[[quoteright:333:https://static.tvtropes.org/pmwiki/pub/images/20141024_124807_3964.jpg]]
[[caption-width-right:333:If you a fly gal / Get your nails done / Get a pedicure / Get your hair did.]]

->''I scream it loud and proud\\
Missy gon' blow it down\\
People gon' play me now\\
In and out of town\\
'Cause I'm the best around\\
With the crazy style''
-->--'''"Get Ur Freak On"'''

Melissa "Missy" Arnette Elliott (born July 1, 1971) is an American rapper, songwriter and producer. She is best known for her work in the early 2000s, with songs such as "Get Ur Freak On" and "Lose Control".

She is quite arguably the most successful female solo rapper in history and is credited with, in many ways, giving women a voice in the notoriously [[RatedMForManly male-centric]] hip-hop genre. Her 1997 album ''Supa Dupa Fly'', her 2001 album ''Miss E...So Addictive'' and her 2002 album ''Under Construction'' are seen as some of the greatest female-fronted rap albums in history.
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!!Discography:
* ''Supa Dupa Fly'' (1997)
* ''Da Real World'' (1999)
* ''Miss E...So Addictive'' (2001)
* ''Under Construction'' (2002)
* ''This Is Not A Test!'' (2003)
* ''The Cookbook'' (2005)
* ''Iconology'' (EP; 2019)

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!!Provides examples of
* AsLongAsItSoundsForeign: From "Work It":
-->Boys, boys, all type of boys
-->Black, White, Puerto Rican, Chinese boys
-->Why-thai,-thai-o-toy-o-thai-a-thai
-->Rock-thai,-thai-o-toy-o-thai-a-thai
* BigBeautifulWoman: Missy has never shied away from her own sexuality in her music, referencing her big thighs and butt in "Work It".
* BigFun: A proudly full-figured woman, and very much outgoing and fun-loving.
* BoastfulRap: A good number of her songs use this.
* ButLiquorIsQuicker: Referenced in "Work It":
-->Boy, lift it up, let's make a toast-a
-->Let's get drunk, this gon' bring us closer
-->Don't I look like a Creator/HalleBerry poster?
-->See the Belvedere playing tricks on ya
* ChingChong: Her song "Work It" contains the line "black white Puerto Rican Chinese boys, wang-thang thang-a thang-a thang-y thang".
* CloudCuckooLander: A ''lot'' of her lyrics, videos, and deliveries can get ''really'' out there at times.
* DisproportionateRetribution:
** In "4 My Man", where Missy's method of warning women off of ''looking at'' her boyfriend involves beating and threatening to (or actually) ''shooting them'':
-->A few chicks you gotta beat, 'cause they disrespect
-->[[EatingTheEyeCandy Clocking your man]] from his feets to his neck
-->You gotta let 'em know that's a no-no
-->Slap 'em real slow with a right blow, which ever way you go
-->But keep it gangsta, show these bitches that you'll yank em
-->Yank 'em, point blank 'em, top rank 'em
-->I ride for my nigga, and I'm [[TriggerHappy happy with the trigger]]
** Threatening to dismember CD bootleggers in "Cop That Shit".
* DigitalPiracyIsEvil: "Cop That Shit", with its title and chorus:
-->DJ's in the mix shows you better go to the record store and cop that shit!\\
And to the bootleggers givin' 'em bootlegs, we breaking off both of your legs, cop that shit!\\
Stop burnin' CD's for your friend, and I'mma say it again, nigga, cop that shit!
* DrugsAreBad: ''Miss E...So Addictive''. The underlying theme of the album is getting high on music rather than illicit substances. Somewhat surprisingly, Missy's drug history is limited to smoking marijuana (primarily in the 90's) and once eating a Jamaican brownie... several years after this album was released.
* DunceCap: She briefly wears one in the video for "Work It."
