[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/gypsy_1962_movie_poster.jpg]]
[[caption-width-right:320: ♫ ''Let me entertain you, and we'll have a real good time!'' ♫]]

''Gypsy: a musical fable'' is a 1959 [[TheMusical Musical]] with book by Arthur Laurents, music by Jule Styne, and lyrics by Music/StephenSondheim, [[VeryLooselyBasedOnATrueStory loosely based]] on the life of striptease artist Gypsy Rose Lee. The original production, starring Creator/EthelMerman and Sandra Church, is one of the most acclaimed shows in Broadway history. It was later adapted into a 1962 film starring Creator/RosalindRussell and Creator/NatalieWood and a 1993 MadeForTVMovie starring Creator/BetteMidler and Cynthia Gibb.

StageMom Rose Hovick is determined to make her daughters Louise and June stars -- June more so than Louise initially -- but while June is extroverted and talented, Louise is shy and quiet. Rose's act for the two is based on childish, innocent stage personae that they become unable to keep up as they grow older.

Eventually, June runs away, and Rose decides to put Louise in the spotlight, with an act still similar to the one with June. But there are various problems: Louise ''is'' a good singer and dancer but she can't do the kind of routines that June excelled at, Rose's ideas for acts to get Louise in the spotlight are too old fashioned and out of date to work in the changing entertainment landscape, and her relationship with her lover, manager and business partner Herbie are deteriorating due to Rose's ruthless, uncompromising ambition. On top of all that Vaudeville has died out save for the {{Burlesque}} theaters, and the only reason the show was even taken on was that it would be a clean act, giving less of an excuse for police raids.

Yet that doesn't last long, and the act is finally broken up. Rose pushes Louise to do one last act for an arrested stripper -- causing Herbie to finally leave her for good -- but insists that Louise do it clean. "Make 'em beg for more, and then don't give it to them!" Louise, now given the stage name Gypsy Rose Lee, takes that advice to its logical extreme, by always leaving the men wanting more of her. This makes her the most successful in the business, but her mother is disgusted.

Finally realizing she lost everyone, Rose breaks down and realizes that everything she did was for herself and out of her own selfish desire to be noticed. Upon admitting that, Rose and Gypsy start to reconcile.

The film is also notable for inspiring The Faith Dane Clause, to prevent the legal problems that Faith Dane created when she claimed that her acting style "created" the role of Miss Mazeppa. All actors must sign a waiver now relinquishing claims on the characters they play since.

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!! This work provides examples of:
* AdaptationalAttractiveness: The real Gypsy Rose Lee was less of a conventional beauty than her sister June Havoc. It was her style and humor that made her a star in burlesque. Most actresses who play Louise are more classically pretty, especially Creator/NatalieWood in the film version. This also applies to some actresses who play Rose, such as Creator/BernadettePeters, compared to the real Rose Hovick.
* AsHimself: Creator/JackBenny has a [[TheCameo cameo]] as himself in the 1962 film.
* BadassBoast: When Rose gets uneasy about Louise's newfound confidence and independence as Gypsy Rose Lee and tries to tear her down, Louise busts out one of these that stops Rose cold.
--> '''Rose''': You know what you are to them? A circus freak! This year's novelty act! And when the bill is changed...
--> '''Louise''': [[SuddenlyShouting I SAID TURN IT OFF!]] Nobody laughs at me, because I laugh first. At me. Me from Seattle. Me, with no education. Me, with no talent, as you kept reminding me my whole life! Well, look at me now! A star! Look at how I live. Look at my friends. Look at where I'm going. I'm not staying in burlesque, I'm moving. Maybe up, maybe down, but wherever it is, I'm enjoying it, Mama. I am having the time of my life because for the first time it is ''my'' life! And I love it! I love every second of it, and I will be damned if you are going to take it away from me! I am Gypsy Rose Lee. I love her! [[GetOut And if you don't, you can clear out now.]]
