[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Prince.jpg]]

->''"My name is [[OneNameOnly Prince]]\\
And I am funky\\
My name is Prince\\
The one and only\\
I did not come\\
To [[PrecisionFStrike fuck]] around\\
'Til I get your daughter\\
I won't leave this town"''
---->-- '''Prince''', "''My Name Is Prince''"

Move over, Music/JamesBrown, there's a new sex machine in town, and his name's Prince.

Prince Rogers Nelson (born June 7, 1958), generally known simply as "Prince" or "His Purple Badness" to {{fan|Nickname}}s, is probably the most famous musician from Minnesota since BobDylan to become incredibly successful and carve a place for himself in the annals of pop music history.

Known as a [[IAmTheBand multi-instrumentalist]] who can play several instruments pretty epically (keyboards, synthesizers, guitar, bass, drums, drum machine) and a highly idiosyncratic (sometimes bordering on ControlFreak) songwriter, Prince had a future rock star's obligatory chaotic childhood and parent separation, though his mother has stated he only had "normal disagreements" with his father, and other people have suggested it wasn't anywhere near as bad as depicted in ''Purple Rain'' or songs like "Papa" (food for thought: Prince also co-wrote several songs with his father John L. Nelson). After running away from home and staying with his neighbours (where he met future bandmate André Cymone), Prince entered his first band in the early [[TheSeventies seventies]], playing piano and guitar. A demo recorded in 1976 brought the attention of a few major record labels, and he wound up signing with Creator/WarnerBrosRecords because they offered him the most creative freedom ([[HilariousInHindsight commence laughter]]). His first two albums for the label, ''For You'' and ''[[SelfTitledAlbum Prince]]'', were full of rather generic, disco-influenced R&B, recorded in [[IAmTheBand one-man band mode]].

With ''Dirty Mind'', Prince finally hit upon his SignatureStyle that would hereafter be called the "Minneapolis sound": a fusion of funk (by way of [[Music/GeorgeClinton Parliament-Funkadelic]], Music/JimiHendrix and Music/SlyAndTheFamilyStone), New Wave (lots of robotic synths and drum machines), pop and rock. It also helped that by then he had assembled a good backing band (bassist André Cymone, guitarist Dez Dickerson, keyboardists Lisa Coleman and Doctor Fink, drummer Bobby Z.). Lyrically, ''Dirty Mind'' marked the first appearance of Prince's overwhelming preoccupation with sex and matters of the flesh in general, as showcased by such songs as "Dirty Mind" (about having a dirty mind), "Head" (about him tricking a bride into marrying him through the power of [[ExactlyWhatItSaysOnTheTin head]]), "Sister" (about really {{Squick}}y BrotherSisterIncest). The album was also recorded entirely by Prince on all the instruments except for "Head", which included vocals from Lisa Coleman and Doctor Fink contributing a noisy, atonal keyboard solo.

Unsurprisingly, this all proved to be a bit too much for America in TheEighties (his bizarre wardrobe certainly didn't help matters) - while opening for Music/TheRollingStones in 1981, Prince got pelted with trash and booed off the stage. Still, he soldiered on and released ''Controversy'', which was pretty much ''Dirty Mind'' again (general consensus has pretty much branded ''Controversy'' with the ItsTheSameNowItSucks iron).

By this time, Prince's backing band had crystallized into its most famous incarnation:
* Brown Mark - bass guitar, vocals
* Bobby Z. - drums
* Lisa Coleman - keyboards, vocals (generally credited as "Wendy and Lisa")
* Wendy Melvoin - guitar, vocals (generally credited as "Wendy and Lisa", replaced Dez Dickerson in 1983)
* Doctor Fink - keyboards, vocals

Now christened "The Revolution", Prince made ''1999'', his breakthrough album into the US mainstream - mostly on the backs of the hit singles "1999" ([[LyricalDissonance a catchy funk tune about nuclear armageddon]]) and "Little Red Corvette" (an entire [[DualMeaningChorus Dual Meaning Song]] using cars as a metaphor for a bad relationship).

Prince's next project was a small film where he played a troubled musical prodigy who is trying to become a star despite his {{Jerkass}} behaviour threatening to drive away his bandmates. The Revolution and other associates all appeared using their real names, except Prince's character who was named "The Kid". You might have heard of the movie, it was named ''Film/PurpleRain''. 1984 thus turned out to be Prince's best year: the soundtrack album ''Purple Rain'' was a massive success, spending 6 consecutive months at #1 on the US charts, the film got nominated for Academy Awards and grossed over $80 million at the box office, and four of the singles drawn from it were smash hits: "When Doves Cry", "Let's Go Crazy", "Purple Rain" and "I Would Die 4 U". ''Purple Rain'' not only introduced Prince's XtremeKoolLetterz spelling system but also showed a more theatrical yet still highly catchy variation on the Minneapolis sound, emphasising the pop and rock aspects and having louder guitars but still keeping the stylistic mishmash intact, making it a crossover success.

In this period, Prince also got in trouble due to his explicit style. Then-Senator AlGore's wife, Tipper, was outraged by hearing her 12-year old daughter listening to the explicit lyrics of "Darling Nikki" and founded the much-hated [[MoralGuardians Parents Music Resource Center]] (yes, the inventors of the "Parental Advisory: Explicit Lyrics" sticker), instead of, oh, we don't know, being more careful about buying albums in the future or something like that.

