->''"Every time the TARDIS materializes in a new location, within the first nanosecond of landing it analyzes its surroundings, calculates a twelve-dimensional data map of everything within a thousand mile radius and determines which outer shell would blend in better with the environment... and then it disguises itself as a police telephone box from 1963."''
-->-- '''The Doctor''', ''Series/DoctorWho''

Sometimes, a character or gimmick seems to no longer fit with the mood or design of a story according to a writer, but is kept because there seems to be no way for the writer to get rid of them without causing some serious disruption (unrelated to {{Retcon}}s).

Sometimes it's due to being tied in closely to the mythos or that The Artifact has just been around so long that removing it seems like overstepping bounds. And if it's due to pure fan popularity, the producers probably aren't going to push it out in any case for no reason.

The general way to solve this problem is to avoid it, or rather, them. You can bet anyone considered The Artifact is going to be politely [[AbsenteeActor skipped over by the writer]] whenever they can, although this can get shaky if the audience is seasoned to expect them around.

A common example of this trope is when a story has a point of view character who's "the new kid in town" and learns about the setting along with the audience. It's inevitable that they'll get used to things before long, and if they don't settle into a new role or have something unique about them, they risk being outshined by the ensemble cast.

Very common in {{webcomic}}s and print comics with a rotating circle of writers. Less common on television given the emphasis on demographics and UsefulNotes/{{ratings}}, although {{Filler}} occasionally trots out old premises.

Occasionally this ''is'' caught early enough, though in LongRunners this results in a odd BleachedUnderpants situation ''within'' a series, usually from AuthorAppeal tastes.

Compare GrandfatherClause, where something cliché or inappropriate is retained because of tradition. Contrast CanonImmigrant, PinballProtagonist, BreakoutCharacter and CreatorsPet. See also ArtifactTitle. See NetworkDecay when this happens to an entire channel. On occasion The Artifact (or something the writers think is only an artifact) will be done away with but then missed and brought back in a different form as a ReplacementArtifact; if The Artifact is restructured to fit in with current sensibilities, it's ReimaginingTheArtifact. When changes to a story or franchise ARE made after some early ideas don't quite fit development of the concept, that's EarlyInstallmentWeirdness.

This {{trope}} has nothing to do with magical items or similar ancient objects of power; for that, see ArtifactOfPower.

* [[TheArtifact.AnimeAndManga Anime and Manga]]
* [[TheArtifact.ComicBooks Comic Books]]
* [[TheArtifact.LiveActionTV Live-Action TV]]
* [[TheArtifact.{{Other}} Other]]
* [[TheArtifact.ProfessionalWrestling Professional Wrestling]]
* [[TheArtifact.VideoGames Video Games]]
* [[TheArtifact.WesternAnimation Western Animation]]
** ''TheArtifact/TheSimpsons''


