->''"Two takes? No, no no no. I don't... ''do'' two takes. ''Amateurs'' like you do two takes. Print it, I'll be in my three-story trailer."''
-->-- '''Calculon''', ''WesternAnimation/{{Futurama}}''

Actors are in a constant state of communication with directors (and, sometimes, writers) as to what they think or feel their character should do, and in what direction their development ought to go. Thus in a very fundamental sense actors are ''always'' meddling for the benefit of the story.

'''[[WellThisIsNotThatTrope That is not this trope.]]'''

This trope is when actors, likely those whose salary accounts for a significant portion of the budget, ''impose'' their ideas on the director. Maybe they want more screen time, a [[WriterRevolt major rewrite]] of the plot, or some other concession that would get any smaller actor fired, like refusing any and all direction on their acting and filling their performances with HamAndCheese or [[TookTheBadFilmSeriously being overly serious]].

The result may not harm the film overall (or it may well be so extensive [[VanityProject it becomes a vehicle for them to showboat in]]) but it is usually noticeable to viewers and [[UnexpectedReactionsToThisIndex may cause]] [[{{Narm}} laughter]], [[CollectiveGroan groans]], or head-scratching. It's most typically parodied by the famous Diva line "Shoot my good side please!"

And yes, there are occasions when this trope actually ''improves'' the production. However, this trope differs from the typical creative (and collaborative) process by involving a [[ItsAllAboutMe self-centered]] actor overruling the director.

Note that this situation is actually an ''improvement'' on how things worked for a while in Hollywood. After [[UsefulNotes/FallOfTheStudioSystem the final collapse of the studio star system]] in the late 60's, if an actor didn't like how the director was doing their job, it was completely possible for the star to get the director fired, then take over director's job themselves for the remainder of the shoot. This practice was officially stopped in 1976, after Creator/ClintEastwood had Philip Kaufman fired from ''Film/TheOutlawJoseyWales'' and took over the film himself -- the Director's Guild subsequently made a rule which stated that whenever a film's director was fired, the replacement was not allowed to have been associated with the production in any way whatsoever. This theoretically safeguards directors from overly egotistical actors, although there are, of course, ways around it.

The trope name is a play on "wag the dog", meaning that rather than the dog wagging the tail, it's the tail that wags the dog. [[DontExplainTheJoke Or in this case, rather than the director directing the actor, it's the actor who directs the director.]] Also note that when it comes down to it, the ''producer'' is (often unfortunately) the one with more power in Hollywood; actors just have a more direct connection, hence this trope.

Compare ExecutiveMeddling, ProtectionFromEditors and TroubledProduction. Contrast PrimaDonnaDirector.
----
[[foldercontrol]]

!!In-universe examples

[[folder:Advertising]]
* Parodied with a Sprint theatre ad (part of the "Please Turn Off Your Cellphones" adverts) where a chimpanzee actor and his agents argue with a negotiating agency for a bigger slice of the film (eventually culminating in him controlling the soundtrack, which consists of slapping a keyboard).
[[/folder]]

[[folder:Anime & Manga]]
* Niizuma Eiji, superstar manga artist and friendly rival to the main characters of ''Manga/{{Bakuman}}'', agrees to work for Shonen Jump early on the in the series, with one condition: they must let him cancel any one series of his choosing. Amazingly, the editors agree. He winds up [[spoiler:using it to cancel his own popular long-running series Crow, so it could end on a high note.]]
[[/folder]]

[[folder:Films -- Live-Action]]
* This is the entire plot of the Japanese film ''Welcome Back, Mr. [=McDonald=]''. The lead actress of the radio drama requests that her character be made American. This leads to the other actors wanting their roles changed, then they want plot changes, and pretty soon, the radio drama is nothing like what was originally written. It doesn't help that both the director and the drama's writer are complete pushovers.
* Prima-donna actor Mike Shiner undermines Riggan Thompson's directorial vision at every opportunity in ''Film/{{Birdman}}''. For extra meta points, Shiner is played by EdwardNorton, who has an infamous reputation for engaging in this trope (see below).
* This is how Neville Sinclair, the self-important actor played by Creator/TimothyDalton, treats the director of his "Laughing Bandit" movie in ''Film/TheRocketeer'': the scene where Sinclair's ordering him to ban an actress from the lot (because her boyfriend had showed up and ruined a take) makes it clear this is just the director's latest round of being shouted at.
* In ''Film/StateAndMain'' the lead actress was hired specifically to play a part that requires nudity and a sex scene (its implied she normally gets hired for her looks, not her talent) but becomes a Christian before the shoot and demands the scene be removed. The director fights it for much of the movie but the writer eventually finds a way to make it work somehow rewriting the character as a nun.
* This is the whole second act of ''Film/LivingInOblivion'': the big-shot actor causes all manner of chaos when he keeps trying to change the scene, sometimes out of creative differences from the director and sometimes out of spite due to estrangement with his co-star.
* In ''Film/TheRealBlonde'', a soap opera actor refuses to re-sign his contract unless the producers kill off his co-star's character because she humiliated him for his [[TheLoinsSleepTonight failure to perform]].
* In ''Bollywood/OmShantiOm'' bratty star Om Kapoor, after belatedly realizing that his role in the movie he is currently filming is an over the top OscarBait InspirationallyDisadvantaged man, decides that the scene that he is supposed to film that day is boring and basically forces the director to hastily make a [[TheItemNumber Item Number]] (with Om being the [[FanService Item]]) set to disco music, and shoehorn it into the plot under the guise of a "mental lanscape" reflecting what his character is supposed to feel. To Om's credit, the scene the music number is replacing really is ''that'' boring, but still.
[[/folder]]

[[folder:Live Action TV]]
* Happens on ''Series/SlingsAndArrows'' quite a bit, particularly whenever Geoffrey ends up with some hugely famous and award-winning stage actor on hand to play a leading role (e.g. Henry Breedlove, an {{Expy}} of KennethBranagh, defying all of his direction as the title character in ''Theatre/{{Macbeth}}'').
* In an episode of ''Series/LasVegas'', Creator/JeanClaudeVanDamme (appearing AsHimself) is shooting an action movie in Las Vegas. He demands to [[NoStuntDouble perform a dangerous stunt himself]] where his character drives a motorcycle off the roof of the casino and goes around the director's back to do so. Van Damme's agent tells him that he was right when he said who would really be in charge. [[spoiler:Van Damme subsequently dies because the stunt was rigged for failure.]]
* In ''Series/MontyPythonsFlyingCircus'', the film of 'Scott of the Antartic' is changed to 'Scott of the Sahara' purely to satisfy lead actor Kirk Vilb's desire to fight a lion.
* [[https://www.youtube.com/watch?v=A5Zdp1RfoyI Parodied]] in ''Series/KeyAndPeele'', where it's shown that the [[JumpTheShark increasingly bizarre]] Urkel-centric plotlines of ''Series/FamilyMatters'' are due to Jaleel White being a psychic who [[PsychicAssistedSuicide killed anyone]] working on the show that displeased him.
[[/folder]]

[[folder:Web Animation]]
* The ''WebAnimation/HomestarRunner'' short [[http://www.homestarrunner.com/ccdo6.html "The Next Epi-Snowed!"]] parodies this phenomenon. Crack Stuntman, the voice actor for Gunhaver from the ''Cheat Commandos'' ShowWithinAShow, disrupts recording by making a series of increasingly ridiculous demands. In the end though...
--> '''Reynold:''' "It's too bad Gunhaver's on a secret mission to the moon for an undisclosed period of time, and that when he gets back his voice might have changed."
[[/folder]]