Following a successful tour marred by occasional tension within the band, Prince & the Revolution released another successful album, ''Around the World in a Day'', this time amplifying the psychedelic elements hinted at with ''Purple Rain'' to a vaguely [[Music/TheBeatles Beatlesque]] sound. The resulting tour worsened intra-band tension due to Prince's recruitment of additional members (Susannah Melvoin, Eric Leeds, Atlanta Bliss, Jerome Benton, Wally Salford, Greg Brooks). He also began a new film project named ''Under the Cherry Moon''. While ''Purple Rain'' had a lukewarm-but-positive reception, ''Cherry Moon'' was savaged by critics due to bad plot and acting, but the film's soundtrack album ''Parade'' did just as well on the charts.

Since the intra-band tension had grown to severe levels by now, Prince disbanded The Revolution in 1986, firing almost everyone (Brown Mark quit by himself) besides Doctor Fink. A new lineup was assembled, including guitarist Miko Weaver, drummer Sheila E., Bliss and Leeds on horns, bassist Levi Seacer, Jr. and keyboardist Boni Boyer. Some of them appeared on ''Sign "☮" the Times'', Prince's first solo effort after the disintegration of The Revolution. While this earned a much better reception critically and commercially, it marked the beginning of Prince's feud with Warner Bros. Records, after they scrapped his plan to originally release a triple album and forced him to reduce it to a double album - possibly a rare case of positive ExecutiveMeddling. He then was tapped to create the soundtrack for the 1989 Creator/TimBurton ''Film/{{Batman}}'' film (Music/MichaelJackson had been in talks to do it, but it never panned out).

After the rest of his old bandmates drifted away (Dr. Fink, Sheila E., Leeds, Bliss, and so on), Prince debuted a new backing band, The New Power Generation, in 1990. Its members have included:

* Levi Seacer, Jr. - rhythm guitar (1991-1993)
* Kat Dyson - rhythm guitar (1996-1997)
* "Rev." Michael Scott - rhythm guitar (1997-2001, 2004, 2006)
* Sonny T. - bass (1991-1996)
* Rhonda Smith - bass (1996-2004)
* Rosie Gaines - keyboards, vocals (1990-1992)
* Tommy Barbarella - keyboards (1991-1996)
* Kip Blackshire - keyboards, backing vocals (1999-2001)
* Renato Neto - keyboards (2002-2008)
* Michael Bland - drums (1991-1996)
* Kirk Johnson - percussion, backing vocals, drums, drum machine programming (1993-2000)
* John Blackwell - drums (2000-2004)
* Maceo Parker - horns (1999-2007)
* Tony Morris - horns (1998-2000)
* Greg Boyer - horns (2001-2008)
* Tony M. - rapping (1991-1993)
* Mayte Garcia - backing vocals (1992-1996)
... and many others.

Prince dropped into a SeasonalRot during TheNineties. When his commercial success slipped, he feuded with Warner Brothers (at one point writing "Slave" across his face) until he got off the label and changed his name to the unpronounceable "[[LuckyCharmsTitle love symbol]]," leading to [[TheTropeFormerlyKnownAsX the nickname "The Artist Formerly Known As Prince"]]. Now having gained ProtectionFromEditors, he proceeded to put out a string of albums, playing to a small but dedicated group of fans while the mainstream's attention moved elsewhere. Many don't feel it matches his material from the 80s.

When his contract with Warner Bros expired in 2000, he made a statement that he was changing his name back to Prince, rather than [[LuckyCharmsTitle the symbol]] he had adopted to detach himself from them. He entered the mainstream again, releasing his album ''Musicology'' on a major label and performing at the Grammy Awards. Since then, Prince has held a larger audience than during his off-label years in TheNineties but still not matching his peak popularity. As of 2012, he has become the frontman for an otherwise all-female rock band, 3rd Eye Girl. The band also simultaneously acts as Prince's current backing band, transforming many of his older songs into classic hard rock tracks in the vein of his own "Bambi" and "Temptation".

Prince has written more than one thousand songs. Most have been released under his own name, some have been released under [[StageNames pseudonyms]] and {{pen name}}s, while others have been recorded and released by other artists. Associates and "spinoff bands" of the latter have mostly involved others recording vocals over his own songs with his own lyrics (Vanity 6, Apollonia 6, Mazarati, Madhouse, The Family), with some such spinoff bands managing to win creative independence (Sheila E., The Time), or others not being involved with him at all (Wendy & Lisa - considering Prince's conflicts with them led to The Revolution breaking up, that's not at all surprising). We have a page for them over at PrincesAssociates.

Prince reportedly has hundreds of unreleased songs in his "vault". He has won seven Grammy Awards, a Golden Globe, and an Academy Award, and is one of the few people to have simultaneously managed a #1 movie, album and single in the same year. He was inducted into the Rock and Roll Hall of Fame the first year he was eligible in 2004. In that same year ''Rolling Stone'' ranked Prince #28 on its list of the 100 Greatest Artists of All Time.

