[[quoteright:325:https://static.tvtropes.org/pmwiki/pub/images/ShaniaTwainJunoAwardsMar2011_9821.jpg]]
[[caption-width-right:325:Let's go, girls!]]
->''"All I ever intended was to make a living at what I do. Everything I've achieved since then is above and beyond."''

Eileen "Shania" Twain [[UsefulNotes/KnightFever OC]] (born Eileen Regina Edwards; August 28, 1965) is a prominent [[UsefulNotes/{{Canada}} Canadian]] CountryMusic singer known for her slick, hooky, crossover-friendly music and longtime marriage to RecordProducer Creator/RobertJohnMuttLange.

Twain had humble beginnings in Timmins, Ontario, singing at bars at an early age and later appearing on local TV and radio shows. After losing both of her parents in a car accident, she began performing at a resort, eventually getting discovered by a representative of Creator/MercuryRecords. Signed in 1993, she did not garner much attention for her self-titled debut album, which produced only a pair of singles that both peaked at #55.

Her fortunes would change when she married Lange, who steered her towards a production and songwriting style indebted to 1980s rock and pop, much like Lange had previously produced himself. The change in sound proved wildly successful, with eight big singles all being launched from her breakthrough album ''The Woman in Me.'' Driven both by the big singles and hit videos, ''The Woman in Me'' stayed at the top of the albums charts for a very long time and went on to sell over 12 million copies stateside. All but two of the singles also made at least a dent in the Hot 100 charts, and "God Bless the Child" topped the Canadian singles charts.

In 1997, she released ''Come On Over.'' It, too, was a blockbuster success, with more than 10 million albums sold and a whopping ''eleven'' singles released to country radio (plus a twelfth, "When," sent to pop only in Canada and the UK). Lead-off single "Love Gets Me Every Time" set a new record for the highest debut ever made on the country music charts by a female artist, and went on to become her longest lasting #1 at five weeks. Also like the last album, almost all of the singles crossed over to pop and AC in both countries. After this album, Twain and Lange went on sabbatical to raise their son, Eja.

It was not until 2002 that Twain returned to the music, releasing ''Up!'' late in the year. This album was not quite as successful, although it sent five singles up the country charts and three more ("Ka-Ching!", "Thank You Baby! (For Makin' Someday Come So Soon)" and "When You Kiss Me") to international formats. None of the singles went to #1 on country, but "Forever and For Always" was a major AC hit. Also in an unusual move, ''Up!'' was issued as a double disc, with a different mix on the second disc depending on the market. Promptly afterward, she released a GreatestHitsAlbum which included three new songs: "Party for Two," "Don't!" and "I Ain't No Quitter." None of these singles saw much success. Her last chart entry for many years was "Shoes" from the multi-artist ''Music from and Inspired by Series/DesperateHousewives''. She has remained in the business and long promised a fifth studio album. In 2008, she discovered that Mutt was cheating on her with her best friend, and both couples promptly divorced. In 2011, Twain married Frédéric Thiébaud, the ex-husband of her now-ex-best friend.

Twain re-entered the spotlight in 2011 with a reality show on Creator/OprahWinfrey's OWN network. Also that year, she threw radio a bone with "Today Is Your Day", a teaser single produced by Nathan Chapman (Music/TaylorSwift's producer). She also covered "Endless Love" on Music/LionelRichie's duets album ''Tuskeegee'' a year later. She finally released her fifth studio album, ''Now'', in late 2017.