* The [[SoBadItsGood good-kind-of-bad]] jingle singer (Dave Bickler of Music/{{Survivor}}) in Bud Light's ''Real Men of Genius'' campaign made for a better gag when the ads started out and he was [[HollywoodToneDeaf singing]] about ''Real American Heroes''. The latter concept was phased out after 9/11, [[TooSoon when making light of "American heroes" started to seem a bit more questionable in taste]]. [[RuleOfFunny It's still a]] ''[[RuleOfFunny good]]'' [[RuleOfFunny gag]], just minus a little... significance.
* Advertising/ErinEsurance, of the Esurance ads.
** During her run, the ad campaign ditched the whole espionage/ActionGirl angle in favor of more traditional type spots. She stuck around for awhile.
** The next campaign switched the setting to a fictional Esurance office. [[FunnyBackgroundEvent She was reduced to a poster in the halls]].
** After that, Esurance partnered with Allstate, and all references to past advertisements, Erin included, disappeared.
* Magic the Dog in Old Navy's first commercials was a fashion designer, with fashion columnist Carrie Donovan (old lady with glasses) talking about his great work in the field of fashion. After the first few commercials, the idea was dropped, and for several years just featured generic commercials, but still featured Magic (just as a dog) and Carrie Donovan (just as old lady with glasses).
* Early commercials for Capital One represented credit card debt as rampaging hordes of barbarians, which only a Capital One card could drive away. Now their commercials are about barbarians getting along in the modern world ''using'' Capital One cards.
** It helps that the barbarians have been remade into [[ThePiratesWhoDontDoAnything fun-loving guys after a good time]]. ''Usually''.
** Capital One's original selling point was that they charged a lower APR than the competition. When they raised their rates during the late-Oughties credit crunch, they had no choice but to re-tool the characters.
** Parodied in [[http://www.theonion.com/articles/nobody-at-capital-one-can-remember-why-it-put-viki,30549/ this]] Onion article, where it turns out that "no one at Capital One can remember why it put Vikings in its ads".
* A few years ago, Charmin toilet paper ran an animated spot about [[GettingCrapPastTheRadar bears taking the product with them into the woods]]. The bears have since become the center of their own campaign, but because they also live in houses, there is no connection to the original joke.
* Duke the talking dog from the Bush's Baked Beans commercials. Originally, the joke was that company spokesman Jay Bush had told the secret family bean recipe to his dog Duke, naturally expecting the animal to keep quiet--but it turned out the dog could actually talk, and wanted to sell the recipe! Nowadays, the commercials for the most part inexplicably feature Jay Bush hanging out with this dog that just happens to talk. They seem to be going back with the original gimmick in a more recent commercial, though. [[http://www.youtube.com/watch?v=8jUBTUk1H0k]]
* Carfax.com used to have commercials where customers would ask a shady car salesman to "show [them] the Carfax", to which the salesman would instead show them something like the [[{{Mondegreen}} "car mats"]] or a puppet of a "Car Fox". The latter is now Carfax's mascot.
* The Advertising/{{Geico}} Gecko started out as a joke in which a customer calls him, to which he responds "You want Geico, not Gecko." Now he's one of the company's mascots.
** He's also vaguely Australian (or perhaps lower-class British) now, despite being voiced by Creator/KelseyGrammer (a native of the U.S. Virgin Islands) in the original.
** They introduced a talking pig character with a commercial that asked, "Can switching to Geico save you fifteen or more on car insurance? Did the little piggy go wee wee wee all the home?", then showed a pig hanging out a car window shouting "Wee!". Now they've got the pig in normal situations, using the Geico phone app.
** The same happened with the Geico cavemen. The original few ads were about fully culturally assimilated modern cavemen being rightly offended by the Geico slogan "so easy a caveman can do it" and making a public stink over it, but they pretty quickly morphed into random skits with the caveman characters.
* Clearnet, a former Canadian telecom, had an innovative marketing campaign which featured music, animals, images of equipment, some printed words, and nothing else. Telus kept that approach, and has done quite well with it since. Most people have forgotten Clearnet.
* Carl's Jr introduced a new burger in 2001 called the Six-Dollar Burger which was supposed to emulate the type of a burger that would be served at a fancy sit-down restaurant for six dollars or more at the ironically much cheaper price of only $3-$4 including tax. In fact its entire advertising campaign featured them building a fake gourmet restaurant and serving the burger for upwards of $14 to rave reviews from customers. However thanks to inflation and dozens of pricier variations the Six-Dollar Burger since 2010 now costs over six dollars for the base burger and up to seven or eight dollars for the more complicated variations so the name now can be considered completely unironic.
* During the 90s, Coca-Cola put in a major advertising campaign for Sprite to try and brand it as a [[TotallyRadical cool, hip, and urban]] drink. The commercials featured lots of tough looking black guys playing street basketball and then drinking Sprite to cool off. As part of the campaign they added a textured grip to Sprite bottles, so that the bottles would be easier to hang onto while you were playing street b-ball. However, even though the advertising campaign has long since ended, the bottles still have the textured grip on them.
* UsefulNotes/McDonalds:
** Ronald [=McDonald=] has been largely retired from the restaurant chain's advertising in the US, mainly due to pressure from nutrition advocates concerned about peddling unhealthy fast food to children. However, his name is still present in the company's network of childrens' charities (Ronald [=McDonald=] House), and his image can still be seen in the kids' playset areas in some restaurants (although these are being phased out as well).
** Mac Tonight's whole gimmick when he was first introduced was that he was a lounge crooner sitting at a (flying) piano singing [=McDonald's=]-themed lyrics to the tune of "Mack the Knife", specifically modeled after Bobby Darin (the artist most associated with the song). Then Darin's son Dodd Mitchell Darin filed a lawsuit against [=McDonald's=] telling them to stop using the tune in their commercials, claiming it infringed copyright. As a result, Mac was relegated to being just kinda... there (occasionally playing a saxophone, or -- in the case of a 2007 Singapore commercial -- singing a totally different song), and the company, realizing he was next to useless without his song, quietly retired him.