* BeautifulAllAlong: In the film, when Louise first gets beautiful clothes and has her hair done, she looks in the mirror, and incredulously says: "I'm pretty. I'm a pretty girl, Mama." Justified, in that Mama Rose had been dressing her in boys' clothes most of her life, so she could be a background dancer in her sister's act.
** [[ShoutOut Referenced]] in, of all things, the stage version of ''Theatre/{{Hairspray}}'', which can be explained by the fact that ''Hairspray'' premiered on Broadway in the same season as a revival of ''Gypsy''.
* BecomingTheMask: Gypsy [[https://www.youtube.com/watch?v=OMxkNXYp2x8 grows into the role]].
* BorrowedCatchphrase: Gypsy's entire burlesque act is taking Baby June's act and making it seductive. Mama does it in her "Rose's Turn", too.
-->'''Gypsy:''' Hello, everyone! My name's Gypsy! What's ''yours''?
* BrickJoke: Mama's "Rose's Turn" is {{Call Back}}s to previous lines.
-->'''Rose:''' How do ya like ''them'' eggrolls, Mr. Goldstone?
* BSODSong: "Rose's Turn," which Rose sings after her relationship with Louise seems dead for good.
* CatchPhrase: June starts every act with "Hello everybody! My name's June! What's yours?" Later on, Louise uses that line with her stage name, and with a whole new meaning. Rose says it again in "Rose's Turn."
* CatharticCrying: In the final scene, after Rose admits to Louise that everything she did to make her daughters into stars was really [[SecretlySelfish because ''she'' wanted to be noticed]], Louise makes a NotSoDifferentRemark: "Like I wanted you to notice me." Hearing this, Rose breaks down crying in her daughter's arms, the first and only time she ever cries over the course of the show.
* CoolBigSis: Despite it all June does seem to regard Louise as this. Of course, Louise is Creator/NatalieWood in the film version.
* TheCoverChangesTheMeaning: "Let Me Entertain You" as sung by June as an innocent little girl, and then as sung by Louise as a stripper.
* DarkerAndEdgier: Creator/PattiLupone's [[https://www.youtube.com/watch?v=VJPIbbLnj8g Rose is downright]] ''frightening''.
* DarkReprise:
** "May We Entertain You", the innocent vaudeville song June and Louise sang as children, slowed down and turned into the stripper song "Let Me Entertain You". Not so much "Dark" as {{Hotter and Sexier}}. One could consider it a {{Subverted Trope}}, as it scares Louise at first but she obviously grows a liking to it as her career goes on.
** "Rose's Turn" contains reprises of and lyrical callbacks to about half of the songs in the show.
*** Rose can barely get through a tearful reprise of “Small World” when Herbie leaves her.
* DoesThisRemindYouOfAnything: There's a reason drag queens found the "I'm a pretty girl, mama" scene resonating to them, as well as [=MTF=]'s later: a girl being forced to act and dress like a boy by their overbearing parent(s), til they discovered happiness as a different gender.
* DownerEnding: Most productions have a {{Bittersweet Ending}} in which Rose and Gypsy reconcile in someway, but the 1974 and 2008 revivals played the conversation as more devious on Rose's part, and ended the same dialogue with Gypsy exiting the stage laughing at Rose's futile attempt to con her again, leaving her mother all alone in her madness.
* DreamingOfThingsToCome: Rose likes to [[InvokedTrope invoke]] this trope, claiming that she's had psychic visions of what the act needs come to her in her dreams. They're all BlatantLies, of course, but her utter conviction to the bit makes it funny.
* [[TheDutifulSon The Dutiful Daughter:]] Louise, after June cuts and runs.
* EndOfAnAge: The bulk of the show takes place in a time where {{Vaudeville}} entertainment was in decline. Even though Herbie explains this to Rose in one scene she refuses to accept it, which is just to be expected of her at this point.
* EverythingsBetterWithSparkles: Louise’s striptease dresses in the 1993 movie version are SPARKLY.