[[folder:Western Animation]]
* Parodied in ''WesternAnimation/{{Metalocalypse}}'' when the director of ''[[ShowWithinAShow Blood Ocean]]'' is contractually forbidden to actually direct ([[UpToEleven or even approach]]) the band members.
* The ''WesternAnimation/PinkyAndTheBrain'' short "Yes, Always." In addition to Brain doing an as-verbatim-as-possible-on-a-family-show recreation of the Orson Welles example cited under Real life advertising, Brain starts by kicking the entire production staff out, and ultimately gets fed up and storms off. (He returns when he sees a whole horde of mice waiting to replace him.)
* The plot of an early episode of ''WesternAnimation/TheFlintstones'' leads up to Fred and Wilma becoming the main characters of a live sitcom after they and the Rubbles wind up in Hollyrock. Fred lets fame get to his head and, on the night of the premiere, he's handing script rewrites to the director, telling the crew to hold the spot-light over him at all times, and generally acting like a prima-donna toward everyone involved with the show. The director decides that he doesn't want to deal with Fred for the entire run of the show and gives Fred a good dose of stage fright by telling him just how many people are watching Fred.
[[/folder]]

!!Real-life examples

[[folder:Advertising]]
* As mentioned in Film below, Orson Welles's infamous breakdown (the recording of which is informally titled "Frozen Peas" or "Yes, Always") while recording what he considers to be poorly written narration for a series of Findus TV advertisements. [[http://ubu.wfmu.org/sound/365/03/365-Days-Project-03-01-welles-orson-frozen-peas-spot.mp3 Listen to it here]].
[[/folder]]

[[folder:Anime & Manga]]
* This trope is rumored to be one of the reasons why YoshihiroTogashi is one of the Shueisha manga authors with more privileges (He ''is'' known to, e.g., have abruptly finished Manga/YuYuHakusho over his anger at the AdaptationDecay that took place in the anime). The others are his [[IllBoy poor health]] and ExecutiveMeddling.
[[/folder]]

