[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/neurosis.jpg]]
[[caption-width-right:350:The band's lineup as of 2019.]]

Neurosis is a post-metal band from Oakland, California. Initially playing [[ThrashMetal crossover thrash]], they pioneered a mix of hardcore punk, DoomMetal, and PostRock that became known as post-metal, and have become one of this subgenre's most acclaimed acts. Their songs tend to be extremely long and often contain screamed vocals, with lengthy instrumental passages that often build in intensity to an explosive climax. Many other bands in the subgenre have cited them as an influence.

On August 27, 2022, Scott Kelly posted a lengthy statement admitting that he had been abusive towards his family for a long time, taking account for his actions and announcing that he would be permanently retiring from music to set himself in a better direction. Whether he was being sincere about the matter and/or his retirement or not is up in the air, but as of now, the band's status is unknown.

!! Current Members:
* Dave Edwardson - bass, backing vocals
* [[{{Music/Sleep}} Jason Roeder]] - drums, percussion
* Steve von Till - guitar, backing vocals
* Noah Landis - synthesizer, keyboards, effects, samples, backing vocals

!! Core Studio Discography:
* 1987 - ''Pain of Mind''
* 1990 - ''The Word as Law''
* 1992 - ''Souls at Zero''
* 1993 - ''Enemy of the Sun''
* 1996 - ''Through Silver in Blood''
* 1999 - ''Times of Grace''
* 2001 - ''A Sun That Never Sets''
* 2003 - ''Neurosis & [[Music/{{Swans}} Jarboe]]''
* 2004 - ''The Eye of Every Storm''
* 2007 - ''Given to the Rising''
* 2012 - ''Honor Found in Decay''
* 2016 - ''Fires Within Fires''

!! Live Albums:
* 2002 - ''Live at Lyon''
* 2003 - ''Live in Stockholm''
* 2010 - ''Live at Roadburn 2007''
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!! Tropes:

* AlbumIntroTrack: "Suspended in Light" for ''Times of Grace''.
* {{Ambient}}: An influence on their work as Neurosis, and they have a dark ambient side project known as Tribes of Neurot.
* AvantGardeMetal: They are considered to be an example, due to their strange mixture of styles.
* BoleroEffect: Post-metal features crescendi as a core element, and they are as present in Neurosis' music as anywhere.
* BreatherEpisode: Since Neurosis' music is very dynamic, this can happen almost anywhere.
* BrokenRecord: "Cleanse" ends in this way. On some versions it extends to the length of an OverlyLongGag, but on others it fades out before too long.
* ConceptAlbum: ''Through Silver in Blood'' is apparently intended as one, though it's been interpreted in a number of different ways. One common interpretation seems to be that it is an ApocalypticLog.
* DarkerAndEdgier: Post-metal could be (and has been) considered DarkerAndEdgier PostRock.
* DistinctDoubleAlbum: A strange example. ''Times of Grace'' was released alongside a sister album from dark ambient side project Tribes of Neurot, entitled simply ''Grace''. The two releases are intended to be played at the same time. Some enterprising fans have combined them using audio editing software, although combining the two releases in this way naturally sounds different from playing them at the same time on two different sound systems, as intended. However, as many listeners probably do not possess the required equipment to do this, the combined versions can be an example of KeepCirculatingTheTapes.
* DoomMetal: Pioneers of post-metal, which is often considered a subgenre of doom metal (and is listed on this wiki as such).
* DroneOfDread: Frequently employed in interludes, often paired with unsettling spoken word samples.
* EarlyInstallmentWeirdness: Their early material is mostly crossover thrash in the vein of Music/SuicidalTendencies and DRI. It is on ''Souls at Zero'' that they established the sound for which they are known today.
* TheEndOfTheWorldAsWeKnowIt: "Takeahnase", which also qualifies as GaiasVengeance. ''Through Silver in Blood'' also appears to be about this.
* EpicRocking: A staple characteristic of post-metal, this is frequently found in Neurosis' music. Their longest song is "Cleanse", which is either sixteen or twenty-six minutes depending on the release (however, in the latter version, the last ten minutes consist simply of a looped BrokenRecord sample).
* FadingIntoTheNextSong: Every song transition on ''Times of Grace'' and its companion album ''Grace'' does this. Some of their other releases do this some too.
* HarshVocals: Scott Kelly's default vocal style is a gravely shout. When he does clean vocals (like on ''The Eye of Every Storm'') he almost sounds like Music/TomWaits.
* {{Instrumentals}}: They have a few, although some may qualify as debatable examples due to their use of {{Sampling}} and SpokenWordInMusic. Examples include "Zero", "Empty", "Burning Flesh in Year of Pig", "Cleanse", "Rehumanize", "Become the Ocean", "Suspended in Light", "Exist", "Descent", "The Road to Sovereignty", "Erode", "Resound", and "Shelter". Often this is combined with MinisculeRocking, although not always; in particular, "Cleanse" is the band's longest song.
* LighterAndSofter: Some of their releases are considered less heavy than their earlier work. ''The Eye of Every Storm'' is a good example of this; it's frequently classified as post-rock rather than post-metal.
* LiveAlbum: As seen above, they have three of them.
* LongRunnerLineup: Hasn't changed since 1995.
* LoudnessWar: This has mostly been averted in their music; for instance, their latest album, 2016's ''Fires Within Fires'', comes out to [=DR8=], which is quite dynamic by modern metal standards. The only album of theirs that arguably succumbs to this trope is ''Given to the Rising'', which is [=DR7=] overall but has four tracks at [=DR5=]. The others don't have any songs below [=DR6=], and only two other albums (''Neurosis & Jarboe'' and '' Honor Found in Decay'') even have an overall range of [=DR7=]; all others are [=DR8=] or higher. Part of the band's reluctance to engage in this may be due to their long association with Music/SteveAlbini, who is known for his vocal dislike of this trope; he has recorded several of their albums. Part of this is also likely due to the nature of post-metal, which features heavy dynamic shifts as a core element of its sound (although nonetheless, not all post-metal acts have averted this trope).
* {{Mangst}}: The impression given off by a lot of their lyrics, especially on ''The Eye of Every Storm''.
* MetalScream: Scott Kelly has become extremely well known for this, as he's very, very good at it.
* MinisculeRocking: They have quite a few interludes that count as examples of this, contrasting with the band's usual EpicRocking.
* NewSoundAlbum: ''Souls at Zero'' abandoned the fast-paced crossover thrash of their early work in favor of a slower, more atmospheric sound.
* PostRock: Pioneered a variant known as post-metal. Additionally, some of their albums qualify as straight-up post-rock.
* RatedMForManly: Even by extreme metal standards they're this personified. They're a bunch of bearded, grizzled dudes who play long, slow, heavy songs about mysticism, violence, and the apocalypse.
* {{Sampling}} / SpokenWordInMusic: The band is fond of this. For example, ''Enemy of the Sun'' opens with a sample from the film version of ''The Sheltering Sky''. It also appears frequently on ''Souls at Zero'' and ''Through Silver in Blood'', with the samples often talking about mystical and spiritual matters.
* ShoutOut: The cover of ''Souls at Zero'' is inspired by the film ''Film/TheWickerMan1973'' (the original, not the remake).
* SignatureStyle: Incredibly slow and heavy songs that make use of the BoleroEffect, tribal drum patterns, screamed vocals, and frequent ambient interludes. Their style is very hard to mistake, and it's pretty easy to tell when a band has taken influence from them.
* SubduedSection: Again, this is frequent in Neurosis' music, due to its heavy use of dynamic variation.
* TropeMakers: For post-metal.
* VocalTagTeam: Scott Kelly and Steve Von Till frequently trade off lead vocals with each other.
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