[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/The-Sound-of-Music-convert-photos-to-digital.jpg]]
[[caption-width-right:350:The ''hills'' are '''''alive'''''.....]]

->''My heart will be blessed with the sound of music\\
And I'll sing once more.''

'''''The Sound of Music''''' is the famous musical by RodgersAndHammerstein, based on the story of ''[[http://en.wikipedia.org/wiki/The_Story_of_the_Trapp_Family_Singers the Trapp Family Singers]]''. The musical was inspired by an earlier, now largely forgotten German movie adaptation of the book and was made into a movie in 1965, with Creator/JulieAndrews as Maria and Creator/ChristopherPlummer as the Captain. In 1991 the book was again independently adapted in a 40 episode {{Anime}} as part of the ''Anime/WorldMasterpieceTheater'' series. A live broadcast of the original stage production starring Music/CarrieUnderwood and [[TrueBlood Stephen Moyer]] aired on Creator/{{NBC}} in 2013, the first live television presentation of a musical since Rodgers and Hammerstein's ''Film/{{Cinderella}}'' in 1957.

Features nuns, ThoseWackyNazis, and ''not'' the Austrian national anthem. The film is virtually unknown in Austria itself, which is odd considering the English-speaking world knows Austria as "that country from ''The Sound of Music''." The exception being the city of Salzburg, and mostly because of the tourists constantly talking about ''The Sound of Music''.

Has enough pop culture references and pastiches to fill a small article on TheOtherWiki, although there actually isn't one.

For those who have still managed to live under a rock (or in Austria) for the past 50 years, the musical follows Maria Rainer, a young postulant from Nonnberg Abbey, as she is sent to be a governess to the seven children of retired Navy Captain Georg von Trapp. She soon discovers that the captain not only runs a tight ship, but also cannot bear to be reminded of his wife, meaning that he spends a lot of time in Vienna with Elsa Schraeder (she is a Baroness in the film, but only "Frau Schraeder" in the stage show), with whom he has struck up a romance. As a result, the children are rather rebellious and disdainful of any governesses (who were, as befitting authority figures of the time, rather strict). Maria is, however, kind towards them, and easily befriends the lot, teaching them songs and letting them frolic around the Austrian countryside. Captain von Trapp is, of course, rather taken aback, but soon rediscovers his pent-up happiness and begins to fall in love with Maria, who still hasn't worked out her own emotions. A brief trip back to the Abbey -- and a cluebat expertly wielded by the Reverend Mother -- convinces her to go with the flow, and she returns and marries Georg.

Unfortunately the Anschluss happens while the two are on their honeymoon and when they return Georg is "asked" to accept a command in the new German navy. Being strongly opposed to Hitler, the family resolves to leave Austria for Switzerland using the pretext of attending a local folk music festival for cover. But the Nazis are not so easily bamboozled and the von Trapps will not get away quite that easily...

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!!These are a few of my favorite tropes:

* AbilityOverAppearance: Though not impossible, Audra [=McDonald=]'s ColorblindCasting is unlikely, to say the least. But the fact that she is ''Audra [=McDonald=]'' -- a six-time Tony winner and certified Broadway legend -- completely wipes away anything so purely trivial as her skin color.
* ActuallyThatsMyAssistant: When Maria arrives at the Von Trapp home, she mistakes Franz the butler for Captain Von Trapp. According to the real Maria, this actually happened in RealLife.
* AdaptationExpansion: The film takes advantage of its longer time frame, and the fact that it doesn't take place on one stage, to expand the story - such as Maria taking longer to gain the children's trust, and the kids trying to go and see her when she returns to the abbey.
* AdaptationalVillainy: In the show, Rolfe finds the family and calls for his Lieutenant, but decides not to turn them in after seeing Liesl. In the movie, Rolfe almost lets them get away after the Captain takes his gun but ends up calling for the Nazis anyway.
* AluminumChristmasTrees: Hearing that von Trapp is a naval captain can cause some modern viewers to do double-takes, considering he lives in a country with no coastline. The thing is, before the end of World War One and the Treaty of Versailles taking a lot of territory away, Austria ''' ''was'' ''' connected to the sea (the Adriatic, specifically), and naturally had a powerful navy.