* FamilyFriendlyStripper: Gypsy's strip routines never go as far as actual nudity, as Gypsy was usually like in real life. She preferred "tease" more than the "strip".
* TheGimmick: The first three strippers that Louise meets ([[{{Ballet}} Tessi Turra]], [[{{Sexophone}} Mazeppa]] and [[ShockAndAwe Electra]]) introduce her to their gimmicks, proposing that this is the way to stand out in show business ([[https://www.youtube.com/watch?v=gFRSawe33sA Look here and see the camp for yourself.]]) Later, when Louise is more or less pushed into a stripper role, she takes their advice to heart. She's so nervous that the only thing she "strips" in her first performance is a single glove; the audience loves her innocence, and removing the glove (in addition to talking directly to patrons) becomes her gimmick.
* HenpeckedHusband: Poor, poor Herbie is always under Rose's thumb. [[spoiler: Arguably made worse by the fact that he and Rose never actually get married.]]
* HistoricalDomainCharacter: Loosely based on the memoirs of the real striptease artist Gypsy Rose Lee, and includes her mother Rose and sister June Havoc. Tulsa might count, since real-life June ran away and married Bobby Reed from the act, which is what she does with Tulsa.
* HollywoodToneDeaf: The singing in "You Gotta Get A Gimmick" is [[StylisticSuck deliberately]] harsh and off-key as the strippers openly admit they have "no talent" and are relying on their gimmicks.
* HometownNickname: The boys Rose picks up for June's act are known only by the names of the cities where she "acquired" them.
* ImagineSpot: [[https://www.youtube.com/watch?v=sCrFPG3PDBs "Rose's Turn"]] has Rose imagine being the star for a change, with her name up in lights.
* InformedAbility: Subverted in "Ya Gotta Have A Gimmick." The strippers appear to actually have no talent, but the truth is that their talent is finding the right gimmick to appeal to the crowd.
-->'''Miss Mazeppa:''' It's not enough to have no talent.
* IRejectYourReality: Mama Rose talks constantly about how vaudeville isn't going anywhere, and that someday, June, and later Louise, will be stars. As time passes and their act falters and flops, it becomes increasingly obvious to everyone but her that vaudeville is dead (except in burlesque) and will ''never'' come back. But Rose won't hear it, insisting that every new popular entertainment is just a fad.
* IronicEcho: Baby June starts her act with, "Hello everybody, my name's June, what's ''yours''?" Louise adapts the phrase for her much more mature burlesque act ("Hello everybody, my name's Gypsy, what's ''yours''?") and Rose adapts it during her BSODSong ("[[RuleOfThree "Hello everybody, my name's Rose, what's ''yours''?"]]") when she dreams about being a star.
* ItWillNeverCatchOn: Jack Benny was going [[Radio/TheJackBennyProgram nowhere]], according to Rose.
* ItsAllAboutMe: In the end, Rose admits that she pushed her daughters to become stars because ''she'' never got to be one, and couldn't get over her lost opportunities.
%% * IWantSong: "I Had a Dream", "If Mama Were Married", "Everything's Coming Up Roses" and "Rose's Turn".
* JerkWithAHeartOfGold: Tessie Tura and Mazeppa come off as brash and rude at first, but show themselves to be good friends to Louise and the girls after their first impressions.
* LadyInRed: Many productions have Rose wear a red dress during "Rose's Turn" when she imagines herself as a star, including the revivals with Creator/AngelaLansbury, Creator/TyneDaly and Creator/PattiLuPone, and the TV version with Creator/BetteMidler, as seen [[https://www.youtube.com/watch?v=GsgVIr3LNbU here]].
* LargeHam:
** Anyone playing Rose is required to be this, like Creator/EthelMerman, Creator/RosalindRussell, Creator/BetteMidler or Creator/PattiLupone.
** Miss Mazeppa as well.
--->'''Miss Mazeppa:''' '''SOMETHIN' ''WRONG'' WITH ''STRIPPIN[='=]''?!'''