He's also apparently [[Series/ChappellesShow really good at basketball]].[[note]]He actually did play basketball in high school, and multiple tour managers have described how Prince and his entourage would sometimes rent a local community center or gymnasium for a few hours before or after a show to play a few games.[[/note]]

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!!Main Studio Discography

* 1978: ''For You''
* 1979: ''[[SelfTitledAlbum Prince]]''
* 1980: ''Dirty Mind''
* 1981: ''Controversy''
* 1982: ''1999'' (double album)
* 1984: ''Purple Rain'' (soundtrack album)
* 1985: ''Around the World in a Day''
* 1986: ''Parade'' (soundtrack album)
* 1987: ''Sign "☮" the Times'' (double album)
* 1988: ''Lovesexy''
* 1989: ''Batman''
* 1990: ''Graffiti Bridge'' (soundtrack album)
* 1991: ''Diamonds and Pearls''
* 1992: [[LuckyCharmsTitle Love Symbol Album]] (the actual title being the symbol he'd change his name to.)
* 1993: ''The Hits/The BSides'' (the first Prince compilation to include some of his numerous B-sides; he was specifically paid by Warner Bros. to ''not'' be involved in its assembling)
* 1994: ''Come''
* 1994: [[NoTitle Untitled]] (recorded in 1987 as the follow-up to ''Sign''; instead shelved, [[KeepCirculatingTheTapes distributed as a bootleg]] and released legally in 1994. Commonly called ''The Black Album'' due to its creditless, all-black sleeve.)
* 1995: ''The Gold Experience''
* 1996: ''Chaos and Disorder''
* 1996: ''Emancipation'' ('''triple''' album)
* 1998: ''Crystal Ball'' (a '''quadruple''' album, with 3 [=CDs=] including edited/revised versions of previously bootlegged songs, remixes, and an acoustic album named ''The Truth''. It was also shipped with a cassette of the 25-minute jam "The War" and another bonus disc filled with instrumentals, ''Kamasutra''. Prince's overblown promises and legendarily poor handling of the release managed to alienate a sizeable portion of his fanbase (the YMMV page has more details under Hype Backlash.)
* 1999: ''Rave Un2 the Joy Fantastic''
* 2001: ''The Rainbow Children''
* 2002: ''One Nite Alone...''
* 2003: ''Xpectation''
* 2003: ''N.E.W.S''
* 2004: ''Musicology''
* 2004: ''The Chocolate Invasion''
* 2004: ''The Slaughterhouse''
* 2006: ''3121''
* 2007: ''Planet Earth''
* 2009: ''[=LOtUSFLOW3R=]/[=MPLSound=]/[=Elixer=]'' (three albums packaged as one, with the first two by Prince and the last by his latest protegé, Bria Valente)
* 2010: ''20Ten''

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!!{{Trope Namer|s}} for:

* TheTropeFormerlyKnownAsX

----
!!Associated Tropes:

* AmbiguouslyBi
* AppealToNovelty: There were several moments in the mid-nineties where Prince pointed out that his new material was better simply because it was new. He tried getting ''Come'' (the old and busted) and ''The Gold Experience'' (the new hotness) released at the same time to try and prove this point.
* AuthorAvatar: The Kid in ''PurpleRain'' and ''Graffiti Bridge'', plus his character in ''Under the Cherry Moon''. All two of them are really unpleasant, annoying folks.
* AuthorTract: ''The Rainbow Children'': a thinly veiled concept album about being a Jehovah's Witness.
* AutoErotica: "Little Red Corvette". Also serves as DoubleEntendre.
* AutoTune: First used on 2006's "Incense & Candles" on one of the backing vocals. Used a lot on ''MPLSoUND''.
* BadassBoast: "My Name Is Prince" is basically a four-minute-long one of these.
* BawdySong and IntercourseWithYou: The poster child of these tropes, what with the amount of colourful metaphors and outright requests for it in 90% of his back catalogue. He even wrote a [[CallAndResponseSong call-and-response anthem]] for the act called "Sex", but when it comes to being explicit, the following pretty much take the cake: "Sister", "Let's Pretend We're Married" (with the charming declaration ''"I sincerely wanna fuck the taste out of your mouth. Can you relate?"''), "Darling Nikki" (the song that spurned the PMRC hearings that ultimately gave us the Parental Advisory stickers), "Erotic City", "Le Grind" and "Cindy C."
* BalladOfX: "The Ballad of Dorothy Parker".
* BoastfulRap: "My Name is Prince".
* BreakingTheFourthWall: A quick instance of this occurs in "Take Me With U"; after Prince sings the line "You shoot perfection", Apollonia says "Thank you!".
* BrotherSisterIncest: "Sister". Apparently, incest is all it's cracked up to be...
* CampStraight
* CarefulWithThatAxe: Dude can ''scream'' -- even [[ScreamsLikeALittleGirl if it does sound feminine]].
* TheCasanova: He's probably "recruited" more "proteges" in a week than any man can in five years, despite [[RealMenWearPink looking like he frequently wears said "proteges"' clothes and looks better in them than they do]].
* CleavageWindow: Invoked with a pair of ''[[http://estergoldberg.typepad.com/views_from_a_broad/2009/11/prince-gets-it-up-the-butt-in-ass-less-pants-on-mtv-awards.html cleavage window pants]]'' at the 1991 MTV Video Music Awards.
* {{Cloudcuckoolander}}: Just ask KevinSmith sometime...
** In one interview, Prince claimed that he was born epileptic and suffered from seizures in his childhood. Maybe that has something to do with it?
* ConceptAlbum: ''Love Symbol'' was supposed to be one, in which the "crown princess of Cairo" (played by then-girlfriend Mayte) is saved by Prince from her double-crossing bodyguards, who were after her "3 Chains o' Gold". Most of the story got cut out so Prince could fit one more song in, so all that's left on the album is Kirstie Alley trying to interview Prince.
** ''Come'' is linked conceptually by a poem that appears in bits throughout the album.
** ''The Rainbow Children'' is ostensibly about the Banished Ones taking over all of Earth save the haven of the titular Rainbow Children, which is covered in a "digital garden"; the Rainbow Children then go canvassing to collect enough people for a fight between them and the Banished Ones, cribbing a lot of Jehovah's Witnesses spirituality into a more Princian dialect along the way. Its real concept might as well be "[[AuthorTract Prince ranting about shit for an hour]]. {{Fauxlosophic|Narration}}ally."
* ContemptibleCover: The covers of ''Prince'' (Prince naked shown from the torso up), ''Dirty Mind'' (Prince wearing a trenchcoat and a thong) and ''Lovesexy'' (Prince naked in a religious pose that just ''happens'' to cover his balls) qualify as this. Retailers famously refused to stock ''Lovesexy'' as it is, either selling it from behind the counter or wrapped in a brown paper bag, much like Music/JohnLennon's ''Two Virgins''[[note]]the album with him and Music/YokoOno naked on the cover[[/note]].
* ControlFreak: Prince borders on this heavily. Even in his heyday with The Revolution, ''Purple Rain'' is the only album that features the full band performing for the majority of the record (six songs, compared to ''Around the World in a Day''[='=]s three and ''Parade''[='=]s two.) Very few artists got a decent level of respect for their own style and input out of him (Matt Fink, Sheila E. and Eric Leeds being among the few.)
** Prince also had a habit of micro-managing every band he formulated. Albums by Vanity 6, Apollonia 6, Jill Jones, The Time, The Family, Sheila E. and more were written, recorded and performed entirely by him, rarely with contributions by the bands in question (in the case of the first four artists, only the singers contributed and even then, they followed Prince's guide vocal track to the letter and Prince was always involved on backup vocals.) The Time famously never got to play on their own albums until their fourth one. Only time will tell if his more recent projects, such as New Power Generation and Bria Valente, will reveal that they received the same treatment.
* DarkerAndEdgier: The cyberfunk moodiness of ''1999'' flew in the face of his last four records. ''The Black Album'' flew in the face of ''everything''. ''Come'' was also pretty moody, as it was intended to showcase how bad Prince was and how awesome The Artist Formerly Known as Prince was. Warner Bros. chose not to release ''Come'' and ''The Gold Experience'' at the same time though, so that last one went unnoticed for a while.
* ADateWithRosiePalms: "Gotta Stop (Messin' About)", "Jack U Off", and so on.
* ADayInTheLimelight: The song "Around the World in a Day" owes its existence to this. Long story short, Prince invited Lisa Coleman's brother David to their then-studio (an abandoned warehouse full of recording equipment on Flying Cloud Drive in Eden Prairie, Minnesota) for his birthday in June 1984 and [[http://www.princevault.com/index.php/Around_The_World_In_A_Day allowed him two days of studio time as a present]]. Afterwards, Prince listened to what David had recorded and liked it so much he added his own input, and after a re-recording with The Revolution it became the title track and first song for his next album. (The finished track also arguably qualifies as a SiblingTeam moment, since David Coleman [cello, oud, fingercymbals, darbuka and sings backing vocals] and Jonathan Melvoin [tambourine and backing vocals] share contributions with their sisters.)
