly have Internet access did. Cell phones were the most obvious among these.
** Even without Internet access in the traditional sense, a lot of things are wi-fi enabled for more simple reasons, including alarm clocks with wi-fi which automatically reset themselves in the event of a power outage.
* Video sharing site Website/YouTube was launched in 2005. Previously, video content on the internet was sporadic and limited to sites like [=AtomFilms=] and iFilm, and each one required a different plugin (like Windows Media, Quicktime, [=RealPlayer=], and so on). However, Website/YouTube utilized the widely-used Flash plugin (and later added the option of using Google's open [[note]]Licensed using the same license as [[UsefulNotes/{{UNIX}} the BSD operating system]] and the Ogg formats[[/note]] [=WebM=] format with the also-open HTML5 standard), was ''very'' user-friendly, and didn't require subscription fees, making it an overnight sensation and spawning a slew of similar video sharing sites. Unbeknownst to the technophobic mainstream, video files had also been traded on IRC for years before the advent of the monolithic, corporate Web sites.
* With LCD technology ultimately surpassing Cathode Ray Tubes, monitors and television sets are typically slim instead of boxy. In addition technology typically has a slick appearance instead of a rough gloss. By the end of the decade, CRT televisions were largely phased out and even thought the size of LCD [=TVs=] would balloon, the technology was also were far easier on electricity; the upcoming [=LED=] technology was even better in that regard.
* The two major commercial consumer operating systems, UsefulNotes/MicrosoftWindows and Apple UsefulNotes/MacOS, ditched their older, less reliable architecture for something more akin to what businesses had been using. The former replaced the old, dated DOS base with that of Windows NT starting with XP, while UsefulNotes/MacOS threw out everything from the old OS and based the new OS X (or UsefulNotes/MacOS X as it was known then) on the [[UsefulNotes/{{UNIX}} BSD-based]] [=NeXTStep=] operating system developed by [=NeXT=], the company Steve Jobs ran before his return to Apple. Meanwhile, Linux-based operating systems such as the Red Hat-derived Fedora and the Debian-derived Ubuntu became dedicated to easy consumer use on par with what the big commercial two provide without having to be extensively configured as with older Linux distributions.
* In August 2004, [[Wiki/TVTropes TV Tropes Wiki]] debuted on the internet and revolutionized the way in which [[TVTropesWillRuinYourLife millions of people viewed entertainment]]. Hey, who says we don't have a right to toot our own horn?
* As for the software used to access the above, the browser wars changed from the Internet Explorer vs. Netscape days as Netscape became more and more irrelevant before the the freeing of its source code in the form of the free and open source Mozilla Application Suite. Internet Explorer, while remaining popular on Windows, had its Mac version transitioned out in favor of Apple's own Safari, which borrowed the free and open source KHTML from Konqueror (at the time exclusive to Linux and BSD) and tweaked it to have less of a dependence on Konqueror's graphical toolkit, Qt, thus the creation of [=WebKit=], which due to KHTML's release under the GNU Lesser General Public License, ended up with considerably more liberal terms than the main software, using both that license and a permissive BSD-derived license, ended up being adopted by other browsers such as 2008's Google Chrome (which has since switched to Blink, a modified version of [=WebKit=]), and Opera. As for Mozilla, the first half of the decade saw the restructuring of the Mozilla Foundation's software development to focus on the newer Mozilla Firefox browser and Mozilla Thunderbird email client, with all of them being free and open source software under the Mozilla Public License (which is a bit more loose than the LGPL of KHTML and [=WebKit=]) and based on the Gecko rendering engine, which licensed the same as the clients. (In case you were wondering, browsers based on Gecko, [=WebKit=], and Blink are available on Windows, OS X, and most UNIX-like operating systems, with Firefox and Chrome having been ported to these).
* As prices continued to fall, more people started using laptop computers instead of desktop computers. By the end of the decade, the only people who used desktop computers were generally office workers and serious gamers. The adoption of laptops was spurred in large part by the previously mentioned spread of Wi-Fi.

