[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/bs.jpg]]
[[caption-width-right:350:Big Star, circa 1972. Left to Right: Andy Hummel, Jody Stephens, Chris Bell, Alex Chilton.]]

Big Star were a legendary PowerPop band from Memphis, famous for their complete failure to gain massive commercial success but being embraced by the indie scene and remaining a significant influence on AlternativeRock.

The band's classic lineup was as follows:
* Alex Chilton - vocals, guitar
* Chris Bell - vocals, guitar
* Andy Hummel - bass
* [[GenderBlenderName Jody Stephens]] - drums

Big Star were formed in 1971, when Chilton (former lead singer for '60s blue-eyed soul group The Box Tops) joined Bell, Hummel and Stephens' band Icewater. They took the name "Big Star" from a local Memphis grocery store, and were quickly snatched up by Ardent Records, a subdivision of famous soul/R&B label Stax Records. Stax had hit a bad spell and its future was uncertain, so they thought Ardent and Big Star would become successful and manage to stave off its decline.

The band's first album, the humorously-titled ''#1 Record'', was quickly recorded at Ardent Studios with label founder John Fry as [[RecordProducer producer]] and released in 1972. While it did obtain widespread acclaim, Stax's financial difficulties translated into an inability to get the album into stores, torpedoing the goal that the title playfully alluded to. The album itself proved to be a landmark in the establishment of PowerPop thanks to its catchy Music/TheBeatles-[[XMeetsY plus]]-TheWho songwriting and several of its songs have remained widely celebrated in the genre, such as "Feel", "The Ballad of El Goodo", "In the Street" (later covered by CheapTrick as the theme song to ''That70sShow'') and "Thirteen". One song in particular, the chaotic, [[Music/RollingStones Stonesy]] rock of "Don't Lie to Me", would predict the group's sonic evolution.

With ''#1 Record'' bombing in stores thanks to Stax's horrendous distribution, [[CreativeDifferences tension and fights erupted between bandmates]], to the point that Bell left the band towards the end of 1972. Chilton, Hummel and Stephens carried on as Big Star and recorded another album with Fry once again in the producer's chair, ''Radio City''. In contrast to the polished production of ''#1'', ''City'' had a more chaotic edge to it, drawing more on The Who than The Beatles and with more WordSaladLyrics. ''City'' bombed just as hard in stores due to a dispute between Stax and its distributor Creator/ColumbiaRecords, but still produced at least one classic power pop song, "September Gurls" (later covered by many artists including Music/TheBangles).

Tired of the lack of success, Hummel left the band after ''City'''s release, choosing to finish his final year at college instead. Undaunted, Chilton and Stephens re-entered the studio with new RecordProducer Jim Dickinson and several session musicians. Plenty of material resulted from the sessions, but record label interest was not forthcoming. Big Star finally broke up in late 1974, and their third album ''Third/Sister Lovers'' was finally released in 1978, and later re-released by Rykodisc in 1992 with [[LimitedSpecialCollectorsUltimateEdition additional tracks]]. [[AdaptationExpansion The 1992 edition has basically supplanted the earlier version]].

''Third'' served to only amplify the messy sprawl of ''City'', with its material taking a much [[DarkerAndEdgier bleaker and more desperate tone]], reflecting Chilton's dissatisfaction with years of being fucked around by incompetent record companies. ''Third'''s critically acclaimed material largely alternated between chaotic, rough power pop and bleak, haunted ballads, but it still managed to provide a few more songs judged as "classics", such as the depressing ballads "Big Black Car", "Kangaroo" and "Holocaust" and the oddball Christmas-themed power pop "Jesus Christ", which became a mainstay on college radio stations every December.

While Big Star failed to become what their name and debut album envisioned them to be, they were eagerly embraced by the emerging AlternativeRock scene at the beginning of TheEighties - the first wave of popular alt-rock bands led by {{REM}} were nicknamed "jangle pop" and owed an obvious debt to Big Star. Later on, DreamPop supergroup ThisMortalCoil helped re-awaken interest in Big Star through their covers of "Kangaroo" and "Holocaust". Chilton went on to a erratic solo career, and Chris Bell put out a well-received album and single, "I Am the Cosmos"/"You and Your Sister" (which later was also covered by This Mortal Coil), before dying of a car accident in December 1978. The funeral was held the next day, which happened to be Chilton's birthday.

Chilton revived Big Star in 1993 alongside old mate Stephens and new blood Jon Auer and Ken Stringfellow of ThePosies. A new album, ''In Space'', followed in 2005 to a predictably mixed reception.

In March 2010, Chilton [[http://www.nytimes.com/2010/03/19/arts/19chilton.html died]] [[AuthorExistenceFailure the day before Big Star was to perform at South by Southwest]]. Immediately, the music websites of the internet exploded with grief.

Andy Hummel also died in July the same year after a two-year struggle with cancer, leaving Jody the only remaining original member of the band.