[[folder:Comic Strips]]
* ''ComicStrip/DickTracy'':
** The comic had a DorkAge in the 1960s involving space travel, wherein Junior married [[ExactlyWhatItSaysOnTheTin Moon Maid]] and they had a daughter, Honey Moon. Moon Maid later got KilledOffForReal, but Honey is still around. It's simply never mentioned anymore that her cute little pigtails are there to hide the antennae she inherited from Mom.
** Dick Tracy's signature two-way wrist radio, which would have been a technological marvel in its day, would now get nothing more than a shrug in the modern day era of cell phones. It still exists due to being such an integral iconic item to the character.
* ''ComicStrip/{{Dilbert}}'':
** {{Lampshaded}} repeatedly: if Bob the Dinosaur ever shows up, it's pretty much just to point out that he no longer had a purpose, once the comic shifted to office humor. But then, this applies to just about ''all'' its non-work characters, including Phil (who only makes an appearance once in a blue moon anyway), Ratbert, and even Dogbert.
** Dogbert still appears frequently, having made the transition to office humor quite well because he is the personification of how Scott Adams would ''like'' to act if he could get away with it. However, the fact that he is a dog and Dilbert's pet is almost entirely inconsequential.
** In a broader sense, as the focus of the strip moved from puns, outlandish stories and character-based humor and more toward office observational comedy, removing characters was probably necessary to simplify things to the "incompetent boss/long-suffering, snarky employees" formula. Adams has been filling the void partially with one-off gag characters for some time now, however. Also, some new regular characters were created after the switch to office humor, including Asok, Carol, and Tina.
** Bob ''had'' a place in the office during the runup to [[MillenniumBug [=Y2K=]]]: he was a COBOL programmer brought back from retirement to upgrade older computer systems in the company from two- to four-digit year fields so that all hell wouldn't break loose when they went from "99" to "00".
* ''ComicStrip/{{Peanuts}}'': Shermy, Patty and Violet. Schulz intended for them all to have been foils for Charlie Brown in different ways, but as other characters developed and Lucy became his primary foil they became increasingly unnecessary.
** Shermy, who spoke the first line in the strip, was the first to suffer. His original role was to be better than Charlie Brown at everything Charlie Brown loved to do; as early as the late 1950s his appearances become rare and he has only one line in ''WesternAnimation/ACharlieBrownChristmas'' (which was kind of LampshadeHanging; he laments that in every Christmas play, he's always cast as a boring shepherd). He last appeared in 1969 and was last mentioned in 1977. Schulz didn't mind getting rid of him as he said he was basically down to using Shermy when he needed [[GenericGuy a character with almost no personality]]. And he didn't like Shermy's haircut, either.
** Patty (not to be confused with Peppermint Patty), originally the mother hen and AlphaBitch, diminished as Lucy took over most of her role. She last appeared in a speaking part in 1976, with occasional cameos thereafter. When ''You're A Good Man, Charlie Brown'' was revived on Broadway in late 1990s, her role was rewritten to be Sally instead, as most modern audiences would not have been familiar with the character.
** Violet held out the longest, until 1984. By that time not only had Lucy become the strip's dominant female character, Peppermint Patty and Marcie had also arrived and established themselves.
* As a genre, newspaper comics themselves are almost an Artifact. In previous decades, popular strips like ''ComicStrip/{{Garfield}}'', ''ComicStrip/CalvinAndHobbes'', ''ComicStrip/{{Peanuts}}'', ''ComicStrip/{{Cathy}}'', ''ComicStrip/ForBetterOrForWorse'', ''ComicStrip/TheFarSide'' and ''ComicStrip/TheFamilyCircus'' appeared in thousands of newspapers and reached millions of readers, with newspapers publishing full-color pullouts for Sunday comics. Now, however, almost all of the popular strips have ended, newspapers are increasingly cash-strapped and looking for ways to cut costs, and {{Webcomics}} have become a popular alternative. Newspapers have drastically cut back on the number of comic strips they run, and many have dropped the Sunday comics altogether, to the point where they seem to run comics more out of tradition than anything else. This was {{Lampshaded}} by Creator/BillWatterson as early as 1995, when he wrote about how the lack of newspaper competition meant that the surviving newspapers would only purchase the most popular strips. As a result, the big strips would get huge, while the smaller newspapers, in Watterson's words, "play musical chairs and vanish."
* The famous morse code message in ''ComicStrip/SpyVsSpy'''s title panel, which spells out ''"BY PROHIAS"'', was iconic enough that it was kept after the strip's original creator, Antonio Prohias, retired in 1987 and passed it on to other contributors. The strip's fifth artist, Peter Kuper, has kept it since taking over in 1997.
* ''ComicStrip/{{Foxtrot}}'' usually is very good at keeping its pop culture references current; although one that stands out is the family's [[IPhony iFruit computer]], based on the original 1998 iteration of the iMac. The family kept this version long after that style had become archaic by home computing standards.
* ''ComicStrip/{{Blondie}}'':
** It has been fairly good in modern times about updating the characters, home appliances and situations; however, Dagwood's iconic bathtub remains a 1930/40s style standalone non-drain basin (sans shower head), which would look odd in any modern house.
** The family's hairstyles are all ridiculously out of fashion, staying the same since they were created.
* ''ComicStrip/BeetleBailey'' has often updated with the times, starting in the '70s by slowly adding diversity to the cast that was previously all white and male, adding a tech character in, and even calling out General Halftrack's lecherous ways following the Tailhook Scandal and Clarence Thomas hearings. However, the uniforms are woefully out of date (still sporting solid olive drab that went away in the early '70s in favor of camo patterns) as well as old-style open Jeeps, '50s era rifles, and tanks more resembling those from the '50s than modern ones.
* The dad in ''ComicStrip/{{Curtis}}'' still hates rap and hip-hop music and pines for old R&B and soul; in the modern times a man of his age would have grown up with Music/{{NWA}} and Music/SnoopDogg.
* ''ComicStrip/{{Zits}}'':
** Similarly to the above, the parents are still portrayed as Baby Boomers. It's becoming increasingly unlikely people of their age would have biological teenage sons, if not impossible.
** Jeremy still rocks grunge-era clothes from his introduction in the '90s.
* An attempted aversion exists in ''ComicStrip/TheFamilyCircus''. Jeff Keane took over after his father's death, and seems to recycle a lot of the older strips from the 80s, removing outdated stuff via (apparently) photoshop. However, it leads to some oddness, such as the kids watching a modern flat screen TV sitting on the floor or Ma Keane having odd blank spots around her head (where her 50s era hair curls are whited out).
* [[ComicStrip/SnuffySmith Barney Google and Snuffy Smith]]: Originally started out as ''Take Barney Google for Instance'' in 1919, renamed ''Barney Google and Spark Plug'' in 1922, and in 1934, Barney met Snuffy Smith, and from that point onwards, the strip was renamed "Barney Google and Snuffy Smith". The strip's focus evenmtually shifted to Snuffy and his family and neighbors in Hootin' Holler. Nevertheless, even though the strip is titled "Barney Google and Snuffy Smith", Mr. Google was absent from the strip from 1954 to 1997, and started re-appearing more frequently in 2012.
* The classic Swedish comic ''91:an Karlsson'' is about an army private going through basic training, in a similar style of ''BeetleBailey''. Having started in 1932, all soldier characters originally wore the traditional blue uniform with gold buttons. As uniform standards changed over the decades, several characters were changed... but not Karlsson, who even now in the 21st century still wears his anachronistic blue uniform. (The rest of the cast wears 40's era gray uniforms, possibly because they're easier to draw. Real-life swedish soldiers wear green camo.)
* ''ComicStrip/BloomCounty'' was originally about the travails of Major Bloom, his grandson Milo, and the other residences of the Bloom Boarding House. The aspect of the Blooms owning the house was dropped after a while, standout ensemble characters like Binkley and Opus started to take prominence, and the elder Blooms and earlier boarding house residents were dropped after a year or two. By the end of the original strip in 1989, Milo was the only character that remained from the beginning of the strip, and we never did get a good idea of who owned the house.

