[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/whos_1971-1.jpg]]
[[caption-width-right:350:The Who during their heydey. From left to right: John Entwistle, Roger Daltrey, Keith Moon and Pete Townshend.]]

->''"People try to put us d-down''\\
''Just because we g-get around''\\
''Things they do look awful c-c-cold''\\
''[[FunnyAneurysmMoment I hope I die before I get old]]"''
-->--'''My Generation'''

->''"Inside Outside/Leave me alone''\\
''Inside Outside/Nowhere is home''\\
''Inside Outside/Where have I been?''\\
''Out of my brain on the 5:15"''
-->--'''[[http://www.youtube.com/watch?v=RpK0zDJE4qs 5:15]]'''

->''"I don't need to fight''\\
''To prove I'm right''\\
''I don't need to be forgiven!"''
-->--'''Baba O'Riley'''

'''The Who''' are a famous, groundbreaking [[TheBritishInvasion rock band from Shepherd's Bush, London, England]], known both for their many influential songs and for their pioneering of the art of [[http://en.wikipedia.org/wiki/Instrument_destruction instrument destruction]]. They are so influential that when people talk of the great rock bands of TheBritishInvasion, it's often Music/TheBeatles, Music/TheRollingStones and The Who in the same breath. But of the three, only The Who actually spawned a whole musical [[PunkRock genre]]. Don't take our word for it: [[TheSexPistols Johnny Rotten]], [[TheRamones Johnny Ramone]], and [[TheClash Joe Strummer]] (to name only three) are on record as saying something like, "If not for The Who ..."

The group started out as the Detours in 1962 when classmates Pete Townshend and John Entwistle met Roger Daltrey, then a high-school dropout working in a sheet metal factory. After firing drummer Doug Sandom, recruiting Keith Moon mid-gig, and beating around the bush for a while as a mod-rock act, changing their name to the High Numbers and then the Who, they finally struck gold in 1965 with the singles "[[http://www.youtube.com/watch?v=vhuL79iEWDo I Can't Explain]]", "[[http://www.youtube.com/watch?v=aUkJYkVTITU Anyway, Anyhow, Anywhere]]" and the famous "[[http://www.youtube.com/watch?v=5MnDbWqe_kQ My Generation]]". The album of the same name however was a rushed affair lacking in memorable work (though the American release was better). Guitarist and primary songwriter Pete Townshend had more ambition though, and included the 9-minute "mini-opera" "[[http://www.youtube.com/watch?v=eIpsDTSmRyM A Quick One, While He's Away]]" on the album ''A Quick One'', which was released the next year (and also featured the single "[[http://www.youtube.com/watch?v=bvFuUaCe8eY Boris the Spider]]", written & sung by Entwistle), as a taste of things to come.

Their first breakthrough was the 1967 ConceptAlbum ''The Who Sell Out'', which included their first Top 40 hit in the US, "[[http://www.youtube.com/watch?v=BKGRijV8U3s I Can See for Miles]]". In 1968, Townshend became a convert to the teachings of Meher Baba, an Indian guru who preached a gospel of love, pantheism, and music as the key to understanding the universe. Inspired by his new religion, and the rejection of psychedelic drugs that it called for, Townshend wrote what many consider the Who's MagnumOpus - the famous RockOpera ''{{Tommy}}'' in 1969, about a deaf, dumb and blind kid who "[[http://www.youtube.com/watch?v=4AKbUm8GrbM sure plays a mean pinball]]". The tour in support of this album, which took the band to {{Woodstock}} and the Monterey Pop Festival and often featured them performing ''Tommy'' in its entirety, established them as one of the most dynamic and exciting live acts of their day. Around this time Townshend conceived an epic project called ''Lifehouse'', a story set in a CrapsackWorld led by an authoritarian government in which hundreds of people gather at a concert and ascend to a higher plane of existence through ThePowerOfRock. However he over-exerted himself this time, and the absence of manager/co-producer Kit Lambert (who convinced the band about the ''Tommy'' concept) to explain just what the fuck Pete wanted killed the project until it resurfaced as a Townshend solo album in 2000. Instead, The Who regrouped in 1971 with producer Glyn Johns and [[RecycledSoundtrack reworked the songs written for Lifehouse]] to produce ''Who's Next''. ''Who's Next'' reached #1 on the UK charts, #4 in the USA, was critically acclaimed (generally regarded as one of the best albums ever) and contains some of their best-known songs: "[[http://www.youtube.com/watch?v=SHhrZgojY1Q Won't Get Fooled Again]]", "[[http://www.youtube.com/watch?v=x2KRpRMSu4g Baba O'Riley]]" and "[[http://www.youtube.com/watch?v=e9-3RZkzpwM Behind Blue Eyes]]".

After a quick break, The Who recorded another ConceptAlbum / RockOpera, this time about a mentally ill teenager named Jimmy and his conflicts with his family and friends during the height of the mods-rockers conflict in the 1960s. Named ''{{Quadrophenia}}'', it was released in 1973 to critical acclaim, and spawned another hit with the ballad "[[http://www.youtube.com/watch?v=gDbAtWpoA6k Love, Reign O'er Me]]". During the supporting tour, which proved less impressive than the Tommy tour due to an increased reliance on then-primitive synthesizers and backing tapes, a famous incident occurred on 20 November 1973 in San Francisco, when Keith Moon passed out twice during the performance due to tranquilizers (the put-to-sleep-large-animals kind of tranquilizers), the first time returning after a half-hour delay, and the second time he was carried off. After playing "See Me, Feel Me" with Daltrey on tambourine, Townshend asked "Can anybody play the drums? I mean someone good!" An audience member, Scot Halpin, filled in for the three-song encore and did a pretty good job. When interviewed by ''Rolling Stone'', he noted: "I only played three numbers and I was dead".

The Who began faltering after this period, as a result of Keith Moon's addiction to drugs and alcohol and Townshend's depression, which resulted in 1975's bleak ''The Who By Numbers'', full of songs about self-loathing, alcoholism, middle-age, and fear of irrelevance, lightened by the Top 10 hit "[[http://www.youtube.com/watch?v=G_g-IKjev9Q Squeeze Box]]". The same year a [[TheMovie movie]] version of "Tommy" was released with an all-star cast under {{Ken Russell}}'s direction. The move away from concept albums and epic rock operas continued with the stripped-down ''Who Are You'', released in 1978, which again climbed up the charts (higher in the US than the UK) and spawned a hit single, "[[http://www.youtube.com/watch?v=r5kmCgVhADY Who Are You]]".

