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''The Wiz'' is a pop musical version of ''Literature/TheWonderfulWizardOfOz'' (book by William F. Brown, songs mostly by Charlie Smalls) that originally opened on Broadway in 1975 and was the winner of the Best Musical Tony Award for the 1974-75 season. Although it has a noticeably funky score and is usually performed with an all-black cast, its plot hews closely to that of the original novel, including characters and details that the [[Film/TheWizardOfOz famous 1939 film]] left out or changed, including the Good Witch of the North, the Silver Slippers, etc. It is still frequently staged today.

Creator/{{Motown}} and Creator/{{Universal}} produced a movie adaptation in 1978; it was directed by Creator/SidneyLumet and Creator/JoelSchumacher wrote the screenplay. This added a further, big twist to the ''Oz'' tale: Instead of turn-of-the-20th-century Kansas, the story begins in modern Harlem and Dorothy is a shy schoolteacher in her 20s who has never ventured beyond it -- a change made to accommodate the casting of Diana Ross (in her 30s at the time) in the role, as she [[http://en.wikipedia.org/wiki/The_Wiz_(film)#Pre-production_and_development had campaigned heavily for it]]. It's a blizzard that sweeps her to Oz, a fantasy version of the rest of New York City. The Tin Woodman is now a forgotten amusement park robot, the Cowardly Lion masquerades as a statue outside the Public Library, the Wicked Witch of the West (here named Evillene) runs a sweatshop, etc.

The movie was an expensive flop, with critics finding it lacking compared to the 1939 film and the original stage show, largely due to Ross' performance. This [[MinorityShowGhetto damaged the perceived viability of black-led films]]. But it remains notable for its AllStarCast of African-American talent, from Creator/RichardPryor as the Wiz himself to Lena Horne as Glinda to a 19-year-old Music/MichaelJackson as the Scarecrow (his only major film role, not counting the anthology ''{{Film/Moonwalker}}''). It also received CultClassic status.

[[IReadThatAs Not to be confused with]] ''Film/TheWizard.''
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!!This musical and its movie adaptation include examples of:

* AdaptationDistillation: The stage version actually stuck closer to the original Creator/LFrankBaum story in a number of ways, notably in having good witches for the North and South. Only the latter knows the secret of the Silver Slippers, which allowed this version of the story to avoid the infamous plot of the 1939 version, where Glinda doesn't tell Dorothy the secret of the Ruby Slippers when she first obtains them, only later telling her and [=BSing=] an explanation that Dorothy "wouldn't have believed her." Another example would be in the film version with the peddler and his strange puppets, which seem to be {{Expy}}s for the Kalidahs of the original book and the stage version.
* AllBikersAreHellsAngels: Subverted version used in the movie: The Flying Monkeys are a motorcycle gang. Once Evillene is defeated they gladly take Dorothy and her friends back to the Emerald City. Interestingly, the biker gang concept also appeared in the Muppet version of this story in 2005.
* AmusementPark: In the movie, the Tin Man is found at a deserted amusement park; he was one of the animatronics, abandoned when the park closed. The park is represented by Coney Island's famous Cyclone roller coaster.
* AxCrazy: Evillene.
* BigApplesauce: If an American city's going to stand in for ''Oz'', it'll be New York City...
* BigBad: Evillene in the movie. It turns out that all the characters who hindered Dorothy and/or her friends' journey on the Yellow Brick Road (the crows, the peddler, and the poppy girls) are her slaves.
* {{Bizarrchitecture}}: Okay, more "fanciful" than bizarre, but still quite trippy. Think ''SesameStreet'' meets ''Franchise/StarWars'', or maybe [[Franchise/{{Batman}} Gotham City]] as imagined by Sid & Marty Kroft.
* {{Camp}}
* CelebrityParadox: Despite living in what ''has'' to be the 1970s (or the late '60s at the earliest), Dorothy never notices all the uncanny parallels between her own experiences and the 1939 movie and 1900 book that are slavishly being copied here. (Of course, if she had been, she'd have been ridiculously GenreSavvy and the story could have ended much quicker.) Thus, one must conclude that, in the universe in which ''TheWiz'' takes place, [[ForWantOfANail L. Frank Baum]] never existed - or, if he did, he never penned his most famous work.
* CleverCrows: The crows use their intelligence to convince the Scarecrow that he's stupid and can't frighten them off.
* CostumePorn: Nearly nonstop.
* CrowdSong: Several, in particular "He's the Wizard" and the aptly-titled "Everybody Rejoice (Brand New Day)".
* CutSong: Several songs and dance numbers were dropped for the film, some due to plot changes. [[http://en.wikipedia.org/wiki/You_Can%27t_Win_(song) "You Can't Win"]] was dropped from the stage version, but appeared in the movie as a replacement for "I Was Born on the Day Before Yesterday". Among the new songs written for the movie, "Is This What Feeling Gets?" was dropped (it's on the soundtrack album), though it's the underscore's big instrumental motif.
* DarkerAndEdgier: TheMovie. [[SceneryGorn From the post-apocalyptic New York setting and general decay of the architecture, to the costuming, to the casting of Dorothy herself]] [[DawsonCasting (changed from a young girl to an]] ExtremeDoormat [[DawsonCasting adult),]] the film version is a bleak (The Scarecrow is being tortured by the crows), but [[SceneryPorn sumptuously shot piece of work.]] The VillainSong subverts this, though - it is a [[IWantSong selfish ode to self]] done in the style of a [[LyricalDissonance Gospel number]].
* DidIMentionItsChristmas: The movie adaptation is set on Thanksgiving.
* DreamBallet: In the stage version, the "Lion's Dream" sequence.
* EverythingTryingToKillYou: The subway in the movie the heroes are threatened by a sinister peddler's puppets (that grow taller than the heroes), trash cans with teeth, snake-like live electrical wires, and columns that almost crush Dorothy.
* ExactlyWhatItSaysOnTheTin: Movie only -- what does Evillene's sweatshop manufacture? Sweat!
* FailingATaxi: Variation in the movie. Dorothy sees and approaches Oz taxis on two occasions early on, but in each case, an "OFF DUTY" light switches on and it drives away.
* IncomingHam: The Cowardly Lion comes bursting and roaring out of a lion statue just before his IAmSong.
* GangOfBullies: The [[JiveTurkey Crows]] are this to the Scarecrow. They put down [[ExtremeDoormat Scarecrow's]] love of knowledge, his intelligence, and his optimism. They also refuse to let him from his post and let him walk and force him to sing "You Can't Win", a song about, as MichaelJackson himself put it, humiliation and helplessness. Despite all of this, the crows wholeheartedly believe they are looking out for him.
** In the movie version, though, the crows work for the WickedWitch, so they might be wanting to torture him.
* IAmSong: Subverted with both "Mean Ole Lion", the Cowardly Lion's introductory song, in which he presents himself as anything ''but'' cowardly, and "So You Wanted to Meet the Wizard" for the Wiz's flashy, smoke-and-mirrors entrance.
* ItWasWithYouAllAlong / MagicFeather: "If You Believe" is a song explaining this to Dorothy's companions with regards to what they were searching for (the Wiz sings it in the stage version, Dorothy in the movie). The reprise, performed by Glinda, reveals that the Silver Slippers will take Dorothy home if she believes she can do so.
* KickTheDog: The 1939 MGM version of the Wicked Witch of the West is a nasty piece of work, but the film version of Evilene has her beaten in terms of sheer sadism. Whether it's dismembering the Scarecrow, crushing the Tin Man, hanging the Cowardly Lion by his tail or threatening to roast Toto alive, Evilene is willing to do whatever it takes to get the Silver Slippers.
* LargeHam: Plenty of characters, although the Cowardly Lion probably tops the list with [[RageAgainstTheHeavens "OHHH MIGHTY ZEUS...AND GODS OF THE UNIVERSE]]...[[DespairEventHorizon LET ME END IT ALL!"]]
* LyricalDissonance: The best examples would be "You Can't Win", an upbeat tune that is all about [[NightmareFuel tearing The Scarecrow's self-esteem to shreds,]] and "Don't Nobody Bring Me No Bad News", a selfish VillainSong taking place in the [[BigBad Big Bad's]] lair (a ''sweatshop'') that is performed in the style of a Gospel song.
** The album version subverts the lyrical dissonance of "You Can't Win" by incorporating Jackson's pained screaming into the backing vocals.
* TheMusical
* OriginalCastPrecedent: See RaceLift below.
* PolishTheTurd: Because critics' reviews were so weak, a [=TV=] ad was shot featuring ordinary moviegoers raving about the film -- a common promotional tactic still used today. (Podcast/RiffTrax got a hold of this as part of their riffing of ''Film/TheStarWarsHolidaySpecial''.)
* PrecisionFStrike: "I want to get the hell out of here!"
* RaceLift: For all the characters! (Well, except for Toto.) While many productions stick with the all-black casting, colorblind stagings are also common, probably because race is not an issue within the story itself.
* [[ScaryBlackMan Scary Black Woman]]: The film version of Evilene, played by the same actress who portrayed her in the original Broadway run, '''is''' this trope.
* SceneryPorn: The movie makes a big deal out of giving a fantasy twist to landmarks like the Brooklyn Bridge and the World Trade Center.
* SettingUpdate: Movie only.
* SharpDressedMan: There are ''dozens'' of them - and plenty of similarly attired women, too - in the fashion show being performed in the Emerald City plaza.
* ShootTheMoney: The lengthy Emerald City production number in the movie version seems intended to show off the RealLife designer clothes of its residents as much and as long as possible.
* SinglePaletteTown: The Emerald City. In the movie, the palette changes with the Wiz's current color preference -- it starts as green, then changes to red and finally to gold in the course of one musical number.
* SinisterSubway: Sinister? Try absolutely ''terrifying''.
* SpeaksInShoutOuts: The Scarecrow speaks from bits of newspaper he's stuffed with.
* UnintentionalPeriodPiece: On top of being a product of a time when Blaxploitation films were popular in the U.S., the film has an unmistakable 1970s feel throughout, from its tone, to the fashions, to the disco and funk-heavy soundtrack, among other things.
* VillainSong: "Don't Nobody Bring Me No Bad News" for Evilene.
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