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'''''Pygmalion''''' (full title: ''Pygmalion: A Romance in Five Acts'') is a 1913 play by Creator/GeorgeBernardShaw.

We open on a crowd sheltering from the rain in a church porch. Among them are an impoverished aristocratic mother and daughter, the Eynsford-Hills (who dispatch Freddy, the son of the house, to secure them a cab); Colonel Pickering, a student of Indian dialects; and Professor Henry Higgins, a professional linguist. These are joined by Eliza Doolittle, a Cockney flower-girl (nearly knocked over by the departing Freddy), whom Higgins repeatedly startles, first by taking down her speech in phonetic writing, then by declaring to Pickering (whom he has invited to his home) that he could teach her to speak proper English, and finally by presenting her with a great deal of money -- which she uses to commandeer the taxi which the feckless Freddy has brought for his already departed family.

Eliza, inspired by Higgins' boast, comes to his house for lessons. Pickering makes a wager with Higgins, that the latter must in six months' time pass Eliza off as an aristocrat at an Embassy Ball. To effect this, Higgins bullies and wheedles Eliza into remaining at his home. Eliza's dustman father, Alfred Doolittle, gets wind of this and comes to extort money out of Higgins -- which Higgins, delighted by Doolittle's charmingly amoral manner, gladly gives him. Eliza's lessons duly proceed.

Sometime later, Higgins brings Eliza to his mother's At Home day to try her out on Society; Mrs. Higgins' guests just happen to be the Eynsford-Hills. Eliza's conversation, though conducted in a properly aristocratic accent, is thoroughly low-class in grammar and content. HilarityEnsues, as Eliza departs with a shocking vulgarism, leaving Freddy frankly in love with her and his sister determined to emulate Eliza's elegant "small talk." Higgins' mother remonstrates with him, to no avail.

Months later at the ball, Higgins and Pickering present Eliza to the scrutiny of the venal language expert, Nepomuck, who has been charged by the hostess with detecting any social frauds. Because of his language expertise, Pickering is certain that Eliza will be seen right through. Nepomuck thoroughly deceives himself, however, identifying Eliza not only as an aristocrat, but as a foreigner as well; even when Higgins himself identifies her as a Cockney commoner, his CassandraTruth is not believed.

With the ball over -- What now? Eliza's new character has unfitted her to be a flower-girl, and left her financially unable to maintain her character as a lady. The rest you'll have to see yourself. (And even that might not answer your questions, so you may have to read the "[[AllThereInTheManual Afterward]]" Shaw appended to the play after he first wrote it.)

A well-received film version was shot in 1938, with Shaw winning an Oscar for his script.

[[TropeMaker It created the]] modern PygmalionPlot and directly inspired ''MyFairLady''.
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!!Tropes used by the play:

* AlliterativeName: Henry Higgins. Eliza, a Cockney girl, struggles with dropping H's and calls him 'Enry 'Iggins.
* AmbiguouslyGay: Pickering.
* BeautifulAllAlong: Eliza.
* TheBet
* BoyMeetsGirl
* CrashIntoHello: Freddy and Eliza
* DawsonCasting: A particularly ridiculous case: the original Eliza, [[http://en.wikipedia.org/wiki/Mrs._Patrick_Campbell Mrs. Patrick Campbell]], was ''forty-nine'' when she created the role.
* DeadpanSnarker: Henry Higgins, and then some.
* {{Deconstruction}}: The "PygmalionPlot" was actually very common in the day before this. This actually shows what's wrong with TheMakeover.
* FunetikAksent: Shaw attempts to do this to represent Eliza's speech at first, but abandons it as unintelligible. (Throughout, however, he refuses to make use of standard English orthography, especially for contractions. He even uses the character 'ǝ' for "indefinite vowel")
-->THE FLOWER GIRL. Ow, eez yǝ-ooa san, is e? Wal, fewd dan y' de-ooty bawmz a mather should, eed now bettern to spawl a pore gel's flahrzn than ran awy athaht pyin. Will ye-oo py me f'them?
* GPSEvidence: Henry Higgins can determine a Londoner's address down to the street name by his accent alone.
* GrammarNazi: Higgins is more of a diction Nazi, but AnAesop about judging people by the way they speak still applies.
* HaveAGayOldTime: Nepomuck is nicknamed "Hairy-Faced Dick."
* HypocriticalHumor: Henry Higgins, after bein told by his maid not to swear in front of Eliza, retorts:
--->I never swear. I detest this habit. What the devil do you mean?
* IronicEcho: "Oh, I'm only a squashed cabbage leaf!"
* [[IronicNickname Ironic Name]]: The language expert Nepomuck is named after [[http://en.wikipedia.org/wiki/John_of_Nepomuk a Bohemian saint]] famous for being martyred for refusing to divulge the secrets of the confessional.
* JerkAss: Henry Higgins.
* LighterAndSofter: Compared to his other plays. Shaw usually upheld the idea that SomeAnvilsNeedToBeDropped, but, by popular demand, Pygmalion has a relatively light and humorous tone compared to ''Mrs Warren's Profession'' and ''Man And Superman'', both of which can seem downright brutal.
* ManChild: Higgins is portrayed as being very childish -- mischievous, manipulative, candid, sulky, ill-mannered, selfish, tyrannical, thoughtless and a complete mamma's boy (much to the dismay of said mamma). He's even described as being like a baby or a child repeatedly by the play's direction and occasionally by his mother. Pickering is this to a lesser extent.
* [[MommasBoy Momma's Boy]]: Henry Higgins (!)
--->'''Higgins (to his mother):''' "My idea of a lovable woman is something as like you as possible."
* PlatonicLifePartners: Eliza and Henry Higgins, as Creator/GeorgeBernardShaw insisted.
** Worth noting, people have been thinking GBS was full of it from day one. Even the leads in the original production (who would take their bows posed side-by-side like a bride and groom).
** Also worth noting, there is no real evidence to support this (indeed, a variety of BelligerentSexualTension seems far more likely) in the play itself. Shaw later attached an epilogue (that was really more of an essay) explaining why Eliza and Higgins would not be suited for each other, and how she should instead marry a man who is little more than a footnote in the play, itself. [[MyFairLady Few]] [[FanonDiscontinuity agree]].
* PrecisionFStrike: An accidental one, but it has the same effect.
-->'''Freddy:''' Excuse me, Miss Doolittle, would you be walking across the park, cause if so I--\\
'''Eliza:''' Walk? Not bloody likely. I'm going in a taxi.
* PygmalionPlot: The TropeCodifier, unintentionally. Shaw had intended to write a PygmalionSnapBack story, but the original cast refused to play it any way but as a straightforward romance story due to the values of the time. The epilogue was an attempt at ShipSinking to put an end to that, but it didn't work.
* RedOniBlueOni: Henry Higgins and Colonel Pickering, to a degree.
* SelfInsertFic: Higgins is based to some extent on Shaw himself, and his relationship to Eliza echoes Shaw's with the actress Sybil Thorndike.
* SheCleansUpNicely: Eliza at the ball.
* ShipSinking: The Afterword explains why a particular pairing wouldn't work well.
* TWordEuphemism: Mrs. Pearce reprimands Professor Higgins for setting a bad example to Eliza:
-->'''Mrs. Pearce:''' "...but there is a certain word I must ask you not to use. The girl has just used it herself because the bath was too hot. It begins with the same letter as bath. She knows no better: she learnt it at her mother's knee. But she must not hear it from your lips."
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