->''Now I've heard there was a secret chord''
->''That David played, and it pleased the Lord''
->''But you don't really care for music, do ya?''
->''It goes like this, the fourth, the fifth''
->''The minor fall, the major lift''
->''The baffled king composing hallelujah''
-->--'''"Hallelujah"'''

->"I don't know. It has a good chorus."
-->--'''Leonard Cohen''', on why "Hallelujah" is so popular

'''Leonard Cohen''' is a Canadian poet and singer-songwriter. He is known for his wry, melancholic and frequently beautiful lyrics, his ever-present cluster of angelic back-up singers, his fascination with religion and spirituality, and that ''voice'', good lord. Cohen began his career as a writer, with two collections of poetry that received good reviews, but his later material didn't do as well, so he became a singer-songwriter due to his lack of financial success. His first album, the snappily titled ''Songs of Leonard Cohen'', was released in 1967; it met with critical acclaim, mediocre sales and a lasting cult status, something that could be said for his entire career to date. After a decline in popularity from the mid-1970s onward, he released the incisive, satirical ''I'm Your Man'' in 1988. Widely considered one of his best albums, it effectively rebooted his career and cemented his status as a cult figure.

Something of an acquired taste due to his minimalistic approach to music, often dark tone and average-to-middling ability to actually sing in tune, Cohen is nevertheless regarded as one of the finest and most influential songwriters alive today. His songs have been frequently covered by other artists, with "Hallelujah" - most famously covered by Music/JeffBuckley on ''Music/{{Grace}}'' - being the most prominent example, and he was inducted into the Rock 'n' Roll Hall of Fame in 2008.

Cohen is private and something of a hermit (he spent many years living in a Zen commune atop Mount Baldy, where he was known as ''Jikan,'' "The Silent One"), but after 2005, where his manager, Kelley Lynch, almost completely emptied his pension account and ran away with the money, Cohen started touring again in 2008 at age 73. He has continued to do so through 2012, and does not show signs of stopping any time soon.

Also, Creator/PhilSpector once threatened him with a loaded gun. But that's not important.

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!!Discography:
* ''Music/SongsOfLeonardCohen'' (1967)
* ''Music/SongsFromARoom'' (1969)
* ''Music/SongsOfLoveAndHate'' (1971)
* ''Music/NewSkinForTheOldCeremony'' (1974)
* ''Death of a Ladies' Man'' (1977)
* ''Recent Songs'' (1979)
* ''Various Positions'' a.k.a. ''The One With "Hallelujah" On It'' (1984)
* ''I'm Your Man'' (1988)
* ''The Future'' (1992)
* ''Ten New Songs'' (2001)
* ''Dear Heather'' (2004)
* ''Old Ideas'' (2012)
* ''Popular Problems'' (2014)