* LightFeminineDarkFeminine: The bubbly and virginal June as the light feminine, the "Queen Of The Striptease" Gypsy as the dark.
* MsFanservice: The 1962 film features Creator/NatalieWood in a series of stunning outfits--especially an elegant blue dress--and strutting across a burlesque stage like a pro.
* MyBelovedSmother: Rose plays this trope to a T.
* TheMusical: Based on the life of Gypsy Rose Lee.
* NiceGuy: Herbie really wants the best for the girls, and eventually leaves when it's clear Rose won't change her ways.
* NoIndoorVoice:
** Miss Mazeppa.
** Mama Rose as well.
* NotAllowedToGrowUp: The kids in the act are never older than ten, no matter what anyone says. To drive this point home, every year there are only ten candles on their cakes. In RealLife, Rose actually faked their birth certificates to make them seem three years younger.
* NotSoDifferentRemark: At the end, when Rose admits she did it all because she wanted to be noticed, Louise says it's the same as how she always wanted Rose to notice her.
* OneOfTheBoys: Tulsa, one of the boy dancers Rose picks up, says he and the guys all consider Louise this. She is not flattered.
* PimpingTheOffspring: Downplayed. Mama Rose Hovick, in a last-ditch effort to launch one of her kids to stardom, signs her daughter up to replace the arrested star of the burlesque and do a striptease act. Louise, while already a young woman, is a sexual innocent who has only ever done cutesy vaudeville dances, and as such is not happy being signed up for this, while Herbie, her mother's partner, is so disgusted that he leaves Rose for good. Ironically, this enables Louise to become the world-famous Gypsy Rose Lee, getting out from under her mother's thumb for good.
* PrettyInMink:
** In one of June's acts, she's playing a farm girl going off to Broadway, and to look like a star she's wearing a white rabbit coat, muff, and hat. Yet those furs are in the style for girls a few years younger than June, to fit the "Dainty June" image her mother wants.
** At the end Gypsy is going to a party wearing a mink coat, and she lets her mother wear it after she invites her to come along.
** In the first film version Gypsy is doing a photoshoot, and she wears a dress with a slit skirt of white fox.
* TheReasonYouSuckSpeech: Rose delivers one to ''Louise'', of all people, when the latter cries "Mama, you have GOT to let me go!" Once Rose is alone afterwards, she directs this rant at her absent daughter:
-->'''Mama Rose''': "I thought you did it for me, Mama." "I thought you did it for me, Mama!" "I thought you made a no-talent ox into a star because you liked doing things the hard way, Mama!" And you haven't any talent! Not what ''I'' call talent! Talent to the deaf, dumb and blind, maybe, but not an ounce of it, "Miss Gypsy Rose Lee"! ''I'' MADE YOU! And you wanna know ''why?'' You wanna know what I did it for? BECAUSE I WAS BORN TOO SOON, AND ''STARTED TOO LATE!'' THAT'S why. With what I got in me, I coulda been better than ''ANY OF YA!'' What I got in me...what I've been holding down inside of me...ooh, if I ever let it out--there wouldn't be SIGNS BIG ENOUGH! There wouldn't be ''LIGHTS BRIGHT ENOUGH!''
* RomanticFalseLead: Tulsa is set up as Louise's love interest, even having a nice little moment with her in "All I Need is the Girl." Then, at the end of the first act... he elopes with June and is never mentioned again.
* ScrewThisImOuttaHere: At the end of the first act, June, Tulsa, and the other boys in the act understandably get sick of Rose's crap and leave. This results in Louise and Herbie being stuck with Rose in all her StageMom glory.
* SecretlySelfish: Mama Rose might be the TropeCodifier in musical theatre. She spends her entire life pushing June and Louise to be stars, all the while claiming that she's doing it for them. But in the end, Rose finally admits that deep down, it was always about ''herself''--she didn't get the chance to be a leading lady, so she tried to mold her daughters to fulfill the dream that she never achieved.
