* ActorAllusion: In the musical-- Creator/GlennClose portrays a lonely troubled woman slowly driven to insanity due to her unhealthy obsession with a man. Eventually she's pushed over the edge and goes on a murderous rampage... But enough about Alex Forrest in ''Film/FatalAttraction''.
* AFIS100YearsSeries:
** AFIS100Years100Movies: #12
** AFIS100Years100MovieQuotes:
*** #7, "All right, Mr.[=DeMille=], I'm ready for my closeup"
*** #24, "I am big, it's the pictures that got small"
** AFIS100YearsOfFilmScores: #16
** AFIS100Years100Movies10THAnniversaryEdition: #16
* BeamMeUpScotty: People often misquote this movie's famous line as "I'm ready for my closeup, Mr. [=DeMille=]" when it's actually, "Alright, Mr. [=DeMille=], I'm ready for my close-up".
* BetaOutfit: The outfit for when Norma traveled to the studio still included [[PrettyInMink a white ermine hat]], but it [[http://silverscreenmodes.com/wp-content/uploads/2015/05/Swanson2.jpg was like a head scarf]]. Swanson suggested [[http://silverscreenmodes.com/wp-content/uploads/2015/05/Swanson3.jpg a hat more fitting]] the style of TheRoaringTwenties.
* CreatorBacklash: Erich von Stroheim complained that he was always identified with "that butler role" rather than anything else he directed or starred in.
* CutSong: "[[http://www.rayevans.org/music/song.cfm?tSong_id=1394 The Paramount Don't Want Me Blues]]"
* ExecutiveMeddling: Probably for the better. The original cut of the film involved [[spoiler: Joe Gillis]]'s corpse talking to other corpses in the morgue, which made test audiences laugh uproariously. All that survives of this early opening consists of script pages and some silent footage of morticians transporting and storing the corpse.
* IronyAsSheIsCast: Despite the fact that Creator/ErichVonStroheim plays a butler/chauffeur, he could not drive in real life. During the scenes in which he drove, the car was towed by another car. In the scene in which he drives Norma Desmond to Paramount Pictures at the studio gates the car was pulled by men with an out of camera rope.
* MethodActing: According to Gloria Swanson's daughter, Michelle Amon, her mother stayed in character throughout the entire shoot, even speaking like Norma Desmond when she arrived home in the evening after filming. On the last day of shooting, Swanson drove back to the house she, her mother and daughter shared during production, announcing "there were only three of us in it now, meaning that Norma Desmond had taken her leave."
* MoneyDearBoy: Creator/CecilBDeMille agreed to do his cameo for a $10,000 fee and a brand-new Cadillac. When Billy Wilder went back to him later to secure a close-up, [=DeMille=] charged him another $10,000.
* RealLife/MeanCharacterNiceActor: Gloria Swanson was worlds more stable and down-to-earth than Norma Desmond. Very notably, Swanson handled her change of fortune much better than Desmond: When it became apparent that her film career was over (at least in any roles besides a WhiteDwarfStarlet) she focused more on her theatre and television prospects, which, while nothing earth-shattering, were fairly successful and kept her in the public eye.
* RealitySubtext: Norma is played by Gloria Swanson, who was a silent film star, and worked with Cecil B. [=DeMille=]. Max is played by Erich von Stroheim, who was a silent film director.
** The movie that Norma and Joe watch together was comprised of footage from TroubledProduction ''Queen Kelly'' (1929) - directed by none other than Erich von Stroheim.
** And Cecil B [=DeMille=] referred to Swanson as "young fella" when both were getting started in Hollywood.
** The Waxworks, of course, were real former Hollywood stars then considered has-beens, including Creator/BusterKeaton.
* ThoseTwoActors: After the success of the film, this was attempted with Creator/WilliamHolden and Nancy Olson; they appeared in three further films together, but none of them was really successful.
* TypeCasting: Filmmakers just [[FollowTheLeader rehashed Norma]] whenever they wanted to give Gloria a part in a film after that, and some people still confused Swanson with Desmond.
* WhatCouldHaveBeen:
** Several other old-time actresses were considered for the role of Norma Desmond, including Pola Negri, Creator/MaryPickford, and even Creator/MaeWest, who was turned down after one meeting with the producers, who said they realized that she was still both too dignified and too pretty to believably sell a has-been character like Norma.
** Creator/MontgomeryClift was originally cast as Joe Gillis, but pulled out - reputedly because he himself was [[RealitySubtext dating a much older (and arguably washed up) singer at the time]]. Creator/MarlonBrando was deemed too much of an unknown and MGM refused to loan out Creator/GeneKelly.
** Creator/StephenSondheim began work on a musical version, before the release of Creator/AndrewLloydWebber's play. He abandoned the project due to Billy Wilder saying that he'd prefer a ''Sunset Boulevard'' opera to a musical.
* WorkingTitle: The writers feared that Hollywood would react unfavorably to such a damning portrait of the film industry, and so the film was code named ''A Can of Beans'' while in production.