[[caption-width-right:350:Creator/LisaGerrard and Brendan Perry.]]

Dead Can Dance (not to be confused with TheDeadCanDance) was an Australian band active from 1981 to 1998. Fronted by Brendan Perry and LisaGerrard, it started out as a regular [[{{Goth}} gothic]][=/=]PostPunk act, and gradually broadened its scope with other musical genres (especially neoclassical and world music), all the while retaining a typical dark and brooding, but not specifically angsty, atmosphere. Due to its ethereal sound and being active on the Creator/FourADRecords label, the band was frequently associated with the DreamPop genre, despite the predomimance of neoclassical, ethereal wave and world music influences.

Their debut album, simply titled ''Dead Can Dance'' and released in 1984, is already a noticeable blend of Perry's rock-influenced style and Gerrard's more introspective, borderline mystical one, but arguably the PostPunk leanings make it more of an example of EarlyInstallmentWeirdness. The same dynamic is felt in their next two albums, ''Spleen and Ideal'' (the title is a [[LiteraryAllusionTitle reference]] to Baudelaire) and ''Within The Realm Of A Dying Sun'', but these gradually dialed down the PostPunk Goth elements in favour of the band's SignatureStyle.

At that point they started experimenting with classical instruments (oboe, string section) and in their following album, ''The Serpent's Egg'', they introduced baroque and medieval rhythms, laying the groundwork for their seminal work ''Aion''. They next ventured into Oriental-influenced music with ''Into the Labyrinth'', their first album to be released in the USA, and Lisa Gerrard developed what would become her SignatureStyle during her subsequent solo career, the OneWomanWail.

After one more album, ''Spiritchaser'', which attempted to explore tribal rhythms but came out as a disappointing New Age-y and world music-style work, the duo split up in 1998. They temporarily reunited for a world tour in 2005. In 2011, they reunited again. They released a new album, ''Anastasis'', in 2012.

* ''[[SelfTitledAlbum Dead Can Dance]]'' (1984); CD versions add the ''Garden of the Arcane Delights'' EP as bonus tracks.
* ''Spleen and Ideal'' (1986)
* ''Within the Realm of a Dying Sun'' (1987)
* ''The Serpent's Egg'' (1988)
* ''Aion'' (1990)
* ''A Passage in Time'' (1991), compilation released exclusively for the USA where their albums were previously not available
* ''Into the Labyrinth'' (1993), their first album distributed in the USA after the 4AD-Creator/WarnerBrosRecords deal
* ''Toward the Within'' (1994), the band's only official live album
* ''Spiritchaser'' (1996)
* ''Anastasis'' (2012)
!DeadCanDance provide examples of:

* BlackSheepHit: "The Ubiquituous Mr. Lovegrove".
* CoverVersion: They were prone to recording covers of traditional songs, e.g. "The Wind That Shakes The Barley" on ''Into the Labyrinth''. They also were on the receiving end when {{Ride}} took a stab at "Severance" for a Peel session. {{Bauhaus}} covered the same song for the live album ''Gotham''.
* DarkerAndEdgier: Yes, compared to their early material, they managed to DarkerAndEdgier themselves by dialing up the ominousness.
* EarlyInstallmentWeirdness: As noted, their first album in particular is more influenced by PostPunk and GothRock compared to their more famous brooding-mystical-prophets-of-doom style.
* ExecutiveMeddling: Due to the unintentional similarity of "Indus"' melody to [[Music/TheBeatles "Within You Without You"]], the band were asked to contact GeorgeHarrison and request permission to use it. Harrison gave them permission, but his record company demanded that he also receive a partial songwriting credit.
* ForDoomTheBellTolls: "Orbis de Ignis".
* IAmTheBand: ''Into the Labyrinth'' was the first album Perry and Gerrard wrote and recorded entirely by themselves, without the guest musicians of previous outings.
* OneWomanWail: Lisa Gerrard.
* ThePeteBest: The first album also included Paul Erikson, James Pinker, Scott Rodger and Peter Ulrich as bandmembers, but Pinker, Erikson and Rodger soon left. Ulrich stayed on until ''Within the Realm of a Dying Sun'' but also departed afterwards, reducing Dead Can Dance to a duo.
* RecycledTrailerMusic: "The Host of Seraphim".
* {{Sampling}}: They did it quite a bit. Also, Gerrard's vocals from "Dawn of the Iconoclast" were sampled by Music/FutureSoundOfLondon for the track "Papua New Guinea".
* SingingSimlish: Lisa Gerrard, again. Probably the most famous practitioner of such on Creator/FourADRecords besides Music/CocteauTwins''' Elizabeth Fraser.
* WordSaladLyrics: Frequent. Even Brendan Perry does it on occasion.