* SheCleansUpNicely: [[https://www.youtube.com/watch?v=MszIr3IDrho Louise just before her first performance as Gypsy.]]
-->"''Mama''? I'm a pretty girl, Mama."
* ShowSomeLeg: Most Rose's wear a dress with a split that allows them to show off a gartered leg during "Rose's Turn".
* SidekickSong: "[[https://www.youtube.com/watch?v=gFRSawe33sA You Gotta Get a Gimmick]]" for the strippers, and "All I Need is the Girl" for Tulsa.
* SparedByTheAdaptation: In RealLife, not only did Rose cry out "Rape!" when the hotel manager was angry she was hoarding 12 people in the room, ''she threw him out the window to his death''.
* SpotlightStealingSquad: Rosalind Russell as Rose manages a one-woman example and even won a Golden Globe.
* StageMom: Perhaps the UrExample, to the point where critics have called Mama Rose a uniquely American character archetype. She forces June, and later Louise, to be stars, managing every aspect of their lives and sacrificing their happiness and dignity in the name of fame. As with other stage mothers, it's also projection, as Rose desperately wants to be a star herself and so forces her daughters to make her own dream come true.
* TheTease: [[InvokedTrope Invoked]] by Louise during her striptease act (after all, it's in the name). She makes her career out of Rose's advice: "Make 'em beg for more, and then don't give it to them!" Louise's "gimmick" involves removing relatively few articles of clothing and, even when she does strip, always covering up with curtains or coats, all the while chatting directly with men in the audience and playfully flirting with them. This strategy makes her the hottest stripper in burlesque.
* TimePassesMontage: Gypsy [[https://www.youtube.com/watch?v=TGHtz9DKqk8 is depicted in increasingly expensive theaters]], while showing how her act becomes more and more confident.
* TomboyAndGirlyGirl: Louise and June - though Louise is probably not a tomboy by choice. Louise becomes a Girly Girl as Gypsy - while retaining her tomboyishness.
* TrademarkFavoriteFood: Rose and her girls love chow mein.
* TriumphantReprise: June’s version of “Let Me Entertain You” has a dark undertone due to how much June resents her stage persona. When Louise sings it, it’s all about personal empowerment in a career she loves.
* TheUnsmile: Louise puts one on for the photoshoot right after a fight with Rose. It's not particularly creepy, but it's definitely fake.
* VeryLooselyBasedOnATrueStory:
** Of Gypsy Rose Lee and Baby June, who'd later adopt the stage name June Havoc.
** June was not very pleased with how she was portrayed in the musical, but was paid to keep her mouth shut for her sister's sake. The musical caused the tension in their relationship to grow until Gypsy became ill later in life and died. Gypsy Rose Lee herself often embellished elements of her life when she told stories from her past.
* VicariouslyAmbitious: Rose's dreams of stardom never got realized, and this directly feeds into her motive for being one of the most famous {{Stage Mom}}s in all of fiction.
* VillainProtagonist: Just how bad she seems can vary depending on the production, but if there's any villain in ''Gypsy'', it's Momma Rose.
* WestminsterChimes: The final cadence of "Everything's Coming Up Roses" is a modified version.
* WhatCouldHaveBeen: An InUniverse example with "Rose's Turn", where she laments she was born too early to become a vaudeville star in her own right.
-->'''Rose:''' Why did I do it? / What did it get me? / Scrapbooks full of me in the background.
* WhatHappenedToTheMouse:
** June is never seen and barely mentioned after she runs away. It's never discussed what becomes of her. In real life, she became a [[http://en.wikipedia.org/wiki/June_Havoc successful film, stage and television actor]].
** Also, the lamb and other various pets.
* YouNeedToGetLaid: June and Louise both sing "If Mama Was Married," which is basically them dreaming about what life would be like if their mom would stay married, calm down, and leave them be.
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