However, one month after the album's release, Keith Moon died after accidentally overdosing on Heminevrin, a drug he had been prescribed to treat alcohol withdrawal. (He had taken to [[TooDumbToLive downing them by the dozen and mixing them with alcohol]]; 31 undigested pills were found in his stomach during his autopsy.) He was replaced by Kenney Jones of [[Music/TheSmallFaces The Small Faces]] and [[Music/{{Faces}} Faces]], who lacked Moon's characteristic hyperactive drumming style, with John "Rabbit" Bundrick unofficially added as the band's keyboardist, a position which Townshend (and occasionally Nicky Hopkins) had filled in the past. With Jones, they recorded two more albums: ''Face Dances'' (1981) and ''It's Hard'' (1982), which suffered from uninspired songwriting, the only notable songs being "[[http://www.youtube.com/watch?v=Mj58IHA3urc You Better You Bet]]" and "[[http://www.youtube.com/watch?v=OhuLhcbY_08 Another Tricky Day]]" from the former, and "[[http://www.youtube.com/watch?v=jkRx3NZ-qp4 Athena]]" and "[[http://www.youtube.com/watch?v=GnHLgxKUsEA Eminence Front]]" from the latter. Finally, in December 1983, Townshend issued a public statement that The Who had disintegrated.

The Who first reunited for a one-off performance at Live Aid in 1985, and they again briefly in 1988. That was to be the last time Kenney Jones appeared with The Who, they went their separate ways shortly after. A 1989 anniversary tour followed, where, citing an inability to play electric guitar due to hearing problems, Townshend recruited a large backing band (similar to the one he'd played with in The Deep End), including a lead guitarist (Steve "Boltz" Bolton), a drummer (Simon Phillips, who previously played on Townshend's ''Empty Glass'') and a percussionist (Jody Linscott), three backing singers and a five-piece horn section, and [[DemotedToExtra mainly played acoustic guitar intead]]. During this tour, the band regularly performed ''Tommy'' in its entirety for the first time since 1971. The tour ended up damaging the band's reputation quite badly due to the over-expanded backing band and the slick and overstuffed arrangements that resulted, earning it the derisive nickname "The Who on Ice". In 1991, the band recorded its last single with John Entwistle, a cover of Music/EltonJohn's "Saturday Night's Alright (For Fighting)" released on the Elton tribute album ''Two Rooms''.

1996 saw the band's next tour - a similarly large-scale production of ''Quadrophenia'', featuring guest vocals by Billy Idol, Gary Glitter, and others, and the first appearance of Zak Starkey, son of RingoStarr and childhood protege of Keith Moon, as the group's regular drummer. Beginning in 2000, the Who returned to touring as a five-piece group, which they did on a biannual basis throughout the 2000s. The night before the scheduled kickoff of the 2002 tour in Las Vegas, John Entwistle died of heart failure after spending the night with long time rock groupie/stripper Alycen Rowse, and was replaced on short notice by session bassist Pino Palladino, who has played for the group since.

The band's current incarnation, which Townshend jokingly refers to as "Who-2", consists of Daltrey, Townshend, Palladino, Starkey, Bundrick, and Townshend's little brother Simon on backing guitar and vocals. In 2006, the group released ''Endless Wire'', their first studio album since ''It's Hard''. While not particularly a hitmaker, the album featured some rather good songs, including the ''Man in a Purple Dress'', a Dylanish ProtestSong inspired by ''Film/ThePassionOfTheChrist''; ''It's Not Enough'', the band's first charting single since 1982; ''Mike Post Theme'', a salute to the writer of theme songs for many of the TV shows catalogued on this very Wiki; and ''Wire and Glass'', a "mini-opera" adapted from Townshend's novella ''The Boy Who Heard Music''.

The band has performed only sporadically since 2008, including a handful of charity shows and a performance during the SuperBowl halftime show in 2010, though Roger Daltrey has toured internationally with a solo band in recent years, including the first touring production of ''{{Tommy}}'' since 1989. Recently, the band also performed as the final act of the closing ceremony of the London 2012 Olympics.

The Who has also made an appearance in ''RockBand'': "Won't Get Fooled Again" in the first game, "Pinball Wizard" in the second, "I Can See For Miles" in the third, plus 20 [[DownloadableContent downloadable songs]]. For the announcement of Rock Band 2 at E3 they even held a concert in promotion for it. Not to mention their entire performance at the 2010 Super Bowl is available for download.

----
!!Principal members (Founding members in '''bold''', current members in ''italic''):

* '''''Roger Daltrey''''' - lead vocals, harmonica, percussion, guitar, trombone, bass drum, tambourine (1964-1982, 1985, 1988-1991, 1996-Present)
* '''John Entwistle''' - bass, lead vocals, keyboards, synthesizers, horns, trumpet, french horn, sound effects, flugelhorn, brass, piano (1964-1982, 1985, 1988-1991, 1996-2002, died 2002)
* [[Music/TheSmallFaces Kenney Jones]] - drums (1978-1982, 1985, 1988)
* Keith Moon - drums, percussion, occasional vocals, kazoo, sound effects (1964-1978, died 1978)
* '''Doug Sandom''' - drums (1964)
* '''''Pete Townshend''''' - guitar, lead vocals, bass, synthesizer, keyboard, piano, cello, banjo, ukulele, accordion, tin whistle, organ, [=VCS3=], harmonica, jaw harp, violin, sound effects (1964-1982, 1985, 1988-1991, 1996-Present)

