[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/ameriandiaiddfefwe.jpg]]
[[caption-width-right:300:''American Idiot''.]]

->''"Don't wanna be an American Idiot''
->''Don't want a nation under the new media''
->''And can you hear the sound of hysteria?''
->''The subliminal mind fuck America"''
-->--'''[[TitleDrop American Idiot]]'''

'''''American Idiot''''' is the seventh studio album by Music/GreenDay, released in 2004. It is essentially the RockOpera that is responsible for their comeback after their previous three albums crushed under the [[ToughActToFollow huge expectations]] that their 1994 smash hit ''Music/{{Dookie}}'' rose, with their most recent release (''Warning'') reaching all-time lows in commercial sales. The plot is a ComingOfAgeStory, following the AntiHero protagonist, Jesus of Suburbia (JOS), as he matures from a rebellious youth to a [[JadeColoredGlasses jaded adult]].

As a teenager, JOS is cynical of society and dissatisfied with his life as an every-man in his town, desensitised by a steady diet of soda pop and Ritalin ("Jesus of Suburbia"). The song also introduces a rage vs. love theme prevalent throughout the plot.

JOS decides to leave his broken home and seek a new life for himself in the city. Here, JOS meets St. Jimmy, the son of a bitch and Edgar Allan Poe, a [[RebelliousSpirit punk rock freedom fighter]] ("St. Jimmy"). St. Jimmy can be interpreted as an actual person and a bad influence on JOS, introducing him to drugs ("Give Me Novocaine"), or as an [[SplitPersonality alternate personality]] JOS creates for himself, representing blind, self-destructive rebellion.

JOS is also introduced to Whatsername ("She's A Rebel") and they begin a romantic relationship. JOS is attracted to Whatsername's [[BrokenBird rebellious, troubled nature]]. However, because of the combined influence of St. Jimmy and JOS's drug addiction, Whatsername leaves JOS ("Letterbomb"). St. Jimmy commits suicide and JOS leaves the punk scene ("Homecoming"). Eventually he conforms to a normal life and forgets Whatsername, only remembering her face ("Whatsername").

The album won several awards, with the most notable ones being two {{Grammy Award}}s for Best Rock Album and Record of the Year ("Boulevard of Broken Dreams"). It also received five more nominations including for Album of the Year.

Starting in 2009, ''Idiot'' received its own ''[[http://www.youtube.com/watch?v=MGkclalr4fU Broadway musical]]'' that won '''two''' 2010 Tony Awards for Best Scenic Design and Best Lighting Design, and was even up for the Best Musical award as well. On top of that, it won the 2011 UsefulNotes/GrammyAward for Best Musical Show Album. In turn, a documentary depicting the album's journey to Broadway was released in 2013 under the name ''Broadway Idiot'', premiering at SXSW 2013 and later going into select theatres as well as to VOD. The movie received mixed reviews.

[[http://screenrant.com/green-day-american-idiot-movie-sandy-110665/ A movie is apparently being planned, too.]]

Also provided the basis for the mash-up album ''American Edit'' by "Dean Gray", which remixes tracks from the album with an extremely diverse range of other songs, ranging from Music/BryanAdams and Music/TheOffspring to Music/TheBeatles, the Bangles, Music/{{Queen}} and the ''Series/DoctorWho'' theme. It's surprisingly good and expands on the plot of the album. The band's label objected to the mash-up, but Billie Joe Armstrong supposedly heard it and approved.

''American Idiot'' was listed at no. 225 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]], and its TitleTrack was listed at no. 432 on the magazine's "500 greatest songs" list.