* Emoji were originally designed for Japanese pager users in 1999, with sponsorship from the Japanese ticketing firm Pia. This explains the inclusion of "Soon With Rightwards Arrow Above", "On With Exclamation Mark With Left Right Arrow Above", "Top With Upwards Arrow Above" and "Back With Leftwards Arrow Above" - these glyphs had been developed as part of an automated notification system for Pia customers, with the idea being that they could receive text messages reminding them that a ticketed event was popular, about to begin, already started, or informing them that they had missed it. The emoji can't be removed, because doing so would wreck the Unicode system that makes them work.
* Several other unusual symbol choices trace their history back to the design intention to use them as automated notification systems. The sun, cloud, umbrella, lightning bolt, cyclone, snowman and moon phases were intended for use by for weather forecast services; the ships and planes for travel reminders; the astrological symbols and blood type icons for fortune-telling services.
* The "Pager" emoji makes perfect sense as a basic telecommunication symbol for a system designed for pagers in 1999, but there is no way it would have been included had the format been designed at [[TechnologyMarchesOn any time after about 2002 at the absolute latest]]. As [[NoExportForYou the system only became popular in the West after its inclusion on the [=iPhone=] in 2011]], many users aren't even sure what the little device is supposed to be...

[[folder:Fan Works]]
* InUniverse in ''Fanfic/TheCalvinHobbesAndPaineShow'' -- after Miss Wormwood leaves the show, all school-related stories were phased out, but Principal Spittle was still around. Calvin mentions that he ended up being rather awkwardly shoehorned into some of the stories.
* It's common for {{fanon}} to evolve over time and be displaced by newer fanon. In these cases, often elements of older fanon will still exist in some form. For example the background pony in ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' [[FanNickname dubbed]] Derpy Hooves was written as InspirationallyDisadvantaged in early fanworks. She [[SpeechImpediment couldn't speak properly]] and her name for her daughter Dinky was "Muffin". Eventually fan portrayals changed to her being TheDitz instead of having a speech disorder. She still usually uses "Muffin" as an AffectionateNickname for Dinky.
* Willow in ''FanFic/MyImmortal''. She's originally introduced as Ebony's best friend. After a gothicized Hermione ("B'loody Mary Smith") is introduced, she takes over this role and Willow becomes increasingly OutOfFocus.