* AmbiguouslyGay: Some productions present Uncle Max as such.
* ArsonMurderAndJaywalking: When the nuns sing about Maria.
--> "She climbs a tree and scrapes her knee\\
Her dress has got a tear\\
She waltzes on her way to Mass\\
And whistles on the stair\\
And underneath her wimple\\
She has curlers in her hair\\
I even heard her singing in the abbey"
** Note that the nuns ''sing'' this. ''[[HypocriticalHumor In the abbey]].''
* BeautyBrainsAndBrawn
** Liesl -- Beauty
** Brigitta -- Brains
** Louisa -- Brawn
* BerserkButton: Captain Von Trapp manages to control his temper when confronting Nazis and Nazi sympathizers, but when the otherwise inoffensive Max expresses a blase "what's going to happen is going to happen" attitude about the impending Anschluss, the Captain becomes '''furious'''.
* BetaCouple: Liesl and Rolf are a tragic version.
* BigBad: While almost all of the characters are extremely principled and mostly nice people, Herr Zeller is an enemy of Von Trapp from the start and lands up being the Nazi they have to escape from.
* BiggerBad: He never makes an actual appearance, but ultimately UsefulNotes/AdolfHitler is responsible for all the bad things which happen in the story. Stupid Hitler!
* BlatantLies: When the children explain to their father where they've been after secretly trying to go see Maria. Made even funnier by the fact that he's clearly aware they're talking rubbish, and the excuses to patch up the holes in their story just get more and more absurd. For instance, strawberries that were so cold they turned blue...
* BlitheSpirit: Maria in the von Trapp household.
* BookEnds:
** The film opens with panoramic views of the mountains, then zooms onto Maria. The movie ends with Maria and her new family hiking through the same mountains towards the safety of the border. The camera [[FlyawayShot pulls back]] to give us another panorama of those mountains.
** The stage show opens and closes to the sound of the Reverend Mother's voice.
* BrawnHilda: Such a woman wins third place at the concert, and won't get off the stage so she can keep soaking up applause.
* TheButlerDidIt: ''Somebody'' must have told the local Nazis the family were sneaking out of the house. In the film, Franz the butler (who the von Trapps never told about their impending escape) collaborates with Rolf, and later is shown watching the family's escape attempt and subsequent apprehension.
* CannotSpitItOut: Maria had some difficulty trying to realize her feelings for Captain von Trapp and tell him that she loved him. The things that girl has to do to get a kiss!
* TheCastShowOff: Subverted. Julie Andrews spends a good hour showing off her singing and dancing chops before presenting three eggs to the children as if she's about to display yet another talent. Instead, she fakes juggling them and still drops one.
* ChildrenAreInnocent: The song "Sixteen Going on Seventeen" demonstrates that while Liesl may be innocent Rolf is certainly more so. Unless you subscribe to an AlternateCharacterInterpretation.
* CleaningUpRomanticLooseEnds: When the baroness realizes how much the captain loves Maria, she suddenly realizes the captain isn't the man for her, either.
* CloudCuckoolander: How the nuns perceive Maria.
* ColorblindCasting: The 2013 live version casts a black woman (Audra [=McDonald=]) in the role of the Mother Abbess. Well okay, it's not ''impossible'' that a black woman could be in an Austrian nunnery in the 1930s, but it seems ''very'' unlikely. Incidentally, [=McDonald=] is the same woman who was color-blindly cast in the 1999 version of ''{{Film/Annie|1999}}''.
** The Catholic Church was never officially segregated, because racial segregation would have meant schism, which the Church had sought to avoid ever since the late Roman period. Any segregation that ''would'' take place would be halfway, with, say, blacks and whites worshiping at Mass together but seated in pews on different sides of the aisle. That said, Austria, unlike most other western European countries, never had an overseas empire, let alone one in Africa, so a black nun is still ''extremely'' unlikely. [[FridgeHorror And once the Nazis roll in...]].