[[folder:Films -- Live-Action]]
* Creator/KirkDouglas got rid of the first director for ''Film/{{Spartacus}}'' and brought in (then-)little-known Creator/StanleyKubrick. Though directing the film made Kubrick famous, he later claimed that almost everything was really controlled by Douglas. It might have helped that, in addition to the lead, Douglas was also the producer. It's worth noting that the two of them were very good friends; Kubrick did it as a favor to Douglas.
* The disability fake out / somersault scene in ''Film/WillyWonkaAndTheChocolateFactory'' was Creator/GeneWilder's idea, and he only agreed to take the title role on the condition that it was used. Director Mel Stuart had been so eager to give Gene the part that he didn't make him audition in the first place. He also had total control of his costume, from the dimensions to the colors to the number of pockets.
* Creator/CrispinGlover tried to do this in ''Film/BackToTheFuture'', but didn't have enough enough sway to get away with it. His "unreasonable demands" for the sequels may have been creative control, but this cannot be proven. Just as likely would be a paycheck equal to Creator/MichaelJFox's, despite being a tertiary character.
** Yet another story actually gives some reason for Glover's demand. Apparently, Universal was only willing to pay Glover $50,000 for his role (which for a big-budgeted studio tentpole is very low). Glover asked for a raise to a more manageable figure but was fired immediately. But the story doesn't end there. Universal would later use footage of Glover from the first film without his consent, and use heavy prosthetic makeup on another actor to make him appear to be Crispin for new footage, which led Glover to sue Universal for residuals on using said footage. The lawsuit was successful, which led the Screen Actors Guild to create a new rule on such cases, nicknamed the "Crispin Glover Rule".
** For the record Glover has stated that he didn't return for the sequels because he thought George [=McFly=] becoming rich and famous in the revised timeline and bullying his former bully sent the wrong message. Had he been successful in getting the ending of the first movie changed, it would have been a straightforward example of this trope.
** His character in ''Film/CharliesAngels'' was supposed to have dialogue, but he elected to play him as a mute.
* Creator/MerylStreep once said in an interview that a director had no place telling actors how to act, they simply "rented" their performance.
* Creator/ChristianBale was offered the part of Marcus in ''Film/TerminatorSalvation'', but wanted John Connor. This expanded the role, and kind of threw things off-balance. Of course, the most infamous case involving Bale was the rant he delivered at the DP during the making of ''Salvation''. In the leaked audiotape, Bale chews out the director of photography for changing the lighting levels while he was in the midst of performing a scene, and subsequently tells director Joseph "[=McG=]" [=McGinty=] that he will not have it happen again.
* Creator/ClintEastwood changed so many things around when filming ''Film/TheOutlawJoseyWales'' that he eventually fired the director and replaced him with himself. The Director's Guild of America now has an "Eastwood rule" preventing this sort of thing. Make what you will of the fact that Eastwood has since made a name for himself as a director of some repute.
** In ''Film/EveryWhichWayButLoose'', Clint was often in dispute with the director, James Fargo. The first assistant sarcastically commented that this was because Fargo "had the notion that he was directing the movie." Note that Eastwood and Fargo had been long-time collaborators, with Fargo having handled second unit duties on films that Eastwood had directed, and working smoothly with him during Fargo's directorial bow on ''Film/TheEnforcer''. On that occasion they worked well together since it had been agreed that Eastwood was really in charge, but Fargo expected more control on ''Every Which Way''. Their friendship survived the film's production, but afterwards they agreed that it'd probably be best for the sake of their sanity if they didn't work on the same film again.
* The DVDCommentary on ''Film/BattlefieldEarth'' makes it clear that Creator/JohnTravolta, not the director, was in the driver's seat. Considering his status as driving force behind the project and probable writer of the script though, perhaps the wonder is that he wasn't ''actually'' the director.
* In a [[TropesAreNotBad positive example of this trope]], ''Film/TheAddamsFamily'''s original ending was to have Gordon remain an impostor, but be accepted as Uncle Fester anyway because he fit in so well with the rest of the Addams clan. Pretty much the entire cast objected to the idea. Creator/AnjelicaHuston as "passionately against" it and Creator/RaulJulia was "outraged" and in the end, the cast chose ten-year-old Creator/ChristinaRicci to convince Creator/BarrySonnenfeld to change the ending. Ironically, the only one who didn't care either way was Creator/ChristopherLloyd, who played Fester.
* Creator/EdwardNorton has gained a reputation for this:
** He was accused of this during the post-production of ''Film/AmericanHistoryX''. Director Tony Kaye alleged that Norton had the film re-edited so he had more screen time. Kaye disowned the project, tried (in vain) to have his [[AlanSmithee name taken off the film]], and sued New Line for nearly $300 million. However, Kaye's edits had already been rejected by the studio twice ''before'' a new editor was brought in with Norton to deliver their own version. The finished product was well received and Norton earned an Oscar nomination, so he apparently won the argument.
** ''Film/TheIncredibleHulk'': Norton is [[OneOfUs a fan of the Hulk]], and did a rewrite that brought the film closer in line to the comics. The film was better received than the first film. However, Norton's reputation as being difficult to work with was allegedly one of the reasons he was not asked to reprise his role for ''Film/{{The Avengers|2012}}''. Though the more commonly known and accepted one was simply a conflicting work schedule - couple that with how well [[Creator/MarkRuffalo his replacement]] was received, and Norton's chances of reprising the role are slim-to-none.
** Norton even engaged in this trope during the production of ''Film/{{Birdman}}'', in which he plays [[MetaCasting a brilliant but intense method actor who tries to wrestle control from the director of the play he was cast in]]. Supposedly, he didn't even see the irony of the situation until it was explicitly pointed out to him.
* Creator/HalleBerry became notorious for this
** It started with ''Film/XMen1''. During filming, she refused to wear white contacts that covered her eyes (like in the comics) and wanted more lines/scenes. By shooting time for ''Film/X2XMenUnited'', she [[UsefulNotes/AcademyAward had more clout]], and used it to give herself a bigger part (and more money) in the movie, and lo, here comes her conversations with Nightcrawler and strange use of powers against the missiles. And, ''again'', she demanded even more for ''Film/XMenTheLastStand'', with rumors flying that she wouldn't even cameo in the film without a huge paycheck.
** This led to the ''Film/{{Catwoman}}'' movie being greenlit. Also, her demands in ''Film/DieAnotherDay'' that, among others, she be featured in front of Creator/PierceBrosnan, freaking ''[[Film/JamesBond JAMES BOND]]'', on the movie poster. All of this backfired after ''Catwoman'' crashed and burned; her final paycheck in ''X-Men: The Last Stand'' (after she begged for her part back) was said to be a lot [[LaserGuidedKarma smaller than demanded]].
* Creator/OrsonWelles did this a ''lot''. No matter how [[OneSceneWonder small]] or [[ClassicallyTrainedExtra insignificant]] his role was (and what his [[MoneyDearBoy motives]] were for taking the part), he frequently rewrote his lines. This is perhaps most infamous in the raw footage of him trying to record a radio commercial for frozen peas. He proclaims that the writing is too awful to even read aloud.
* Creator/MarlonBrando became perhaps the most legendary example of the trope:
** On ''Film/MutinyOnTheBounty'', he constantly undermined the authority of director Lewis Milestone, and got the crew to obey his every whim. Brando had so much clout by this point that he got MGM to green-light virtually every outrageous idea he had. At one point, he pulled people off the film crew to decorate and design a friend's wedding in Tahiti. Another time he had airplanes filled with cases of champagne, turkeys and hams flown to Tahiti for parties. He also threatened to quit the film if the Bounty ship was burnt and demanded repeated re-writes to meet his ever-changing vision of the film..
** He refused to memorize lines for anyone, insisting that they be held off-camera on cue cards or, when technology allowed, to be fed via radio into an earpiece. For ''Film/LastTangoInParis'', he asked Creator/BenardoBertolucci if he could write his lines on co-star Maria Schneider's ass. Bertolucci refused to let him do it.
** He showed up for the filming of ''Film/ApocalypseNow'' drunk and fat, though Coppola had been specified a wiry, muscular character. He hadn't read the book upon which it was based, instead insisting that Creator/FrancisFordCoppola ''read it to him'' on the set. He demanded changes to the script, only allowed himself to be filmed in shadows, and ultimately improvised most of his own rambling lines. All this '''after''' receiving his $1 million advance.
** While filming ''Film/TheMissouriBreaks'', he threw out all his character's dialogue and improvised instead. He also "re-imagined" his experienced gunfighter character as a flamboyant half-Indian with a cheerful Irish accent and a feathered earring.
** On the set of ''Film/TheScore'', he constantly called director Frank Oz "[[Franchise/TheMuppets Miss Piggy]]". Pretty soon Oz refused to speak to Brando, and co-star Creator/RobertDeNiro had to step in and direct all of the scenes with Brando. Like ''Apocalypse Now'' and various other examples of this trope, it might have improved the film.
** In the 1996 adaptation of ''Film/TheIslandOfDoctorMoreau'' Brando shot a scene while wearing a champagne bucket as a hat. Everyone was too afraid to tell him to take it off. He also arrived to the set with Nelson de la Rosa, a minor dwarf celebrity from the Dominican Republic he'd recently befriended, and demanded he also receive a part, forcing them to include de la Rosa as Moreau's assistant Majai.
*** Which is what is rumored to have inspired the scene where Creator/ValKilmer wears one and does a not-at-all AffectionateParody of Brando after his character has gone insane. It was a TakeThat by the rest of the cast and crew.[[note]] Ironic, since by most accounts, Kilmer was just as bad on set, if not worse.[[/note]]
* According to Creator/JossWhedon, Creator/KevinCostner "fired" the director of ''Film/{{Waterworld}}'' halfway through. Costner demanded the movie to be shot in the ocean rather than in a water tank on land... which led to the construction of an expensive water tank set ''in the ocean''. Since there were no bathrooms on the set people had to be ferried regularly to land so they could poop. Throw in the fact that between takes Costner was living in a mansion with swimming pool and a cook for his personal use with all expenses covered by the producers and you'll understand that the rest of the crew was a bit upset. And last but not least, Costner demanded the VFX crew to hide his receding hairline ''digitally'' (not a cheap feat in 1995). The result? The most expensive film ever produced until the release of ''Film/{{Titanic 1997}}''.
* Sam Worthington caused a massive number of script changes to the 2010 version of ''Film/{{Clash of the Titans|2010}}''. The old script [[WhatCouldHaveBeen stayed relatively true to mythology and its modern interpretations]], [[http://www.chud.com/23299/by-zeus-the-version-of-clash-of-the-titans-you-didnt-see/ as well as having more gods, more consistent characters, and a less schizophrenic plot]]. Worthington wanted a movie that could [[SoMyKidsCanWatch appeal to his nephew]], making it more action-driven, and he was running off the high from ''Film/{{Avatar}}'', allowing him to overturn much of what director Louis Leterrier wanted. It's uncertain if the original cut will ever be made truly available.
* The release of the ''Film/{{Tombstone}}'' Director's Cut on Blu-Ray has re-ignited claims that Creator/KurtRussell was the actual Director. Kevin Jarre, the initial Director, was fired because he refused to cut the screenplay. Following that, George P. Cosmatos was brought in to finish the film. However, following Cosmatos' death in 2005, Russell claimed that Cosmatos was simply following Russell's orders. He'd been recommended by Creator/SylvesterStallone after doing the same for him on ''Film/RamboFirstBloodPartII''. This was all essentially a dodge around the [[UsefulNotes/UnionsInHollywood DGA]] and the Eastwood Rule, which prevents actors from taking over for a fired director.
* Kirk Cameron's director-wagging, which began during the taping of ''Series/GrowingPains'' (see below), did not end with the show.
** In ''LeftBehind: Tribulation Force'', there's a scene which has Buck Williams (Kirk's character) and Rayford Steele confronting a friend of the latter who didn't want to hear what the Antichrist planned to do. Cameron (who by that point had just teamed up with Ray Comfort's "The Way of the Master" ministry) manages to combine this with a BigLippedAlligatorMoment when he suddenly throws in this random string of questions related to the 10 Commandments lifted almost word for word from a "The Way of the Master" video he appeared in.
** During the filming of ''Fireproof'', Cameron's wife Chelsea Noble had to be costumed to serve as Erin Bethea's ''kissing double'', because Cameron refused to even pretend to kiss any woman other than his wife.
* In ''Film/PiratesOfTheCaribbeanTheCurseOfTheBlackPearl'', Creator/JohnnyDepp infamously decided to act like he was drunk the entire movie instead of trying to act like a more traditional pirate badass like the directors wanted. He became the BreakoutCharacter of [[Franchise/PiratesOfTheCaribbean the franchise]].
** Note that the character's creators were reported to be ''pleased'' with Depp's take as it actually fit their idea of him as a trickster much better than a straightforward action hero.
* Creator/RobertPattinson did this in ''Literature/{{Twilight}}'', having said he purposefully attempted to portray Edward as a creepy, obsessed nutjob and because that was how he saw the character in reading the book. Pattinson has been frank about his bafflement with the franchise, explicitly stating in interviews that he finds the books disturbingly personal private fantasies and Edward a repressed, self-hating ball of issues who really shouldn't be a romantic hero. He mostly auditioned for the movie so he could have a chance to hit on Creator/KristenStewart, which is actually pretty appropriate for the character he played.
* A pretty dark example of director wagging took place on the set of ''Film/BladeTrinity'' if writer [[http://efilmcritic.com/feature.php?feature=1451 Chris Parry]] is to be believed. Creator/WesleySnipes didn't like the Director (David Goyer, who wrote the first two movies in the ''Film/BladeTrilogy'' and co-wrote ''Film/BatmanBegins''), and decided to do the least amount of work imaginable in response. He was only on set when a shot required him to face the camera directly (his stunt double had to fill in the rest of the time) and seemed to go out of his way to be a dick to everyone involved when he could be bothered to show up. This is part of what led to Creator/RyanReynolds' ThrowItIn "He doesn't like me, does he?" and the expansion of Reynolds's part to fill screentime, a lot of it improv. Creator/PattonOswalt elaborated even further on this in an interview with the A.V. Club, revealing that not only did Snipes accuse Goyer of being a racist multiple times with little to no provocation, but eventually stopped speaking to him entirely, communicating only in Post-It notes. (And because he was such an intense Method actor, he signed each one "Blade".)
* ''Film/StarTrekVITheUndiscoveredCountry'':
** There were a few lines that Creator/NichelleNichols refused to say, given [[UnfortunateImplications their racist nature]] (said about Klingons in the movie, but they could easily have applied to African Americans). Some were cut, others were given to other characters. She also disagreed with the scene about needing to race through books to find the translation for Klingon, stating that as the Communications Officer she should be able to speak Klingon. She was overruled.
** Creator/WilliamShatner ''tried'' it when it came to the line "Let [the Klingons] die!" Every take, he immediately recoiled as if in horror at what he'd just said. Director Nicholas Meyer promised Shatner they wouldn't cut the recoil. Guess what got cut.
** During the final battle, Captain Sulu and the ''Excelsior'' was supposed to [[BigDamnHeroes arrive dramatically]] and use its [[ChekhovsGun charting gaseous anomalies]] equipment to jury-rig a heat-seeking photon torpedo. Shatner, however, insisted that the ''Enterprise'' should save itself. In consequence, the ''Excelsior'' arrives just in time to be shot at, and the gaseous-anomalies equipment is [[AssPull magically]] onboard the ''Enterprise'' instead.
** Shatner was quite reluctant to do the "getting old" theme in ''Film/StarTrekIITheWrathOfKhan''. He was eventually talked into it, but did get his wish that they not include a line which mentioned how old Kirk was.
** Even when [[DirectedByCastMember the actors direct the movies]], they're not immune to this trope. Shatner's original draft for ''Film/StarTrekVTheFinalFrontier'' involved Spock and [=McCoy=] betraying Kirk alongside the rest of the Enterprise. Naturally, Creator/LeonardNimoy and Creator/DeForestKelley refused to go along with this, as it would be out-of-character for them, especially given the events of the previous three films.
* Creator/SteveMcQueenActor only accepted to be in ''Film/TheGreatEscape'' on the condition that motorcycle stunts were added in just for him. The studio complied for the most part, but did not allow him to perform the iconic jump over the fences. A stunt double rode the bike during that shot for insurance reasons and because the studio did not want their big star to land in the hospital.
** On ''Film/TheGetaway'', [=McQueen=] had Music/JerryGoldsmith's score replaced with Music/QuincyJones. Under his contract with First Artists, [=McQueen=] had final cut on the film and when Creator/SamPeckinpah found out, he was upset. Richard Bright said that [=McQueen=] chose takes that "made him look good" and Peckinpah felt that the actor played it safe: "He chose all these Playboy shots of himself. He's playing it safe with these pretty-boy shots."
** The gratuitous fight scene in ''Film/TheCincinnatiKid'' was added at the insistence of [=McQueen=].
* ''Film/{{Hook}}'' has a BigLippedAlligatorMoment where Tinkerbell (Creator/JuliaRoberts) inexplicably grows to normal size and has a semi-romantic scene with Peter Pan (Creator/RobinWilliams). Reportedly, this scene happened because Roberts demanded at least one scene in which she acted alongside Williams rather than a greenscreen. This, among other such tantrums and fits of diva behavior, inspired the crew to nickname Roberts "Tinkerhell". Creator/StevenSpielberg went on the record to say he'd never work with her again; to her credit, she owned up to her behavior later on, stating she wasn't right from her relationship problems off-set.