[[folder:Films -- Live-Action]]
* Kevin was the second lead of the film ''Film/AmericanPie'' after Jim, but thanks to the breakout characters of Finch and, particularly, Stifler, by the time the third film (''American Wedding'') rolled around there was really nothing for him to do, especially since his love interest Tara Reid wasn't even in the movie. But because he was Jim's best friend it would've been strange for him not to be in the wedding party so he was basically just around to stand there and hardly say anything.
* The writers of ''Film/BackToTheFuturePartII'' were stuck with the fact they had put Marty's girlfriend in the car with Doc at the end of the first movie, thus forcing them to write her into the {{sequel}}. They said that, if they had actually planned on a sequel, they never would have put her in there. They did, however, find a way to write her back out again until the very end of ''Part III''.
* There is no real need for Andromeda to appear in the 2010 remake of ''Film/{{Clash of the Titans|2010}}'' given she has [[DemotedToExtra lost her role as love interest to Perseus]] and her city has already done more than enough to anger the gods even without her mother's hubris in proclaiming her beauty. She only seems to have been retained at all because Perseus rescuing Andromeda is such a big part of the original myth. Andromeda is shown handing out food to the poor people in the city, so at least she is useful in-universe. It's also worth noting that she ''was'' Perseus's love interest in the original cut of the film (with Io and Perseus simply being LikeBrotherAndSister) and had much more screentime that ended up being cut as a result of ExecutiveMeddling. See [[http://www.youtube.com/watch?v=O1pW_71h3rk this alternate ending]]. The sequel pairs them romantically at last.
* ''Film/TheLordOfTheRings'':
** An interesting example: Arwen wasn't super-prominent in [[Literature/TheLordOfTheRings the books]], barely more than a OneSceneWonder (two-scenes to be exact), but Liv Tyler was high-profile enough that filmmakers felt it would be pragmatic to expand her role. She got third billing too. However, as the films went on, they (rightly) felt they would do well to stick to Tolkien and focus on the main plot, and the films were pretty much successful enough to not bother with pleasing focus research. As a result, Arwen's appearances in ''Return of the King'' are essentially cameos. In the books, Arwen was a late addition who took Éowyn's place as Aragorn's love interest when Tolkien decided to ship Éowyn with Faramir instead. In the books, she appears in two scenes: a banquet in Rivendell, and then her wedding. She is mentioned on the sly a few times later, but her story is almost exclusively part of Aragorn's backstory, found in the appendices.
** The same principle happened to Cate Blanchett's Galadriel, but to a lesser degree because she is already way more prominent than Arwen. Apart from the Lothlórien chapters (which take up a sizable chunk of ''Fellowship of the Ring''), Galadriel gets mentioned again from time to time, and she shows up at the very end. The appendices give more information about her, including an OffscreenMomentOfAwesome where she (and her husband) led an elven army to destroy one of Sauron's main fortresses in the North while the main characters were fighting their own battles to the East. For the films, Blanchett was given more lines and scenes throughout the trilogy.
* Although the {{film}} of ''Film/RunawayJury'' involves gun politics, the original novel was about a tobacco company on trial. Nevertheless, the movie still contains a number of references to the pros and cons of smoking (e.g. TheProtagonist telling a neighbor that he should quit), which are a leftover from the source material.
* ''Franchise/StarWars'':
** [[TheFool Jar Jar Binks]] in episodes 2 and 3 of the prequel trilogy (left over from episode 1).
** However, Creator/GeorgeLucas foresaw and deliberately averted this with Obi-Wan Kenobi in ''Film/ANewHope''. He was originally going to ''survive'' his encounter with [[TheDragon Darth Vader]] on the Death Star, but with crippling injuries, and spend the rest of the film as an invalid, giving advice from the sidelines. Lucas realised that this would just slow the action down and get in the way, and rewrote the script, not that long before the fight sequence was due to be shot. This may be where the "force ghost" concept came from -- as [[SpiritAdvisor an alternative method of dispensing said advice]].
** In the ExpandedUniverse, [[TheSmartGuy C-3PO]] does this a lot. So does [[SixthRanger Lando]] to a lesser extent.
** Oddly enough, it also applies to [=C-3PO=] and R2-D2's appearances in the prequels. Their presence creates a bit of a plot hole[[note]]which is {{hand wave}}d away at the very end of ''Film/RevengeOfTheSith'' by giving C-3PO a memory wipe - but R2-D2 doesn't get one for some reason[[/note]], but at the same time it was pretty much impossible to not have them in the movies.
* In the ''Film/TeenageMutantNinjaTurtles'' movies, which are PG, they can't exactly show the Ninja Turtles slicing and dicing their opponents. However, Leonardo's katanas are so iconic to him that he can't have any other weapon. For that reason, he uses his swords only for {{Flynning}} and actually hits his opponents with his hands and feet.
