[[caption-width-right:350:Left to right: Eric Woolfson and Alan Parsons.]]

The Alan Parsons Project was a British ProgressiveRock band active between 1975 and 1990. The core group consisted of Alan Parsons (Producer/Engineer/Co-Writer/Occasional Instruments and backing vocals) and Eric Woolfson (Keyboards/Lyricist/Vocalist), with additional members recruited as required for each individual project. After the band's dissolution, Woolfson went on to work on musicals (including several which continued the themes of Project albums) before dying of kidney cancer in 2009, while Parsons created several solo albums and has toured extensively playing mostly Project songs, with his band taking the name of "The Alan Parsons Live Project".

APP are known for a more accessible style of prog-rock than many of the other bands of the era. They rarely used strange time signatures, and for the most part stuck to 4-5 minute radio-length songs. They often used full orchestration in their songs, with some of the best examples being "The Cask of Amontillado" (from ''Tales Of Mystery and Imagination'') and "Silence and I" (from ''Eye In The Sky''). While the makeup of the backing band changed constantly, some members became essentially permanent parts of the band, including guitarist Ian Bairnson (who contributed all of the band's lead guitar work) and bassist David Paton (who also sang lead vocals on a few songs). Over time, the band became more pop-influenced, and in the mid-1980s, synthesizers started to replace their orchestra, reaching their zenith on ''Stereotomy'', an album that is almost entirely synthpop.


* ''Tales of Mystery and Imagination'' (1976) - inspired by the works of Creator/EdgarAllanPoe (Notable Songs: "The Raven", "The Cask Of Amontillado", "The Fall Of The House Of Usher" Suite)
* ''Music/IRobot'' (1977) - Loosely inspired by the works of Creator/IsaacAsimov (Notable Songs: "I Wouldn't Wanna Be Like You", "Breakdown", "Don't Let It Show")
* ''Pyramid'' (1978) - Based on the then-popular pseudoscience of "pyramid power," with general themes of death and impermanence as well. (Notable Songs: "What Goes Up", "Can't Take It With You", "The Eagle Will Rise Again")
* ''Eve'' (1979) - About misogyny and feminism. (Notable Songs: "Lucifer", "Damned if I Do", "If I Could Change Your Mind")
* ''The Turn of a Friendly Card'' (1980) - About gambling and midlife crisis. (Notable Songs: "May Be a Price to Pay", "Games People Play", "Time", "The Gold Bug", "The Turn Of A Friendly Card" Suite)
* ''Eye in the Sky'' (1982) - About belief systems - both religious and political. (Notable Songs: "Sirius", "Eye in the Sky", "Psychobabble", "Old and Wise")
* ''Ammonia Avenue'' (1984) - Based on the tension between the scientific community and the public, as well as a general theme of failure to communicate. (Notable Songs: "Prime Time", "Since The Last Goodbye", "Don't Answer Me", "You Don't Believe")
* ''Vulture Culture'' (1984) - About the selfishness and dishonesty of modern culture. (Notable Songs: "Let's Talk About Me", "Days Are Numbers (The Traveler)", "Hawkeye")
* ''Stereotomy'' (1985) - About the pressures of modern life. (Notable Songs: "Stereotomy", "Limelight", "Where's The Walrus?")
* ''Gaudi'' (1987) - Inspired by Catalan architect Antoni Gaudi, especially his [[http://en.wikipedia.org/wiki/Sagrada_Fam%C3%ADlia Sagrada Familia basilica]] in Barcelona. (Notable Songs: "La Sagrada Familia", "Standing on Higher Ground", "Inside Looking Out")

!!"I am the trope in the sky, looking at you...":