* Creator/AlanRickman only agreed to play the Sheriff of Nottingham in ''Film/RobinHoodPrinceOfThieves'' on the condition that he could play the character however he wanted. [[HamAndCheese He played him as a]] LaughablyEvil LargeHam in an otherwise straight-faced ''RobinHood'' adaptation. He's often considered the best thing in the film.
* Creator/BruceWillis apparently did a lot of this during ''Film/LiveFreeOrDieHard'' (at least), greatly frustrating the director and some of the other actors. On the other hand, according to Creator/KevinSmith (who told the story in one of his "Evening" shows) it's probably for the better: [[ExecutiveMeddling the studio]] apparently wanted a lot more low-brow humor, goofiness, and other un-Die-Hard things, and weren't afraid to make the story suffer for it, which Willis refused to allow. When they tried to tell him he couldn't make the changes he wanted, he abruptly finished the argument by asking, [[ArmorPiercingQuestion "So who's your second choice to play John [=McClane=]?"]]
** Of course, many other times Bruce Willis did this and its impact on the film wasn't so positive. During ''Film/CopOut'' he explicitly ignored Kevin Smith's instructions/direction and generally behaved like a dick, to the point that Smith (who previously idolised Willis) said he would never work with him again and would never work with anybody he'd idolised in his youth either.
** Creator/BrianDePalma noted how difficult Willis was to work with on ''Film/TheBonfireOfTheVanities'', to the point that it hurt the movie. It didn't help that he was horribly miscast in the first place.
** Willis and Music/MichaelKamen took over production on ''Film/TheLastBoyScout and made changes to Creator/ShaneBlack's script and made Creator/TonyScott film many scenes that he didn't like under threat of being fired from production.
** Roger Director, a writer and producer on ''Series/{{Moonlighting}}'', wrote a Roman-a-clef about Willis, which pissed him off as the novel depicted him as a 'neurotic, petulant actor'.
** Willis wanted an inordinate sum of money for about four days' work on ''Film/TheExpendables3''; he was initially offered $3 million for his services, and according to Creator/SylvesterStallone, Willis arbitrarily asked for $4 million. This coupled with the fact that, as previously mentioned, Willis is very difficult to work with, led to Sylvester Stallone firing him outright and replacing him with the infinitely nicer and more preferable Creator/HarrisonFord.
** Willis himself is poking fun at his behaviour in ''Film/WhatJustHappened'', where - playing as himself, mind you - he shows exactly the same level of stubbornness and insubordination as described above. Only this time, with comedic relief inserted at the end of his arc.
** Interestingly, Willis' usual dub voice actor in Spain, Ramón Langa (and a popular actor in the country in his own right) also threatened to walk out if the Spanish version of ''Live Free or Die Hard'' did not include profanity (the English version was [[ExecutiveMeddling neutered]] in post-production to get a PG-13 rating).
* Creator/RalphBakshi, known for his animated films aimed at adult audiences, got this with Creator/KimBasinger during the production of ''Film/CoolWorld''. She convinced producer Frank Mancuso Jr. to change the script to make it more kid-friendly. Mancuso was already having the script rewritten to remove all of the horror elements because he was bored with the genre, so this went from being an R-rated horror film to an R-rated comedy to a PG-13 comedy.
* One of several problems associated with ''Film/HighlanderIITheQuickening'' can be chalked up to Christopher Lambert refusing to participate in the film unless Creator/SeanConnery's character (who died in the first film) was resurrected, as the two actors had become very good friends whilst making the original.
* Creator/RobertMitchum admitted that he took a subtle approach to this trope:
--> Control is marvellous. You get a white chair with your name on it in lieu of salary. I don't want control like that. There is a very simple way to get control any time: Just forget your lines. When the cost of the scene is up to $40,000, they come over and say, "What's the problem?" "Oh, I have this ''idee fixe'' that it could be better." Believe me, they listen. I think it's a much simpler system than having control.
* Matthew Goode, who played Veidt in the ''Film/{{Watchmen}}'' movie, was unhappy with the character's backstory as presented in the comic, and came up with his own - that Veidt gave up his family fortune because his parents were Nazi war profiteers. It's barely touched on in the movie, though.
* It's been rumored that the reason that ''The Girl Who Kicked The Hornet's Nest'' wasn't quite as good as the two previous ''Literature/TheMillenniumTrilogy'' adaptations was that the director was basically letting Noomi Rapace call the shots when it came to her character - a character that she'd grown to resent so much that she's joked about spending the last day of filming vomiting every last trace of Lizbeth Salander out of her.
* In an example of an actor's demands affecting multiple films, Creator/ClarkGable had George Cuckor fired from ''Film/GoneWithTheWind'' and replaced with Victor Fleming, who had to be dragged off ''Film/TheWizardOfOz'' with a quarter of its scenes left to be shot. The rest of those were handled by King Vidor instead.
** Creator/VivienLeigh wasn't happy with Fleming's brusque style after the careful nurturing she had enjoyed with Cukor. When she asked him for direction in one scene, he told her "Ham it up". On another occasion when she asked for his constructive advice, he told her to "take the script and stick it up her royal British ass". After Cukor's departure, Leigh had to fight hard to keep the movie's Scarlett true to her view. Fleming's interpretation of her was that she was an out-and-out bitch as in the novel and that he had no desire to create any sympathy or insight for her.
* According to Creator/JossWhedon, Creator/DonaldSutherland was under the impression that he was the star of ''Film/BuffyTheVampireSlayer''. And rewrote all of his dialogue, often making the scenes incomprehensible in Whedon's opinion. Whedon praised Sutherland's abilities as an actor, but called his behavior "rude" and Sutherland himself "a dick."
* Creator/HarrisonFord constantly argued with Creator/RidleyScott during ''Film/BladeRunner'' over whether or not Deckard was a Replicant. He also refused to wear a fedora, [[Film/RaidersOfTheLostArk having just got off a film where he wore one]]. He went so far as cutting his hair short so he wouldn't have to wear it.
** Ironically, he refused to cut his long hair to a 1950s style for ''Film/AmericanGraffiti''. As a compromise, he wore a cowboy hat.
* Combined with ContractualPurity, Creator/MichaelDouglas refused to either go full frontal or be bisexual for ''Film/BasicInstinct''.
** His character in ''Film/TheGhostAndTheDarkness'' was originally going to be a small and enigmatic character simply known as "[[NoNameGiven Red Beard]]", but after he took over as producer the role was given to him and received more importance. He even went and had the movie completely re-cut in post production removing 45 minutes of scenes in order for him to have more screen time. This also explains story parts that go nowhere and plot holes that the movie has. Like for example, a part where the story jumps from having only few people killed by lions only for characters in next scenes mentioning how the number of people dead is much bigger.
* Creator/WarrenBeatty often did this:
** On ''Film/BonnieAndClyde'', he and Arthur Penn quarrelled constantly during filming, as the star questioned almost every one of the director's choices. As a result, the rest of the cast often spent hours waiting for them to settle their differences. One major bone of contention was Penn's insistence that they add a scene in which Bonnie and Clyde pretend to be dead. Beatty insisted the idea was ridiculously pretentious, but Robert Towne tried to write it anyway. The writer soon realized that Beatty was right, but cautioned him to avoid a confrontation on the matter. In his opinion, Penn was only holding onto the idea out of insecurity - he couldn't admit he was wrong. After a few weeks of filming bolstered Penn's confidence, Towne was sure he'd drop the idea, which is exactly what happened.
** On ''Film/McCabeAndMrsMiller'', he constantly asked for multiple takes, which annoyed Creator/RobertAltman greatly. One scene where Beatty catches a bottle after it falls and pours another drink required twenty takes and he still wanted more. Altman stormed off the set and let an assistant director handle it. And it took twenty more takes. Altman got his revenge by making Betty do twenty-five takes of a scene in the cold snowdrift.
** On ''Film/{{Ishtar}}'', he spent a lot of time arguing with Elaine May, getting to the point where they went for days without speaking to each other. Eventually they compromised by shooting every scene twice, one her way and one his. During postproduction, May and Beatty fought frequently in the editing room, and May often left it to Beatty to direct the actors during looping sessions. The joke was (and some people say it was not a joke) that Bert Fields, their mutual agent, was the one with the real final cut on the film.
** On ''Film/TownAndCountry'', he clashed with the director and demanded numerous script changes and retakes. This led to the film being shelved for three years.
* On ''Film/HardTarget'', Creator/JeanClaudeVanDamme would often second guess Creator/JohnWoo and in post-production, he went with his own editor to make his own edit of the film. Van Damme's version excises whole characters to insert more scenes and close-ups of his character Chance. When asked about this edit, Van Damme replied that "People pay their money to see me, not to see Creator/LanceHenriksen".
* Creator/HarryDeanStanton was quite difficult to deal with on ''Film/RepoMan''.
** He wanted to do a 'baseball-type signal' to Emilio Estevez in a scene where he had to show him where to park a car. Alex Cox - a notorious sports-hater - refused the suggestion. According to Cox on the DVD commentary, Stanton lost his temper:
--> "I've worked with the greatest directors of all time. Creator/FrancisFordCoppola. Monte Hellman. You know why they're great? Because they let me do whatever the fuck I wanted!"
** On another occasion, while filming a scene in which Bud brandishes a bat at the Rodriguez brothers, he anted a real bat and did actually use it in one take, swinging it around recklessly. The other cast members were (relatively) OK with it, but Robby Müller took Alex Cox aside and said: "Just now I felt the wind of a wooden baseball bat pass over my face. I will not shoot this scene unless all the actors use plastic bats." Unsurprisingly, Stanton was furious when asked to use a plastic bat, screaming out that "Harry Dean Stanton only uses REAL baseball bats." A literal tug of war ensued over the bat, much to the amusement of the crew. Fortunately, a quick-witted production assistant was able to swap the wooden bat out for a plastic one.
** Stanton's general moodiness and constant grumbling about money prompted Cox to consider writing him out of the rest of the film and giving his remaining scenes to Lite. Music/MichaelNesmith vetoed this plan, so Stanton stayed in the picture. It also helped a little that Stanton noticed how the crew revered Muller, and began to do so in turn. So if Cox wanted something done, he'd sometimes tell Stanton that it was "for Robby". It worked.
* A positive example: When Creator/HelenMirren was cast in ''Film/TheLongGoodFriday'', her character was a stereotypical gangster's moll, but she refused to play it that way and insisted on making her more intelligent and interesting.
* Creator/SpencerTracy wasn't fully cooperative on ''Film/BadDayAtBlackRock''. He told John Sturges to avoid close-ups (probably because of his age) and hated to do additional takes. In the garage sequence between him and Robert Ryan, Sturges called for a second take. Tracy asked the crew if they had understood him in the scene. When they said yes, he refused to shoot it again.
* The only major conflict between Creator/PaulNewman and George Roy Hill on ''Film/ButchCassidyAndTheSundanceKid'' occurred over what became known as "the Bledsoe scene," a break in the extended superposse chase when Butch and Sundance go to visit an old sheriff hoping to get his help enlisting them in the Army to fight in the Spanish-American War. Newman felt the scene should come at the end of the chase and be the motivation for their flight to South America. Hill disagreed strongly. Every day, Newman came on the set with fresh arguments for why it should be done his way and with increasing passion for his opinion. "Paul was becoming almost anal about it," noted Creator/RobertRedford, who at one point jokingly suggested they rename the film "The Bledsoe Scene." Ultimately, Hill won the argument.
* Creator/CharltonHeston was so unhappy with the script for ''Film/BeneathThePlanetOfTheApes'' that not only did he demand less screentime, but he insisted that [[spoiler:his character be killed off so he couldn't come back for any sequels and end the series there. Obviously, he didn't succeed in the last bit]].
* Creator/RussellCrowe was continually unhappy with the screenplay of ''Film/{{Gladiator}}'', rewriting much of it to suit his own ends. He would constantly question the script and would frequently walk off the set if he didn't get his way. The famous line "And I will have my vengeance, in this life or the next." he initially refused to say, telling writer William Nicholson "Your lines are garbage but I'm the greatest actor in the world and I can make even garbage sound good". On a positive note, he objected to a sex scene between Maximus and Lucilla, feeling that it would be out-of-character for a man avenging his family's deaths.
* Stewart Granger had the first director of ''Film/KingSolomonsMines'', Compton Bennett, sacked as they couldn't get along and the shooting was going nowhere. The next director Andrew Marton, being a man's man, hit it off instantly with Mr. Granger.
* On ''Film/MildredPierce'', Creator/JoanCrawford was in constant clashes with Creator/MichaelCurtiz over her character's wardrobe. The director was annoyed that Crawford was trying to make Mildred look more glamorous than she should. Crawford insisted she was buying all her clothes off the rack, but she was still secretly having her costume designer altering the waists and padding the shoulders.
* The shooting script for ''Film/SgtPeppersLonelyHeartsClubBand'' called for Music/PeterFrampton's character to kill Steven Tyler's, but when it came time to film this scene, Music/{{Aerosmith}} threatened to walk out. "There's no f***ing way that Steven is gonna get directly offed by Frampton," commented Joe Perry. "It's gotta be an accident, the way it was in the original script we f***ing agreed to." They finally agreed to a compromise, with Tyler's character being accidentally pushed to his death by Sandy Farina.
* Creator/RichardPryor was initially unhappy with the blackface gag in ''Film/SilverStreak''. Originally, a white man walked in and believed George was black. Pryor was uncomfortable with the scene and felt it would be funnier if a black man walked in and is not fooled at all. Pryor asked Arthur Hiller for a re-shoot but Hiller refused. Pryor walked off the set and refused to return to filming until the scene was changed. Hiller relented and Pryor's idea was used for the final cut.
* A positive example: Brandon Lee requested that one character be removed from ''Film/TheCrow'' - an Asian character from the comic who tries to steal Eric's powers - as he felt it was a stereotype.
* Creator/SusanSarandon objected to how her sex scene with Catherine Deneuve in ''Film/TheHunger'' originally played out. Originally, Deneuve gave Sarandon something to drink, then Sarandon becomes light-headed and loses her inhibitions. Sarandon didn't like that angle - she stated that it didn't matter if you were straight or gay, no one would need to be drugged to be talked into sleeping with Catherine Deneuve!
* According to Creator/BruceCampbell, on ''Film/TheQuickAndTheDead'', Creator/GeneHackman initially refused to do the scene where Herod leans to his aide and asks, "What are the odds on The Kid?" It was only when Creator/SamRaimi explained his character's motivation that he agreed to do the scene as planned.
** Hackman was very difficult and hostile to Creator/WesAnderson while making ''Film/TheRoyalTenenbaums'', at one point calling him a c*** and telling him to "pull up your pants and act like a man". Creator/AnjelicaHuston revealed that she, Creator/BillMurray and other castmembers protected the director from Hackman.
* Ralph Richardson took his role as God in ''Film/TimeBandits'' so seriously that he submitted his own red ink edits complete with message "God wouldn't say that".
* On his final film, ''Film/TheShootist'', Creator/JohnWayne saw that the final shoot-out was edited to show him shooting a guy in the back. He said, "I've made over 250 pictures and have never shot a guy in the back. Change it." They did. However, Wayne had shot men in the back in several of his movies, including ''Film/TheSearchers''.
** Wayne was highly self-conscious of his public image, considering it unmanly to be photographed in production stills while makeup was being applied with a powder puff. He also insisted on using a particular reddish tint of makeup, which flattered his complexion but created headaches for cinematographer Bruce Surtees. Most importantly, he insisted on toning down the profanity and more explicit references to cancer from the original novel.
* ''Film/FistOfFury'' was originally going to end [[spoiler:with the main character surviving, as his real life counterpart did. However, Creator/BruceLee insisted that he die at the end, but with honor]].
* George Stevens had a hard time directing Creator/JamesDean on ''Film/{{Giant}}''. The problem started with Stevens' ordering Dean to get rid of his Actor's Studio mannerisms like moving his head from side to side or hopping while walking. The two argued constantly, and at one point the actor went on strike for three days. Dean even ordered his agent to come to the location to help him deal with the director. He also referred to Stevens as "Fatso" behind his back. In defiance, Dean would often hold up production for hours, causing the film to go over schedule.
** At one point, Dean was said to have ruined an outdoor scene by yelling "Cut!" and then unzipping his PANTS and urinating in full view of the crew and visitors on the set.
** Dean also refused to undergo a lengthy make-up process for his later scenes, claiming "a man of 45 shows his age in thoughts and actions, not in wrinkles." He only allowed them to gray his temples and put a few lines on his forehead.
** In addition to Dean, Stevens often argued with Creator/ElizabethTaylor. Most of their fights stemmed from his practice of demanding multiple takes without explaining why or offering additional direction to the actors.
* A positive example from ''Film/SixteenCandles'': Carlin Glynn, who plays Brenda, confronted Creator/JohnHughes about the fact that the script didn't call for her to apologize for forgetting her daughter's birthday, despite the fact that her character was described as a good and attentive mother. Hughes agreed and added the scene where Brenda tearfully apologizes to Sam.
* ''Film/TrainingDay'' originally ended with Alonzo being a KarmaHoudini, but Creator/DenzelWashington insisted that he get his comeuppance.
[[/folder]]

