* CreatorBacklash: The La:Sadie's era and Kisaki - even the band thinks that the era is effectively a moot point by now.
* GenrePopularizer: Eroguro Kei, from the very start. Also one of the first bands to display elements of what is to become Deathcore with their album ''Withering to death.''
* ThePeteBest: Music/{{Kisaki}}, who didn't do too badly on his own (even being mildly successful as executive of UNDER CODE PRODUCTION) but nowhere near the level of success the rest of the band had.
* TrollingCreator: The band can qualify as this - in that their entire aesthetic (they purposefully went Eroguro/Post-Visual to [[FanDisservice piss off image-savvy Japanese VK fans]]), sound (their forays into NuMetal and {{Deathcore}} don't sell well with Western metal fans) and ideal of performance (their shocking [=PVs=] and nightmarish live shows can be seen as a middle finger to the MoralGuardians} is trolling society in general, and after a certain point, arguably trolling their own fans and the Visual/Metal fandom in general via MindScrew and the like.
** Pretty much the only argument for the live brickwalling ''is'' trolling fans and pissing off people with any degree of production knowledge, unless they just don't care, which in the general Japanese music scene ''and'' the metal scene, itself trolling by mocking the idea of treating live performances as SeriousBusiness.
* WhyFandomCantHaveNiceThings: After a fan who contacted Kyo asking the best way to commit suicide, which Kyo took as a joke, actually killed himself, Kyo has been much more reticent about communicating with fans.
** He has seemingly gone back on this, as he maintains active accounts on both Instagram and Twitter beginning in 2020.
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