----
!!Touring Members and Backing Musicians:
* Dave Arbus - violin (1970)
* [[Music/TheZombies Rod Argent]] - keyboard, synthesizer, piano (1978)
* Steve "Boltz" Bolton - guitar (1989)
* Reg Brooks - trombone (1979-1980)
* John "Rabbit" Bundrick - keyboards (1979-1981, 1985, 1988-1991, 1996-2011)
* Jon Carin - keyboard (1996-1997)
* Howie Casey - saxophone (1979)
* Dave Caswell - trumpet (1979-1980)
* Simon Clarke - brass (1989)
* John Corey - piano, organ (2012-Present)
* Jamie Daltrey - brass (1989)
* Scott Devours - drums (2013)
* Andy Fairweather-Low - guitar, vocals (1978, 1982)
* Dennis Farias - brass (1996-1997)
* Simon Gardner - brass (1989, 1996-1997)
* Loren Gold - keyboard, vocals (2012-Present)
* Reggie Grisham - brass (2012-Present)
* [[Music/JeffersonAirplane Tim Gorman]] - keyboard (1982-1983)
* Scot Halpin - drums (1973, died 2008)
* Nicky Hopkins - piano (1965, 1971, 1975, died 1994)
* Peter Huntington - drums (2006)
* Brian Kehew - keyboard, piano (2006)
* Al Kooper - keyboard, organ (1967, 1971)
* [[Music/EmersonLakeAndPalmer Greg Lake]] - bass (2003)
* Nick Lane - brass (1996-1997)
* Jody Linscott - percussion (1989, 1996, 2011)
* Randy Lorimer - brass (1989)
* J. Greg Miller - brass (2012-Present)
* Damon Minchella - bass (2005)
* Billy Nicholls - vocals (1978, 1989-1990, 1996-1997, 2011)
* Michael Nicholls - vocals (1978)
* Tom Norris - violin (2010)
* [[Music/LedZeppelin Jimmy Page]] - guitar (1964-1965)
* Pino Palladino - bass (2002-2004, 2006-Present)
* Dick Parry - saxophone (1980)
* Simon Phillips - drums (1989-1990, 2000)
* Brian Redman - drums (1964)
* Tim Saunders - brass (1989)
* Neil Sidwell - brass (1989, 1996-1997)
* Frank Simes - keyboard, vocals (2012-Present)
* Chris Stainton - piano (1973, 1975)
* Zak Starkey - drums (1996-2004, 2006-Present)
* Simon Townshend - guitar, vocals (1996-1997, 2002-present)
* Thomas Townshend - bass, guitar, drums, vocals (2008-2009)
* Cleveland Watkiss - vocals (1989)
* Leslie West - guitar (1971)
* Steve White - drums (2005)
* Geoff Whitehorn - guitar (1996)
* Chyna Whyne - vocals (1989)
* Roy Wiegand - brass (1996-1997)

----
!!Studio Discography:

* 1965 - ''My Generation''
* 1966 - ''The Who Sings My Generation'' [[note]]Released in the US only as the substitute to ''My Generation''. It omitted ''I'm A Man'' and added ''Instant Party (Circles)''[[/note]]
* 1966 - ''Ready! Steady! Who!'' [[note]][=EP=], now included on the [=CD=] reissue of ''A Quick One''[[/note]]
* 1966 - ''A Quick One''
* 1967 - ''Happy Jack'' [[note]]Released in the US only as a substitute to ''A Quick One'', because of MoralGuardians. The title was changed, the track-listing was changed and it omitted ''Heat Wave'' and added ''Happy Jack''[[/note]]
* 1967 - ''The Who Sell Out''
* 1969 - ''Music/{{Tommy}}''
* 1971 - ''Music/WhosNext''
* 1973 - ''Music/{{Quadrophenia}}''
* 1975 - ''The Who By Numbers''
* 1978 - ''Who Are You''
* 1981 - ''Face Dances''
* 1982 - ''It's Hard''
* 2006 - ''Endless Wire''

----
!!Live Discography:

* 1970 - ''Live At Leeds''
* 1984 - ''Who's Last''
* 1990 - ''Join Together''
* 1996 - ''Live At The Isle Of Wight Festival 1970''
* 2000 - ''BBC Sessions'' [[note]]Recorded between 1965 and 1973[[/note]]
* 2000 - ''Blues to the Bush''
* 2003 - ''Live at the Royal Albert Hall'' [[note]]Recorded in 2000[[/note]]
* 2006 - ''Live From Toronto'' [[note]]Recorded in 1982[[/note]]
* 2007 - ''View From A Backstage Pass'' [[note]]Recorded between 1969 and 1976[[/note]]
* 2010 - ''Greatest Hits Live'' [[note]]Recorded between 1965 and 2009[[/note]]
* 2012 - ''Live At Hull'' [[note]]Recorded in 1970[[/note]]
* 2014 - ''Quadrophenia Live in London''

----
!!Non-album singles:

* 1964 - ''I'm The Face'' [[note]]Released when the Who was called The High Numbers[[/note]]
** ''Zoot Suit'' as the B-side [[note]]Released before The High Numbers became The Who[[/note]]
* 1965 - ''I Can't Explain''
** ''Bald Headed Woman'' as the B-side
* 1965 - ''Anyway, Anyhow, Anywhere''
** ''Daddy Rolling Stone'' as the UK B-side
*** ''Anytime You Want Me'' as the US B-side
* 1965 - ''My Generation'' [[note]]Otherwise available on their 1965 album ''My Generation''[[/note]]
** ''Shout And Shimmy'' as the UK B-side
*** ''Out In The Street'' as the US B-side [[note]]Otherwise available on ''My Generation''[[/note]]
* 1966 - ''Substitute''
** ''Instant Party (Circles)'' as the first UK B-side [[note]]Otherwise available on ''The Who Sings My Generation'', but not on a UK album[[/note]]
*** ''Waltz From A Pig'' as the US and second UK B-side [[note]]Not a song by The Who, it's a song by The Graham Bond Organization[[/note]]
* 1966 - ''I'm A Boy''
** ''In The City'' as the B-side
* 1966 - ''Happy Jack'' [[note]]Otherwise available on ''Happy Jack'', but not on a UK album[[/note]]
** ''I've Been Away'' as the UK B-side
*** ''Whiskey Man'' as the US B-side [[note]]Otherwise available on their 1966 album ''A Quick One''[[/note]]
* 1967 - ''Pictures Of Lily''
** ''Doctor Doctor'' as the B-side
* 1967 - ''The Last Time''
** ''Under My Thumb'' as the B-side
* 1967 - ''I Can See For Miles'' [[note]]Otherwise available on their 1967 album ''The Who Sell Out''[[/note]]
** ''Someone's Coming'' as the UK B-side
*** ''Mary Anne With The Shaky Hand'' as the US B-side [[note]]Otherwise available on ''The Who Sell Out''[[/note]]
* 1968 - ''Dogs''
** ''Call Me Lightning'' as the B-side
* 1968 - ''Call Me Lightning'' [[note]]Previously released as the B-side to ''Dogs''[[/note]]
** ''Dr. Jekyll and Mr. Hyde'' as the B-side
* 1968 - ''Magic Bus''
** ''Dr. Jekyll and Mr. Hyde'' as the UK B-side [[note]]Previously released as the B-side to ''Call Me Lightning''[[/note]]
*** ''Bucket T'' and ''Someone's Coming'' as the first and second US B-sides [[note]]''Bucket T'' was previously released on the EP ''Ready! Steady! Who!'', and ''Someone's Coming'' was previously released as the B-side to ''I Can See For Miles''[[/note]]
* 1969 - ''Pinball Wizard'' [[note]]Otherwise available on their 1969 album ''Tommy''[[/note]]
** ''Dogs (Part Two)'' as the B-side
* 1970 - ''The Seeker''
** ''Here For More'' as the B-side
* 1970 - ''Summertime Blues'' [[note]]Otherwise available on their 1970 live album ''Live At Leeds''[[/note]]
** ''Heaven And Hell'' as the B-side
* 1971 - ''Won't Get Fooled Again'' [[note]]Otherwise available on their 1971 album ''Who's Next''[[/note]]
** ''I Don't Even Know Myself'' as the B-side
* 1971 - ''Let's See Action''
** ''When I Was A Boy'' as the B-side
* 1972 - ''Join Together''
** ''Baby Don't You Do It'' as the B-side
* 1972 - ''Relay''
** ''Waspman'' as the B-side
* 1973 - ''5.15'' [[note]]Otherwise available on their 1973 album ''Quadrophenia''[[/note]]
** ''Water'' as the B-side
* 1973 - ''Love, Reign o'er Me'' [[note]]Otherwise available on ''Quadrophenia''[[/note]]
** ''Water'' as the B-side [[note]]Previously released as the B-side to ''5.15''[[/note]]
* 1974 - ''Postcard''
** ''Put The Money Down'' as the B-side
* 1974 - ''Long Live Rock''
** ''Pure And Easy as the B-side
* 2004 - ''Real Good Looking Boy''
** ''Old Red Wine'' as the B-side
* 2014 - ''Be Lucky''