* Vesper Lynd's name in ''Film/CasinoRoyale2006''. Her name is [[PunnyName a play on "West Berlin"]], as her loyalties were split down the middle like how Berlin was split by the Soviet-built wall in much of the UsefulNotes/ColdWar.
** Also the recipe given for the "Vesper Martini" in the film is the one from the book. However, several of the ingredients have been reformulated in the decades since. Using that recipe would result in a different taste today. Alternate recipes exist to recapture the original flavor.
* ''Film/StarTrek2009'' has an interesting meta-example with Chekhov's portrayal. In [[Series/StarTrekTheOriginalSeries the original series]], Creator/WalterKoenig's [[NarmCharm hilariously bad Russian accent]] ("Keptin! Enemy wessel approaching!") was one of the most memorable things about his performance, and it rapidly became the character's trademark. In the 2009 version, Chekhov is played by the Russian-born Creator/AntonYelchin, who actually speaks fluent Russian, and is fully capable of speaking in a convincing Russian accent. He ''doesn't'', of course, since everybody knows that [[RuleOfFunny Chekhov just wouldn't be Chekhov without that cheesy accent]].[[note]] He even pronounces the "V" sound as "W" ("Ensign authorization code: nine five Wictor Wictor two!"), despite knowing full well that the Russian language has a "V" sound, out of respect to Koenig.[[/note]]
* Joyce in the film adaptation of ''Literature/{{Arrowsmith}}''. In the book she's his second wife, and her high-society lifestyle distracts Martin Arrowsmith from his research. The film did not include that storyline, so in the movie, Joyce is just kind of there in the last third of the film, not doing anything to affect the plot.
* ''{{Film/Godzilla 1998}}'' gives a key example on how this trope can backfire when fans think it's half-assed. One of the original Japanese character's most iconic traits is his nuclear breath attack, which has gone through iterations of being a vaporous spray to a plasma beam. Nevertheless however, it was always present. Unfortunately Tristar wanted to make [[SarcasmMode a movie about a giant radioactive reptile more "realistic"]] and scrubbed the iconic attack. In its place we get to see the monster roar at some cars that explode and briefly make it look like it's breathing fire. This being just one of multiple iconic traits thrown out in the movie resulted in fans deeming the monster not even recognizable and hating the film.
* ''Film/TransformersDarkOfTheMoon'' is a weird example. Creator/MeganFox played Mikaela Banes, the female human deuteragonist of the first two movies. She's skilled with cars and mechanics, and this would be her defining part of her personality. However, Fox was fired from the movies after comparing Creator/MichaelBay to UsefulNotes/AdolfHitler in an interview. In her place was Rosie Huntington-Whitley as Sam's ReplacementLoveInterest, Carly Brooks-Spencer. Despite being a completely different character, aspects of Mikaela were integrated into her role. Namely, she works at a car dealership, and holds a very high position despite the fact that there is ''nothing'' indicating that she's good with cars. This is because Mikaela was originally supposed to return, with her removal and Carly's addition being a very late re-write to the script, the writers had no choice but to keep her job the same as Mikaela's. If Mikaela had the job, it would've made perfect sense. With Carly, the only justification is that her [[CorruptCorporateExecutive boss]] likes her.
* When ''Film/XMenFirstClass'' came out in 2011, it made perfect sense to make it a {{period piece}} set in [[TheSixties the 1960s]], since the movie was explicitly meant as a {{prequel}} to the original ''Film/XMen1''. Ditto for its sequel ''Film/XMenDaysOfFuturePast'', which was a [[TheSeventies 1970s]] period piece. However, considering ''Days of Future Past'' ended with [[spoiler: Wolverine [[SetRightWhatOnceWentWrong changing the past to prevent the Sentinels' rise]] and [[AlternateContinuity undoing the events of the first three movies]]]], it can seem a bit odd that ''Film/XMenApocalypse'' was a [[TheEighties 1980s]] period piece, considering it was effectively [[spoiler: a prequel to a movie that never happened]]. By that point, it seems that the filmmakers just kept up the retro setting because the previous two films had it, rather than because it made narrative sense, even it featured teenage characters who would have originally been infants or young children at that time.
