%%
%% Do not add information about Trope Namers on this page.
%% Information about Trope Namers goes on the Trivia page.
%%
%% Also, since the trope MajorGeneralSong is about parodies of the Major General's song,
%% the Major General's song is not itself an example of the trope.
%%
''The Pirates of Penzance, or: The Slave of Duty'' is a famous and much-parodied (and itself redolent with parodies and lampshade-hanging) operetta by Creator/GilbertAndSullivan, and one of the most famous works of 19th century English drama. The eponymous slave to duty is Frederic, who was accidentally apprenticed to a pirate ship when he was a boy, and felt honour-bound to be the best pirate he could be -- but now he has come of age, and his period of apprenticeship is over, he feels honour-bound to round up a posse and wipe the pirates from the face of the earth. HilarityEnsues.

Penzance was a prominent seaside resort town in UsefulNotes/{{Cornwall}}. Thus, the title sounds like "The Pirates of Malibu" would today.

One of the most widely-recognised bits of the operetta is the PatterSong "I am the very model of a ModernMajorGeneral", sung by the father of the obligatory love interest.

Two '''very''' different film versions were made in TheEighties -- ''Film/ThePirateMovie'' (1982) has a modern day teen heroine dreaming herself into the story as Mabel (Frederic's love interest); with light pop songs and pop culture parodies alongside the Gilbert and Sullivan material, it could be described as ''Pirates of Penzance'' meets ''Grease'' meets ''Airplane!''. A more straightforward adaptation using the original title was released the following year, and starred Creator/KevinKline as the Pirate King and Music/LindaRonstadt as Mabel.
----
!!This work provides examples of:

* AbductionIsLove: When the pirates capture Major-General Stanley's daughters, their first thought is "to be married with impunity."
* ActionGirl: Ruth.
* AffectionateParody: The entire play. Down to the music; "Poor Wand'ring One" is a parody of "Sempre libera" from ''La Traviata''.
* AllThereInTheScript: The Pirate King and the Sergeant of Police have their names listed in the dramatis personae as Richard and Edward, respectively. This never comes up anywhere else.
** This was done purely for the original American production, which debuted at an earlier date than the British one for copy-right reasons.
** The Pirate King's lieutenant is Samuel, and is referred to as such in the script, but his name is never spoken. The same goes for Mabel's three sisters with lines, Kate, Edith and Isabel.
** Better yet, the Pirate King is regularly renamed Roderick because so many directors like to have Frederic, Ruth and the Pirate King perform some variation on "My Eyes Are Fully Opened" from Ruddigore.
* AntiquatedLinguistics: Wouldn't be a G&S play without it.
** A RunningGag throughout the play relies on the fact that in [[BritishAccents Victorian Received Pronunciation]], the words "orphan" and "often" sounded the same. The jokes still kind of work, but it means stretching the sounds of the words to their limits.
** The most extreme is probably "sat a gee" which relies on knowing that a "gee-gee" is a horse. Made worse by the fact that even at the time the phrase was a grammatical disaster.
* BlatantLies: Major-General Stanley claims to be an orphan, but he's not. While he initially justifies his lie by saying it's "an innocent fiction / which is not in the same category / as telling a regular terrible story," he feels remorse about it later on.
* BlueBlood: As it turns out, [[spoiler: the pirates are (nearly) all Peers who have gone wrong.]]
* BoisterousBruiser: Traditionally, the only way to portray the Pirate King... though in recent years '[[PiratesOfTheCaribbean Jack Sparrow]]' has been gaining popularity [[RuleOfCool for some reason]].
* BreakingTheFourthWall: If it doesn't have it at some point, it's not true ''Pirates''. Sorry. There is even a notable sword fight with the conductor, which has occurred in several versions, and originated as a [[ThrowItIn spur-of-the-moment outburst]] in the original production.
* CloseToHome: The pirates have a soft spot for orphans, so anyone who [[BlatantLies claims to be an orphan]] [[FlawExploitation will be spared]]. This leads Frederic to observe "The last three ships we took proved to be manned entirely by orphans, and so we had to let them go. One would think that Great Britain’s mercantile navy was recruited solely from her orphan asylums – which we know is not the case. "
* ConvenientlyAnOrphan: It's amazing how often the Pirates run into people who claim this applies to them...
* CounterpointDuet: "How Beautifully Blue the Sky" and "When the Foeman Bares His Steel / Go Ye Heroes."
* DamnItFeelsGoodToBeAGangster: And it is, it is, a glorious thing, to be a Pirate King!
* DeusExMachina: The pirates finally surrender when asked to do so "in the name of the Queen". A deliberate parody of Victorianism.
* DirtyCoward: The entire police force.
* DontExplainTheJoke: The Major-General. The orphan gag.
* DramaticGunCock: "I do not think I ought to listen to you..."
* DrinkOrder: Apparently for reasons of scansion, these pirates prefer sherry to the more obvious rum.
* EitherOrTitle
* EvilSoundsDeep: Played with. All the pirates, except the King and Samuel, are tenors--the range traditionally assigned to the hero. The policemen are all basses--usually the range of the baddies.
** Although this only applies in the second act. There are bass harmonies written for the Pirates in Act 1 and the Police don't show up until after interval. So traditionally the male ensemble split either before or after 'When the Foeman Bears his Steel' into Pirates for the higher voices and Police for the lower ones.
* FailedASpotCheck: General Stanley fails to notice the group of about two dozen pirates and policemen hiding (poorly) in his garden. On top of that, the ''pirates'' fail to notice the ''policemen''. This despite all of them serving as chorus to General Stanley's song.
* FlawExploitation: The Pirates themselves make a point of two things: 1. Never to attack a weaker party than themselves, and 2. Never to harm an orphan. Word gets around.
** Also, it's common knowledge that every British person loves his queen.
* GoYeHeroesGoAndDie: Mabel's attempt at a rousing speech before the policemen set out to fight the pirates is all about how they'll be fondly remembered after the pirates kill them all. As the Sergeant replies,
-->"We observe too great a stress\\
On the risks that on us press\\
And of reference a lack\\
To our chance of coming back."
* HeartwarmingOrphan: Hoorah for the orphan boy!
* HighClassGlass: The Major-General usually wears one.
* HonorBeforeReason: Frederic's defining trope.
* IAmSong: "I am the very model of a ModernMajorGeneral", "Better Far to Live and Die".
* IncrediblyLamePun: "You said often frequently only once!" It makes sense in context, but it's also often the line that pushes the Pirate King to order the Major-General's death.
* IneffectualSympatheticVillain: The pirates are too soft-hearted to be much good at piracy.
* InformedFlaw: In the first act, Ruth confesses she mistakenly had Frederic apprenticed to a ''pirate'', rather than a ''pilot'', due to being hard of hearing. Her deafness never comes up again in the rest of the play.
* TheIngenue: Mabel: a young soprano winning the affection of the lead tenor, whose role calls for some terribly soprano-y cadenza runs (which are hilarious).
* InsaneTrollLogic: Major-General Stanley claims the tombs in the ruined chapel on his estate are the tombs of his ancestors, even though he only bought the estate a year ago. He is their "descendant by purchase," you see. (It is fact satire of newly wealthy middle class family buying their way to respectability, something which happened reasonably often in Victorian England but was nevertheless looked down upon.)
* {{Irony}}: "With Catlike Tread".
** Sung, of course, at the top of one's lungs. Often while performing a kick line. With an orchestral accompaniment featuring heavily accented chords and cymbal crashes. And frequently rhythmic stomping by the pirates.
-->"With cat-like tread, upon our prey we steal\\