----
!!TropeNamer for:

* GoingMobile ("[[CaptainObvious Going Mobile]]")
* MagicBus ("[[CaptainObvious Magic Bus]]")
* MeetTheNewBoss ("[[FullCircleRevolution Won't Get Fooled Again]]")
* PowerPop
* TeenageWasteland ("[[RefrainFromAssuming Baba O'Riley]]")

----
!!Associated Tropes:

* AllDrummersAreAnimals: Keith Moon was the TropeCodifier, legendary for wrecking hotel rooms - including part of a Holiday Inn in Michigan on his 21st birthday while The Who was touring the [=US=]. Popular legend claims that the chain banned the Who from all its hotels afterward, though Moon's biographer claims this was an exaggeration.
** Moon's trademark room-wrecking gambit involved dropping a lit cherry bomb into the toilet; he bought ''five hundred'' cherry bombs on his first trip to the U.S. and spent the next few years working through them. In later years, John Entwistle confessed that he occasionally joined in the fun, handing Keith the matches.
* AluminumChristmasTrees: The band recorded some real commercials around the time ''The Who Sell Out'' was recorded. Some of them are featured on the 1995 reissue.
* AlwaysSecondBest: The Who never had a #1 single in the [=UK=] or [=US=] throughout their career, being constantly denied the top slot by Music/TheBeatles, Music/TheSmallFaces, BobDylan, and others.
** Which is funny because Music/TheSmallFaces were AlwaysSecondBest in the mod-rock genre right behind The Who...
** Possibly lampshaded by Pete in the ''Live at Leeds'' album. When introducing "Substitute", "Happy Jack", and "I'm a Boy", he mentions that the first "was our first #4", the second "was our first #1... ''in Germany''", and the third, "according to Melody Maker, was our first #1 in England... for about half an hour." ([[DontExplainTheJoke "I'm a Boy" ended up peaking at #2 in the UK]])
* {{Angrish}}: The stuttering in "My Generation" is meant partly to evoke this, and partly to invoke [[WatchItStoned a pill-popper who can't control his speech because he's high on amphetamines]].
* AntiVillain: 'Behind Blue Eyes' is considered this trope's theme song.
* AudienceParticipation: Scot Halpin.
** Hell, even Keith Moon was picked up as an audience member, claiming to be better than their drummer at the time. In an interview clip from 1977, Moon claimed that he was never officially ''hired'' by the band, and he'd just been sitting in for 15 years.
** In the Broadway version of ''Tommy'', the line "How can we follow?" in "I'm Free" is intended to be sung by the audience.
** And at the call and answer part of "Pinball Wizard" (''how do you think he does it?'' / ''I don't know!''), the second part is often done by the audience.
* BerserkButton: If Pete Townshend catches you on stage during the band's set, be prepared to [[TalkToTheFist talk to the guitar]].
** Even Abbie Hoffmann, who was told to "get the fuck off my fucking stage" at {{Woodstock}}. An audio recording of the incident exists on Website/YouTube for skeptics such as Hoffman to listen to. Here's the full transcript:
--->'''Abbie Hoffman''': ''(grabs the microphone away from Pete)'' I think this is a pile of shit! While John Sinclair rots in prison...\\
'''Pete Townshend''': Fuck off! Fuck off my fucking stage! ''([[TalkToTheFist whacks Hoffman with his expendable guitar]])'' I can dig it!\\
''(Cue song)''\\
'''Pete Townshend''': The next fucking person that walks across this stage is gonna get fucking killed, all right? (audience laughs) You can laugh, but I mean it!
** Similarly, his nervous breakdown during the ''Lifehouse'' sessions was triggered by [[RantInducingSlight their manager calling him "Townshend".]]
* BigYes: A "YEEEEEEAHHH!" heard towards the end of "Won't Get Fooled Again." Which has now undergone MemeticMutation thanks to the song's status as [[RealSongThemeTune theme song for]] ''CSIMiami''.
* {{Bowdlerise}}: For its [=US=] single release, "Substitute" had a line changed from "I look all white but my dad was black" to "I try walking forward but my feet walk back". {{Lampshaded}} in an early interview, where Pete Townshend said that, in America, their records only sold in cities that tended to have race riots.
* BunnyEarsLawyer: Keith Moon. Let's face it, when you're a touring band and your drummer's antics have gotten you banned from several notable hotel chains, [[CrazyAwesome he's gotta be a pretty amazing drummer]].
* CallBack: Jimmy, the main character from the RockOpera ''Quadrophenia'' attends a concert performed by the Who themselves, circa 1965. The song "[[http://www.youtube.com/watch?v=w2W1-69yraU Helpless Dancer]]" even ends with a brief fragment of their early hit "[[http://www.youtube.com/watch?v=afam2nIae4o The Kids Are Alright]]".
** From "[[http://www.youtube.com/watch?v=ir2rFb_ghn0 You Better You Bet]]," released on the 1981 album ''Face Dances'' (and as the band's last top 20 single): "I drunk myself blind to the sound of old T.Rex / And ''Who's Next''."
** Part of the chorus in "Sister Disco" uses the phrase "deaf, dumb and blind". [[Music/{{Tommy}} Sound familiar?]]
* CanonDisContinuity: As Gary Glitter has been just a wee bit ''publicly disgraced and exposed as a pedophile'', his contributions to the 1996 Quadrophenia tour have been excised from the CD and DVD releases. As Townshend had a run-in with the law himself on charges of possessing child porn not that long ago, his desire to avoid GuiltByAssociation is understandable.
* {{Cloudcuckoolander}}: Keith Moon.
* CloudcuckoolandersMinder: Pete Townshend saw John Entwistle as this to Keith; they even used to share an apartment. [[NotSoAboveItAll The trouble was that sometimes Keith's crazy antics were just too much fun for John not to join in on...]]
* ClusterFBomb: Watch any interview with Pete Townshend. It's pretty funny.
* ConceptAlbum: ''The Who Sell Out''. In its original LP release, the concept gets more or less abandoned by the start of side two. Later CD releases correct this error by including real-life commercials recorded by the band to pad out the concept.
* ConspicuousConsumption: The instrument destruction, which actually caused the band a lot of financial problems.
** Keith's problem. He couldn't control his spending habits, and even after the band became big he was often in debt. His entire revenue from the 1975 tour amounted to 47.35 due to his financial recklessness.
* TheCoverChangesTheMeaning: The cover of Sonny Boy Williamson II's "Eyesight to the Blind", as featured on ''Tommy'', was reworked to fit it into the story of the album.