* ''{{Film/Maleficent}}'' keeps the Christening scene from the original ''Disney/SleepingBeauty'' intact - where Maleficent interrupts before the third fairy grants her wish. In the original it was a plot point - as the third fairy was able to soften Maleficent's curse so that the princess will only sleep instead of dying. But in ''Maleficent'', the curse is for sleep from the start and never gets softened.
* ''Franchise/PiratesOfTheCaribbean'''s Will Turner. He was the proper protagonist for ''[[Film/PiratesOfTheCaribbeanTheCurseOfTheBlackPearl Curse of the Black Pearl]]'' as originally written, but then Creator/JohnnyDepp (appropriately) hijacked the show and turned it into a rollicking pirate yarn full of plenty of zany antics and double-crossing. The problem is that this left the clean-cut protagonist without any particular role in the film except as a LivingMacGuffin and as the guy who gets the girl. In the followup movies, he's given a personal connection with Davy Jones through his father, and...that's about it. He doesn't even make for a good {{Foil}} to Jack Sparrow, because his classically-heroic characterization keeps him from fully participating in the ChronicBackstabbingDisorder that permeates the rest of the cast. ''[[Film/PiratesOfTheCaribbeanOnStrangerTides On Stranger Tides]]'' gets rid of him and is a stronger movie for it.
* The film adaptation of Creator/AgathaChristie's Literature/HerculePoirot novel ''Appointment with Death'' retains the famous opening sentence, “You do see, don't you, that she's got to be killed?” but because the rest of the plot is so drastically different from the book, it becomes largely irrelevant.
* In ''Film/MarkOfTheVampire'', Count Mora the vampire is observed to have a ghastly wound on his right temple. This is never explained. The explanation is that in the back story he shot himself, which is how he became a vampire. That bit was in the 20 minutes cut from the film before the theatrical release, so in the movie Creator/BelaLugosi goes around with a huge bloodstain on the side of his head for no reason.
* ''Film/{{Watchmen}}'' changes the graphic novel's TwistEnding so that the {{Big Bad}}'s plot involves [[spoiler: destroying the world's major cities with a series of explosions]] instead of [[spoiler: creating a genetically engineered monster to wreak havoc in New York]]. But the movie keeps Ozymandias' CoolPet Bubastis, a bizarre-looking feline creature who clearly wasn't born through natural means. The book explains that Bubastis is a genetically engineered hybrid species of lynx tailor-made by Ozymandias himself, and she serves as {{Foreshadowing}} for TheReveal that [[spoiler: Veidt has cracked the secrets of genetic engineering, and can create his own artificial hybrid creatures]]. But since this plot point doesn't come up in the movie, Bubastis has no real reason to exist, and she seems oddly incongruous amidst the movie's (mostly) grounded realism.
* ''WebVideo/RedLetterMedia'' argued that Indiana Jones himself was this in ''Film/IndianaJonesAndTheKingdomOfTheCrystalSkull''. The film is supposedly designed as an homage to 1950s sci-fi, with elements like aliens and the RedScare, in the same way that the old films were homages to 1930s pulp adventure. But Indy is still around, despite still being very much the AdventurerArchaeologist typical of the 30s, as opposed to being retooled into a typical 50s protagonist (for instance, a ScienceHero), and all the ancient civilizations and deathtraps stuck around as well for him to explore and explain, despite being totally unrelated to sci-fi. The tonal clash is pretty obvious, but without those elements, it would be unrecognizable as an ''Indiana Jones'' film.
* In ''Film/SpiderMan1'', Peter Parker's web-shooting abilities are reimagined as an inherent part of his superpowers, unlike in the comics. But whenever he fires his webs, he still has to press his middle and ring finger to his palm to activate them. In the comics, he did that because the triggers for his wrist-mounted "web-shooters" were concealed in the palms of his gloves. Some people might wonder why he still does it in the movies, since his webbing is a bodily function that should come as naturally as breathing or blinking. Presumably, the filmmakers figured that it just wouldn't be a ComicBook/SpiderMan film without the iconic "Spider-Man" hand gesture.