* DualMeaningChorus: "Little Red Corvette".
* EpicRocking: "1999", "Let's Pretend We're Married", "D.M.S.R.", "Automatic", "All the Critics Love U in New York", "Purple Rain", "Temptation", "I Could Never Take the Place of Your Man", the original version of "Computer Blue" (see below at WhatCouldHaveBeen) etc. etc.
** The 12[=''=] single version of "America" runs 21 minutes long because Prince and the Revolution jammed away until they had no more room left on tape. This was covered by a quick fade-out. Many of Prince's other 12"s of the 80s, like "America", feature the original version of the song, while the album and 7" feature edited versions. One notable exception is the 12" version of "Kiss" and "I Wish U Heaven", which consist of separate sections.
** The first CD issue of ''Lovesexy'' was indexed as one 45:07 track without any separation between songs, to force listeners to listen to it in its entirety.
** Then there's his guitar work, from the blistering coda of "Let's Go Crazy" to his show-stealing solo from when he joined TomPetty in performing "While My Guitar Gently Weeps".
* FakeOutFadeOut / TheStinger: The end of ''The Black Album'' fades back in long enough for Prince to exclaim, "What kinda fuck ending was that?" before quickly fading out again.
* {{Fanservice}}
* FriendlyRivalry: Enforced early on by Prince, between himself, his bandmates and even ''the other bands he toured with.'' Tales of Prince's shenanigans are so legendary that not many are sure how much of the film ''Purple Rain'' required acting. Prince also notably created Morris Day's character with rivalry between that character and his own Prince persona in mind. Several of these rivalries started to become antagonistic and ultimately caused The Revolution and his relations with members of The Time to fall apart. Prince has since calmed down, for the most part.
** Notably, Prince created rivalries with himself: The Time were credited with providing the backing music for Vanity 6's album (in reality performed by Prince), so on The Time's second album, they scream "We don't like New Wave!" after a song that makes fun of it. Prince also called out Jamie Starr, the producer persona he used for both Vanity 6 and The Time, as a thief on his song "D.M.S.R." And this was just 1982.
* FreezeFrameBonus: The video for "Alphabet St." features two instances of this. After Prince is shown driving the Thunderbird mentioned in the lyrics, the message [[DrugsAreBad "H is 4 punks"]] appears very rapidly on screen. At the end of the first verse, another split-second message appears, saying "[[OldShame Don't buy The Black Album. I'm sorry.]]"
* GenrePopularizer: The "Minneapolis sound", which was largely restricted to him and his [[PrincesAssociates associates]] (though [[FollowTheLeader often imitated it]]) and didn't survive past TheEighties.
* GratuitousSpanish: If somebody wanders into Prince's orbit and happens to speak Spanish, he ''will not hesitate'' to use that. This is most noticeable on some of his associates' albums, chiefly from Apollonia Kotero and Mayte Garcia, but he also indulged in it with "Te Amo Corazón" from ''3121''.
* HeartbeatSoundtrack: The backing track of "Sex in the Summer" uses... a sample of the heartbeat of Prince and Mayte's then-unborn son. [[HarsherInHindsight Makes the song harder to listen to.]]
* HijackedByJesus: While he did drop mentions and references to Christianity as far back as "Let's Pretend We're Married" (''I'm in love with God/He's the only way/'Cause you and I know we're gonna die someday'') and did write songs like "God" and "I Would Die 4 U", Prince converted to a Jehovah's Witness sometime in the early 2000s. Goodbye, explicit lyrics of yesteryear. He even went around self-censoring his past songs while performing live for a while[[note]]For example: when playing at the University of Minnesota in 2000, fans started the "Play that motherfucking bass!" chant from "Days of Wild", only for Prince to scold them with "We don't do that no more!"[[note]], or altering their lyrics in other ways[[note]]That'd be "The Cross", which had its lyrics revised to "The Christ" since Prince now believed that Jesus died on an upright stake instead of a cross (an issue caused by the ambiguity of translating the Greek word "stauros" in the Bible)[[/note]]. Fans weren't amused.
** Even before his conversion, Prince famously recalled the ''Black Album'' weeks before release, so he could replace it with the spiritually uplifting ''Lovesexy''. Prince really begun excising the freakiness out of his persona around this point.
* HypocriticalHumour: He derided rappers as tone deaf on "Dead on It", then started incorporating it into his music on ''Lovesexy''[='=]s "Alphabet St." and even moreso in TheNineties (cf. "Gett Off" and "My Name Is Prince").
** He dedicates a verse of "We March" from ''The Gold Experience'' to lecturing his audience not to call women "bitches" (not to mention trashing GangstaRap for the same reason on "Days of Wild"), but only six songs later he blindsides them with a song called "Billy Jack Bitch" (which loops you-know-which exclamation from Music/{{Fishbone}}'s "Lyin' Ass Bitch").
* IAmTheBand: "Produced, Arranged, Composed and Performed by Prince." Considering how many instruments he plays, yeah, he kind of is. One wonders why he even bothered letting other musicians tag along in the first place.
** [[FridgeBrilliance To perform live?]]
** Lampshaded and parodied on a season 10 ''Series/SaturdayNightLive'' cold opening where Prince (played by Billy Crystal) sings a "We Are the World" parody called "I Am Also the World" with his back-up dancers (played by Mary Gross and [[Creator/JuliaLouisDreyfus Julia Louis-Dreyfus]]) and any time another musician (in this case, WillieNelson [played by Jim Belushi], Music/BruceSpringsteen [played by Gary Kroeger], and CyndiLauper [played by Pamela Stephenson]) tries to duet with Prince, his bodyguards [played by episode hosts Creator/{{Mr T}} and Wrestling/HulkHogan] would beat the snot out of them.
* ICallHimMisterHappy: Even with a song called "Mr. Happy", reportedly Prince named his penis Valentino. Have fun never hearing "Manic Monday" the same way again!