* {{Confessional}}: In the last lines of the film, Sisters Margaretha and Berthe tell the Reverend Mother that they have sinned. When the Reverend Mother asks the sisters what sin they have committed, they reveal that they have swiped the distributors and coils from the Nazis' cars, preventing them from pursuing the Von Trapps.
* CoolOldLady: The Reverend Mother Superior of the convent. She instinctively knows that Maria's calling is outside the convent, and she realizes that Maria is in love with the captain. Not to mention when Maria, at first, told the Reverend Mother she left because she was "frightened". To which the Reverend Mother says, "Frightened, were they unkind to you?" The tone which she uses indicates she is ''very'' protective of the nuns. One could almost call her a BadassPreacher.
* LesCollaborateurs: All the Austrians who are accepting Nazi rule are collaborators, represented by Uncle Max and the Baroness. But the Captain refuses to budge, straining their relationship with him. In RealLife, the majority of Austrians viewed themselves at that time as Germans and not as their own nation (with prominent people in the minority being Austrian nobility like the Von Trapps, who were afraid to be dominated by the largely-Prussian German nobility, Prussia being Austria's {{rival}}).
* CurtainClothing: When Maria learns the Von Trapp children have no play clothes, she makes them some out of curtains.
* CuteBookworm: Brigitta is implied to be one, as she's late answering her father's whistle because she's absorbed in a book.
* TheCutie: Maria
* DadTheVeteran: The Captain served in WWI and was decorated for his actions.
* DanceOfRomance: The Laendler, a.k.a. The Scene Where Our Two [[ObliviousToLove Oblivious Protagonists]] [[LoveEpiphany Finally Figure It Out]].
* DeathGlare: Captain von Trapp's is so awesomely deadly that it should be outlawed by the Geneva Conventions.
* DefrostingIceKing: The Captain.
* DeniedFoodAsPunishment: "Since you've obviously stuffed yourselves on ''thousands'' of delicious berries, you can't be hungry anymore...so I'll have to tell Frau Schmidt to ''skip'' your dinner." (The Captain)
* DrillSergeantNasty: Captain von Trapp treats his children this way at the beginning.
* EvenBeggarsWontChooseIt: Maria's dress... that even the poor didn't want.
* FairytaleWeddingDress: Maria gets one in the wedding scene that is classically pre-Vatican II Catholic, complete with a multilayer cathedral veil.
* FaceHeelTurn: Liesl's boyfriend Rolfe does this at the end when he joins the Third Reich. In the movie, he threatens to shoot the von Trapps when he catches them trying to escape, but the Captain confiscates the gun [[TemptingFate and then says]]:
-->'''Captain von Trapp:''' You'll never be one of them.\\
'''Rolfe:''' ''(beat, then yelling out)'' [[MoralEventHorizon LIEUTENANT! LIEUTENANT, THEY'RE HERE! THEY'RE HERE, LIEUTENANT!]] ''[[MoralEventHorizon (blows whistle)]]''
** In the musical, however, the exact opposite thing happens. [[EvenEvilHasStandards When confronted with Liesl and clearly understanding what will happen to her (and her family) he claims it's a false alarm and deceives his superiors.]]
* TheFatalist: Uncle Max. In the musical version, he and Elsa sing "No Way to Stop It", a cynically defeatist ode to Nazi appeasement.
* FearOfThunder: All the Von Trapp kids, prompting Maria to sing "My Favorite Things". (She sings ''The Lonely Goatherd'' in the musical.)
* FirstKiss: Liesl gets hers in the gazebo. She then runs into the rain and squeals in delight. "[[{{Squee}} Whee!]]"
* FlyawayShot: How the movie ends.
* GentlemanSnarker: The Captain.
-->'''Herr Zeller:''' Perhaps those who would warn you that the Anschluss is coming -- and it is coming, Captain -- perhaps they would get further with you by setting their words to music.\\
'''Captain von Trapp''': If the Nazis take over Austria, I have no doubt, Herr Zeller, that you will be the entire trumpet section.
-->'''Herr Zeller:''' You flatter me, Captain.\\
'''Captain von Trapp:''' Oh, how clumsy of me -- I meant to accuse you.