In silence dread, our cautious way we feel\\
No sound at all, we never speak a word\\
A fly's footfall would be distinctly heard!"
* ItsProbablyNothing: See FailedASpotCheck. The singing pirates and police force in the garden "must have been the sighing of the breeze...."
* IWasQuiteALooker: Ruth, or so she says
** There are the remains of a fine woman about Ruth.
* IWillWaitForYou: Till 1940, when Frederic's indenture is finally up.
* LargeHam: The Pirate King, the Major-General, and pretty much the rest of the cast too.
* LawfulStupid: Frederic, the eponymous "Slave of Duty".
** Hell, ''the entire cast''. The plot runs on it.
* LeapDay: A major plot point for Frederic. The Pirate King attempts to get him back into the fold by pointing out that his apprenticeship expires on his 21st ''birthday'', not in his 21st ''year'', which wouldn't matter much except that he was born on the 29th of February and so his 21st birthday won't arrive until he's in his eighties.
* LeaveTheTwoLovebirdsAlone: hence the desire to TalkAboutTheWeather
* LyricalDissonance: The dynamic notation for the song "With Catlike Tread...", which covers (and talks about) the Pirates quietly sneaking into Major General Stanley's manor and into his house to gain revenge, is ''Fortissimo''. For those unfamiliar with musical notation, for singers ''Fortissimo'' means "sing it at the top of your lungs, as loudly as you can". The number is accompanied by heavy use of cymbals and brass in the accompaniment, and brother, it's a ''[[http://www.youtube.com/watch?v=I1r_KUjRRxM show-stopper]]''.
* MathematiciansAnswer: When the Major-General wants to find out more about the men in piratical outfits who propose to marry his daughters:
-->'''Major General:''' May I ask – this is a picturesque uniform, but I’m not familiar with it. What are you?\\
'''Pirate King:''' We are all... single gentlemen.
* ModernMajorGeneral: Major General Stanley, who introduces himself with a long-winded song listing all of the things he knows, eventually summing up with a long verse about his complete and utter lack of military knowledge.
* MoodWhiplash: "Oh False One, You Have Deceived Me" begins loud and dramatic as Frederic accuses Ruth of lying to him, before slowing to a soft song as she pleads with him not to abandon her. It's not until she accidentally reminds him how much older than him she is that he erupts into decrying her once again.
-->'''Ruth''': ''(sweetly)'' My love unabating...\\
'''Frederic''': ''(also sweetly)'' If, as you are stating...\\
'''Ruth''': Has been accumulating...\\
'''Frederic''': Has been accumulating...\\
'''Ruth''': [[SayingTooMuch Forty-seven year-]]\\
'''Frederic''': ''(horrified)'' '''Forty-seven year?!'''
* MotorMouth: A requirement for singing the MajorGeneralSong. If there's an encore, expect to have to sing it ''even faster.''
* OpeningChorus: "Pour, O Pour the Pirate Sherry."
* OverlyLongGag: Often.
* PatterSong: The Major General's Song is a shining example of the craft.
* {{Pirate}}: Many of the characters, as the title suggests.
* APirate400YearsTooLate: Well, more like 300 but still...
* PirateGirl: Although describing piratical maid-of-all-work Ruth as a 'girl' might be a bit of a stretch.
* ThePiratesWhoDontDoAnything: Subverted, sort of--they attempt piratical activities, they're just useless at them, combining being very soft-hearted with being rather dim-witted.
* PoliceAreUseless
--> '''Sergeant of Police''': "They come in force,\\
With [[WithCatlikeTread stealthy stride]].\\
Our obvious course\\
[[DirtyCoward Is now to hide]]!"
** "(Tarantara tarantara tarantara...)"
* PunchClockVillain: The focus of the song "When a Felon's Not Engaged in His Employment."
* RagsToRoyalty: When it's revealed that [[spoiler: the pirates are all noblemen who have gone wrong, they immediately resume their ranks and legislative duties.]]
* RulesLawyer: The Pirate King holds Frederick to the ExactWords of his apprenticeship contract, which releases him on his twenty-first ''birthday'', not when he's twenty-one years old. Since he was born on LeapDay, that makes things a bit complicated.
* ScareChord: The opening bars of "Oh False One, You Have Deceived Me" are typically played loudly and suddenly as Frederic turns on Ruth.
* SelectiveSlaughter: The pirates will never hurt an orphan, which leads to the FlawExploitation mentioned above.
* SelfDeprecation / TakeThatUs!: "That infernal nonsense ''[[Theatre/HMSPinafore Pinafore]]''"
* ShouldHaveThoughtOfThatBeforeX:
-->'''Sergeant of Police:''' It is most distressing to us to be the agents whereby our erring fellow-creatures are deprived of that liberty which is so dear to us all-- but we should have thought of that before we joined the force.
* SkeletonKey: In the song, "With Cat-Like Tread", one of the pirates' tools mentioned is their "skeletonic keys."
* SayingSoundEffectsOutLoud: The chorus of policemen sing the trumpet parts: "Tarantara, tarantara..."
* SuddenlySuitableSuitor: In the final scene, [[spoiler: Ruth reveals that all the pirates are "Noblemen who have gone wrong." The Major General is suddenly eager for the buccaneers to marry his daughters, as are the girls themselves. "With all our faults, we love our House Of Peers!"]] Gilbert and Sullivan used this trope regularly.
* SwiperNoSwiping: The pirates turn themselves in when requested to surrender in the name of Queen Victoria.
* TalkAboutTheWeather: The chorus indulges in this to give Frederic and Mabel some privacy.
* TenorBoy: Frederic
* TitleDrop:
** "Don't believe them papa! They are pirates. The famous '''Pirates of Penzance'''!"
** "For I am '''the Slave of Duty'''!"
* ThatRemindsMeOfASong: Though G&S used this less often than most musicals do, "Hail, Poetry" and "Sighing Softly to the River" may qualify.
* TwoWords: Subverted. The 'two words' are "we propose to marry your daughters."
* VictorianBritain: With all our faults, we love [[QueenVicky our Queen]].
* VillainSong: "I Am a Pirate King."
* VillainsOutShopping: Lampshaded in one of the songs as the reason why "A policeman's lot is not a happy one."
* WeddingsForEveryone: As usual in a G&S production, the entire chorus gets to PairTheSpares.
* WithCatlikeTread: The Pirates sneak up on the General while singing, in chorus, ''forte'', with cymbals and drums, about [[LampshadeHanging how stealthy they're being]].
* WorldOfHam: Oh yeah. Especially during the "With Catlike Tread" number.
----
!!Specific productions or adaptations provide examples of:

* ''Film/ThePirateMovie'' has its own trope page.

* AntiquatedLinguistics: The 1983 film version (of the Broadway production, with Creator/KevinKline as the Pirate King and Creator/AngelaLansbury as Ruth) {{lampshades}} it:
-->'''Mabel''': Oh, Frederic, cannot you, in the calm excellence of your wisdom, reconcile it with your conscience to say something that will relieve my father's sorrow?\\
({{Beat}})\\
'''Frederic''': What?\\
'''Mabel''': Can't you cheer him up?
* AshFace: The 2003 revival performance by Essgee Entertainment sees this happening to the Pirate King, [[BreakingTheFourthWall in lieu of a previous joke where he fell off the stage]]. Given Australia's [[ValuesDissonance lack of history with Africa]] (we have our own racial issues to contend with), this isn't considered as offensive.
* BadassBystander: In some productions, the pirate king [[BreakingTheFourthWall picks a fight with the conductor]], and the conductor manages to fight back for a while.
* BreakingTheFourthWall: The 1994 Australian production (the one with Jon English and Toni Lamond) is filled to the brim with this, amongst {{Actor Allusion}}s and {{Shout Out}}s aplenty. The revival production a decade later even referenced ''this'' -- Jon English stops to make sure that a number of gags from the original aren't repeated, with the explanation "they've all seen the DVD anyway".
* CallingMeALogarithm: Depending on the production, this can be the pirates' reaction to Major-General Stanley asking "You're not thespians, are you?". The non-verbal reaction of Jon English, playing the Pirate King in Australian productions, is a comic masterpiece.
* EvolvingMusic: It's quite common for renditions of the Major General's song to incorporate new lyrics poking fun of current topical references; in fact it even [[MajorGeneralSong warrants its own trope]].
* LastChorusSlowDown:
** In some productions, if they follow the famous 1982 Joseph Papp revival, "With Catlike Tread". Possibly followed by several encores, each slowing it down even further, and raising the volume even more.
** Most productions will do this with the last verse of "I Am the Very Model of a Modern Major General"...[[SubvertedTrope before returning to the original tempo]] for the final few lines. And then [[UpToEleven speeding up]] ''[[UpToEleven again]]'' for the encore.
* {{Mondegreen}}: In certain productions, an in-universe example occur when the Major-General's daughters mishear Frederic's "I, sore at heart" as "I saw a tart".
* NobodyHereButUsStatues: In the 1983 film, The Pirate King and Frederick take positions like this on each side of the door when the Major General comes out.
* OverlyLongGag: The 1994 Australian production had the conductor force the pirates to perform four encores of "With Catlike Tread".
** [[UpToEleven And more.]] [[SerialEscalation AND MORE.]]
* PairTheSpares: General Stanley and Ruth are often paired off at the conclusion. (The policemen also end up [[spoiler: gaining wives along with the pirates]], depending on the male-to-female ratio of the cast.)
** It can also depend on the director's sense of humor. One production had [[spoiler:enough daughters for every pirate and every constable, but the Sergeant remained alone because the Pirate King grabbed two girls!]]
** In the 2013 production by Seattle's 5th Avenue Theater, [[spoiler:one of the couples that steps up to be married consists of [[ManlyGay a pirate and a constable]]. The Doctor of Divinity pauses for a brief double-take, then cheerfully marries them without further ado]]. Considering recent events in Seattle at the time, this brief bit invariably got one of the biggest cheers of the night from the audience.
* RecitationHandclasp: In the 1983 film version (and in the Delacorte theatrical version from which it sprang), the womens' chorus assume this pose.
* SpeakingSimlish: In the 1983 film, in the pre-credit sequence showing the villagers, they babble in Simlish.
* TwoWords: Directors love to have fun with this bit. In some productions, the 'two words' ("We propose to marry your daughters.") are delivered as two words each by three different pirates. Another production has it rendered as "We propose-to-marry-your-daughters" (with the pirate counting the words on his fingers, and being surprised when he reaches six (or seven, with "daugh" and "ters" as seperate words)). Others have a pirate deliver the first two, "We propose," and have the Major-General be confused or offended that he's being proposed to before the sentence continues.

----