** The Who later did it to one of their own songs. ''The Kids are Alright'', off their debut album, is a pop song about [[IWantMyBelovedToBeHappy a man who has to leave his girlfriend because she'll be better off without him]]. Beginning in 2000, the live performances of the song worked in an extended freestyle section which varied from show to show, where Townshend and Daltrey described how their lives and their perspectives on life had changed between now and when they first sang the song.
* CrapsackWorld: The unreleased ''Lifehouse'' project took place in one, and several songs that were originally intended for inclusion on that album eventually found their way onto other albums. Also, John Entwistle's "[[http://www.youtube.com/watch?v=n2ZOhWAaGVs 905]]" takes place in a CrapsaccharineWorld similar to (if not actually inspired by) Aldous Huxley's ''Literature/BraveNewWorld''
* CrazyPrepared: Townshend's preferred manner of preparing songs to be recorded by the band was to record demo tracks on which he sang lead and ''played all the instruments himself'', to give the other band members a clear idea of what he wanted. His "Scoop" trilogy of solo albums is made of of compilations of these demos, and two discs of the six-disc "Lifehouse Chronicles" box set are made up of them.
** One of his demo tapes even got onto ''Music/{{Tommy}}''. "Tommy's Holiday Camp" was intended to be sung by Keith Moon (as indeed it was when played live), but Pete's original solo version was used instead.
* DarkerAndEdgier: A lot of their early material bordered on comedy: "I'm A Boy" was the lament of a child whose mother refused to acknowledge his gender, "Pictures of Lily" and "Mary Anne With the Shaky Hand" both serving as a cheeky attempt at [[GettingCrapPastTheRadar fooling 1960s censors]], etc. Then there's ''Tommy'', with its cynical take on adultery, child abuse, pop culture stardom, and social isolation only ''slightly'' obscured by the inclusion of a song about a blind kid playing pinball. And [[FromBadToWorse it gets much, much worse]] from there on out, with CreatorBreakdown leading to a string of bleaker and bleaker albums throughout the 1970s, culminating in 1975's ''The Who By Numbers'', sometimes referred to by fans as "Pete Townshend's suicide note." Joking and light-hearted songs didn't entirely disappear from the group's catalog, but they were increasingly relegated to one or two tracks per album, if that.
** This happened earlier and smaller with '66's "Whiskey Man," a song about a drunk who gets committed to a mental institution to cure him of a booze-induced ImaginaryFriend. Possible MoodWhiplash, since ''A Quick One'' is otherwise quite cheeky and light.
* ADateWithRosiePalms: Never outright stated but strongly implied in "Pictures of Lily". The singer is a young man who has insomnia. When his father gives him the titular pictures Lily, he feels better, and is able to sleep.
* ADayInTheLimelight: Almost all of The Who albums contained around two or three songs composed by bassist John Entwistle (instead of the main songwriter Pete Townshend), the majority of them sung by Entwistle himself instead of lead singer Roger Daltrey.
** Additionally, every live performance had at least one John Entwistle song, with him on lead vocals, usually "Heaven and Hell" (as an opening number), "Boris the Spider" and/or "My Wife". These numbers would usually be amongst of the rare moments of the concert where the spotlight was on the stoic bassist.
*** Keith Moon used to sometimes take the lead vocal on rare occasions, on studio recording and during live performances, which would often also qualify as CrowningMomentOfFunny.
** ''A Quick One'' is the only Who LP to contain songs by ''all four'' members of the band (one by Daltrey, two each by Moon and Entwistle, and the rest by Pete); their manager had finagled a deal with their label that would net each contributing songwriter the then princely sum of 500.
* DeafComposer: Pete Townshend is now almost totally deaf, although he has taken steps to prevent losing his remaining hearing.
* DeliciousDistraction: The promo film for "Happy Jack" has the band as a gang of [[BlatantBurglar Blatant Burglars]] who sneak into an apartment and start trying to break into the safe... only to be quickly distracted by a lovely cake.
* DesignerBabies: "905"
* DisappearedDad: The narrator of "A Legal Matter" is a dad who disappears because "marryin's no fun".
* DrugsAreBad: Roger Daltrey was straight-edge, and heavily objected to the other members' drug abuse. Once, he lost it on Keith Moon and flushed his pills down the toilet. Townshend also developed this stance after a bad acid trip aboard a plane. (That didn't stop him from being an alcoholic though.)
** Roger Daltrey was actually kicked out of the band (for the space of about a week) because he beat up Keith Moon for giving out drugs to the rest of the band. From then on out, he wasn't quite as violent.
* EasilyForgiven: The girl who is the subject of "A Quick One, While He's Away" is forgiven by her long-absent boyfriend immediately after admitting her infidelity with Ivor the engine driver. A rare justified example--said boyfriend mentions he wasn't entirely faithful himself.
* EmbarrassingTattoo: "Tattoo"--played with in that the owner of the tattoo doesn't find it embarrassing.
* EpicInstrumentalOpener: The synth riff at the start of "Baba O'Riley".
** Also, the Overture from {{Tommy}}.
* EpicRocking: "A Quick One, While He's Away", "Won't Get Fooled Again", "Love Reign O'er Me", "Baba O' Riley", "We're Not Gonna Take It"... among others.
* EmotionalTorque: A major component of Pete Townshend's musicianship, as he considered audience reaction to be just as much a part of a concert as the music itself (a concept he attempted to take to the next level in ''Lifehouse)''. In fact, he smashed his first guitar in a spur-of-the-moment attempt to induce this: he had accidentally broken it on the low roof of a venue and, when the audience failed to react, he proceeded to "make a big thing" out of destroying it so that the event would not go unnoticed.
* FakeRadioShowAlbum: ''The Who Sell Out''.
* {{Fingore}}: Yes, Pete hurts his hand playing the guitar like that. In many cases, he loses fingernails outright.
* FourMoreMeasures: "Baba O'Riley".
* FullCircleRevolution: "Won't Get Fooled Again", which is also TropeNamer for MeetTheNewBoss.
* FunWithFlushing: Keith Moon had a documented habit of flushing firecrackers down the toilets of hotel bathrooms.