* GoodShepherd:
** Maria almost became one of these but married instead. In any case, she's good at herding unruly children.
** Mother Reverend takes her title seriously. The tone which she uses indicates she is ''very'' protective of the nuns.
** The other nuns, while highly prim and proper, are all good hearted and clearly learned Christ's lesson about heart of the law instead of letter of the law.
* GracefulLoser: The Baroness, eventually. One can scarcely blame her for putting up a fight for her love, she's been working on Georg for a long time now.
* HappyEnding: In all the versions.
* HarmonyVersusDiscipline: Maria is Harmony, von Trapp is Discipline.
* HaveAGayOldTime:
** The Baroness gives "rather gay parties" in Vienna.
** At one point, Uncle Max asks the children "What's the matter with you gloomy pussies?"
** Kurt says "I wonder what grass tastes like..." Though "grass" was a more common slang word for marijuana at the time the film was made than it is now.
* HeldGaze: Maria and the Captain have a rather intense one during their DanceOfRomance where they look deeply into each other's eyes, definitely upping the {{UST}} between them.
* HighTurnoverRate: The Captain tells Maria that he hopes she'll be more successful than the last governess, who stayed only two hours.
* HistoricalHeroUpgrade: Prior to the Anschluss, Austria had been a fascist dictatorship for four years. While the musical technically doesn't say anything to contradict this, it does create the impression that Austria was a free country before it fell to the Third Reich. And the film refers to pre-Anschluss Austria as "the last Golden Days of the Thirties".
* HollywoodAtlas: Switzerland is ''not'' "just over the mountains" from Salzburg. To make it worse, Germany ''is''. A bit of Germany that housed one of Hitler's holiday retreats, in fact. Not just his holiday retreat -- across the Alps from Salzburg is Berchtesgaden, which was actually his home, or the closest thing an itinerant dictator had to one. It's called Obersalzberg, meaning Mountain-Above-Salz(burg), and by the Anschluss had multiple SS units stationed there at all times.
* HollywoodNuns: Alongside ''The Song of Bernadette'' and ''The Nun's Story'', this film was one of the major {{Trope Codifier}}s.
* HollywoodOld: Christopher Plummer was 35 years old at the time the movie was made, whereas the real Captain Von Trapp was 47 when he married Maria.
* HonoraryUncle: Max, naturally.
* HonorBeforeReason: Captain von Trapp's defiant attitude toward Nazis which was almost Churchillian. He could be one scary dude at times.
* HopeSpot: In-universe; bolstered by the Reverend Mother's words, Maria returns to the von Trapp house, planning to tell the Captain how she feels about him - only to learn from the children that he's getting married. ''Ouch''. [[spoiler: Fortunately, he and the Baroness call off the engagement that very night, and Georg accepts that he's in love with Maria. Awwww...]].
* IgnoredEpiphany: [[spoiler: Rolf has a brief moment of taking the Captain up on his offer to run away with his family. Then he alerts the Nazis after rejecting it]].
* {{Intermission}}
* {{Introdump}}: The children, commanded by a whistle.
* IronicEcho: "How Do You Solve a Problem Like Maria?" is repeated over Maria's wedding to the Captain.
* IWantMyBelovedToBeHappy: The Baroness, eventually. She said the captain wasnít for her anyway, and she needed someone with a very strong need for her, or at least for her money. Thatís a bit of a RedHerring plot point, as it sounded like she was implying she was into Max....
* IWantSong: The title song, "The Sound of Music", has shades of this.
* JerkassFacade / JerkWithAHeartOfGold: Captain Von Trapp
* KnightInShiningArmor: Captain Von Trapp was a member of Europe's noble caste and served by tradition, making him almost a literal as well as a figurative example of this. Alternatively, this could be WarriorPrince.
* {{Letterbox}}: From 1995-2000, Creator/{{NBC}} showed the musical numbers in widescreen during their telecasts of this movie. Everything else appeared in PanAndScan, though.
* LoveTriangle: The Captain, Maria and the Baroness, [[TriangRelations Type 7]].
