[[quoteright:355:http://static.tvtropes.org/pmwiki/pub/images/ThinLizzy_Lineup_3.jpg]] [[caption-width-right:355:One of the many, [[RevolvingDoorBand many]] lineups of Thin Lizzy.]]

->''He's just a boy, that has lost his way''
->''He's a rebel that has fallen down''
->''He's a fool, been blown away''
->''To you and me, he's a renegade''
->-- "Renegade", from the 1981 album of the same name.

Thin Lizzy are a (mostly) Irish rock/metal band originating in 1969, Led by co-founder, bass player/singer and main songwriter Phil Lynott. The name was lifted from ''ComicBook/TheDandy'' comic's character "Tin Lizzie", with an alteration of spelling (Dubliners pronounce "th" as "t").

The core members were Lynott and Drummer Brian Downey, with guitar spots filled by a long list of ever changing names, the longest serving of which is Californian guitarist Scott Gorham, who moved to the UK to fill a guitar spot in Music/{{Supertramp}}, but was unsuccessful.

When he joined the band in 1974, the original guitarist Eric Bell had been and gone, recording the hit single "Whiskey in the Jar", Thin Lizzy's first major success. Joining Scott in the other guitar role was Glaswiegan Brian Robertson, a hot-headed Scottish guitar prodigy, and between them they developed the ground-breaking distinctive twin lead guitar attack which characterizes Thin Lizzy's sound.

They finally found international recognition with 1976's Jailbreak, and Thin Lizzy's other hit, "The Boys Are Back In Town". The band led a career that lasted until 1983, when the band split, and all hopes of recording more original material were tragically crushed forever when Phil Lynott died in 1986, aged just 36.

Thin Lizzy was a unique combination of hard rocking songs about fighting & cool characters, epic guitar parts & harmonies, and sensitive, thoughtful and wide-ranging songwriting. Thin Lizzy are unfortunately still under-appreciated and lesser known compared to their world-famous '70's and '80's contemporaries (they're still mainly only known for two songs, "Whiskey In The Jar" and "The Boys Are Back In Town"), but in their heyday they developed a reputation for being one of the best live bands in the world and once played to a gigantic crowd on the steps of the Sydney Opera House; their LiveAlbum "Live And Dangerous" is widely regarded as one of the best live albums ever recorded.

!!!Albums:

* Lineup 1 (Phil Lynott on bass & vocals, Brian Downey on drums. With Eric Bell on guitars)
''Thin Lizzy'' (1971), ''Shades of a Blue Orphanage'' (1972), ''Vagabonds of the Western World'' (1973)

* Lineup 2 (with Brian Robertson and Scott Gorham on guitars)
''Nightlife'' (1974), ''Fighting'' (1975), ''Jailbreak'' (1976), ''Johnny the Fox'' (1976), ''Bad Reputation'' (1977), ''Live and Dangerous'' [live album] (1978)

* Lineup 3 (with Gary Moore & Scott Gorham on guitars)
''Black Rose: A Rock Legend'' (1978)

* Lineup 4 (with 'Snowy White' & Scott Gorham on guitars & Darren Wharton on keyboards)
''Chinatown'' (1980), ''Renegade'' (1981)

* Lineup 5 (with John Sykes & Scott Gorham on guitars and Darren Wharton on keyboards)
''Thunder and Lightning'' (1983)

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!!Associated Tropes:

* AbusiveParents: "Frankie Carroll" is about an alcoholic man who beats his kids.
* AirGuitar: Thin Lizzy are just too damn riffilicious, and those guitar harmonies and the guitar "duels" are top-notch.
* AlbumFiller: A lot of Thin Lizzy's ballads can come off as this, as the juxtaposition can be jarring. Also, there is a 1972 song called "I Don't Want to Forget How to Jive", which never should have been recorded.
** Nightlife is considered to have quite a lot of filler, especially the second side.
* AlbumTitleDrop: There is a title track (or a track whose name includes the album title) on most Thin Lizzy albums.
* AllDrummersAreAnimals: Inverted; Downey was "the quiet one", the others... not so much.
* AntiChristmasSong: Phil Lynott got together with some ex-Sex Pistols and recorded a medley of Christmas tunes in a hard rocking style that comes off ''very'' ironic. Oh, and they were called "The Greedy Bastards".
* AudienceParticipationSong: The band were well known for this, and some songs were massively extended in concert for those call-and-response games. Other songs were written specifically for gigs and never recorded.
* AutobotsRockOut: "Emerald": the show piece is a "battle" between the lead guitarists.
* AuthorExistenceFailure, TheBandMinusTheFace: After Lynotts death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
* BlackSheepHit: "Whiskey In The Jar" was originally recorded as an Irish in-joke and as a B-side to one of their singles. When the management got hold of it, they flipped it to the A-side and it became a massive hit, much to the band's chagrin.
* BreakUpBreakOut: Done dozens of times over their history, and now Lynott's gone nobody known for sure who's going to be in the band for the next gig.
* BreakupSong: "Still In Love With You", "Borderline", "Didn't I", etc.
* CallAndResponseSong: Thin Lizzy did this with many a AudienceParticipationSong.
* CanonDiscontinuity: In order to record their first single "The Farmer", the band were required to record the song "I Need You", written by the owner of the studio. The band reluctantly did so, but never considered it part of their canon. As a result, the song has never been reissued since its original 7" vinyl single release (though it has been bootlegged on CD). As a result the original single is very valuable.
* CommonMeter, CommonTime: with only a few exceptions.
* ConceptAlbum: "Jailbreak" and "Johnny the Fox" were born of failed attempts at this.
* CoverVersion: Thin Lizzy covered Music/BobSeger's song "Rosalie" on the "Fighting" album.
* TheCoverChangesTheMeaning: Thin Lizzy's version of the popular Irish folk drinking song, "Whiskey in the Jar"
* DarkerAndEdgier: Johnny The Fox was considerably angrier and heavier than their previous albums - the main reason was that Phil was ill at the time he wrote it and therefore not in the best of minds.
* GenreRoulette: They were rooted in hard rock, folk and ballads, and their albums always featured a mixture. Their second album Shades Of A Blue Orphanage is somewhat jarring in how it seems to have done this deliberately.
** The Rise And Dear Demise Of The Funky Nomadic Tribes (Funk Rock)
** Buffalo Gal (Country Ballad)
** I Don't Want To Forget How To Jive (Rockabilly)
** Sarah (Easy Listening)
** Brought Down (Power Ballad)
** Baby Face (Hard Rock)
** Chatting Today (Folk)
** Call The Police (Funk Rock)
** Shades Of A Blue Orphanage (Easy Listening)
* GreatestHitsAlbum: Hardly a year goes by when a new one of these doesn't get released. Sometimes if you're lucky, you'll get one with rare b-sides or unused tracks (such as the "Vagabonds Kings Warriors Angels box set).
* HardRock
* HeavyMeta: The song "The Rocker", which is supposed to be a satire of the stereotypical "rocker" image that was around in the early seventies (as in Mods & ''Rockers'').
* IAmTheBand: Pretty much any band that Lynott was in became Thin Lizzy, with the exceptions of when he toured in release of one of his solo records.
** Subverted in that the current lineup of Thin Lizzy doesn't contain Lynott at all (due, obviously, to his death).
* LonelyPianoPiece: The original "Sarah", "Frankie Carroll".
* LongSongShortScene: The majority of Thin Lizzy's material just doesn't get the widespread exposure it deserves. Also, two parts of "Dancing in the Moonlight" were mercilessly spliced together for a cider advert.
** Sha La La is usually considered to have been wasted as a Nightlife album track. Had the band released it as a single it might have been a hit. Luckily a live version would appear on Live And Dangerous, a live album which is considered one of the best ever.
* LeadBassist: Phil Was Both Types B and C.