* GenreSavvy: The band's onstage personalities tended to reflect the stereotypes of their instrument/role in the group: the flashy lead singer (Roger), the [[TheStoic stoic]] bassist (John), the CloudCuckooLander[=/=][[AllDrummersAreAnimals animalistic]] drummer (Keith), and the lead guitarist as the songwriter and the lynchpin holding it all together (Pete).
** Additionally, several lines from "Behind Blue Eyes" (the ode to the AntiVillain) are basically rules from the EvilOverlordList worded differently. And, y'know, published 25 years before the list.
* HairOfGold: Roger Daltrey used to slick his curly hair down in mod fashion, but his role as the MessianicArchetype in ''{{Tommy}}'' coincided with his decision to let his hair grow naturally.
* HairTriggerTemper: Pete was known for this, although fortunately his anger often vanished as quickly as it appeared.
* HarshVocals: John Entwistle's growled refrain in "Boris the Spider" has been cited as one of the earliest examples of a [[DeathMetal death-growl]].
* HeavyMeta: "Long Live Rock"
* HenpeckedHusband / WomanScorned: "My Wife"
* HeroicBSOD: Pete after he realized that he couldn't properly explain ''Lifehouse'', his intended MagnumOpus, to ''anyone'', which led to a HappilyFailedSuicide and the scrapping of the entire project in favor of ''Who's Next''.
** Again with Pete and the rest of the band after the disastrous and deadly 1979 Cincinnati concert riots. This nearly broke up the Who.
* HeroicRROD: Pete Townshend, Roger Daltrey, and John Entwistle all suffered varying degrees of hearing loss over the years as the result of the group's overwhelmingly loud music (they once held a Guinness World Record for "loudest band").
** As of the 2000s, Pete was almost ''completely deaf''; when playing acoustic guitar onstage, he has to wear headphones just to be able to hear his own playing. At the end of his life, John was also profoundly deaf and had to wear powerful hearing aids in both ears during his final sessions with the group before his death in 2002.
** And then there was Keith Moon's drum kit from their appearance on ''The Smothers Brothers Comedy Hour''. Moon was said to have packed more powder into the kit than the technicians were comfortable with and nobody but him knew about it. Pete and Roger claim that their respective hearing losses began in opposite ears because they were facing each other when Keith's bass drum exploded.
* {{Hypochondria}}: The song "Doctor, Doctor" has this in the lyrics, with someone claiming to have palpitations, chillblains, blindness, whooping cough, the mumps, chickenpox, flu, and smallpox in quick succession.
* IAmTheBand: Pete Townshend.
* ICanExplain: Averted. See "I Can't Explain"
* IntercourseWithYou: "Squeeze Box", "Pictures of Lily", "Mary Ann With the Shaky Hand"
* IncrediblyLamePun: And plenty. Foremost being the band bane itself.
* IWantMyBelovedToBeHappy: "The Kids Are Alright".
* LastChorusSlowDown: "Baba O'Riley" is a subversion; it moves from on-the-edge hard rock to folk rock with fiddle playing at the end, but then the fiddle moves into ''accelerando''.
** A lot of their songs do this in some way.
* LampshadeHanging: Townshend has a solo song called "Let's Get Pretentious", which is exactly what it sounds like.
* LargeHam: Roger can get really enthusiastic. And Keith was both an hyperactive drummer and a truly over-the-top person.
* LastNoteNightmare: The ''Tommy'' outtake "[[http://www.youtube.com/watch?v=AgT_plPbaVQ Cousin Kevin, Model Child]]" ends with one of these.
* LastSecondWordSwap: In "My Generation"
---> Why don't ya all f-f-fade away
* LimitedSpecialCollectorsUltimateEdition: The original [=LP=] release of ''Live at Leeds'' consisted solely of six tracks on a single record. The first reissue in 1995 added the entire concert except for the live performance of ''{{Tommy}}'' and some of Pete's stage banter. The 2001 reissue added that as well, and the 2010 version ''also'' included the sister concert performed a few days later at Hull (which had been shelved due to audio issues that couldn't have been fixed with pre-2010 technology).
* LongRunnerLineup: The classic lineup falls under Type 2 and lasted from 1964 to Keith Moon's death in 1978.
* LostForever: Several of the songs the group recorded for ''Lifehouse'', such as "Mary", were lost due to the master tapes being inadequately preserved, and decayed to uselessness by the time the group sought to remaster them in the '90s. Some, like "Put the Money Down" and "Time Is Passing", were partially restored with new vocals and overdubs added to what could be retrieved from the originals.
** The group's cover of "Under My Thumb", as reissued in the CD era, is missing the lead guitar part, which similarly was lost due to a damaged master tape.
* LoudnessWar: Some of their recent remasters, especially ''Meaty''. You could argue the Who were the rock-throwing cavemen from whom a direct line can be drawn to the high-tech, range-compressing warriors of today. The Who just used plain old wattage (see "Heroic RROD" above). Dougal Butler, who wrote ''Full Moon'', a hilarious memoir of his days with the band, said: "The Who have been clocked at 120 decibels near the stage. This is a condition which can be exactly duplicated by sticking your head in a jet engine." This was only in live performances though, as thankfully technology back then couldn't stand as much abuse as [=CDs=] nowadays.
** In fact, The Who were somewhat actively engaged in a Loudness War with other bands, since they made it their goal to be the loudest band ''ever''. Pete's memoir even recounts how depressed he and his bandmates were in 1967 when they gained a serious loudness competitor in the form of Vanilla Fudge ("They had found a way of amplifying a Hammond organ up to rock guitar decibels. We were actually upset by this").
** The Who were also in a Loudness War ''with themselves''. Everyone wanted to be heard over the other guy, so Pete Townshend and John Entwistle went to Jim Marshall (of [[http://en.wikipedia.org/wiki/Marshall_Amplification Marshall amps]] fame) and wound up essentially creating the now-classic Marshall Stack.
* LoveTriangle: "Substitute," "A Quick One, While He's Away," the plot to ''Tommy''
* MadBomber: Keith wasn't that fond of toilets.
* {{Malaproper}}: Roger does this ''Live at Leeds'' while introducing ''Tommy''.
* TheMadHatter: Keith again. He once referred to himself as The Who's "kept lunatic".