* {{Instrumentals}}: Very very few early on - "Venus de Milo" and "2 Nigs United 4 West Compton" were the only ones to make it onto albums in TheEighties. There's more on ''Kamasutra'', ''Xpectation'', ''C-Note'' and ''N.E.W.S.''
* InsufferableGenius: Stories abound of Prince's {{Jerkass}} behaviour, which was also the source of The Revolution's breakup. He didn't exactly try to hide it in his films either. Dude's like the Creator/JamesCameron of music or something.
** For some inexplicable reason, most of his jerkassery seemed to be aimed at Wendy & Lisa. Instead of scrounging up the old Revolution stories, here's a more recent one: in 1998 he announced a Prince & the Revolution comeback album called ''Roadhouse Garden'' and tried to get the duo involved. They reasonably asked for some compensation, and said no when he didn't offer any. Then he went and blamed them for the album being shelved.
** Music/EltonJohn said of a meeting with Prince, "I went up to Prince and said, 'I'm a big fan of your stuff,' and he looked at me and just walked off... left me standing there like a twat. He's a prat, but he's a clever prat."
** During the Nude Tour, Prince constantly picked on guitar Miko Weaver, something biographer Alex Hahn and other bandmates suggest was due to him feeling jealous that Weaver had a bigger GroupieBrigade and was generally more popular with the ladies. In a pre-tour rehearsal, Prince even challenged Weaver to "take this shit outside", to which Weaver snarked "Yeah, like I'm gonna come outside [[JustYouAndMeAndMyGUARDS with you and your bodyguards]]" and walked out, but was eventually convinced to return for the tour.
** During the same Nude Tour, Rosie Gaines complained that she was being mistreated by dancers Tony M., Kirky J. and Damon Dickson, but Prince simply moved her to Mavis Staples' tour bus instead of reprimanding them.
** KevinSmith has a diatribe on Prince's eccentric behavior after Prince asked Smith to direct a short film for him.
* TheImmodestOrgasm: The end of "International Lover", complete with one of Prince's famous screams.
* LastNoteNightmare: "Do Me, Baby" is pretty soothing for the most part, but the very end is pretty creepy and ominous sounding. "Gotta Broken Heart Again" is a simple ballad that ends with a massively amplified guitar thunk that sounds like a gunshot.
* Letters2Numbers: "Nothing Compares 2 U", "I Would Die 4 U", "Money Don't Matter 2 Night" and many more only known to the most diehard fans of The Purple One.
* LighterAndSofter: In an intentional case of this trope, every aspect of "Lovesexy" was bubblegum and sunshine. And Jesus.
* LuckyCharmsTitle: ''Sign "☮" the Times'' and "♥ or $" are good examples. Prince also started using an eye symbol in 1988 to replace the word "I"; since it appeared beside another song called "I Wish You Heaven", some fans romanize the symbol as "Eye" (as in "Eye Love U, but Eye Don't Trust U Anymore".) Prince took this [[UpToEleven even further]] [[TheTropeFormerlyKnownAsX with the symbol later used for his name]], which was first used as the title for his fourteenth album.
* LoopholeAbuse: The reason he switched to using an unpronounceable symbol in TheNineties. Stuck in a bad deal with his record label, he found that they didn't own anything he released under another name.
* AMindIsATerribleThingToRead: Implied in the chorus of "Electric Chair":
-->If a man is considered guilty for what goes on in his mind
-->Then give me the electric chair for all my future crimes
* MinimalisticCoverArt
* MisogynySong: Some of his unreleased material goes here, like "It Takes 3" (ladies, Sonny T. doesn't want to know you unless you have friends for threesomes!) and "Extra Loveable" (where after a bunch of normal lyrics expressing attraction to an unnamed woman, Prince suddenly starts singing about how he's going to [[{{Squick}} rape her]]).
* NeoclassicalPunkZydecoRockabilly: Prince's "Minneapolis Sound" involves a huge smashing-together of {{Funk}}, Music/NewWave, rock, pop, soul/R&B and psychedelic rock. And it is awesome.
* NewSoundAlbum: ''Dirty Mind'' (showing off the Minneapolis Sound), ''Purple Rain'' (adding psychedelic bits, pushing the rock and pop parts forward, showing off The Revolution), ''Around the World in a Day'' (dialing up the psychedelia), ''Sign ''☮'' the Times'' (first post-Revolution solo album, more stripped-down arrangements and production), ''The Black Album'' (pure funk with bits of FunkMetal), ''Lovesexy'' (poppy), ''Graffiti Bridge'' (better technology), ''Diamonds and Pearls'' (less New Wave, less rock/pop, more funk/R&B/soul).
* NoEnding: "Batdance" cuts to a sudden halt with a sample of MichaelKeaton saying "Stop."
** Prince ran out of tape while recording the extended version of "America", so they added a fade out to hide it. Ditto for "I Would Die 4 U", only they trimmed [[EpicRocking 20 minutes off]] as well.
* NoTitle: The album commonly referred to as ''The Black Album'' was intended to be released in an entirely black sleeve with the catalogue number being the only thing printed on it. The only credit to Prince is a hidden message at the start of the opening song: "So ,you found me. Good, I'm glad. This is Prince, the cool of cools…" When it was officially released in 1994, the packaging remained unchanged, albeit with a sticker on the shrinkwrap saying, "The legendary Black Album."
* NonActorVehicle: ''Purple Rain'', ''Under the Cherry Moon'' and ''Graffiti Bridge''. Only the first is considered in any way good - more specifically, SoBadItsGood. Over the years UTCM has attained minor cult status among fans.