* MohsScaleOfRockAndMetalHardness: On which they move about quite wildly, around the 3-to-6 marks -- although they mainly stay at a standard 4. They were around an 8 back in the [='70s=], however.
* MoneySong: "It's Only Money".
* MoralityBallad: Averted. For example, the song "Suicide" is about a murder that goes reported as a suicide due to lazy and incompetent police work. Case number 81 remains unsolved, presumably forever.
** "Frankie Carroll" tells what effect alcohol can have on a man with little morals.
* MurderBallad: A lot of Thin Lizzy songs are about death. "Killer on the Loose", "Warrior", "Emerald", "Angel of Death", etc.
* NewSoundAlbum: Frequently done, the most significant of these was Fighting as it signalled the beginning of their most well-regarded period.
* NoExportForYou: Every American tour they attempted was plagued by problems and usually cancelled, possibly contributing to their lack of worldwide success and probably the reason they are little known across the Atlantic.
* ObligatoryBondageSong: "S&M" from the "Black Rose" album.
* OneHitWonder: Annoyingly they are best known only for their two biggest hits, "The Boys Are Back In Town", and "Whiskey In The Jar" (which was later covered by Music/{{Metallica}}).
** They have many hits in the UK which still get airplay. In the UK, Metallica's version of "Whiskey" is nowhere near as popular as the Lizzy version. Metallica rarely get airplay on anything other than specialist stations.
* OneWomanSong: "Philomena" (Phil Lynott's mother), "Rosalie" (a Bob Seger song), "Sarah" (Lynott's grandmother) and "(My) Sarah" (Lynott's daughter).
* RockStarSong: apart from the satirical "The Rocker", there is also "Rocky".
** "The Boys Are Back In Town" definitely describes the rock star lifestyle.
* SelfTitledAlbum: Their debut.
* SexDrugsAndRockAndRoll: What many of their songs are about, but also the eventually deadly lifestyle of Lynott himself.
* ShoutOut: In addition to the traditional songs it riffs on, "Roisin Dubh: Black Rose" gives nods to fellow Irishmen Creator/JamesJoyce, Creator/WilliamButlerYeats, Creator/OscarWilde, Creator/GeorgeBernardShaw, Brendan Behan, George Best, J M Synge and Van Morrison.
* SomethingBlues: "Slow Blues" and "Sugar Blues"
* SongOfSongTitles: The sub-titles of the mini-epic "Roisin Dubh: Black Rose (A Rock Legend)" reference the original Irish/Scottish/English folk melodies the track contains.
* SpokenWordInMusic: A couple; the intro to "Fool's Gold" and "The Friendly Ranger at Clondarf Castle".
* SubvertedRhymeEveryOccasion: averted - Lynott was a master at rhyming lyrics.
* SubduedSection: More common in the bands' earlier period.
* SuperGroup: Technically whilst Gary Moore was in the band in 1979, as he had already cemented himself as a solo act by this point. Somewhat of a subversion in that he not only had been briefly part of the band in 1974, but he also was part of Lynott's previous band Skid Row (not to be confused with the American band of the same name).
** Towards the end of their existence, the band briefly featured Midge Ure, first on guitar, then later on keyboards. He played with the band live, as well as played on and co-wrote a handful of recordings. He would soon after join Ultravox as their new vocalist (including their biggest hit Vienna) and also co-organised Live Aid with Bob Geldof.
* SuspiciouslySimilarSong: When Midge Ure was playing guitar in the band briefly after Gary Moore left, he had to learn all the songs; he claimed it was difficult as the songs (and therefore guitar harmony parts) were often in the same key.
** The riffs of "Get Out Of Here" and "No One Told Him" are blatantly similar to those of "The Boys Are Back In Town".
* ThreeChordsAndTheTruth: Lynott's writing style was often based around this, but the production and arrangement would usually transform them into something more elaborate.
** This song is fully in effect on songs like "The Boys Are Back In Town" and its clones "Get Out Of Here" and "No One Told Him".
* TitleOnlyChorus: "The Boys Are Back In Town", "Rosalie", and "Get Out Of Here".
* TriumphantReprise: The end of "Roisin Dubh: Black Rose (A Rock Legend)".
* WhatTheHellIsThatAccent: Phil sings "Philomena" in an exaggerated Irish accent, as the song was written for his mother who was Irish. This qualifies because the accent he uses in the song sounds nothing like his normal singing voice, and it's nothing like his speaking voice either. In a strange subversion, this song is otherwise the most melody and Lizzy like track on the album, which meant it was released as a single. It flopped, otherwise people might have bought the album confused that the accent was different.
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