[[quoteright:250:http://static.tvtropes.org/pmwiki/pub/images/ScottScimitar_9000.PNG]]
[-[[caption-width-right:250:The only man to ever out-weird [[Music/DavidBowie The Duke]].]]-]
->''"Go seek the lady who will give, not take away.''\\
''Naked with stillness, on the edge of dawn she strays.''\\
''Night starts to empty, that's when her song begins,''\\
''She'll make you happy, she'll take you deep within."''
-->--"Boy Child", 1969

->''"Jesse''\\
''are you''\\
''listening?''\\
''Six feet''\\
''of''\\
''foetus''\\
''flung at''\\
''sparrows''\\
''in the''\\
''sky"''
-->-- "Jesse", 2006


Scott Walker (born Noel Scott Engel, 1943- ) is an American-British songwriter and singer. His recorded work spans six decades and exhibits such extreme [[GenreShift genre shifts]] that he's been described as "Andy Williams reinventing himself as [[ElectronicMusic Stockhausen]]".

He was born in Ohio and the family settled in California. He started out in TheFifties as a teenage pop singer, then became a session musician. In TheSixties he relocated to London and became the lead singer of The Walker Brothers, a three-man TeenIdol group with fellow singers John Maus and Gary Leeds ([[{{Pseudonym}} none of whom were really called Walker]].) They had a string of hit singles including "My Ship Is Coming In", "The Sun Ain't Gonna Shine Anymore" and "Stay With Me Baby", rivaling the Beatles in popularity with British youth. Scott still became dissatisfied with the band's sound, and he made a series of increasingly distinctive [[SelfTitledAlbum self-titled albums]], ''Scott'', ''Scott 2'', ''Scott 3'' and, yes, ''Scott 4''. He also developed a love for the music of Music/JacquesBrel, and made several memorable cover versions of his work. ''Scott'' 1 through 3 each reached the British top 5, but his increasing experimentation led to the commercial failure of ''Scott 4''.

The Walker Brothers split up in 1968. During the early 1970s Walker made a number of solo albums that skirted into GenreMotif/EasyListening territory; he admits today he made these because [[IWasYoungAndNeededTheMoney he was in career slump and needed to make a living]].

The Walker Brothers briefly reunited in the mid-[[TheSeventies Seventies]] and even had a hit single with "No Regrets", but they broke up again soon after. Shortly before their breakup in 1978, the band's label went under and permitted the band to record one last album with no limits. This prompted Scott to return to songwriting and record his darkest and most experimental music up to that point. These composed the first four acclaimed tracks to the Walker Brothers album ''Nite Flights'', which went on to influence everyone from Music/DavidBowie to Ultravox[[note]]"Vienna" can be directly linked to ''Nite Flights''' "The Electrician"[[/note]]. Bowie named Scott Walker as one of his main influences and biggest idol, and [[https://www.youtube.com/watch?v=fF1Y7BzWbUs nearly went to pieces]] when Walker recorded a personal greeting for his 50th birthday.

In 1981, his reputation got an additional boost with the successful release of a compilation album, ''Fire Escape in the Sky: the Godlike Genius of Scott Walker'', featuring tracks selected by dedicated {{Fanboy}} Julian Cope. Walker's own songwriting had been starting to sound DarkerAndEdgier and his artistic output, if not his income, began to revive with the critically acclaimed but commercially unsuccessful 1984 album ''Climate of Hunter''. He didn't release another album until 1995's ''Tilt'', when it became apparent that a full-scale GenreShift had happened: in place of the sardonic/romantic tone of the 60s and 70s and the ominous electronic balladry of the 80s, Walker was now in NightmareFuel territory with massively [[DroneOfDread doomy strings]], disturbing WordSalad lyrics and a new, ghostly tenor voice in place of his previous warm baritone.

Since then, he's gone on to release increasingly disturbing but rather brilliant albums at occasional intervals, most recently 2012's ''Bish Bosch''. 2006's ''The Drift'' is considered one of his greatest records, and most terrifying.

In 1970 he took out British citizenship and has lived in England ever since. On receiving an award in 2003 he said of England "I couldn't have made the records I've made in any other place."

