[[folder: Music ]]

->''I like pop, I like soul, I like rock, but I never liked disco!''
-->-- Music/{{Everclear}}, "AM Radio"


[[folder: Live-Action TV ]]

->''That's it. We're deader than tank tops!''
-->-- '''The Cat''', ''Series/RedDwarf''


[[folder: Web Original ]]

->''"At a certain point, with age, we lose our grip on which ideas are cyclical and which ideas are perpetual and which ideas have died out. {{Music/Madonna}} is just mimicking modes of edginess that worked for her in the past--that were new and important in the past--but what was once progressive nearly always becomes regressive. Because we learn so much all the time. The racial exploitation of ''Sex''-era Madonna was provocative once; [[TheManIsStickingItToTheMan now it's just exploitation.]] So when do we cut our idols loose? When does the Queen of Reinvention run out of raw materials and turn into the, um, Lesser Duchess of Recycling?"''
-->--'''''Jezebel''''', [[http://jezebel.com/madonna-what-are-you-doing-1510137010 "Madonna, What Are You Doing."]]

->''"There were [[LimitedWardrobe his omnipresent black clothes and ponytail]], constants that became more comical with each film. The way his acting [[DulLSurprise never got any better]]. The stupid way he would [[GangstaStyle hold his pistol sideways]] all the time. The fact that [[ImperialStormtrooperMarksmanshipAcademy no one ever shot him from a distance]], but invariably walked up to him so that he could do that gun flipping move he [[StrictlyFormula trotted out every movie]]. The silly way he [[ClintSquint squinched his face]] when he was supposed to be pissed off. The lack of an adversary who could even marginally challenge [[PlotArmor the omnipotent Seagal]], which eventually sort of lowered the suspense level. Even Seagal’s trademark fighting move, quickly grabbing and snapping an opponent’s arm, became farcical the forty or fiftieth time you saw it."''
-->--'''''Jabootu''''' [[http://www.jabootu.com/ondeadlyground.htm on]] ''Film/OnDeadlyGround''

->''"It was a genuine smash hit. But just a few years later, the critics hated it. It went from being called a masterpiece to masturbatory. In some cases, the same people who’d initially given it perfect scores were now mocking it openly, as if it had somehow changed for the worse. It hadn’t, of course, but this didn’t stop them from changing their minds. Calling it convoluted, pretentious, and full of 'metababble', they joined the fans in [[ScapegoatCreator demanding answers, customer satisfaction, and justice]] from series creator Hideo Kojima."''
-->--'''[[http://metagearsolid.org/2012/04/mgs2-review-chapter-1/ Terry Wolf]]''', [[VideoGame/MetalGearSolid2SonsOfLiberty MGS2]]: A Complete Breakdown"


[[folder: Web Video ]]

->''"If you take a film like ''Film/ThePrincessBride'', which had moderate success in theatres, but went on to eventually become a famous part of popular culture, ''Insurrection'' is the flip side of the coin, hitting theaters hard, but then falling flat on its face. While it is now critically mixed, at the time, a substantial number said that it broke the [[StarTrekMovieCurse odd-numbered rule]]. I know it sounds unbelievable, but that's because it's a movie that doesn't stand the test of time."''
-->-- '''Website/SFDebris''' on ''Film/StarTrekInsurrection''

->''"For the most part, everyone hates it now; you, everyone looks back on those prequels like, "''ooohh, those things were dogshit, Jar-Jar Binks sucked."'' Everyone hates it. Now, everyone talks about George Lucas like he's a fuckin' idiot, he "[[RuinedFOREVER ruined]]" ''Star Wars'', y'know, {{blah blah blah}}.\\\
'''''NO.''''' Back in the day, when ''Phantom Menace'' came out. [[OneHundredPercentAdorationRating EVERYONE. LOVED. THE PHANTOM MENACE.]] Creator/RogerEbert, all the major critics HIGHLY REVIEWED ''The Phantom Menace''. People walked outta there COMPLETELY SATISFIED with ''The Phantom Menace''.
-->--'''[[WebVideo/TheSpoonyExperiment Noah Antwiler]]''', [[https://www.youtube.com/watch?v=-rfLYqaMXP0 Wrestle! Wrestle!]]''


[[folder: Real Life ]]

->''"It does not look remarkable different from ''[[Series/StarTrekTheNextGeneration Next Generation]]'', in my opinion. I think it is edited in the same way, the way it’s staged, the direction that they’re allowed to do, how they tell a story, the lighting scheme – a lot of it is very, very redolent of ''Next Generation''… It has not moved on with television. It’s still stuck in a very old groove."''
-->--'''Ron D. Moore''' on ''Series/StarTrekEnterprise''