* CareerResurrection:
** ''Light Years'' was this for her Australian and European popularity.
** ''Fever'' was this for America.
** ''X'' was this after her cancer ordeal and came out five years after ''Body Language''.
** "Padam Padam" become a viral hit in 2023, giving her first UK Top 10 in 13 years and the feat of achieving such Top 10 hits across five decades.
* ColbertBump: Dubbed the "Kylie effect", there was a large surge in women getting cancer screenings after Minogue's 2005 breast cancer diagnosis.
** The "Can't Get [[Music/NewOrder Blue Monday]] Out Of My Head" mashup and the live performance at the 2001 Brit awards brought mainstream attention to the previously underground trend of mixing recent pop music with 80s electronic music, helping shape British pop music for most of the next decade starting with "[[Music/{{Sugababes}} Freak Like Me]]" becoming a major hit.
* ChannelHop: From [[Music/StockAitkenWaterman Pete Waterman Limited]] for her first four albums, to [[Creator/SonyMusic Deconstruction]] (an independent dance label later acquired by BMG/Arista) for ''Kylie Minogue'' and ''Impossible Princess'', to Creator/ParlophoneRecords (owned by Creator/{{EMI}} and then Creator/WarnerMusicGroup) for a fifteen-year, seven-album run, to the “new” BMG for ''Golden'' onward, with the masters owned by her own management company Darenote. As for Australia, she signed to Mushroom Records and stayed there even after its acquisition by Warner, separately from EMI until Warner acquired Parlophone. Her worldwide BMG deal supersedes this. In the US, she went from Creator/GeffenRecords for her first two albums, then MCA Records for her third, then the small independent Imago Records for her first Deconstruction album. After Imago went bankrupt before the album was even completed, Kylie did not release much of her music in the US for a time, until Creator/CapitolRecords executives saw how well ''Light Years'' was doing and decided to test the waters with ''Fever''. She stayed with Capitol for ''Body Language'', moved to its electronic music-focused sister label Astralwerks for ''X'' and ''Aphrodite'', then hopped to Creator/WarnerRecords when it acquired Parlophone. Now, much of Kylie’s older material is readily available in the US because of her new deal with BMG.
* CreatorBacklash:
** Kylie claims ''Film/BioDome'' is the only thing she's done that her father ridicules her for. (And just think, she was in the ''Film/StreetFighter'' movie.)
** She has also voiced her dislike over her older more bubblegum pop sounding songs. She has a particular dislike for her song "What kind of Fool (Heard That All before)".
* CreatorBreakdown: "No More Rain" and "Cosmic" deal with her cancer ordeal and "Flower" with all motherhood allusions on her ''X'' album...but ''Impossible Princess'' is an extremely personal album and dealt with her pressures of celebrity and icon status.
* ExecutiveMeddling: Has problems with this all through her career. Most recently her company insisted she not put her heart felt ballad about the stage "No More Rain" on her come back album X. She left Deconstruction and her first recording company over these sorts of problems.
* FanCommunityNicknames: She's really taken to calling her fans "lovers".
* RomanceOnTheSet:
** She and Music/JasonDonovan did date for a while on ''Series/{{Neighbours}}'' and their duet "Especially For You", culminating in her famously leaving him for Michael Hutchence of Music/{{INXS}}.
** She met Joshua Sasse on the set of ''Series/{{Galavant}}'' after they booked her for a guest appearance on the show. They were engaged, but eventually broke up in February 2017.
** Creator/JeanClaudeVanDamme claims they had an affair on the set of ''Film/StreetFighter''; although she didn't explicitly deny it, she has minimised it as much as possible.
* ThrowItIn: "Konichiwa" in Nu-di-ty.
* WhatCouldHaveBeen:
** The original music video of "On A Night Like This" was supposed to have full-frontal nudity from Kylie. The director of the video has stated that these shots were never filmed, possibly after Kylie herself vetoed them.
** Cathy Dennis, the writer behind "Can't Get You Out of My Head", wrote "Toxic" for Kylie. However, Kylie felt it wasn't suited for her and the sound she was going for at the time, so the song was given to Music/BritneySpears instead.
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