* FunnyBackgroundEvent: Missy's adlibs on ''The Cookbook'' can be considered this, especially on the ballads where they come out of nowhere and are [[MoodWhiplash completely out of place to the mood of the song]]. Her verse on "Remember When" is a good example:
-->'''''(WOO!) (YES!)'''''When I cheated, you said you couldn't breathe...
-->...Said you couldn't breathe '''''(YES!)'''''
-->Now I'm sitting here, begging on my knees
-->Take me back, I'll do anything including plead '''''(YES!) (WOO!)'''''
-->I never meant to burn a bridge third-degree
-->Like Fantasia said, let yourself be free '''''(WOO!)'''''
* GainaxEnding: ''The Cookbook'' ends with a voicemail from a woman with an exaggerated [[DeepSouth Southern accent]] asking Missy for help with fixing her SexlessMarriage while [[ContinuityNod referencing a number of her previous hits]], until the answering machine cuts her off. It MakesJustAsMuchSenseInContext.
* IAmBigBoned: The spoken interlude from "Pump It Up":
-->"You know, [[DeepSouth Down South]] chicks got big asses, and we a little heavy sometimes, but when you're from the South, we don't call that "fat". We call that 'big-boned'."
::: Though this is generally averted in her music, including the rest of that song, as Missy isn't ashamed of her size and has flaunted it in her music and videos.
* IntercourseWithYou: Frequently, but especially parts of "Work It".
* LaterInstallmentWeirdness: In contrast to all her other albums, which were produced almost entirely by Missy and {{Music/Timbaland}} together, ''The Cookbook'', her last album to date, features production from multiple producers and only 2 songs produced by Timbaland, giving it a very different sound.
* LosingYourHead: She does it to herself in the video to "One Minute Man."
* MusicVideoOvershadowing: "Sock it to Me". Song: IntercourseWithYou. Video: ''VideoGame/MegaMan''.
* NiceGirl: Is notable for pretty much ''avoiding'' any of the major beefs so prevalent in the rap and hip-hop scenes, and for repeatedly speaking out against them and calling for unity. It's rare you'll ever hear about her having much of anything really, seriously negative to say about anyone.
* RhymingWithItself: Her portion of {{Music/Katy Perry}}'s "Last Friday Night (T.G.I.F.) (Remix)" does this in two consecutive couplets:
-->I party till I'm out my mind
-->I kiss on him, but he don't mind
-->Then I wake up in the morn'
-->Got a guy in my bed like, hello good morn'
* SelfTitledAlbum: ''Miss E...So Addictive''
* SingerNameDrop: On ''Under Construction'', she opened damn near every song on there with some variation of the phrase "This is... a Missy Elliott... exclusive". The same holds true for ''Iconography''.
* StopBeingStereotypical: "Wake Up" criticizes negative behaviors that are stereotypically associated with hip-hop culture like violence, crime, and [[ConspicuousConsumption flaunting]] [[ArsonMurderAndJaywalking of wealth]], as well as the people who follow them:
-->It's time to get serious, black people all areas
-->Who gon' carry us? It ain't time to bury us
-->[...]
-->If you don't [[TriggerHappy got a gun]] (it's alright)
-->If you makin' [[EvilPaysBetter legal money]] (it's alright)
-->If you gotta [[TheOldestProfession keep your clothes on]] (it's alright)
-->You ain't got a cellular phone (it's alright)
-->And your [[CoolCar wheels don't spin]] (its alright)
-->And you gotta [[UnlimitedWardrobe wear them jeans again]] (its alright)
* StudioChatter: Plenty, particularly on ''Supa Dupa Fly''.
* SubvertedRhymeEveryOccasion: From "Work It":
-->If you a fly gyal, get your nails done
-->Get a pedicure, get your hair '''did'''[[note]]Instead of [[RhymingWithItself "done"]].[[/note]]
* TakeThat: Missy is known for largely avoiding this - she's spoken against rap feuds in her music multiple times and hasn't been involved in any notable beefs. That said, there are a few examples:
** "Beat Biters" is a general one, aimed at the various producers and artists who started copying Timbaland's production style in the late 90s.