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!!Selected Bibliography
* ''Let Us Compare Mythologies'' (Poetry) (1956)
* ''The Spice-Box of Earth'' (Poetry) (1961)
* ''The Favourite Game'' (Novel) (1963)
* ''Flowers For Hitler'' (Poetry) (1964)
* ''Beautiful Losers'' (Novel) (1966)
* ''The Book of Longing'' (Poetry) (2006)
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!!Tropes about this musician include:
* AsTheGoodBookSays: He frequently references Literature/TheBible.
* BilingualBonus: In "The Partisan" some lines are in French.
* CardCarryingVillain: The narrator of ''Beautiful Losers''.
-->''Le triomphe du Mal sur le Bien.''
* CoolOldGuy: Among other things, he skips on and off-stage at concerts and donated $200,000 to the Australian bushfire appeal.
* CrapsackWorld: A frequently-occurring trope in his work:
** "The Future":
-->''I've seen the future, baby; it is murder''
** "Everybody Knows":
--> ''Everybody knows that the war is over''\\
''Everybody knows the good guys lost''\\
''Everybody knows the fight was fixed''\\
''The poor stay poor, the rich get rich''
* TheCynic: His songs are frequently pessimistic, such as in "Everybody Knows".
* DeadpanSnarker: His interviews are frequently hilarious.
** From an interview with Music/SuzanneVega, 1992:
---> '''Cohen''': Do you have your band put together yet?
---> '''Vega''': No.
---> '''C''': Can I play in it?
---> '''V''': What would you like to play?
---> '''C''': I don't know.
---> '''V''': You could sing; you could be a back-up singer.
---> '''C''': Congas!
---> '''V''': It's like I always go see you perform, you always have two very beautiful women standing by you.
---> '''C''': I could be one of the beautiful women standing beside you.
** When ''The Future'' (his most successful album in Canada) gained him a Juno Award for Best Male Vocalist, he mentioned in his acceptance speech that "Only in Canada could somebody with a voice like mine win Vocalist of the Year."
** When he played Edinburgh Castle in 2008, it was a cold and windy outdoor show and keyboardist Neil Larsen dropped a couple of minor but noticeable clams during a solo. As Cohen introduced the band a few minutes later, he gave the tiniest bit of emphasis to "the ''impeccable'' Neil Larsen."
* ForWantOfANail: His music saved Creator/RogerEbert's life. Ebert was in the hospital for cancer treatment, and it looked like the surgery had been a success. He and his wife were getting ready to leave, but Cohen's song "I'm Your Man" starting playing on his iPod and Ebert chose to linger for a bit so he could listen to his song. Just after it ended, though, his cartoid artery burst and Ebert collapsed in the room. Lucky for him, he was already in the hospital, so his life was saved. Had he not waited to listen to Cohen, Ebert would have been a car bleeding profusely, with a much slimmer chance of reaching his doctors again.
* GodIsLoveSongs: Numerous songs, but the most direct example is "Coming Back To You". It starts "Baby, I'm still hurting, and I can't turn the other cheek/You know that I still love you, it's just that I can't speak" - and it soon becomes clear that the "Baby" in question is God (or possibly Judaism in general).
* GratuitousFrench: In "The Partisan" some lines are in French.
* GrayRainOfDepression: "Last Year's Man"
* IntercourseWithYou: He has a reputation.
** From Cohen's translation of a [[Creator/FedericoGarciaLorca Garcia Lorca]] poem:
---> ''Oh, I want you, I want you, I want you''
---> ''On a chair with a dead magazine''
---> ''In [[DoesThisRemindYouOfAnything the cave at the tip of the lily]]''
---> ''In [[NatureAdoresAVirgin some hallway where love's never been]]''...
** "Light as the Breeze", a lovely little song about the technique one should employ when performing oral sex.
** In "Chelsea Hotel #2", a lovely song written for Music/JanisJoplin, he so lovingly sings
---> ''I remember you well in the Chelsea Hotel ''
---> ''You were talking so brave and so sweet''
---> ''Giving me head on the unmade bed''
---> ''While the limousine is waiting in the street''
* {{Irony}}: ''Songs of Love and Hate'' have some of Cohen's bleakest and most depressing lyrics in his whole catalogue. It's one of the only album covers to show him smiling.
* IsntItIronic:
** "Hallelujah" is probably the worst offender. It's not supposed to be a happy song!
** Cohen was reportedly greatly amused by the non-ironic use of "Democracy" (a scathing, wry little statement about American society) as a patriotic ballad. I mean, for heaven's sake:
---> ''I'm sentimental, if you know what I mean''
---> ''I love the country, but I can't stand the scene''
---> ''And I'm neither left nor right, I'm just staying home tonight''
---> ''Getting lost in that hopeless little screen.''
---> ''But I'm stubborn as those garbage bags that time cannot decay'',
---> ''I'm junk, but I'm still holding up this little wild bouquet.''
---> ''Democracy is coming to the U.S.A.''
* LyricalDissonance:
** "Heart with No Companion" has a bouncy, jaunty melody and introduction. And then the first line...
--> ''So I greet you from the other side''
--> ''Of sorrow and despair!''
** "The Captain" has an upbeat, bouncy tune and a rather dark subject matter.
* LongRunner: His first album came out in 1967. That's a whole eleven years after the publication of his first book of poetry.
%%* ManicPixieDreamGirl: Suzanne from "Suzanne".
* MindScrew: Cohen's lyrics are usually near impossible to decipher but ''Music/SongsOfLoveAndHate'' is probably the worst offender, "Avalanche" in particular.
* NewSoundAlbum: ''I'm Your Man'' has elements of synth-pop with his normal folk-rock.
* NiceHat: He can rock a charcoal fedora.
--> ''"It was the hat, after all."''
* [[NiceJewishBoy Nice Jewish Old Man]]
* NotChristianRock: Scriptural and religious imagery appears often in Cohen's lyrics, but not always as a statement of faith. The best-known example is "Hallelujah," which dwells on the biblical stories of David and Samson but is really more of a BreakupSong.
* OffingTheOffspring: "The Story of Isaac", which retells... well, [[ExactlyWhatItSaysOnTheTin the story of]] [[Literature/TheBible Isaac]].
* OutdoorBathPeeping: In "Hallelujah":
--> ''Well, your faith was strong but you needed proof''
--> ''You saw her bathing on the roof''
--> ''Her beauty and the moonlight overthrew ya''
%%* RageAgainstTheReflection: "Dress Rehearsal Rag".
* SanitySlippageSong: "Dress Rehearsal Rag" and "Diamonds In The Mine". But several other songs from the album ''Songs Of Love And Hate'' could qualify.
* SelfDeprecation: Cohen is well aware of his vocal limitations, and occasionally pokes fun at them himself. Besides the above-mentioned snark about how "only in Canada" he could win a prize for Best Male Vocalist, he sings in "Tower of Song" that he was "born with the gift of a golden voice" and in "A Singer Must Die" that its sound makes the ladies "moist".
* SopranoAndGravel: The majority of his songs are sung with a back-up chorus of female sopranos.
* StylisticSuck: The vocals in "Diamonds in the Mine" are ragged and off-key.
* ThisIsASong: "Hallelujah" spells out its own chord progression (see the page quote).
* VillainSong: "First We Take Manhattan".
* VocalEvolution: He started out as a middling nasally tenor. His earlier records sound positively soprano when compared to his later ones; over forty years, his voice has dropped to a distinctive rumble, and it seems to be getting deeper with every album. ''Dear Heather'' was positively subsonic. He claims that he has one more album left in him; presumably, only dogs will be able to hear it.
* AWorldHalfFull:
%%** "Anthem", definitely. He has some similar songs that veer more into CrapsackWorld, but might still have the requisite sense of beauty and empowerment simply by virtue of being stirring music.
** From "The Old Revolution":
---> ''Even damnation is poisoned with rainbows.''

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