* {{Medley}}: "A Quick One, While He's Away," "Wire and Glass." "Rael" was originally intended as one, but was never completed and until the 1990s, only the first part was commercially available.
* MinimalisticCoverArt: The ''Live at Leeds'' album sleeve was deliberately designed to look like a bootleg, with the [=LP=] itself having a handwritten track listing and an instruction that the scratching noises are on the record itself and are not being caused by your phonograph. [[TechnologyMarchesOn The CD remaster instead states that the scratches have been corrected.]]
* MohsScaleOfRockAndMetalHardness: They were among the first bands to really cross into levels 5 and 6, with some ventures into higher levels later on.
* NeoclassicalPunkZydecoRockabilly: Several of Pete Townshend's late '90s recordings mashed up classic Who songs with freestyle rap sections performed by Hame.
* NewSoundAlbum: ''Who's Next'' sees the group stepping decisively away from their early mod / pop art roots.
* NoEnding: "Rael 1" was intended as the first part of a longer "mini-opera" in the same vein as "A Quick One, While He's Away." Only Pete Townshend didn't finish writing it, so the story ends abruptly before it really has a chance to get started.
* NonAppearingTitle: "A Quick One, While He's Away," "Baba O'Riley," "The Punk and the Godfather"
* NotChristianRock: Pete Townshend is a follower of Meher Baba, an Indian pantheist guru, and as such many of the songs he wrote for the Who are either addressed to God ("Who Are You", "Bargain", "Listening to You"), written ''from the perspective of God'' ("Let My Love Open the Door", "God Speaks of Marty Robbins"), or are about God in a more abstract sense ("Drowned", "Don't Let Go The Coat"). Most of Townshend's religious songs are oblique enough that one wouldn't notice it unless they were informed of it beforehand. His work with the Who aside, Townshend also recorded a trilogy of solo albums with Ronnie Lane which were explicitly dedicated to and based on the teachings of Meher Baba.
* OlderThanTheyLook: Roger Daltrey seems to age at a fraction of the normal rate. Probably partly explained by his being straight-edge.
** The singer in "Substitute" claims that he's also older than he looks.
* OverlyNarrowSuperlative: Keith Moon, as quoted by Pete Townshend, uncharacteristically failing to handle the 6/8 time signature of "Music Must Change" during the ''Who Are You'' sessions: "I'm having a bad day, but I am still the ''best fuckin'''...Keith Moon-type...''drummer in the world!"''
* PerkyGoth: John Entwistle, a perky pre-Goth.
* PluckyComicRelief: Keith, quite literally; after his death, the other three realized that his constant comedy routine had played a major role in holding The Who together by easing tensions within the group.
* PornStash: "Pictures of Lily"
* ThePowerOfRock: ''Lifehouse''
* PrecisionFStrike: ''Live at Leeds'' has one at the end of "Young Man Blues".
** There's also one (or two) in "Who Are You" (depending on the version)
*** There's one in Real Good Looking Boy
* ProtestSong: The Who were never a very political band, but there are a few examples among their catalogue;
** When [[Music/TheRollingStones Mick Jagger and Keith Richards]] were briefly jailed for marijuana possession in 1967, the Who released a cover of "Under My Thumb", backed by "The Last Time", in protest. The plan was reportedly for the Who to keep covering Stones songs for as long as Jagger and Richards were in jail, but as it turned out the pair were released even before the "Under My Thumb" single was issued.
** "I've Known No War" and "Why Did I Fall For That?" on the ''It's Hard'' album, a pair of pieces about fear of nuclear war in the 1980s.
** "Man in a Purple Dress", on ''Endless Wire'', is a scathing attack against organized religion and the clergy, inspired after Townshend watched ''Film/ThePassionOfTheChrist''.
** Off the same album is "Black Widow's Eyes", a topical if not exactly protest-y song about StockholmSyndrome setting in during the Beslam school massacre.
** And of course, there's "Won't Get Fooled Again", an ''anti''-protest song about how revolutionaries always end up imitating the people they overthrew.
* PunnyName: "Pick Up the Peace," ''Who's Next''. Honorable mention to the original name for the album that morphed into ''Tommy'': ''Who's for Tennis''
* TheQuietOne: John Entwistle, who went so far as to write a song about himself, with that title.
* RefrainFromAssuming: It's "Baba O'Riley", '''not''' "Teenage Wasteland".
** However, there is a Pete Townshend version of the song with a slower tempo called "Teenage Wasteland," making it easy to mistake.
*** The song "Teenage Wasteland" has two verses, a bridge, and a second chorus section that were later cut out when the song became "Baba O'Riley".
* ReplacementGoldfish: Oddly enough, ''not'' any of the drummers or bassists brought in to replace the original rhythm section: Pete calls the current touring band "Who-2" and maintains that Keith Moon and John Entwistle can never be truly replaced. A more straight example is ''Simon Townshend'' for his yet-living brother; Roger Daltrey has taken him on his non-Who solo tours to basically do everything Pete would typically do (guitar-playing, various vocal parts in ''Tommy'' songs). He even voiced Pete when The Who appeared on ''TheSimpsons'' since Pete had lost his voice at the time.
* RepurposedPopSong: "Who Are You" is the ThemeTune for ''Series/{{CSI}}''. Which makes sense, because the show is about finding the killer. Well, except that the song is really about getting drunk, being hassled by the cops, and finding God.
** ''CSIMiami'' grabbed "Won't Get Fooled Again," which makes less sense, but still some--they don't want to be fooled. Of course, the song is really about revolution.
*** '''''[[MemeticMutation YEEEEEEEEEEEEEEAHHHHH!!!!!]]'''''
** ''CSINewYork'' uses "Baba O'Riley"... which makes ''no'' sense whatsoever.
*** Those NY characters put their back into their living.
*** WordOfGod says that they were originally planning to use "Behind Blue Eyes" to make reference to NYPD cops, but through ExecutiveMeddling, they ended up using "Baba O'Riley".
* RockersSmashGuitars: Perhaps the first ever to do this.
* RockOpera: ''{{Tommy}}'', ''{{Quadrophenia}}''. ''[[WhatCouldHaveBeen Lifehouse]]'' was supposed to be one. ''Tommy'' is the TropeNamer, the TropeMaker, ''and'' the TropeCodifier. See below.
* RockstarSong: "Success Story," "How Many Friends" (most of ''The Who By Numbers'' really), "New Song"