[[folder:Live-Action TV]]
* ''Series/GrowingPains'' suffered badly from this after Kirk Cameron became a born-again Christian. Cameron began demanding final say over any and all scripts, demanded his on-camera love-interest/co-star Julie [=McCullough=] be fired simply for appearing in Playboy, and threw tantrums whenever anything remotely sexual (be it something harmlessly non-verbal as his character having the keys to his girlfriend's apartment, which Kirk believed would imply that the two were fornicating, or even a fake-out scene where Kirk is shown in bed with another woman, as part of a play he was doing). In 1991, the executive producers had finally had enough of Cameron, and quit the show, which was quietly cancelled a year later.
* In later seasons of ''Series/{{Charmed}}'':
** Creator/RoseMcGowan was fed up of Paige being written as someone who ReallyGetsAround. After one episode where there was just one scene of her on the couch with an extra, she went to the writers and said "Paige isn't a ho" - resulting in Paige getting romance arcs in the next three seasons.
** All three actresses hated the increasingly {{Stripperiffic}} outfits they had to get dressed up in whenever one of them was transformed into a CuteMonsterGirl. Before the final season, they went to producers and complained. Part of the reason for Billie's introduction was for a young female to provide {{Fanservice}}.
** A proposed storyline for Season 5 was a romance between Paige and Cole. Both their actors found the idea disgusting and refused to go through with it.
** Earlier on, Shannen Doherty ''tried'' to do this. Tensions between her and Creator/AlyssaMilano were at an all-time high by the end of the third season. Doherty eventually went "either she goes or I do" - and she was fired while the show was on hiatus. She still owned the rights to her image, so they could not use any archive footage or pictures of her again during the show's run.
* Creator/NealMcDonough is an extremely strict Catholic and, as such, refuses to do any sex scenes on any show he appears in, citing his religious beliefs as reason. A more positive example of this would be his demand that his character on ''Series/DesperateHousewives'' be given a redemptive ending (sparing the life of Susan and Mike's kid at the last minute) and ending up in a catatonic state in a mental institute, surrounded by imaginary versions of his dead family. Though this ending did piss off some people behind the scenes (series creator Mark Cherry), as previous attempts by cast members to control their character's storylines were shot down by Cherry.
* ''Series/DoctorWho'':
** Toward the end of his tenure as the Fourth Doctor, Creator/TomBaker was becoming pretty insufferable, demanding a minimum of retakes and, because of his volatile romantic relationship with Lalla Ward (who played Romana on the show), occasionally refusing to be so much as in the same room as her. This meant that they did not rehearse scenes with each other and barely even looked at each other on camera. In his final season, Baker met his match with a new production team, led by Creator/JohnNathanTurner, who began instituting the now-infamous LimitedWardrobe and other creative edicts, and he eventually left the show.
** A milder version happened much later when, Creator/MattSmith, unhappy with how the [[TheNthDoctor The Eleventh Doctor]] would dress (word is he was to have a more swashbuckling look, à la [[Franchise/PiratesOfTheCaribbean Jack Sparrow]]), successfully lobbied to have the character's look changed to a more professorial appearance, with the inclusion of the [[BowtiesAreCool bowtie]].
** Another positive example in ''AudioPlay/BigFinishDoctorWho''. Creator/PaulMcGann pushed for a new look for his Doctor, based on World War I-era navy clothes, as well as a World War I storyline. This happened in "Dark Eyes".
** In defiance of writer Robert Shearman's wishes, Creator/ChristopherEccleston raged against the the lone Dalek in the episode [[Recap/DoctorWhoS27E6Dalek "Dalek"]] instead of mocking it flippantly. After seeing how well it worked, though, Shearman was pleased.
** Yet another, which was more a request than a demand, during the second series of the new show, Creator/BilliePiper requested an episode where she got the opportunity to be funny. Hence the episode [[Recap/DoctorWhoS28E1NewEarth "New Earth"]].
** Creator/JonPertwee's run had a mild (and positive) example, in that he was a fan of action movies, which reflected in his Doctor becoming more of a hands-on action oriented figure than his predecessors. He also was fond of gadgets and incorporated them into the show, notably the Whomobile, which Pertwee personally owned. His final story, "[[Recap/DoctorWhoS11E5PlanetOfTheSpiders Planet of the Spiders]]" featured an extended chase scene involving the Whomobile, his old car Bessie and a gyrocopter, possibly as a farewell gift to Pertwee.
** Creator/WilliamHartnell demanded that dialogue implying BrotherSisterIncest between UsefulNotes/RichardTheLionheart and his sister Joanna in [[Recap/DoctorWhoS2E6TheCrusade The Crusade]] be removed, as he felt it was inappropriate for a family series. The IncestSubtext was still implied in the performances.
* ''Series/StarTrekDeepSpaceNine'':
** Nana Visitor, who played Kira Nerys, was horrified when the writers began to overtly ShipTease her character with [[FoeYayShipping Dukat]], and protested to the producers that there was no way that the character would ever develop romantic feelings for somebody who had personally overseen the brutal occupation and near-genocide of her culture. (In her own words: "I remember Ira [Steven Behr, the showrunner] and I on opposite ends of that ops table yelling at each other".) As a result the plotline was abandoned. Most of the fandom thinks that this was on balance a good thing. The episode "[[{{Recap/StarTrekDeepSpaceNineS06E17WrongsDarkerThanDeathOrNight}} Wrongs Darker Than Death or Night]]" was the result of Visitor's campaigning - with the producers teasing Visitor that "no, you aren't having a relationship with Dukat, [[spoiler:''but your mother was his regular comfort woman'']]". Visitor had the last laugh, though - the script originally called for Kira to forgive [[spoiler: her mother]] for what she had done, but Visitor insisted that Kira would not be so sympathetic that soon after finding out ("maybe she could be sympathetic about the subject in 20 years"), and she got her wish.
** On the other hand, Visitor knew when to pick her battles: she and Rene Auberjonois both opposed the Kira/Odo romance, believing the two characters were better off as friends, but neither of them ultimately stood in the way of them getting together.
** In the GrandFinale, Sisko was originally going to [[spoiler:leave forever]], but Avery Brooks argued that [[spoiler:a black man leaving his pregnant wife]] would be full of UnfortunateImplications. In this case, the creators agreed and the ending was changed. It's also been reported that Sisko's reluctance to share the rest of the crew's enthusiasm for the Vic Fontaine holoprogram, because of the racism of real 1950s Las Vegas, was a reflection of Brooks' own opinions.
* Another ''Trek'' example: in "[[{{Recap/StarTrekS3E10PlatosStepchildren}} Plato's Stepchildren]]", the famous kiss between Uhura and Kirk was originally supposed to have another male lead, but Shatner insisted that "if anyone is going to kiss Nichelle, it's going to be Captain Kirk!" Shatner's prima donna antics in general behind the scenes would lead to pretty much the whole cast (excepting Leonard Nimoy and DeForrest Kelley, who were Shatner's dear friends throughout) hating him for many years. Nichols' famously went off on Shatner during a later interview that ''he was conducting with her'', starting her rant with "Okay, here's the reasons why I ''despise'' you."
* On ''Series/StarTrekVoyager'', Kate Mulgrew proved just as tough as Janeway. She knew what she was getting into with the ''Star Trek'' "boys' club." The second season episode "[[{{Recap/StarTrekVoyagerS2E18DeathWish}} Death Wish]]" is apparently where she'd had enough; Q's outrageously (and unceasingly) sexist dialogue wasn't as amusing as Michel Piller had hoped.
* A positive example from ''Series/StarTrekTheNextGeneration'' - on the first season episode "[[{{Recap/StarTrekTheNextGenerationS1E13AngelOne}} Angel One]]", Creator/PatrickStewart sought to have the script changed to remove the sexist elements.
** Stewart also wasn't too thrilled with his stodgy, preachy, apparently sexless Captain in Seasons 1-2, and intimated that he might leave the show if something wasn't done about it. (Actually, the phrase he used according to Ron D. Moore was "there isn't nearly enough shooting and screwing on this show.") The vacation episode, "[[{{Recap/StarTrekTheNextGenerationS3E19CaptainsHoliday}} Captain's Holiday]]", was tailored-made to please Patrick.
** According to ''Trek'' legend, Mulgrew's reaction to being handed a [[BuxomIsBetter padded bra]] was to march into the writer's room and slam it on the table. [[http://startrekdom.blogspot.ca/2007/06/trekdom-interviews-robert-picardo.html When asked about the story]], Robert Picardo wasn't able to corroborate it but conceded that "[[SilkHidingSteel it sounds like something Kate would say]]".
* According to some reports, the romantic relationship in ''Series/{{ER}}'' between Dr. Benton (played by the African-American Eriq La Salle) and Dr. Corday (played by the white Creator/AlexKingston) ended because La Salle thought that it had UnfortunateImplications suggesting that successful middle-class black people were "above" dating other black people.
* Happened twice on ''Series/WhatsHappening'', eventually leading to the show's cancellation.
** During the second season, co-star Fred Berry demanded a higher salary and better studio accommodations for the actors, a dispute that eventually led to a full-fledged walkout by Berry and star Ernest Thomas during the second season episode "If I'm Elected".
** In the third season, Berry and Thomas again threatened to strike in demand for another raise. This time, the executive producers opted to cancel the series rather than to give in.
* One episode of ''Series/DadsArmy'' called for Captain Mainwaring to have a grenade dropped down his trousers, prompting him to hastily remove. However, Arthur Lowe refused to do it, citing a clause in his contract that he not be filmed without his trousers on, so it went to Corporal Jones.
* Paul Eddington, a firm believer in nuclear disarmament, once convinced the writers to rework the script of a ''Series/YesPrimeMinister'' episode that he believed was rather too flippant about nuclear war.
[[/folder]]