!!Albums:
* ''Shania Twain'' (1993)
* ''The Woman in Me'' (1995)
* ''Come On Over'' (1997)
* ''Up!'' (2002)
* ''Greatest Hits'' (2004)
* ''Now'' (2017)
* ''Queen Of Me'' (2023)

!!! Shania Twain is the {{Trope Namer|s}} for:
* ManIFeelLikeAWoman

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!!That don't trope me much:

* AllWomenLoveShoes: Invoked in "Shoes", which has the line "Men are like shoes."
* AutoTune: Very present on "Life's About to Get Good".
* BadDate: "Waiter! Bring Me Water!" is from the perspective of a woman watching her boyfriend get DistractedByTheSexy at a restaurant.
* BareMidriffsAreFeminine: One of her trademarks, especially during her initial rise to fame during the ''Woman in Me'' period.
* BeYourself: The overarching theme for "What a Way to Wanna Be!"
* CallAndResponseSong: "Party for Two", a duet with Music/BillyCurrington, features a back-and-forth dialogue between the two.
* DarkerAndEdgier: Many of the songs off ''Now'' were influenced by both the martial and vocal issues Twain dealt with during her hiatus (especially "Poor Me").
* DeadSparks: "Home Ain't Where His Heart Is (Anymore)":
-->Home ain't where his heart is anymore\\
He may hang his hat behind our bedroom door\\
But he don't lay his head down to love me like before\\
Home ain't where his heart is anymore
* DistinctDoubleAlbum: As mentioned above, ''Up!'' was released with different mixes on its second disc. The first (red) disc was the same worldwide (pop mixes). The second disc was green (country mixes) in the USA and Canada, or blue (Indian mixes) elsewhere. For obvious reasons, the Indian one is very different to the other two.
* EarlyBirdCameo: Before her debut album, she sang backing vocals for then-labelmates: Jeff Chance's 1992 album ''Walk Softly on the Bridges'' and Sammy Kershaw's 1993 album ''Haunted Heart''.
* EarlyInstallmentWeirdness: Her self-titled first album for Mercury is fairly standard early-90s mainstream country without much distinction, far removed from her signature sound. Since almost none of these songs fit her musical image, and none were significant hits, they have long since been ignored.
* EverythingIsAnInstrument: Session drummer Paul Leim was credited for "playing" the slamming door at the end of "(If You're Not in It for Love) I'm Outta Here!"
* ExtremeDoormat: "Any Man Of Mine" demands that the man be this.
* FadingIntoTheNextSong: "Whatever You Do! Don't!" -> "Man! I Feel Like a Woman!" on the international version of ''Come On Over''.
** The songs going from "(Wanna Get to Know You) That Good!" to "Ka-Ching!" on ''Up!'' do this as well.
* {{Fanservice}}: Shania was one of the first country singers to really exploit her sex appeal, and she was fairly controversial within the country fandom because of this.
** But note that she also quoted as having said that she explicitly does not like stripping off, insisting that audiences focus "on the music" and not on anything else.
* FemaleEmpowermentSong: "Man! I Feel Like a Woman!", natch.
** "She's Not Just a Pretty Face" combines this with ListSong saying that a woman could aspire to be anything from a mother to a romance novelist to a geologist to a politician.
* FirstWorldProblems: "Honey I'm Home" is full of them.
* LongRunner: ''Come On Over'' had possibly the longest period of success of any album. No less than 12 singles released from it (not counting reissues), from three different mixes of the album, over the course of three years. In an unusual case, it became most popular 2 years after it had been released in the US and Canada.
* LyricalColdOpen: "Whose Bed Have Your Boots Been Under?" and "No One Needs to Know"
* LyricsVideoMismatch: "I'm Gonna Getcha Good!" pairs a song about pursuing a love interest with a video depicting Shania being chased by a robot in a TechnoDystopia.
* LyricSwap: The chorus for "Poor Me" ends with the line "Pour Me Another" due to the homophonic similarities.
* MeaningfulName: ''Shania'' is Ojibway for "I'm on my way." Twain caught some flak for this when she first broke through and people discovered her birth name, with some claiming that she was a Caucasian falsely insinuating Native American heritage (she claims partial Cree ancestry through her biological father, but his family denies this). Her stepfather Jerry was Ojibway, and when he adopted Eileen and her sisters Jill and Carrie, their last names legally became Twain.
* OneWomanSong: "Juanita"