* MagicalNanny: One of the classic examples, played by the same actress as [[Film/MaryPoppins the other one]], no less. Maria comes to the household, improves the life of everyone and marries the father of the children she's taking care of.
* ManicPixieDreamgirl: Maria to the Captain.
* MayDecemberRomance: In Real Life between Georg and Maria, since he was forty-seven to her twenty-two when they got married. Julie Andrews and Christopher Plummer, on the other hand, only have about five years between them.
* MeaningfulEcho: The first time someone sings "Sixteen Going on Seventeen" to Liesl is her crush Rolf, giving her advice about boys. The second time the song is sung to her, it is from Maria, now her mother, giving her advice about love.
* {{Mentor}}
** The Reverend Mother for Maria.
** Maria for Liesl.
* MoodWhiplash: Transitioning immediately from the wedding, to Nazi troops marching into Salzburg with the Anschluss.
* MovieBonusSong: "I Have Confidence" and "Something Good".
* MusicalisInterruptus: The musical number "My Favorite Things" ends abruptly when Maria bumps into the Captain (after the line "When the dog bites" no less.)
** The Captain does this to himself while singing "Eidelweiss" because he is so overcome with emotion.
* NaziGermany: "To refuse them would be fatal for all of us. And joining them would be... unthinkable."
* NaziNobleman: Thankfully subverted. Captain Von Trapp hates the Nazis, as did most Austrian and German/Prussian aristocrats in RealLife.
* NunsAreFunny: Maria's inability to fit into both the overly strict convent and Von Trapp household; the nuns themselves also run on high doses of TheComicallySerious.
* NunTooHoly: Maria is a mild example; her carefree spirit is a poor fit for the abbey, but she is clearly devoted to her faith.
* OfficerAndAGentleman: Captain von Trapp
* OffToBoardingSchool: "Darling, haven't you ever heard of a ''delightful'' little thing called boarding school?"
* OhCrap: A hilarious example happens in the middle of "I Have Confidence". Maria has been building herself up to a fantastic crescendo, "They will look up to ME! AND MIND ME!" But as she approaches the gate, the tempo slows and she gets much, much softer -- and when she reaches the gate, she looks inward and says, "Oh, help." Then as she passes through the gate, she gets her confidence back.
* OneSteveLimit: In RealLife, one of Captain von Trapp's daughters was also named Maria; in the musical, she becomes a Louisa instead.
* OverprotectiveDad: The Captain in regards to Liesl; subverted when her boyfriend ends up as a Nazi.
* OvershadowedByAwesome: In a meta sense with the stage-based musical and the film; while the former is always popular, the latter is SO much more famous and well-known that, when watching the play for the first time, people can often get confused and put off by the original locations of some of the songs e.g. ''My Favorite Things'' being sung by Maria and ''the Reverend Mother''.
* PainfulRhyme: "So Long, Farewell" painfully twists an English word to fit with a French one:
-->Adieu, adieu\\
To yeu and yeu and yeu
* PantyShot: Liesl during her dance with Rolf at the gazebo.
* ParasolOfPrettiness: One of the girls wants a pink one.
* ParentalSubstitute: Maria Kutschera became one of these towards the von Trapp children and officially became their mother once she married their father.
* RealityIsUnrealistic: Captain von Trapp really did use a whistle. Not because he was a Drill Sergeant Nasty in RealLife but because he had a weak voice and his children were scattered all over a big estate.
* RecitationHandclasp: The children assume this posture during their recital at the festival.
* RefugeInAudacity: The von Trapps escape their Nazi "escorts" by... walking out the door while singing "So Long, Farewell..."
* {{Remaster}}: The 45th Anniversary Blu-Ray looks so detailed that you can clearly see each individual blade of grass.
* RuleOfCool
** In Real Life, they simply got on a train to Italy. The musical/movie's method of escape gives a better climax - tying in with the "Climb Every Mountain" reprise - and the film provides [[SceneryPorn prettier visuals]]. But it also fails logic, since they're walking in the direction of Hitler's Mountain retreat, and a division of SS.