** Unsurprisingly, his most acclaimed movies are the concert films ''Prince and the Revolution: Live'' (filmed on March 30, 1985 at Syracuse, New York) and ''Sign "☮" the Times'' (supposed to have used concert footage from Rotterdam and Antwerp, but those shots turned out grainy and unusable so most of the film, including the segues, was reshot at Paisley Park).
* NoodleIncident: Why did Prince withdraw the ''Black Album''l? Er, hard to say. Stories circulate about how he became convinced it was evil, and some former associates claim that he came up with this idea after having a bad trip on ecstasy. Even when it was issued in 1994 to help complete his contract, his publicist stated he was still "spiritually against" it.
* NotChristianRock: We can go all day over this, but the HijackedByJesus part above kind of makes it moot.
** And considering the content of the vast majority of his songs, it's not all that hard to figure out.
*** Although, ''Purple Rain'' and ''Let's Go Crazy'' can both be seen as (and have been stated to be) religious metaphors.
* OlderThanTheyLook: Looking at Prince, it's hard to believe that he's in his early 50s and he still looks the same as he did in the 1980s.
* OneLetterName: The symbol, used when he was referred to as "[[TheTropeFormerlyKnownAsX The Artist Formerly Known as Prince]]" Said symbol, while not a alphabetical letter, still had to be printed during this time and Warner Brothers had to send out floppy disks of a special font that included the symbol so that print media could print it.
* OneNameOnly: Prince.
* OnlyKnownByTheirNickname: See TheTropeFormerlyKnownAsX.
* PissTakeRap: "Dead on It". "Now the rapper's problem usually stems from being tone deaf..."
* PingPongNaivete: In "Uptown", Prince is approached by a seemingly loose woman and mentions that he's taken aback by the request to "[[UnusualEuphemism party in Uptown]]". His internal monologue even calls her "a crazy little mixed up dame / she's a victim of society and all its games." Considering most of the rest of the ''Dirty Mind'' album consists of Prince sticking his dick in things, this is kinda jarring.
* PopStarComposer: Did the '89 ''Film/{{Batman}}'' soundtrack.
* PowerBallad: Best match for this criteria: "Purple Rain".
* PrincesAssociates: Loads of them.
* ProtestSong: Not what he's primarily known for, but "Partyup", "Ronnie Talk to Russia" (although he liked RonaldReagan), "America", "Sign "☮" the Times", "Dance On", "We March" and "Dear Mr. Man" count. These tend to be a bit {{Anvilicious}} though.
* PurpleIsPowerful
* TheQuietOne: Prince and The Revolution ended up interviewed on {{MTV}} when the "America" single was released, an interview during which Prince refused to speak and instead let his bandmates answer all the questions.
* RearrangeTheSong: Some of Prince's songs got stuck in DevelopmentHell and by the time they came out they'd been drastically revised:
** "Tick, Tick, Bang" was originally recorded in the ''Controversy'' sessions as a PunkRock song with frenzied drumming, monotone synth and Prince's multitracked vocals. The ''Graffiti Bridge'' version somehow grew to include a slower tempo, a beat sampled from Music/JimiHendrix, a different synth melody and more samples.
** "You" was originally recorded by Prince in 1979 as a rock-oriented side-project called "The Rebels", and it was (appropriately) a riff-driven PowerPop song with a droning synth sequence, not too far removed from what Music/{{Devo}} ended up doing the next year with ''Freedom of Choice''. By the time Prince pawned it off to Music/PaulaAbdul in 1991 with the Princebonics-ized title of "U", the rock part was absent, and it was now more of a dance song.
** The other surviving Rebels song, "If I Love You Tonight", wasn't radically changed since it started as a ballad, but Mayte's version has a more obvious R&B influence, with drum machines replacing Bobby Z.'s drums, and Princebonics replacing the normal title.
** "Alphabet St." and "Kiss" both started out as acoustic blues songs in 1987 and 1985, respectively, and their original demos can be found on bootlegs, the former in drastically shortened form.
** "Strange Relationship" had originally been recorded in 1982, and reworked with Wendy and Lisa in 1985, gaining a noticeable Indian influence through their playing sitar and wood flute. By the time it came out on ''Sign ''☮'' the Times'', The Revolution had disbanded, and Prince altered the mix to bury their contributions. (They weren't removed, but picking out the sitar and wood flute now requires some more careful listening.)
** In fact, one of the chief complaints of fans against the ''Crystal Ball'' boxset, besides the predominance of material from TheNineties, is that the 1980s songs were presented in revised form.
* RealMenWearPink: Could very well be a RealLife TropeCodifier of this.
* RecordProducer: "Produced, Arranged, Composed and Performed by Prince" ("& the Revolution" for ''Purple Rain'', ''Around the World in a Day'' and ''Parade'').
* {{Retraux}}: ''[=MPLSound=]'', if the name wasn't enough of a clue, is basically an entire album of Prince ransacking his 1980s Minneapolis sound.
* RockstarSong: "Baby I'm a Star", "My Name Is Prince".
* RummageSaleReject: This is what he and the Revolution dressed like back in TheEighties. With heavy doses of AwesomeAnachronisticApparel. They pulled it off.
* SameFaceDifferentName: Might as well be the TropeNamer.
* {{Sampling}}: Many people have sampled his stuff (example: Music/PublicEnemy's "Brothers Gonna Work It Out" uses the squealy guitar solo from "Let's Go Crazy"), not really surprising there. Prince himself first dipped into this with the ''Batman'' soundtrack, which featured samples taken from a workprint of the movie, with no ADR or foley, and outright made a StupidStatementDanceMix with "Batdance". Starting in TheNineties he would use the occasional sample more frequently: "7" is based on the 1960s R&B song "Tramp" by OtisRedding and Carla Thomas, "Tick Tick Bang" yanks the drum beat from Music/JimiHendrix's "Little Miss Lover", one version of the bootlegged "Dis Beat Disrupts" samples the famous [[Music/LedZeppelin "When the Levee Breaks" beat]].
* SelfDeprecation: "Prince? That skinny motherfucker with the high voice?"
** From "Now", a song released during his symbol phase: "Don't worry about my name, it's too long to remember / I could tell you now but we'd be here 'till next September."
** The unreleased "Blues in C (If I Had a Harem)" pokes fun at his TheCasanova reputation.
* SelfTitledAlbum: His second album was this. The symbol that was the name of his fourteenth album was later used as his legal name.