** "[[http://www.youtube.com/watch?v=BQHZ7nvBSLY Long live rock]], be it dead or alive!"
* {{Rockumentary}}: ''The Kids Are Alright''. There's also the recent ''Amazing Journey: The Story of the Who'', which is a more serious look at the band's history.
* SingleTargetSexuality: In his 2012 autobiography, Townshend claimed that [[Music/TheRollingStones Mick Jagger]] was the only man he ever considered sleeping with.
* ScooterRidingMod: The Who were closely associated with the British mod scene during their early career, with 1966's ''A Quick One'', their second album, being the zenith of their association with that subculture. The next few albums following it, though, see the group reinventing itself as one of the pioneers of 1970s hard rock, a process that was more or less complete by 1971's ''Who's Next''.
** ''Quadrophenia'', written after the movement had already died out, was a deliberate attempt by The Who to acknowledge and play with their mod roots.
** Pete Townshend [[http://www.dailymail.co.uk/tvshowbiz/article-1210279/Pete-Townshend-swaps-rock-star-life-moped.html still]] rides a moped.
* SelfPlagiarism: In {{Tommy}} they used an instrumental tune from "Rael 1" (on the album ''The Who Sell Out'') as a leitmotif.
** The song "[[http://www.youtube.com/watch?v=bhtmzy5L4hw Glow Girl]]," recorded during the ''The Who Sell Out'' sessions but unreleased for a number of years, ends with a short song fragment ("[[GenderBender it's a girl, Mrs. Walker, it's a girl]]") that is recycled almost verbatim as the second track of ''Tommy''.
** A subtle one: listen carefully to the music during the chorus of "I'm One" from ''Quadrophenia''; part of it sounds like part of the ending of "Overture" in ''Tommy''.
* SellOut: ''The Who Sell Out'' is a massive [[LampshadeHanging lampshade]] of the group's numerous commercial endeavors during the late 1960s, including recording radio promos for Coca-Cola, Heinz Baked Beans, a car dealer, a maker of guitar strings, the United States Air Force, and anyone else they felt would reimburse them for their trouble. [[http://www.thewho.net/linernotes/WhoSellOut.htm The original plan]] was to entice the companies mentioned on the album to pay for the references. No one was interested, but the band was blatant enough about it that many listeners [[IMeantToDoThat took the album as intentional satire]].
* SingleStanzaSong / LoopedLyrics / TitleOnlyChorus: "See Me, Feel Me".
* SopranoAndGravel: Townshend and Daltrey, respectively.
** Wasn't always the case, though; it wasn't until after Daltrey's VocalEvolution that it really became like this trope.
** John Entwistle sometimes sung "soprano" to both Daltrey and Townshend's "gravel", his falsetto being a big part of The Who's vocals. Also sung much lower than Daltrey's tenor in Summertime Blues, for comedic effect.
*** Entwistle actually does that with himself in the song "Boris the Spider", where he switches from his normal voice to some of the deepest growl you'll ever hear during the chorus, and a funny falsetto during the bridge.
** The shining example is in Sea And Sand on Quadrophenia.
* SpecialGuest: Their appearance on ''TheSimpsons'' (episode titled "A Tale of Two Springfields"). Touchingly, the fact that they were being animated meant that Keith Moon could be brought back, albeit [[TheVoiceless without any lines]].
* SpidersAreScary: "Boris the Spider"
-->''Creepy, crawly / Creepy, crawly / Creepy, creepy, crawly, crawly...''
* StepUpToTheMicrophone / VocalTagTeam: While Daltrey was the regular vocalist, Townshend did sing lead on a number of songs, as did (more rarely) Entwistle and (even more rarely) Moon.
* TheStoic: John Entwistle played this role within TheWho, usually not moving too much and keeping a straight face to contrast with the other members' wild antics. It's really only ''comparatively'', though; he had his fair share of crazy moments, including sometimes joining the others in the onstage instrument-destroying.
** "Comparatively" is right. It's odd that you can be described as the low-key member of the group while performing an entire concert in a '''''leather''' Halloween skeleton costume''.
** Special mention should be made to his outfit from the Monterey Pop Festival. He's not on screen much, but when you see him, it's like getting hit with a psychedelic neon club.
* SubduedSection: "You Better You Bet" among others
* ThreeChordsAndTheTruth: Especially in the early period, to the extent that many of the early punk bands cited the Who as their prime inspiration. (The SexPistols and TheRamones ''both'' recorded covers of "Substitute".) In a bump recorded for ''Little Steven's Underground Garage'', Townshend quips "Wanna see a magic trick? Look what I can do with only three chords!"
* TropeMaker / TropeCodifier: Though not the UrExample of RockOperas (''The Story of Simon Simopath'' by [[NamesTheSame Nirvana]] and ''S.F. Sorrow'' by The Pretty Things both predate it), the Who's ''Tommy'' was the earliest one to become a hit. The Who maintain that ''S.F. Sorrow'' wasn't an influence in any major way, but several critics, and the Pretty Things themselves have disagreed. No one seems to have asked them about ''The Story of Simon Simopath'' since UK Nirvana never got too popular.
** As for the Codifying, ''Tommy'' is still one of the best examples of a continuous narrative via music there is, and uses several common RockOpera Tropes, particularly RockOperaPlot and {{Leitmotif}}.
* UnsoundEffect: Because they couldn't afford to hire additional musicians, Pete, Roger and John had to sing "cello cello cello cello" for the part in "A Quick One, While He's Away" that was supposed to have strings.
* VerySpecialEpisode: "Little Billy", an anti-smoking jingle the group recorded for the American Cancer Society in 1968.
* VocalEvolution: Just listen to how Roger Daltrey used to sound in their early years, like in ''Music/{{Tommy}}'', and then compare it to how he sounds in their later albums, such as ''Music/{{Quadrophenia}}''. Back when he was still "finding his voice", as Pete Townshend put it, his voice had a lighter, smoother sound to it. Afterwards, his voice started to become more distinct by becoming deeper and rougher.
* WordSaladTitle: The title of the song "Eminence Front"[[note]]i.e., a pretension of being suave and elite[[/note]] barely makes sense even if you ''do'' understand the context of the words.
* YouAreNumberSix: "905"
* YourCheatingHeart: "I Can See For Miles".
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