[[folder:Music]]
* During the filming of Music/{{Nirvana}}'s "Smells Like Teen Spirit" music video, director SamuelBayer[[note]]Supposedly hired by Nirvana because his test reel was so terrible they thought the video would turn out more "punk"[[/note]] was basically acting like a [[JerkAss dictatorial jerk]] towards the extras (as well as demanding numerous takes, which Kurt was never fond of doing in general) and managed to piss off Music/KurtCobain in particular. Kurt edited the final cut of the music video, taking out several elements of the video, and giving himself an up close facial shot at the end. The video's memorably chaotic crowd scenes are a direct result of the extras, sick of sitting through an entire day's worth of takes, moshing more aggressively than they otherwise would have.
* According to the oral history ''I Want My MTV'', director Creator/JohnLandis was shocked by Music/MichaelJackson's crotch-grabbing "panther dance" when shooting the epilogue of the "Black or White" video. He warned Jackson that he had a kid-heavy fanbase (unlike Music/{{Madonna}} or Music/{{Prince}}) and that he was courting trouble with his moves, but Jackson said he was "expressing [him]self" and was able to overrule Landis's objections. When the video premiered on a four-network simulcast in the U.S. -- Fox aired it immediately after an episode of ''WesternAnimation/TheSimpsons'' -- the resultant furore over the epilogue (both over the dance moves and its seemingly random violence) resulted in it being ''immediately'' cut from subsequent airings, though it was later re-edited to justify the violence and even shown uncut in later years.
* The music video for the Music/BeastieBoys' "No Sleep 'Til Brooklyn" was originally supposed to feature [[Music/{{Slayer}} Kerry King]] (who performed the guitar solo) getting knocked offstage by a gorilla. King's response was "If there’s gonna be anyone knocking anyone offstage, itíll be me knocking the gorilla", which is what subsequently happened.
[[/folder]]