[[/folder]]

[[folder: [[Useful Notes/American Educational System Education/School ]]
]]
* America's [[SuckySchool slipping performance in education]], especially with regards to math and science, became a major source of hand-wringing as the decade progressed. It was fear of falling behind the rest of the world (particularly {{China|TakesOverTheWorld}}) that led to such reform attempts as the No Child Left Behind Act (see below) and charter schools. The cause of this slide is hotly debated; some blame the Christian Right for smothering science education, others blame the growing focus on standardized testing for replacing critical thinking with rote memorization, others claim that it's the fault of the teachers' unions for allowing crappy teachers to keep their jobs, still others feel that bad parenting is the problem, others blame America's stubbornness to adapt to a universal year-round school system, making kids forget information during the summer and being forced to waste time to re-teach it come fall, and finally, there are those who feel that American schools are too obsessed with their sports programs at the expense of academics. Like all things political, this is a topic that you should wade into at your own risk.
* Implementation of the hugely controversial No Child Left Behind Act had the ironic effect of sending dropout rates in poorer, especially urban, areas soaring. Arguments for and against it were and are quite [[FlameWar heated]], especially as a school's performance on the tests determines how much funding the school receives. You questioned a teacher about it at your own peril; saying you supported it was (and is) likely to earn a massive rant one way or the other.
* Emphasis on college was just as pointed as it was in TheNineties, until a massive recession hit in 2008 and many people found it much more difficult to pay for college. Although at this point, most people are saying that in the next generation, '''everybody''' on every level of the job market is going to have a college degree (the phrase "a Bachelor's Degree is the new high school diploma" became popular in the US). College is still a necessity; unfortunately, due to the rising costs, it basically means that students are having to resort to student loans to pay for it. This has had the unfortunate side effect of college no longer being "a fun learning experience where you try new things and meet new people," and turning it into a calculated career move, where students scramble to find a synergy between good grades, extracurricular activities, and work experience to give them the best possible chance to find a job in an already shaky job market before they get slammed with massive debt.
* This is when the [[YouCanPanicNow much-ballyhooed]] gap in scholastic achievement between boys and girls began to really make itself known. In brief, girls not only erased the lag that they had previously had in education, but they surged ahead of the boys in the process, with much higher rates of grade school achievement and college enrollment. Where the boys did have a lead, it was in such dubious places as dropout rates and delinquency. It eventually got to the point where many co-ed colleges started implementing affirmative action for male students to prevent their campuses from becoming more than 75% female -- something that would've been inconceivable as late as 1990. This resulted in much hand-wringing from media pundits worried that "boys were being left behind" by the new, post-industrial knowledge economy, or (more [[ConspiracyTheorist hysterically]]) that "[[StrawFeminist radical feminists]]" were sabotaging boys' education.

[[/folder]]

[[folder: Religion ]]

* The Christian Right reached the apex of its political power in the US under the GeorgeWBush administration... but its ''cultural'' power underwent a rapid collapse during that same period. As mentioned above, the "Nipplegate" incident was arguably the turning point; while it fired up religious conservatives, their reaction was also a well of mockery for many. Between that, backlash against attempts to restrict the teaching of evolution and sex education in schools, and the evangelical Christianity that permeated the Bush administration (particularly from Attorney General [[TheFundamentalist John Ashcroft]]), secularists and non-religious people, a group that had been quietly growing since the early '90s, began to develop a serious cultural identity for the first time.
* This culminated in the rise of the "New Atheist" movement. Explicit, militant atheism, as opposed to being merely non-religious, began to emerge in the public consciousness thanks to best-selling books like RichardDawkins' ''The God Delusion''. The main difference is that this "New Atheism" is much more confrontational and confident in challenging Christian fundamentalists in the validity of their assumptions, and in asserting the separation of Church and State.
* The Terri Schiavo case, in which the husband of a brain-damaged woman fought to have her taken off of life support, brought "right to die" issues to the national forefront. Many people created "living wills" outlining how they wished to be cared for in the event that they could no longer care for themselves.
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