In 2006 he was the subject of a feature-length documentary by Stephen Kijak, ''Scott Walker: 30 Century Man''.

[[NamesTheSame Not to be confused with the (as of 2012)]] [[http://en.wikipedia.org/wiki/Scott_Walker_%28politician%29 Republican governor of Wisconsin]].

!!Discography
!!!The Walker Brothers:
* ''Take it Easy with the Walker Brothers'' (1965)
* ''Portrait'' (1966) - Not released in America
* ''The Sun Ain't Gonna Shine Anymore'' (1966) - Released in ''Portrait'''s place
* ''Images'' (1967)
!!!Going Solo:
* ''Scott'' (1967)
* ''Scott 2'' (1968)
* ''Scott 3'' (1969)
* ''Scott 4'' (1969)
* '''Til the Band Comes In'' (1970)
!!!The "Wilderness Years"
* ''The Moviegoer'' (1972)
* ''Any Day Now'' (1973)
* ''Stretch'' (1973)
* ''We Had it All'' (1974)
!!!Walker Brothers Reunite:
* ''No Regrets'' (1975)
* ''Lines'' (1976)
* ''Nite Flights'' (1978)
!!!Nightmare Music:
* ''Climate of Hunter'' (1984)
* ''Tilt'' (1995)
* ''Pola X'' (1990) - Film soundtrack
* ''The Drift'' (2006)
* ''And Who Shall Go to the Ball? And What Shall Go to the Ball?'' (2008)
* ''Bish Bosch'' (2012)
* ''Soused'' (2014, collaboration with [[Music/SunnO Sunn O)))]])

!!His music is featured in the following films:
* ''TheLifeAquaticWithSteveZissou'': "30 Century Man".
* ''Truly Madly Deeply'': Creator/AlanRickman and Juliet Stevenson do a memorable cover version of "The Sun Ain't Gonna Shine Anymore".