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!! Tracklist:

# "American Idiot"
# "Jesus Of Suburbia" [[note]]I. "Jesus Of Suburbia" II. "City Of The Damned" III. "I Don't Care" IV. "Dearly Beloved" V. "Tales Of Another Broken Home"[[/note]]
# "Holiday"
# "Boulevard Of Broken Dreams"
# "Are We The Waiting?"
# "St. Jimmy"
# "Give Me Novacaine"
# "She's A Rebel"
# "Extraordinary Girl"
# "Letterbomb"
# "Wake Me Up When September Ends"
# "Homecoming" [[note]]I. "The Death Of St. Jimmy" II. "East 12th St." III. "Nobody Likes You" IV. "Rock And Roll Girlfriend" V. "We're Coming Home Again"[[/note]]
# "Whatsername"

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!! Bonus Track (Japanese Release):

# "Favourite Son"

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!! Bonus Tracks (iTunes Deluxe Edition):

# "Too Much Too Soon"
# "Shoplifter"
# "Governator"
# "Jesus Of Suburbia (Music Video)"

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!!Principal Members:

* Billie Joe Armstrong - lead vocals, guitar
* Tré Cool - drums, percussion, backing and lead vocals
* Mike Dirnt - bass, backing and lead vocals

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!! Boulevard Of Broken Tropes:

%% commented out as ZeroContextExample * ActionGirlfriend
* AdaptationExpansion: The musical adds onto the JOS plot with stories of his two best friends. There's Will, who wants to leave but has to stay home with his pregnant girlfriend, and Tunny, who initially goes to the city with JOS but then ends up joining the army.
** The musical also has many songs from the successor ''Music/TwentyFirstCenturyBreakdown''.
* AllThereInTheManual: A special hardcover-book edition of ''American Idiot'' contains journal entries not featured as lyrics; these served as the dialogue for the musical.
%% commented out as ZeroContextExample * AntiHero: According to WordOfGod, JOS.
* ArcWords: Inevitable, given the storytelling aspect of the album, but a few stand out, especially in 'Homecoming'. Part 2 bears resemblance to the 'I don't care' part of Jesus of Suburbia, acting a bit like BookEnds as JOS returns home. Also, Whatsername's 'Nobody likes you' taunt shows up quite a bit, possibly to imply thoughts going around JOS/ Jimmy's head during the song.
* BangFlagGun: Used in the musical version during [[spoiler:St. Jimmy's suicide.]]
* BittersweetEnding: The musical. [[spoiler: Tunny loses his leg in the war but falls in love with the Extraordinary Girl. Johnny and Will have lost the women they love but are finally getting their acts together, have their friends back, and Heather is letting Will see his baby again.]]
* BreakUpBonfire: Mentioned in "Whatsername".
%% commented out as ZeroContextExample * BreakupSong: "Letterbomb".
* CerebusSyndrome: Who knew the punks from "Basket Case" and "Longview" were so serious!
%% commented out as ZeroContextExample * ComingOfAgeStory
%% commented out as ZeroContextExample * CoolPeopleRebelAgainstAuthority: DeconstructedTrope.
* CoverDrop: "She's a Rebel" ("She's a symbol of resistance, and she's holding on my heart like a hand grenade").
* CreatorCameo: Billie Joe occasionally played St. Jimmy in the musical during its original run.
* DidNotGetTheGirl: "Whatsername". In the musical, this applies not only to Johnny, [[spoiler: but to Will as well, although Heather is at least letting him be a part of his daughter's life]].
%% commented out as ZeroContextExample, ExamplesAreNotArguable * DoubleConsciousness: Depending on interpretation.
* DreamSequence: "Extraordinary Girl" in the musical.
* DrivenToSuicide: St Jimmy in "Homecoming".
* EpicRocking: The two multipart tracks.
** "Homecoming" actually started as the opposite: a few MinisculeRocking tracks which were then stitched together.
* FadingIntoTheNextSong: "Holiday"/"Boulevard of Broken Dreams" (the music videos also follow this, since the former's - produced later - ends where the latter begins) and "Are We the Waiting"/"St. Jimmy". "Give Me Novocaine" -> "She's A Rebel" and "Extraordinary Girl" -> "Letterbomb" are lesser examples.
* FormerTeenRebel: JOS in "Homecoming"
* FreudianTrio: Jimmy is the id, JOS is the ego, and "Whatsername" is the superego. (considering that she's the only one who ever calls JOS out)
* GenreDeconstruction: Of the Punk movement as a whole. JOS becomes a self-absorbed, self-destructive rebel without a cause who ultimately accomplishes nothing and according to "Letterbomb" is the real American Idiot. This creates the interesting social commentary in that rather than (just) turning people into mindless drones, the alienation and paranoia of modern American society creates self-destructive rebellion.
* GrowingUpSucks= JOS' life is really bad.
%% commented out as ZeroContextExample, dual-trope entry * IAmSong / ImageSong: "Jesus of Suburbia" (doubles as an IWantSong) , "St. Jimmy", "She's A Rebel".
%% commented out as ZeroContextExample * LoopedLyrics: "Are We The Waiting?"; the "Nobody Likes You" section of "Homecoming"
* LoudnessWar: Pretty badly. Even the ballads like "Wake Me Up When September Ends" are clipped.
%% commented out as ZeroContextExample, ExamplesAreNotArguable * LovesMyAlterEgo: Depending on interpretation.
* MyCountryTisOfTheeThatISting: "American Idiot" and "Holiday" are critical of the United States' politics, especially referring to the 2003 war in Iraq.
%% commented out as ZeroContextExample * NewSoundAlbum: In Green Day's catalogue.
%% commented out as ZeroContextExample * NoNameGiven: "Whatsername"
* OneDrinkWillKillTheBaby: PlayedForLaughs in the musical when the visibly pregnant Heather drinks Will's beer during "Give Me Novacaine".
%% commented out as ZeroContextExample * ProtestSong: "American Idiot" is the most obvious one. "Holiday" is one, too.
* TheReasonYouSuckSpeech: The intro to "Letterbomb" (later quoted in "Homecoming"). [[LyricalDissonance Set to a cheery, almost nursery rhyme-like tune.]]
--> ''Nobody likes you ''
--> ''Everyone left you ''
--> ''They're all out without you ''
--> ''Having fun.''
%% commented out as ZeroContextExample ** Really, Letterbomb as a whole.
* RealLifeWritesThePlot: Certain songs and themes were inspired by the band's growing dissatisfaction with the UsefulNotes/GeorgeWBush administration and their politics regarding the war in Iraq and Afghanistan.
* RebelliousSpirit : The protagonist is a rebel without a cause.
* RockOperaPlot: It's a rock opera.
* SexDrugsAndRockAndRoll: The music video for ''Jesus of Suburbia''.
%% commented out as ZeroContextExample ** "Give Me Novacaine" and "[[RockstarSong IV. Rock and Roll Girlfriend]]" are self-explanatory.
* SmallTownBoredom: JOS gets bored of his suburban lifestyle and runs to the city.
%% commented out as ZeroContextExample * SplitPersonalityMerge: "I. The Death of St. Jimmy"
* StealthPun: "Homecoming" is about JOS coming home, not a school homecoming.
* StepUpToTheMicrophone: Tré Cool and Mike Dirnt sing the parts of "Homecoming" they wrote.
* SubduedSection: The "Dearly Beloved" section of "Jesus of Suburbia", "Nobody Likes You" in "Homecoming".
%% commented out as ZeroContextExample * SurprisinglyGentleSong: "Wake Me Up When September Ends".
* ThreeChordsAndTheTruth: "American Idiot", "St. Jimmy," "She's A Rebel," and "Letterbomb" are on par with previous Green Day songs.
* TroubledButCute: Johnny, writing to Will about Whatsername: "She knows I'm full of shit but at least she thinks I'm cute."
%% commented out as ZeroContextExample ** Everyone.
%% commented out as ZeroContextExample * WanderlustSong: The last section of Jesus of Suburbia.
* WarIsHell: "Wake Me Up When September Ends", which is about a soldier sent off to Iraq. The music video has his girlfriend cry in despair over the news.
* WhamLine: One of the final verses in "Letterbomb":
--> You're not the Jesus of Suburbia
--> The St. Jimmy is a figment of
--> Your father's rage and your mother's love
* YouWontFeelAThing: "Give Me Novacaine":
--> ''Tell me, Jimmy, I won't feel a thing...''

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