* BigBrotherIsWatching: "Eye in the Sky"
* BookEnds:
** "Stereotomy" and "Stereotomy Two".
** The two parts of "Turn of a Friendly Card" are this to their suite.
** "La Sagrada Familia" and "Paseo de Gracia", the latter being an upbeat instrumental of the former.
* BreakupSong:
** "If I Could Change Your Mind".
** "Since the Last Goodbye".
** "You Won't Be There"
** "Sooner Or Later"
* CallBack: "One More River"'s chorus is echoed in the bridge section of "Can't Take it With You."
--> ''One more mile\\
One more road\\
One last bridge\\
One less load''
** Also done instrumentally:
*** "Nothing Left to Lose" ends with the tune of "Snake Eyes".
*** The guitar riff in the bridge of "The Raven" is used twice in "(The System of) Doctor Tarr and Professor Fether"
** "The Gold Bug" from ''The Turn of a Friendly Card'' is likely a Call Back to ''Tales of Mystery and Imagination''.
* CompressedAdaptation: The songs on ''Tales of Mystery and Imagination'' condense Creator/EdgarAllanPoe's rather wordy stories and poems into a couple of verses and choruses apiece.
* ConceptAlbum: All of them.
* EpicInstrumentalOpener: Several albums open with an instrumental that segues into the first song. The most famous of these instrumentals is "Sirius", the lead-in to "Eye in the Sky".
* EpicRocking:
** "Literature/TheFallOfTheHouseOfUsher" is in several parts, but is about sixteen minutes in total.
** "La Sagrada Familia" is about eight and a half minutes on the studio version, although significantly shorter when played live.
* FacelessEye: The cover of the album ''Eye in the Sky''. The title track, one of the Alan Parsons Project's best known songs, is a person telling their significant other (in a very creepy and vindictive fashion) that he/she knows the other has been cheating and is tired of pretending to be ignorant of it.
* FadingIntoTheNextSong: Pretty much the first two songs on an album. A special award goes to "[[EpicInstrumentalOpener Voyager]]" --> "[[StockPhrases What Goes Up...]]" --> "[[NotChristianRock The Eagle Will Rise Again]]"
* TheGamblingAddict: The "The Turn of a Friendly Card" suite. Also "I Don't Wanna Go Home" from the same album.
* GrandFinale: The ''Turn of a Friendly Card'' suite, "Old and Wise," and "To One in Paradise" all qualify, as do the endings to many of their other albums.
* TheGrimReaper: The narrator in "Can't Take It With You".
* IAmTheBand: Alan Parsons (producer/sound engineer) and Eric Woolfson (songwriter), ''neither'' of whom sang or played instruments regularly (although Woolfson ''does'' sing lead on the band's biggest hit, "Eye in the Sky", and played keyboards on a lot of their later stuff).
* TheInvisibleBand: In their music videos, though they do sometimes make brief cameo appearances.
** In "Let's Talk About Me", Alan and Eric appear briefly on the television.
** In "Don't Answer Me", the duo appear in illustrated form, each playing piano accompanied by the rest of the line-up.
** Towards the end of "Games People Play", we zoom in on stain glass window made to look like a King of Diamonds, only to find Alan staring us down.
** Both appear prominently in "I Wouldn't Want to be like You", though Eric is cast as an android.
* LookOnMyWorksYeMightyAndDespair: The central theme of "What Goes Up".
* MohsScaleOfRockAndMetalHardness: Anywhere from a 1 ("Time," "Old and Wise") to a 3 ("You're Gonna Get Your Fingers Burned," "La Sagrada Familia"), but on the whole, pretty soft even for a prog-rock band.
** Occasionally, they would get up to a 4 ("Snake Eyes", "The Raven"). Their hardest song, "The Tell-Tale Heart", is a low 5.
* MoneySong: "Money Talks"
* MusicBoxIntervals: "Eye In The Sky", "Don't Answer Me", the main theme of "The Turn Of A Friendly Card" suite.
* MisogynySong: A good chunk of the ''Eve'' album, seeing as the concept of "the strengths of women and the shortcomings of men" is sung almost entirely from a possessive man's point of view.
* MythologyGag:
** "I'd Rather Be A Man" includes the line "I'd rather be a man 'cause I wouldn't wanna be like you." "I Wouldn't Wanna Be Like You" was the band's first hit single.
** In Eric Woolfson's musical "Poe", an abridged reading of "The Raven" is performed by one of the characters. As the titular raven of the story appears, a soft bass riff begins playing, building up the tension for the rest of the reading. Project fans might recognize it as the same riff that opens and carries on throughout the Project song "Breakdown", the title of which nicely foreshadows the ending of "The Raven".
** The cover of ''Pyramid'' references Music/PinkFloyd's ''Music/TheDarkSideOfTheMoon'', which Alan Parsons engineered.
* NotChristianRock: "The Eagle Will Rise Again"
* {{Pastiche}}: According to WordOfGod, "Don't Answer Me" was an attempt to emulate Creator/PhilSpector's Wall of Sound effect.
* PyramidPower: Referenced and made fun of in ''Pyramid'', particularly in the song "Pyramania".
* RevolvingDoorBand: By design.
* {{Retraux}}: And a number of other past-meets-future-type-tropes, just from the cover of ''Music/IRobot''. There's the [[{{Zeerust}} retro-futuristic]]-looking robot, but also 1950s fashions for the men on the escalators (fedoras and suits), and the escalators are very clearly those of [[http://en.wikipedia.org/wiki/Paris-Charles_de_Gaulle_Airport Charles de Gaulle Airport]] in Paris[[note]]Or as it is known today, Terminal 1; Terminals 2 and 3 are rather different.[[/note]] which was designed in the late 1960s and didn't open until 1974 (i.e. long after fedoras were out of style).
* RockstarSong: "Limelight" seems to be this.
* SelfBackingVocalist: Guest vocalist Chris Rainbow elevated this to an art form, both with lead harmonies and veritable walls of backing vocals. He was credited in a couple of Alan Parsons Project albums as a "One-Man [[Music/TheBeachBoys Beach Boys]] Choir". Some of the re-released albums feature bonus tracks consisting of Chris Rainbow's backing vocals and harmonies isolated, he's that good.
* SopranoAndGravel: Chris Rainbow ("The Turn of a Friendly Card") and Eric Woolfson ("Eye in the Sky"), as opposed to Lenny Zakatek ("I Wouldn't Wanna Be Like You") and David Paton ("What Goes Up...")
* SpokenWordInMusic:
** Found in "Let's Talk About Me".
** Very briefly in "Hawkeye".
** The opening of "La Sagrada Familia".
** Towards the end of "Inside Looking Out".
** "Chinese Whispers" from ''Stereotomy''.
** The 1987 remaster of ''Tales of Mystery and Imagination'' includes several passages from Poe's poems as read by Creator/OrsonWelles.
* StepfordSmiler: The subject of "Don't Let It Show".
* StockPhrases: "What Goes Up..."