'''Notice''': If you're trying to use the standalone BigStar markup to refer to this band, don't. It is a disambiguation page

Discography:
* ''#1 Record'' (1972)
* ''Radio City'' (1974)
* ''Third/Sister Lovers'' (1978)
* ''Live'' (1992)
* ''Columbia: Live at Missouri University 4/25/93'' (1993)
* ''Nobody Can Dance'' (1999)
* ''In Space'' (2005)

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!Tropes

* AdaptationExpansion: Arguably comparing the 1992 and 1978 versions of ''Third/Sister Lovers''.
* ADayInTheLimelight: Right at the end of their career, Jody contributes one of the highlights of ''Third/Sister Lovers'' with "For You".
* AscendedFanboy: Chris Bell met Music/PaulMcCartney while working on material for what became his posthumous solo album.
* AutoErotica: "Back of a Car"
* BaroquePop: ''Third/Sister Lovers''
* BalladOfX: "The Ballad of [[ElSpanishO El Goodo]]"
* CatholicSchoolgirlsRule: "She's A Mover"
* ChristmasSongs: "Jesus Christ". Probably [[OverlyNarrowSuperlative the best power pop tune about Jesus' birthday]].
* CompilationRerelease: Stax reissued the first two albums on one CD in 1992. A double LP set collecting both albums was also released in the U.K. in 1978.
* CoverVersion: On ''Third/Sister Lovers'', we have: "Femme Fatale" by The Music/VelvetUnderground, "Nature Boy" by NatKingCole, "'Till the End of the Day" by TheKinks, and "Whole Lotta Shakin' Goin' On" by Music/JerryLeeLewis.
** The band's own songs have been covered in turn, the most frequent ones being "Thirteen" (by Music/{{Garbage}}, Music/ElliottSmith, Music/{{Wilco}}, Kathryn Williams and others), "September Gurls" (by Music/TheBangles, The Searchers and Superdrag), "Kangaroo" and "Holocaust" (by Music/ThisMortalCoil). Notably, Chilton said that the Big Star cover he liked the most was Garbage's version of "Thirteen".
* DarkerAndEdgier: ''Radio City'', ''Third/Sister Lovers''.
* DownerEnding: Chilton's death effectively ended the band.
* EitherOrTitle: ''Third/Sister Lovers''.
* EverythingIsAnInstrument: The bouncing basketball in "Downs". See below for further info.
* {{Gayngst}}: Chris.
* GenreThrowback: The band played melodic, BritishInvasion-influenced pop at the height of ProgressiveRock.
* GenderBlenderName: Jody Stephens is a guy.
* IAmTheBand: ''Third'' is essentially an Alex Chilton solo album except for Jody Stephens' "For You".
* IntercourseWithYou: There's probably at least a bit ''somewhere'', but it's kinda hard to make it out with all the WordSaladLyrics. For what it's worth, "Thirteen" hints at this.
* LineOfSightName: The band name was taken from a Big Star supermarket located across the street from Ardent Studios.
* LiveAlbum: ''Columbia: Live at Missouri University 4/25/93'', a reunion concert in which Chilton and Stephens were joined by Jon Auer and Ken Stringfellow from Music/ThePosies (who would also appear on the studio album ''In Space'').
** Then there's a live-in-the-studio set recorded in 1974 and finally released 18 years later as, simply, ''Live''.
* LyricalDissonance: Melodic, jangly power pop songs about despair and hopelessness.
** And in reverse: "Big Black Car" features a chorus of ''Nothing can hurt me/Nothing can touch me'', sung in possibly the most resigned, depressed voice imaginable over a slow ballad backing.
* NewSoundAlbum: ''Third/Sister Lovers'' sounded more like ''Odessey and Oracle''-era Zombies than TheWho.
* NotChristianRock: Aside from the aforementioned "Jesus Christ", the phrase ''At my side is God'' pops up in the lyrics to "The Ballad of El Goodo" (which itself doesn't make a big deal of it, it's just a standard "nobody's gonna get me down" song), and "Try Again"'s lyrics read like they belong in a gospel tune, but the band wasn't otherwise very Christian-oriented. Well, [[Main/{{Gayngst}} except Chris...]]
* TheReasonYouSuckSpeech: "Holocaust".
* {{Rockumentary}}: ''Nothing Can Hurt Me'' (2012). See [[http://bigstarstory.com/main_index.html here]] for info.
* ShoutOut:
** "Thirteen" has the lyrics ''Tell him what we said about [[Music/RollingStones "Paint it Black"]]''.
** And in reverse, KatyPerry's manager is a huge fan of the band and asked her to name her song "California Gurls" as a tribute after Alex died. We promise this is the last time we'll say "Big Star" and "Katy Perry" in the same sentence.
** The count-off that starts "She's a Mover" is reminiscent of Music/TheBeatles' "Taxman".
* StepUpToTheMicrophone: Andy Hummel on "The India Song", and Jody Stephens on "Way Out West" and "For You".
* StraightGay: Chris.
* VocalTagTeam: Chilton and Bell, on ''#1 Record''.
* WordSaladLyrics: Chilton was especially fond of these.
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