[[folder:Pinball]]
* Occurred during the development of Creator/SternPinball's ''Pinball/{{Shrek}}'', whose release was delayed due to the time needed for Creator/MikeMyers, Creator/EddieMurphy, and the other actors to give final approval for their in-game replacement voices.
* According to artist Doug Watson, during the development of ''Pinball/DemolitionMan,'' his backglass artwork proposals were repeatedly rejected by Wesley Snipes, who wanted to ensure his career wasn't jeopardised by having him look like a crazed character. Linda Deal did the final backglass design.
[[/folder]]

[[folder:Professional Wrestling]]
* This happens in ProfessionalWrestling. When a wrestler (or a group of wrestlers) become very successful, they would gain influence over their bookings. Examples include Wrestling/HulkHogan, Wrestling/RicFlair (less and less as time went on though), Wrestling/TheKliq (especially Wrestling/ShawnMichaels, Wrestling/KevinNash, and Wrestling/TripleH), and Wrestling/KurtAngle.
** Creative and management don't even have a problem with this a lot of the time because it makes the promotion look good when their top stars are...starring. The real problem emerges when otherwise talented stars lower on the card are getting shuffled around and overlooked because of it. Especially since those lower-card stars can end up with their credibility damaged in the eyes of fans, which is a ''very'' bad thing if a top star suddenly needs to be replaced without warning (such as a legitimate injury that puts him on the shelf for months).
[[/folder]]