----
!!His work provides examples of:
* AddedAlliterativeAppeal: "Plastic Palace People"
* AngstySurvivingTwin: In "Jesse", a despairing ElvisPresley tries to communicate with his stillborn twin brother.
* BreakupSong: "No Regrets" - Tom Rush may have written it, but the Walker Brothers are the ones who had a hit with it.
* CoolOldGuy: He's 70 but making the edgiest and most extreme stuff he's ever made, and nobody could accuse him of being a nostalgia act or relying on his back catalogue. He himself admits that he doesn't even listen to his own music. When he won a Q magazine award in 2003, he asked somebody at his table what was the music that was playing as he was returning to his seat. It was one of his own songs, recorded only nine years earlier.
* CoverVersion:
** The majority of his 60s recordings were covers of Pop standards, including the Walker Brothers' best known songs: "Make it Easy on Yourself", "The Sun Ain't Gonna Shine Anymore". Most significantly, his first three albums had several Music/JacquesBrel songs on them, including "Mathilde", "Jackie", "Amsterdam", "Next", "If You Go Away"...
** Every album from ''The Moviegoer'' through ''We Had it All'' was made of covers, the former being of [[ExactlyWhatItSaysOnTheTin film theme songs]].
* DarkerAndEdgier: Each ''Scott'' album was darker than the one before, and then this trope hit full throttle over his entire career since the late 1970s.
* DeathSong: He likes writing these. "Farmer in the City" seems to be one for [[http://en.wikipedia.org/wiki/Pasolini Pier Paolo Pasolini]], while "Clara" is sung by the dead UsefulNotes/BenitoMussolini to his mistress Clara Petacci while their bodies are hanging upside-down from a gas station.
* DroneOfDread: Used frequently starting with ''Scott 3'' and usually dissonant. Taken to its logical conclusion in his 2014 Drone Metal collaboration with Music/SunnO, ''Soused''.
* EpicRocking: His songs stretch to as far as 9 minutes on ''Tilt'' and 12 on ''The Drift'', culminating in the 21-and-1/2 minute "[=SDSS14+13B=] (Zercon, A Flagpole Sitter)" on ''Bish Bosch''.
* EverythingIsAnInstrument: His modern albums have rather...interesting choices for instruments - machetes, ball bearings, garbage cans on top of crates, and a side of pork for his percussionist to punch to get the right sound for a corpse being beaten with a stick.
* GenreShift: From mainstream BaroquePop and {{Chanson}} in the 60s, through [[CountryMusic country-rock]] in the 70s and dissonant [[NewWaveMusic New Wave]] electropop balladry in the 80s, to unclassifiable [[{{Chanson}} Chanson From Hell]] ever since the mid-90s.
* HumanPopsicle: "30 Century Man" provides the page quote.
* LighterAndSofter:
** '''Til the Band Comes In''. Co-writer Andy Semal is credited for editing out anything that would "offend old ladies."
** ''Bish Bosch'', though not as dramatically. It's more sparse and less aurally overbearing than ''The Drift'', and it has an overall more playful feel to it in comparison, such as with the farting section in "Corps De Blah" and the vaudevillian insult jokes in "Zercon, A Flagpole Sitter".
* LiteraryAllusionTitle: "Orpheus", "Film/TheSeventhSeal"
* LongTitle: "The Old Man's Back Again (Dedicated To The Neo-Stalinist Regime)", ''And Who Shall Go to the Ball? And What Shall Go to the Ball?'', "[=SDSS14+13B=] (Zercon, A Flagpole Sitter)", "The Day the "Conducator" Died (An Xmas Song)"
* LoudnessWar: With the exception of ''Soused'' (which comes in at a borderline [=DR7=]), he has consistently averted this trope throughout his career.
* LyricalDissonance:
** "30 Century Man" is a cheery little ditty about being cryogenically frozen because you can't handle the complexities of modern life.
** Often goes the other way: the music's intensity gives new weight to lines like "I brought nylons from New York."
* MinimalisticCoverArt:
** ''Scott'' 1, 2, 4, and '''Til the Band Comes In'' are simply pictures of the man himself.
** ''Bish Bosch'' is just the album title smeared in white paint against a black background.
* NewSoundAlbum: His first four solo albums were darker, more ambitious and less romantic than the stuff he did with the Walker Brothers, but he then got diverted into making what amounted to MOR albums before stealthily edging his way back into darker and more ambitious territory in the 80s and 90s. By the time of 2006's ''The Drift'' he was making some of the most terrifying music ever recorded.
* ScaryMusicianHarmlessMusic: Inverted since the 1990s: Walker himself comes across as charming, soft-spoken and rather shy, but since ''Tilt'' his music has been the stuff of nightmares.
* SomethingCompletelyDifferent:
** Right in the middle of the rich, string-drenched ''Scott 3'' comes "30 Century Man", a short track with just Scott and an acoustic guitar.
** ''Nite Flights'', with gleeful, murderous abandon. Before then Scott and the Walker Brothers were doing MOR Pop and Country music. Cue their record label going under and giving the band free reign to do what they want, thus ''Nite Flights''' forays into Art Rock, Disco, No Wave, and dark ElectronicMusic.
* TakeThat: "[=SDSS14+13B=] (Zercon, A Flagpole Sitter)" is loaded with vaudevillian insult jokes. A small sampler:
--> "If shit were music, you'd be a brass band."
--> "Look, don't go to a mind reader, go to a palmist. I know you've got a palm."
--> "Does your face hurt, 'cause it's killing me!"
--> "You're so boring that you can't even entertain doubt!"
* TheTropeWithoutATitle: The third, fifth, sixth and seventh songs on ''Climate of Hunter'' are respectively titled "Track Three", "Track Five", "Track Six" and "Track Seven".
* VocalEvolution: Averted despite his long career: he hasn't toured in years, and the resulting lack of strain on his voice means that he can still do whatever he wants with it. ''Bish Bosch'' shows in a couple tracks that, despite sticking to a medium-low register for the last few decades, he can still hit some higher notes quite easily.
* WordSaladLyrics: He's been prone to it for much of his career but he's really been tossing those salads since ''Climate of Hunter''.
* ZeroPercentApprovalRating: The titular figure recalled in "The Day the 'Conducator' Died", a ruler who was uprooted and executed.
-->''[[ShotAtDawn And nobody waited for "fire"]]''
----
-->''"Play it cool\\
And saran wrap all you can"''