[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/img_5443.jpeg]]
[[caption-width-right:350:''Don't cry\\
Don't raise your eye\\
It's only teenage wasteland...'']]
->''"Apart from ''Live at Leeds'', the Who have never sounded as LOUD and unhinged as they do here, yet that's balanced by ballads, both lovely ("The Song Is Over") and scathing ("Behind Blue Eyes"). That's the key to ''Who's Next'' -- there's anger and sorrow, humor and regret, passion and tumult, all wrapped up in a blistering package where the rage is as affecting as the heartbreak."''
-->-- Excerpt from '''Allmusic''' overview

''Who's Next'' is the fifth studio album by Music/TheWho, released in 1971. It is widely agreed to be their best album and spawned some of the band's most popular songs, including "Baba O'Riley", "Behind Blue Eyes", and "Won't Get Fooled Again," along with some equally-beloved deep cuts like "Going Mobile" and "Bargain".

The band had a difficult time trying to come up with a follow-up album for ''Music/{{Tommy}}''; though they released a single, "The Seeker", and ''Live at Leeds'' in its aftermath. So began guitarist/songwriter Pete Townshend's passion project, ''Lifehouse'', intended as a multi-media SciFi RockOpera consisting of a studio album, a film, and live concerts all at the same time. The plot involved the search for the One Note to unite humanity, as a rebellion against a society in which music is illegal and all entertainment is broadcast by the government through the Grid. Unfortunately for Townshend, the concept proved a bit too ambitious: the script followed a nonlinear, proto-Creator/QuentinTarantino style, his concept of the Grid happened [[ItWillNeverCatchOn long before the internet was even a gleam in the public's eye]], and the One Note idea was deemed too Babaist. The result was Townshend – following his complete inability to explain the idea to anyone else, none the least of which the rest of the band – eventually having a nervous breakdown and scrapping the project.

However, the project wasn't completely scrapped. Eight of the ''Lifehouse'' songs (along with "My Wife", a completely unrelated song written by bassist John Entwistle) were salvaged and compiled for the end result, a conventional album called ''Who's Next''. The album was massively influential, especially in its major usage of synthesizers[[note]]the most major usage of this before the album was ''Music/AbbeyRoad''[[/note]] (on "Bargain", "The Song Is Over", "Going Mobile", and "Won't Get Fooled Again" – but ''not'' on "Baba O'Riley", contrary to popular belief) without sacrificing the hard rock edge the band had perfected by then. To say that going back to their roots in the wake of ''Tommy'' paid off would be an apt description – the album was an immediate commercial and critical success, and is still seen as one of the best hard rock albums ever made.

A documentary about the creative process behind the making of this album can be seen in the ''Series/ClassicAlbums'' TV documentary series.

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!! Tracklist:

[[foldercontrol]]

[[folder: Side One ]]

# "Baba O'Riley" (5:08)
# "Bargain" (5:34)
# "Love Ain't For Keeping" (2:10)
# "My Wife" (3:41)
# "The Song Is Over" (6:14)

[[/folder]]

[[folder: Side Two ]]

# "Getting In Tune" (4:50)
# "Going Mobile" (3:42)
# "Behind Blue Eyes" (3:42)
# "Won't Get Fooled Again" (8:32)

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!! Bonus Tracks (1995 Reissue):
# "Pure And Easy"
# "Baby Don't You Do It"
# "Naked Eye (Live)"
# "Water (Live)"
# "Too Much Of Anything"
# "I Don't Even Know Myself"
# "Behind Blue Eyes (Alternate Version)"

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!!Principal Members:

* Roger Daltrey - lead vocals on tracks 1-3, 6, and 8-9, backing vocals on track 5, harmonica
* John Entwistle - bass, backing vocals, lead vocals on track 4, piano, brass
* Keith Moon - drums, percussion
* Pete Townshend - guitar, backing vocals on tracks 1-2, lead vocals on tracks 5, and 7, organ, [=VCS3=], synthesizer, piano

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!!Songs from ''Who's Next'' are the {{Trope Namer}}s for:

* UsefulNotes/GoingMobile
* MeetTheNewBoss
* TeenageWasteland

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!!''I'm just tropin' on my old piano, I'm gettin' in tune to the straight and narrow'':
* AlcoholInducedIdiocy[=/=]MistakenForCheating[=/=]WomanScorned: John Entwistle's "My Wife" is sung from the perspective of a guy who has gotten drunk and been arrested, and fears that his wife will think he was cheating on her (and that he'll consequently be "murdered in cold blood").
* BigYes: The '''"YEEEAAAAAAAAAAAAAAAAAAHHHH!"''' in "Won't Get Fooled Again".
* CoverVersion: The expanded editions include a version of Music/MarvinGaye's "Baby Don't You Do It," which was an early Who live staple.
* EpicRocking: "The Song Is Over" and "Won't Get Fooled Again" are over 6 minutes long.
* FadingIntoTheNextSong: "Love Ain't for Keeping" fades into "My Wife".
* LastNoteNightmare: "Baba O'Riley". The fiddle track, already playing at a pretty frantic pace, becomes an almost panicked, discordant mess in the song's final moments. Unnerving if you've never heard it before (or are only familiar with it via ''Series/{{CSINY}}'' and haven't heard it all the way to the end).
* LongestSongGoesLast: The album closes with "Won't Get Fooled Again" (8:32).
* LyricalDissonance: "Won't Get Fooled Again" is an awesome, adrenaline-pumping rock song (widely considered one of the greatest ever) about how frivolous revolution is when [[MeetTheNewBoss the next leader is just as bad as the first]].
* TheMonolith: On the album cover. The photo's meant to look like the band members [[ExcrementStatement have just pissed on it]].
* NewSoundAlbum: It introduced synthesisers into the band's sound. However, the synthesisers here are used mainly as a background instrument (i.e. on "Bargain" and "Going Mobile") and for effects and processing: the ARP synthesiser is used to process the guitar solo in "Going Mobile", the EMS [=VCS3=] is used as an envelope filter for the organ in "Won't Get Fooled Again" and noisemaker in "The Song Is Over". The famous opening melody of "Baba O'Riley", which every assumes was done on synth, was actually played on Pete Townshend's Lowrey Deluxe organ, a fairly basic home keyboard, using its "marimba repeat" setting, which makes the notes stutter. Synthesisers would assume a more leading role starting with ''Music/{{Quadrophenia}}''.
* NonAppearingTitle: The album title doesn't appear in any of the songs. "Baba O'Riley" qualifies as well.
* OneWomanSong: "My Wife"
* OneWordTitle: "Bargain"
* ProgressiveInstrumentation: "Baba O'Riley" starts with a repetitive organ riff, then a piano riff, then the drums, then the bass, and finally Roger and later Pete.
* ProtestSong: "Won't Get Fooled Again". about a failed revolution. (See the stinger below.)
* PunBasedTitle[=/=]QuestioningTitle: The album title.
* RecordProducer: Glyn Johns, with the Who.
* SelfDemonstratingSong: "Getting in Tune"
* SelfTitledAlbum: The album title has the band's name in it.
* ShoutOut:
** "Baba O'Riley" was named for the guru Meher Baba and the composer Terry Riley.
** French comic strip artist Creator/{{Gotlib}} once spoofed the album cover with his ''Hamster Jovial'' characters. [[ReferencedBy/TheWho See it here.]]
* SillyLoveSongs: "Bargain", "Love Ain't for Keeping"
* TheSomethingSong: "The Song Is Over"
* SpecialGuest: Dave Arbus, Nicky Hopkins, Al Kooper and Leslie West all guest on this album.
* StepUpToTheMicrophone: John Entwistle sings "My Wife", Pete Townshend sings all of "Going Mobile" and parts of several other songs on the album [[note]] the bridges on "Baba O'Riley" and "Bargain", and the verses of "The Song Is Over" [[/note]].
* VillainousLament[=/=]AntiVillain: "Behind Blue Eyes"
-->''No one knows what it's like to be the bad man\\
To be the sad man\\
Behind blue eyes\\
No one knows what it's like to be hated\\
To be fated\\
To telling only lies''
* WanderlustSong:
** "Baba O'Riley"
--->''Sally, take my hand, we'll travel south cross-land\\
Put out the fire and don't look past my shoulder\\
The exodus is here, the happy ones are near\\
Let's get together before we get much older''
** "Going Mobile" sings the praises of a life lived on the road.
--->''Out in the woods\\
Or in the city\\
It's all the same to me\\
When I'm drivin' free, the world's my home\\
When I'm mobile''
* WhosOnFirst: Following in the tradition of the band's name.
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-->"''[[MeetTheNewBoss Meet the new boss]], [[TheStinger same as the old boss]]''"
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