* ProsceniumReveal: The ending to the video for "You've Got a Way"
* ParodyAssistance:
** After Music/CledusTJudd parodied "Any Man of Mine" as "If Shania Was Mine", Twain appeared in a couple of his videos.
** In 1995, a Twin Cities (Minnesota) DJ named Gino Ruberto recorded a different parody of "Any Man of Mine" titled "Any Gal of Mine", which got some airplay on ''After Midnite with Blair Garner'' and actually made the country charts (credited to "Gino the New Guy") without the support of a label. The song opened with Twain herself giving a spoken-word warning to Gino.
* PrinceCharmingWannabe: "That Don't Impress Me Much," in which a guy tries to woo her with his good looks, his intelligence, and his flashy car, but not only is that not what she's looking for in a relationship (she's looking for an emotional connection), it's implied he's a [[InsufferableGenius mansplaining]], [[ProudBeauty vain]], [[ThePreciousPreciousCar car-obsessed control freak.]]
* RearrangeTheSong: Both the albums ''Come On Over'' and ''Up!'' were remixed for international markets, where country music was not as popular as the US. Many of the songs are similar but missing fiddles or country elements. However, in the case of "If You Wanna Touch Her, Ask!" they completely changed the mood of the song, from a guitar driven country rock song to an sparse electro ballad (with occasional guitar).
** Also, the "UK Dance Mix" of "That Don't Impress Me Much" has a different, more rhythmic guitar riff in it than the original does. This version became the hit version in the UK and elsewhere, [[EclipsedByTheRemix and many fans had no idea it was a remix]]. The radio occasionally played the original by mistake, though the [=YouTube=] music video uses the original.
** The pop mix of "From This Moment On" was changed from a duet with Bryan White to a solo song, due to White not being as well-known outside the country music community. Similarly, Music/BillyCurrington was replaced with [[Music/SugarRay Mark McGrath]] for the pop mix of "Party for Two".
* RippedFromTheHeadlines: In a later interview, Twain explained that the reference to Creator/BradPitt was inspired by her reading about a scandal where a nude photo of Pitt for ''Playgirl'' was leaked. She didn't "know what all the fuss [was] about" since she felt it was normal for people to see each other naked.
* ScrewThisImOuttaHere: InUniverse example with "(If You're Not in It for Love) I'm Outta Here!", which ends with her sighing, stomping away, and slamming the door.
* SelfBackingVocalist: She and Mutt were the only two backing vocalists on all of the albums. The only exception is on the 'international' mix of "From This Moment On", where though Shania now sings all the verses, Bryan White's backing vocals in the chorus were kept from the duet.
* ShoutOut: Her music video for "Man! I Feel Like a Woman!" is practically a [[GenderFlip gender inverted]] version of Robert Palmer's "Addicted to Love" (while playing MaleBandFemaleSinger straight).
* StudioChatter: At the end of "No One Needs to Know", one voice (according to a fan forum, session drummer Paul Leim) says "There's your record, hoss!" and another (possibly "Mutt" Lange) adds, "Yep, there you go, dude."
* TemptingFate: The video for "(If You're Not In It For Love) I'm Outta Here!" has Twain going to sit down after singing "Mind if I sit down" only to have the chair pulled out from under her.
* TruckDriversGearChange: "Come On Over" goes up a half-step for each verse (E to F to F-sharp).
** "It Only Hurts When I'm Breathing" does a full-step for its verses (D-flat to E-flat to F).
** "Rock This Country!" shifts from G to A-flat after the bridge.
* UncommonTime: A downplayed example with "Thank You Baby! (For Makin' Someday Come So Soon)" set to 12/8.
* VocalEvolution: She sounds noticeably strained on the new songs off her GreatestHitsAlbum. According to various sources, this was due to a combination of Lyme disease and personal stress which eventually led to dysphonia, a vocal cord disorder. She had to undergo therapy to relearn how to sing, and returned with a significantly deeper delivery on "Today Is Your Day" and later ''Now''.
* YouHaveGotToBeKiddingMe: "That Don't Impress Me Much".
-->You're one of those guys who likes to shine his machine\\
You make me take off my shoes before you let me get in\\
I can't believe you kiss your car good night\\
Come on, baby, tell me, you must be joking, right?
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