** In the play, Rolf [[spoiler:calls a false alarm without any actual prompting, once he realizes that ''he'd bear the burden of Liesl's possible death''. In the movie, Georg has to go out and put Rolf in his place]].
* SanctuaryOfSolitude: When Maria goes off to be alone and the song number "Climb Every Mountain" happens.
* SceneryPorn: The film takes ''full'' advantage of its location, showing us Salzberg in all its wonderful sunny glory. And then there are the mountains, especially the long shots during the introduction and the family crossing over the border to Switzerland at the end.
* SecondLove: Maria, for the Captain.
* SoMuchForStealth: They almost fooled the search party inside the abbey, but then Liesl spotted Rolfe...
* StepfordSmiler: In the film, the Captain is a Type A Smiler when Maria leaves. He cheerfully explains Maria's departure to the children, then immediately asks [[RomanticFalseLead the Baroness]] for a drink of [[DrowningMySorrows "lemonade"]].
* StolenMacGuffinReveal
* TakingTheVeil: Maria tries to pull this, and is sent firmly back.
* TeamMom: Maria.
* TelegraphGagSTOP: Liesl sends the telegram "Dear Rolfe. Stop. Don't stop!"
* ThoseTwoGuys: The Nuns at the end of the film.
* ThoseWackyNazis: The main antagonists.
* TitleDrop: In the first line of the movie.
* TomboyAndGirlyGirl: Tomboy Maria and Girly Girl Elsa. Tomboy Louisa and Girly Girl Liesl. Tomboy Brigitta and Girly Girl Marta. And Gretel is somewhere in the middle.
* TookALevelInBadass: Max, after spending the entire musical/film being pleasant and accommodating to the German occupation, takes a ''serious'' risk by helping the von Trapps escape. The 2013 live version makes it darker. After it's announced the Von Trapps have escaped, Max is shown being seized and dragged offstage by Nazi officials, presumably to face RedemptionEqualsDeath.
* VehicularSabotage: Two nuns reveal to their Mother that they have removed the distributor and coil (respectively) from the Nazis' automobile, the better to keep them from catching the Von Trapp family.
* VeryLooselyBasedOnATrueStory: In reality, Georg and Maria were married in 1927, and she only grew to love him ''after'' their marriage - she ''liked'' him a lot, sure, but she had to be pressured by the Mother Superior to accept his proposal and give up her dream of being a nun. She'd had two more kids by the time they left, and would have a third in America. The 'Von Trapp Family Singers' thing started because they'd lost a lot of their savings thanks to the Nazis damaging the economy in Austria, were badly in need of funds and entered a music competition - Maria's idea (she was a very resourceful lady). When they escaped, they simply got on a train to Italy, since through a quirk of changing territory the family could claim Italian citizenship. The depiction of Georg von Trapp as a stern disciplinarian annoyed his wife, as he was the exact opposite in real life - it was ''Maria'' who was the strict one, while ''he'' taught the children music. (She did, however, adore ChristopherPlummer.) Of all the exaggerations of their lives, Maria commented in her memoirs that the only thing they didn't go far enough on was her behavior at the convent. She always laughingly commented when asked if she was that bad, "I was worse!"
* VillainyFreeVillain: The Baroness is shown to genuinely love Von Trapp and her jealousy is mostly justified. Nonetheless, the children despise her after Maria leaves despite her efforts to be motherly towards them. Sure, she inspired Maria to leave, and planned to send the children to a boarding school, but the alternative was to live with a woman her husband loved more than her and seven children who hated her.
* TheVonTropeFamily: The TropeNamer, by way of an IncrediblyLamePun.
* WorldWarII: Austria's incorporation into the Third Reich is generally accepted by historians as the start of the countdown to the war in Europe.
* WrongNameOutburst: In a heated argument, Captain von Trapp angrily calls Maria "captain" before correcting himself.
* YouAreNotAlone: When at the final concert, [[spoiler:Captain von Trapp's voice breaks when singing "Edelweiss" as he is surrounded by Nazi propaganda. Maria and the children join with him and give him the strength to carry on. Made stronger in the movie when the audience joins in with them, including several Nazi soldiers]].
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