-->''Stirlitz opened his computer, connected to the internet, and logged onto TV Tropes. "It's a website," concluded Stirlitz.''

[[http://en.wikipedia.org/wiki/Seventeen_Moments_of_Spring ''Seventeen Moments of Spring'']] (Russian: ''Семнадцать мгновений весны'', ''Semnadtsat' mgnovenij vesny''), also ''Seventeen Instants of Spring'', is a 1973 Soviet TV miniseries directed by Tatyana Lioznova and based on the book of the same name by the novelist Yulian Semyonov. The series consists of 12 episodes of 70 minutes each.

The series depicts the life of a Soviet spy Maxim Isaev, who is operating in Nazi Germany under the name Max Otto von Stirlitz (sometimes transcribed as "Stierlitz"), played by the Soviet actor Creator/VyacheslavTikhonov. Other leading roles were played by Leonid Bronevoy, Oleg Tabakov, Yuri Vizbor, Yevgeniy Yevstigneyev, Rostislav Plyatt, Vasily Lanovoy and Mikhail Zharkovsky. The series is set in 1945, with the war lurching to a conclusion. Isaev/Stirlitz has been a Nazi Party member since 1933 and has risen to a high rank as an SS intelligence officer, while all the time spying for Moscow. He receives a coded message saying that Soviet intelligence has heard rumors that someone in Germany has approached the Western Allies with hopes of making a separate peace. Moscow directs Stirlitz to find out who is doing it. Meanwhile, SS intelligence chief Ernst Kaltenbrunner has grown suspicious of Stirlitz, and orders Gestapo boss Heinrich Muller to investigate him.

This series had openly disobeyed the Soviet cinema rule of depicting the Nazis as monsters. Walther Schellenberg, Müller and Bormann were performed by the popular and charismatic actors Oleg Tabakov, Leonid Bronevoy and Yuri Visbor ([[AffablyEvil who managed to lend a touch of charm to their roles while leaving the audience with no illusions as to the morality of their characters]]), and Nazi bosses in general were shown as being very much alike the Soviet bosses of the time. And the protagonist, Stirlitz, looked like a Soviet intellectual who had to hide his true self under the mask of obedience, loyalty and "proper ideological orientation". Stirlitz's awesome ability to outwit his bosses and keep "the human face" at the same time (despite the fact that one could hardly make a career in SS from 1939 till 1945 [[IfYoureSoEvilEatThisKitten without staining his hands]]) was praised by the Soviet audience, [[BigBrotherIsWatchingYou who felt as though they were being spied on in their own country]].

Due to this, the series became a FountainOfMemes and the source of many anecdotes and jokes--see RussianHumor for examples of these, as well as the page quote. The series has something of a WeirdAlEffect in Russia today, as far more people are familiar with the jokes than the original TV show. It is sometimes described in the West as "Russian Film/JamesBond", which is true only in the sense that Stirlitz is seen as the quintessential super-spy in Russia in much the same way Bond is in the West - otherwise, the austere Stirlitz has very little in common with the rather more flamboyant Bond[[labelnote:*]]''James Bond''.[[/labelnote]].

There is also a prequel series, set in the UsefulNotes/RedOctober era. [[{{Sequelitis}} Avoid it]].

!!Stirlitz had a trope. He liked it, so he had another one:

* AboveTheInfluence: Stirlitz's professionalism is shown when he has to visit a brothel, and turns down an offer of sex - instead asking for coffee.
* AllGermansAreNazis: Averted, one of Stirlitz's key allies is a German pastor. Another character is a German KZ prisoner has a long rant about the Nazis have seduced and doomed Germany.
* AgentProvocateur: Klaus, a German agent who pretends to be a concentration camp escapee in order to ferret out people who are disloyal to the regime.
* AffablyEvil: Walter Schellenberg.
** So much so that the actor who portrayed Schellenberg got letters from his character's surviving relations thanking him for the dignified and affable portrayal. According to Schellenberg's niece Tabakov also looked quite a bit like the real "uncle Walter"
* BabiesEverAfter: The SS deserter who saved Kat's child escapes together with Kat after his heroic act. They've taken his own baby from orphanage ('cause his own mom is dead because of the bombing) and, pretending to be the married couple, try to find the rescue. Than, oops, he gets himself killed, and Kat has to somehow manage in the hostile Berlin with two babies on her hands. Everything ends well.
* BangBangBANG: Taken to ludicrous extremes in the first episode, where StockFootage of a Soviet artillery battery firing is interspersed with rocket noises and even Wild West-style ricocheting bullet whines. For no apparent reason.
* BenevolentBoss: Schellenberg.
* BetterToDieThanBeKilled: Professor Pleischner throws himself out of the window to avoid being captured and tortured by Gestapo.
* BookBurning: One of Goebbels' book-burning festivals is shown while Stirlitz ponders whether he's the one approaching the Allies.
* TheBookCipher: This is how Stirlitz decodes the coded messages he receives over the radio.
* ColonelBadass: Stirlitz.
* CyanidePill: A suicide pill hidden in a cigarette.
* EvilVirtues: The Nazis are shown to have some sense of personal loyalty and even decency towards each other, despite being monsters.
* GeorgeLucasAlteredVersion: The TV series was later colorized[[hottip:*:[[RussianHumor Stirlitz was surprised to see so many coloured people in the Gestapo]], re-edited and re-released.
** This caused [[BrokenBase considerable content among the viewers]]. Criticism is mostly comes down to colorization being very, very poorly done and edits cutting out key moments for current political reasons or for seemingly no reason at all. [[TheyChangedItNowItSucks And the simple fact that it used to be in black and white.]] On the other hand, colorising an entire mini-series was a tremendous job. A lot of details lost in the original version due to film limitations were re-added. And the result looks indistinguishable from proper colored films.
* GoodShepherd: Pastor Schlag is a rare example of a Good Minister in the Soviet media.
* GuileHero: Stirlitz only directly kills a single person in the entire series. It's not that he's afraid of fighting - he's a trained Center officer, after all - but he knows his mission is to gather intelligence and that, if he had to start gunning down mooks, he'd have failed.
* HistoricalDomainCharacter: All the Nazi high leadership, as well as Stalin.
* KickTheSonOfABitch: Stirlitz shooting Agent Klaus.
* TheMole: Stirlitz is this, having been embedded in Germany for many years while reporting
* MookFaceTurn: A guard reminded of his own child by Kat's baby [[PapaWolf goes into a rage]] and kills the SS-woman and her superior officer when the former offers the sadistic choice below.
* NaziNobleman: The main character claims to be this. His German alias is Max Otto [[TheVonTropeFamily Von]] Stirlitz.
* RewardedAsATraitorDeserves: Klaus is shot in the back and dumped in a swamp.
* SadisticChoice: An SS-woman threatens to freeze Kat's baby to death unless she gives up the name of resident.
* SmartPeoplePlayChess: Stirlitz plays chess with an old lady barkeep while wondering about whether Goebbels is the one trying to make a separate peace.
* SmugSnake: Barbara Krein.
%% * [[AmericaWinsTheWar The USSR Wins The War]]: Despite the historical context - both in-universe and out - this is largely and refreshingly averted. Schellenberg and Himmler are seen watching a United News newsreel (in English) displaying the victories of the Western Allies, and the Yalta conference is also covered. On the other hand, the plot revolves around the duplicity of said Western Allies in [[spoiler: negotiating with Himmler...]]
%% ** [[https://en.wikipedia.org/wiki/Operation_Sunrise_(World_War_II) Said plot is not entirely fictional either]], although the Soviets (arguably) [[ThisIsUnforgivable blew it out of proportion]].
%% ** Isolated instances are still present, such as "in 1942 the Soviet Air Force shattered the myth of ''Luftwaffe'' invincibility", which was presumably news to [[UsefulNotes/BritsWithBattleships the RAF]], who had won the Battle of Britain two years previously.
%% *** This is likely in reference to the (also very large) Eastern Front air war, to which the the Royal Air Force contributed ''[[NoodleIncident exactly once]]'', and could hardly be blamed for being otherwise engaged; [[GaulsWithGrenades Free France's Normandie-Niemen Regiment]] on the other hand deserves mentioning, but the Soviets can technically lay the claim to that unit being a Soviet-run EagleSquadron (currently there are duplicate Normandy-Niemen regiments in France and Russia).
* StockFootage: Lots, both depicting World War II combat and illustrating the senior Nazis.
** The Soviet CulturePolice ''insisted'' on the newsreel-like inserts, because they wanted to avoid [[SpotlightStealingSquad the impression that Stirlitz alone won the war]].
* TaxidermyIsCreepy: Stirlitz has a clandestine meeting in a natural history museum in episode 5. Lots of creepy closeups of stuffed animals and birds.
* TranslationConvention: Most characters speak Russian; but the meetings with [[UsefulNotes/AdolfHitler Hitler]] are in German overdubbed by Russian, as per course for Soviet cinema.