[[folder:Sports]]
* By 1950, it was clear that the Commissioner of Baseball, who was supposed to be an authoritarian figure over players and team owners alike, was little more than a figurehead and the owners were clearly allowed to do whatever they wanted, in particular New York Yankees owners Del Webb and Dan Topping. Examples:
** Webb orchestrated the dismissal of commissioner Happy Chandler after discovering Chandler was looking to ban him from the game for associating with gamblers, then led the committee that named Chandler's successor, Ford Frick, who would do very little to reign in Webb/Topping and the other owners' actions in his term.
** When Connie Mack's family announced their Athletics club was for sale in 1954, the buyers came down to a group promising to keep the club in Philadelphia - and Arnold Johnson, a former business partner of Webb's who owned Yankee Stadium's lease and the ballpark in Kansas City that housed one of the Yankee's minor league clubs. The owners rejected the Philadelphia group's bid and approved Johnson's who proceeded to move the club to KC and give Webb's construction company the contract to expand the KC stadium, while the Yankees moved the minor league team to Denver with no complaint. The Yankees and Athletics proceeded to work so many player deals between each other, which mostly benefited the Yankees, that the Athletics would be frequently referred to as a Yankees farm club.
** After the Dodgers and Giants left the New York area, the struggles to bring the National League back to the area for the next few years, despite the commissioner openly saying New York was open to the National League and park commissioner Robert Moses wanting a team for his proposed Flushing Meadows stadium, was considered largely due to Webb and Topping's insistence that New York was now exclusively their territory and they had some mythical right to veto any other club coming to the area.
** When baseball finally relented to expansion in 1960 to end the threat of the Continental League's formation, the original deal was to give New York a new NL club - the Mets - and the other three expansion teams to cities that didn't have major league teams. However, one of the new American League clubs went to Los Angeles despite them already having the Dodgers. This was because Topping raised such a snit that, since the Mets were "invading" the Yankees territory, the American League deserved a Los Angeles club, while Webb wanted his construction company to be able to build a ballpark in LA (he had been denied the contract to build the Dodgers' stadium).
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[[folder:Video Games]]
* While recording lines for the game ''Star Trek: VideoGame/JudgmentRites'', William Shatner's Canadian pronunciation of the word "sabotage" - "sabba-taj" - riled the director, who suggested he pronounce it as "say-bo-targe". Shatner refused, saying, "I don't say 'sabotage.' ''You'' say 'sabotage.' I say 'sabotaaage.'" He quickly followed up with, "Please don't tell me how to do it. It sickens me." The recording got passed around and the lines became a meme of the early internet. (Sometimes the quote is misattributed to a recording for an episode of ''Series/StarTrekTheAnimatedSeries'', from twenty years earlier, in which Shatner ''also'' pronounces "sabotage" distinctively, as he does even in the original series itself).
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[[folder:Western Animation]]
* From 2002 onwards, Creator/CaseyKasem refused to voice [[WesternAnimation/ScoobyDoo Shaggy]] unless Shaggy was portrayed as a vegetarian like Kasem himself [[note]]Kasem quit the role in 1997 due to being outraged at having to voice Shaggy in a Burger King commercial[[/note]]. However, now that Kasem is gone, Shaggy seems to have returned to eating meat.
* Another incident with Creator/CaseyKasem involved an episode of ''Franchise/TransformersGeneration1'' set in the middle-eastern "[[PeoplesRepublicOfTyranny Socialist Democratic Federated Republic of]] [[http://tfwiki.net/wiki/Socialist_Democratic_Federated_Republic_of_Carbombya Carbombya]]" (population: 4000 people, 10000 camels). Kasem (who is of Lebanese descent) demanded a change in the stereotypical portrayal of Arab characters in that episode. When no changes were made, he quit the show.
* ''WesternAnimation/TheSimpsons'':
** Similar to the above, Paul and Linda [=McCartney=] appeared as guest stars in "[[Recap/TheSimpsonsS7E5LisaTheVegetarian Lisa the Vegetarian]]" under the condition that Lisa would convert to vegetarianism, and stay that way for the entire series. This remains one of the few permanent changes in a show that delights in StatusQuoIsGod.
** Also, Creator/RichardGere would only guest star in "[[Recap/TheSimpsonsS13E6SheOfLittleFaith She of Little Faith]]" if Lisa ''permanently'' converted to Buddhism, and said "Free Tibet".
** Heavyweight boxing champion Joe Frazier appeared as himself in the episode "Brother, Can You Spare Two Dimes?". Originally, Frazier was to be knocked out by Barney Gumble. However, Frazier's son objected to this, citing that Frazier was a world champion who wouldn't be knocked out in such a manner. Instead, Frazier beat up Gumble, and stuffed him in to a garbage can.
** Jose Canseco appeared as one of the ringers Mr. Burns hires for the nuclear plant's softball team in "[[Recap/TheSimpsonsS3E17HomerAtTheBat Homer at the Bat]]". He disliked the character model they came up with for him, and both he and his wife at the time objected to the original reason he misses the final game (waking up late in bed with Edna Krabappel), and Canseco basically intimidated the showrunners into changing his character's appearance and part in the show.
** Lawrence Tierney guest starred as Don Brodka in "[[Recap/TheSimpsonsS7E11MargeBeNotProud Marge Be Not Proud]]". Then showrunner Josh Weinstein, called Tierney's appearance "the craziest guest star experience we ever had". In addition to yelling at and intimidating employees of the show, Tierney made unreasonable requests such as abandoning his distinctive voice to do the part in a southern accent and refusing to perform lines if he did not "get the jokes".
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