Richard Thompson is a highly regarded British singer/songwriter/guitarist, admired for his virtuosity and his incredibly dark but brilliant lyrics. He began with the British FolkRock group Music/FairportConvention before striking out as a solo artist (recording a number of albums with his then wife Linda). Highly regarded amongst his peers, including Music/DavidByrne, Music/ElvisCostello and Christy Moore, he has somehow avoided commercial success.


[[folder: Solo Albums ]]

* ''Henry the Human Fly'' (1972)
* ''Strict Tempo!'' (1981)
* ''Hand of Kindness'' (1983)
* ''Across a Crowded Room'' (1985)
* ''Daring Adventures'' (1986)
* ''Amnesia'' (1988)
* ''Rumor and Sigh'' (1991)
* ''Sweet Talker'' soundtrack (1992)
* ''Mirror Blue'' (1994)
* ''You? Me? Us?'' (1996)
* ''Mock Tudor'' (1999)
* ''The Old Kit Bag'' (2003)
* ''Front Parlour Ballads'' (2005)
* ''Grizzly Man'' soundtrack (2005)
* ''Sweet Warrior'' (2007)
* ''Dream Attic'' (2009) (a live album consisting of all-new material, its sometimes listed as a studio album as a result)
* ''Electric'' (2013)
* ''Acoustic Classics'' (2014) (a collection of [[ExactlyWhatItSaysOnTheTin new acoustic re-recordings of Thompson's most popular songs]])
* ''Still'' (2015)


[[folder: Albums with Linda Thompson ]]

* ''I Want to See the Bright Lights Tonight'' (1974)
* ''Hokey Pokey'' (1975)
* ''Pour Down Like Silver'' (1975)
* ''First Light'' (1978)
* ''Sunnyvista'' (1979)
* ''Shoot Out the Lights'' (1982)


[[folder: Albums with Danny Thompson ([[Names The Same no relation ]]
* ''Industry'' (1997)

!!Associated Tropes:

* ApocalypseWow: "Wheely Down" plays with this, to unnerving effect.
* BadassBiker: The hero of "1952 Vincent Black Lightning".
* BreakupBreakout: Although he's not a superstar, Thompson is the best-known Music/FairportConvention member after Sandy Denny.
* ComfortingTheWidow: The plot of his song 'Woods of Darnay'
* ConceptAlbum: ''1000 Years of Popular Music'', [[ExactlyWhatItSaysOnTheTin popular songs from the last 1,000 years]] played in Richard Thompson's own unique style.
** Also ''Industry'', a collaboration with his longtime bassist Danny Thompson (no relation) about the effects of the growth and collapse of industry on British society.
* TheCoverChangesTheMeaning: His celebrated version of "[[Music/BritneySpears Oops I Did It Again]]". Having the song sung by a middle-aged man makes the protagonist sound way more hypocritical and unsympathetic.
** His version of "Hey Joe" makes you realise that "Hey Joe" is an old-fashioned MurderBallad -- even though he plays it like Music/JimiHendrix, it ends up sounding like a Richard Thompson song.
* DeathSong: "When I Get To The Border" is one, although it's not immediately obvious.
* DespairEventHorizon: "Withered And Died".
* DrunkenSong: Subverted by "God Loves A Drunk".
* DualMeaningChorus: Seen in "Shane & Dixie". The chorus "Fame and love will never die" is sung at first as a quote from the titular Shane as a total sincere expression of his beliefs. By the end of the song (when Shane has [[DrivenToSuicide committed suicide]] and Dixie has married a journalist) the lyrics become ironic as Shane is totally forgotten.
* EpicRocking: The compilation album ''(guitar, vocal)'' includes "Night Comes In" at 12:34 and "Calvary Cross" at 13:27.
* ExactWords: When ''Playboy'' magazine contacted a bunch of musicians, including Thompson, asked them to list some favourite songs from the last 1000 years, he took them at their word and gave them a list that started with "Sumer is Icumen In" from around the 13th century. ''Playboy'' never published his list, but he turned it into an album and a great live DVD, both called ''1000 years of Popular Music''.
* IAmTheBand: On his second solo album, ''Strict Tempo!'', Thompson plays all the instruments aside from drums, which are played by Dave Mattacks.
* IntercourseWithYou: "Hokey Pokey", a song supposedly about ice cream with lyrics such as "Some like it round/Some like it fat/Some like a poke or two".
* LyricalDissonance: Most times the downbeat nature of the music will match the lyrics, but he will often produce an upbeat tune such as "Wall of Death" (a jolly number about a mutually destructive couple), "Read About Love" (a upbeat song about a boy who ends up raping a girl through misconceptions about sex), and "Bad Monkey" (a bouncy little ditty about drug addiction).
* OdeToIntoxication: 'Down Where the Drunkards Roll', which is about how alcohol nourishes all the fondest illusions you have about yourself.
* PopStarComposer: "Pop star" might be pushing it a bit, but he wrote and performed the scores for the 1991 drama ''Sweet Talker'' and the 2005 documentary ''Film/GrizzlyMan''.
* ReasonableAuthorityFigure: Sergeant [=McCrae=] in "1952 Vincent Black Lightning", who summons Red Molly to the bedside of her dying lover.
* SelfDeprecation: In concerts he will often announce he will play a medley of his "hits"..and then stand in silence for a minute.
* TakeThat:
** "Mother Knows Best" is an attack on UsefulNotes/MargaretThatcher.
** "Fast Food Restaurant" is a dig at UsefulNotes/McDonalds.
** "When We Were Boys At School"--a depressingly-familiar tale of a bullied child, but who grows up to become a merciless leader--might be about UsefulNotes/TonyBlair.
** "Here Comes Geordie" is a particularly blatant TakeThat against Music/{{Sting}} (born Gordon Sumner).
** See also "I Agree With Pat Metheny", a live-only tune savaging (in hilarious fashion) Music/KennyG for overdubbing himself onto Music/LouisArmstrong's "What a Wonderful World". "He does play sharp, but let's be fair/He has such lovely crinkly hair."
** "Blackleg Miner" is an old-school pro-union anti-scab song, which culminates in the blackleg miner getting, well, [[DownerEnding killed]].
** "Put It There Pal" is about an [[WeUsedToBeFriends former friend]] who betrayed Thompson somehow.
* WorkingWithTheEx: ''Shoot Out The Lights'', made during the dissolution of his marriage to Linda. The supporting tour had Linda tripping him as he went onstage, and guitarist and fellow Fairport Convention alum Simon Nicol, who was a member of their backing band, said that the first thing he would do was look for the exits. These concerts, which were apparently incredible and featured some the best performances in either Richard or Linda's career, are [[KeepCirculatingTheTapes commercially unavailable]] because the acrimony behind the scenes brings back bad memories for both of them.
** In the 2000's, their relationship as friends had been [[AmicableExes repaired enough]] that Richard appeared on Linda's 2002 album ''Fashionably Late''. In 2010, the two performed their first show together since 1982 at a tribute to their recently deceased mutual friend, folk singer Kate [=McGarrigle=], at the Meltdown Festival.
** They've continued to work with each other into the 2010s. "Love's for Babies and Fools", a song from Linda's 2013 album ''Won't Be Long Now'', features only the two of them -- it's effectively the only Richard & Linda Thompson recording since ''Shoot Out the Lights''.
** The whole Thompson family -- Richard, Linda, all three of their children (all of whom are musicians themselves), Richard's stepson, their nephew and their children's spouses -- recorded an album, ''Family'', together in 2014 under the name Thompson.