* {{Sexophone}}: Surprisingly this is rarely imployed, but finally saw use on 1989's three-part "The Scandalous Sex Suite", a 19-minute re-imagining of the song "Scandalous" from the ''Film/{{Batman}}'' soundtrack. The woman in question being Creator/KimBasinger, who [[SpokenWordInMusic converses with Prince]] throughout the song. This may have also been used in the infamous Underwear scene from the cinematic classic ''Graffiti Bridge.''
* SpokenWordInMusic: Numerous examples exist throughout his career. The most famous examples would include the start of "Let's Go Crazy".[[note]]Dearly beloved, we R gathered here today 2 get through this thing called life. Electric word life, it mean forever and that's a mighty long time. But I'm here 2 tell u, there's something else: the afterworld. A world of never ending happiness, U can always see the sun, day or night. So when u call up that shrink in Beverly Hills, U know the one - Dr Everything'll Be Alright. Instead of asking him how much of your time is left, ask him how much of your mind, baby. 'Cuz in this life, things are much harder than in the afterworld. In this life, you're on your own. And if de-elevator tries 2 bring u down, go crazy - punch a higher floor[[/note]] The most infamous example would probably be the intro to "Computer Blue":
--> *guitar feedback*
--> '''Lisa:''' Wendy?
--> '''Wendy:''' Yes Lisa?
--> '''Lisa:''' Is the water warm enough?
--> '''Wendy:''' Yes Lisa.
--> '''Lisa:''' Shall we begin?
--> '''Wendy:''' Yes Lisa. *EpicRiff*
** Additional examples include the talk with God at the end of "Temptation", the entirety of "Bob George", the monologue/sermon that comprises the first half of "One Song" and the aformentioned "Scandalous Sex Suite". Smaller examples include the intro to "Eye No", the last few lines of "200 Balloons", and the skits in between a couple of the songs on the ''Love Symbol'' album (Prince eventually cut several minutes of skits out of that album to fit one more song in.) The cake-taker is "The War", a 25-minute live jam with FauxlosophicNarration making up the lyrics.
* SubduedSection: Too many to count.
* SubliminalSeduction: {{Inverted}} entirely with "Darling Nikki". The song itself is about a "sex fiend" who has her full way with Prince, leaving him a wreck that begs for more. The backward message that concludes the song? "Hello, how are you? I'm fine, 'cause I know that the Lord is coming soon." During live performances on tour, that section would be played forwards, because there was no way to properly reproduce it live.
* StupidStatementDanceMix: "Batdance", which is Frankenstein'd together out of samples from ''Batman'', quotes from Prince songs from that film's soundtrack (as well as the 1966 Batman theme), a backing track from a song ''rejected'' for the film, and a typically Princetastic guitar solo.
* TakeThat: He's recorded quite a few songs bashing on Warner Bros. Records, like "Dolphin", "Face Down" and "White Mansion".
** The unreleased song "Extra Loveable" zings departed Revolution guitarist Dez Dickerson with "Hey Dez, don't you like my band?".
* TakeThatCritics: "All the Critics Love U in New York". The title says it all. Additionally, "Bob George" is rumoured to be a reference to Nelson George, a ''Billboard'' and ''The Village Voice'' music critic who gave some of his albums bad reviews.[[note]]The "Bob" is supposedly from Robert Cavallo, who managed him in his early days along with Joseph Ruffalo and Stephen Fargnoli, a/k/a "The Spaghetti Brothers". This was the team responsible for mismanaging Paisley Park Records to the point that Warner Bros. forced Prince to lend his Paisley Park studios to other acts just to try and recoup some of their investments, and eventually shut it down entirely.[[/note]]
** The b-side "Hello" is a big take that to all of his critics, specifically those who criticized his absence in "We Are the World".
* TextlessAlbumCover: ''The Black Album'' (''<[[Film/ThisIsSpinalTap Spinal Tap]] reference goes here>''), ''Sign ''☮'' the Times'' and ''Batman''.
* TheirFirstTime: From "Adore": "You made love to me like you were afraid… Was you afraid of me? Was I the first? Was I your every fantasy?"
* UnusualEuphemism: Plenty.
** "Dirty Mind": "In my daddy's car, it's you I really wanna drive."
** "Le Grind": "We're gonna do the grind y'all, gotcha where I wantcha. Girl, it's gonna feel so good. Up and down, up and down, on the beat y'all, like a pony would, pony would."
** "Cindy C": "I'm sure you're quite intelligent, a whiz at math and all that shit but I'm, I'm a tad more interested in flyin' your kite tonight..."
** "Cream": "Cream, get on top; Cream, you will cop; Cream, don't you stop; Cream, sha-boogey-bop."
** "Come": "Like a strawberry, chocolate, fender jazz, mashed potato fuzztone all over your thighs, oh baby!"
** "Hot With U": "I wanna get you underneath the cream and do the marshmallow."
* VillainSong: "Dance with the Devil", where [[{{Film/Batman}} The Joker]] is explicitly compared to ''{{Satan}}''.
* XtremeKoolLetterz: Prince was one of the first to use this to write his song titles and lyrics, to the point that the system was nicknamed "Princebonics" (and reading it is the easiest way to send your inner GrammarNazi into fits of fury). Starting in 1981, "to" = "2", "for" = "4", "you" = "U", "I" = an eye symbol (geddit?), "are" = "R", and so on. Prince fans usually romanize the eye symbol as "Eye" instead of "I", as the album ''Lovesexy'' featured two songs named "Eye No" and "I Wish U Heaven". This system reached its apex with the 1986 song "♥ or $", pronounced "Love or Money".
** Very obvious, and to some annoying, in his interview with ''Ebony'' magazine in June 2010 in which all of his responses are typed like this.
*** Could it be argued that Prince invented text messaging? Yes.
** See also LuckyCharmsTitle above.

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-->[[TheStinger What kinda fuck ending was that?]]

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