** Subverted on "Hot". The whole song is a [[TheReasonYouSuckSpeech Reason You Suck Speech]] towards someone who [[MockMillionaire pretends to be more wealthy than they really are]], but the Missy specifically avoids mentioning any one person:
--->In old school we used to call out names
--->But I ain't tryin' to give you no fame
** "Partytime" has a rather gratuitous one toward the singer Sisqo:
--->Forget about it like the world forgot Sisqo
** She's had so many songs aimed generally at men cheating on and/or taking advantage of women that it's probably easier to count the number of Missy songs that are ''not'' about that topic.
* TwoDecadesBehind: In contrast to the futuristic production style of her music, her songs are [[ReferenceOverdosed absolutely full]] of [[ShoutOut Shout-Outs]], [[{{Sampling}} Samples]] and {{Homage}}s to old-school hip-hop from TheEighties and [[TheNineties early '90s]]. Egregiously so on ''Under Construction'' and ''This Is Not a Test!'' where nearly every song has one if not multiple references to old-school hip-hop.
** The bridge of "Go to the Floor" interpolates "Hey Mr. DJ" by Zhané.
** "Bring the Pain (ft. [[Music/WuTangClan Method Man]])" has multiple examples:
*** The song itself is named after and makes multiple references to Method Man's "Bring The Pain".
*** The intro to the song is sampled from Music/PublicEnemy's "Shut 'Em Down".
*** Missy shouts out the song "Method Man" by Method Man in her third verse.
** Gossip Folks samples "Double Dutch Bus" by Frankie Smith, and Missy mentions Music/MilliVanilli and J.J. Fad in the outro [[TakeThat (though not in a positive way)]].
** The intro to "Work It" samples "Request Line" by Rock Master Scott & The Dynamic Three, while the outro is a sample of Bob James’s cover of "Take Me to the Mardi Gras" (which was popularized in hip-hop when Music/RunDMC sampled them in "Peter Piper").
** The entirety of "Back in the Day" is a dedicated to old-school nostalgia and [[WhenIWasYourAge how much better and more fun hip-hop used to be]].
** Music/MaryJBlige's sung portion in the introduction to ''This is Not a Test!'' interpolates the opening to Music/TheSugarhillGang's [[https://www.youtube.com/watch?v=rKTUAESacQM "Rapper's Delight"]], with slightly altered lyrics. The title of the album is itself a reference to the same song:
--->Now, what you hear is '''not a test''', I'm rappin' to the beat
** The second verse of "Pass That Dutch" references Music/DeLaSoul's "Potholes In My Lawn" and briefly samples its instrumental:
--->If you's a fat one, put your clothes back on
--->Before you start putting potholes in my lawn
** The chorus of "Don't Be Cruel" interpolates the chorus of "Push It" by Salt 'n' Pepa.
** Missy intentionally uses a simplistic, early hip-hop flow on "Let it Bump":
--->Radio play me all the time
--->Write my own rhymes and I swear I'm fly
--->[[LampshadeHanging This flow here from '83]]
--->From A to Z, you can't fuck with me!
* WhatTheHellIsThatAccent: ''Multiple'' times on ''The Cookbook'':
** The bizarre, unplaceable fake accent in the opening skit on "Joy". [[https://www.theguardian.com/music/2005/jul/01/popandrock.shopping2 This review pointed it out]]:
--->Where on earth is she [[FakeNationality pretending to be from?]] Italy? Pakistan? Humberside?
** She raps in Jamaican patois with a vaguely Carribean-sounding accent on "Partytime" and "Bad Man", though it's at least clear what accent it's supposed to be.
** Her fake British accent on her verses in "Irresistible Delicious (ft. Music/SlickRick)" is so hilariously overdone it sounds like she's [[TakeThat subliminally mocking]] Slick Rick.
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