* The criminal law of Finland still starts with the words (roughly translated) "''We, Alexander the Third, with the grace of God, Emperor and Autocrat of Russia, Tzar of Poland, Grand Duke of Finland, etc. etc. etc. decree that...''" and so on and so forth, even though Finland has not been under Russian rule since 1917, and a quite significant portion of the law has changed since.
** There are still some statutes in Finnish law from as back as 1734 and that have been completely obsolete for hundreds of years, but have still not been removed. These laws mandate, among other things, what types of plants each household must cultivate every year, and set fines in Thalers (a monetary unit that hasn't been in use in Finland since about 1860).
* Since the Constitution of the United States cannot be changed, only amended, the 18th amendment still establishes the prohibition of alcohol (repealed by the 21st amendment).
** There are several other such artifacts, such as original system of selecting the Presidential runner-up as Vice President (replaced by the 12th Amendment). One of the compromises between the free and slave states had a built-in deadline that turned it into an artifact (importation of slaves was protected until 1808; it was banned by law as soon as this clause expired). Many printings of the Constitution will cross out, gray out, or otherwise indicate sections that have been superseded by later amendments.
** There's nothing in the Constitution requiring this to be so, but when the first few amendments were adopted it was consciously decided that they would stand on their own rather than changing the original text piecemeal.
* Pretty much anything associated with judicial dress in the English-speaking world. Black robes were originally worn as a gesture of mourning for Queen Anne, wigs as a sign of 17th century aristocratic fashion (or, in the colonies, English political domination).
* The British aristocratic titles (Duke, Marquess, Earl, Viscount, Baron, Lord of Parliament) all originate from a feudal system where they were clearly distinct political offices with clear responsibilities and powers: Dukes were high-ranking nobles with vast holdings generally expected to lead the King's armies and advise the monarch; earls were the regional lords of counties; marquesses were more-important earls whose counties were on the borders and therefore had more responsibilities, since they were expected to defend the realm from foreign attack; viscounts were generally related to earls (second sons and so forth) and held smaller holdings; barons were your typical local lords; Lords of Parliament were Scottish nobles without other titles but entitled to sit in the Scots Parliament. As the centuries went on, this diminished to all the ranks of peerage having the same effective function - granting their holder a seat in the House of Lords. As of 1997, they don't even do that any more, but the titles still legally exist.
** Similarly, members of the House of Lords cannot vote in elections for the House of Commons. As most Lords are affiliated to a particular party, this rule obviously isn't because of neutrality, so why's it there? Because the Lords and Commons originally represented different strata of society. All aristocrats were automatically in the House of Lords anyway, so why did they need to be represented in the Commons?
** [[UsefulNotes/BritishLaws There's a lot of such laws]].
* British monarchs continued to style themselves King/Queen of France, among their other titles, centuries after the French recaptured Calais in 1559. George III finally discontinued the title in 1801.
** Multiple kings continued to style themselves rules of territories they didn't rule for a reason or the other. For example, the last King of Italy styled himself, among other things, King of Cyprus[[note]]at the time controlled by Britain[[/note]], Jerusalem [[note]]not a kingdom since 1263[[/note]] and Armenia[[note]]as in the Armenian Kingdom of Cilicia, which was overrun by the Mamluks in 1375 and has been part of Turkey since the 15th century[[/note]], duke of Savoy[[note]]relinquished to France in 1860 as part of a deal to advance the cause of Italian unification; {{justified}} as the Italian royal house was the House of Savoy[[/note]], prince of Montmélian with Arbin and Francin[[note]]three towns in ''Savoy'', so it was also redundant[[/note]], Count of Geneva[[note]]title inherited in 1394 when the previous line of counts died out; the House of Savoy never managed to fully establish control on the city, lost all semblance of control when Geneva allied with the Swiss Confederacy in 1526, and stopped trying to re-establish it after the last failed invasion in 1535[[/note]] and Prince and Perpetual Vicary of the ''Holy Roman Empire'', just to point out the strangest (there are others), and some Kings of France styled themselves ''Emperors of Costantinople'' (Charles VIII had bought the title from the last descendant of the Byzantine Emperors, and his successors continued to use it until Charles IX renounced to it in 1566).
* For quite some time after Algerian independence, the French President was allowed to declare the state of emergency on the Algerian territory, even though UsefulNotes/{{Algeria}} has been independent since 1962.
** Some laws dealt with redacting the death certificate of an executed convict or placed capital decrees among the rulings' priority for Supreme Court's review, even though the death penalty was abolished in 1981.
** Some outdated dispositions about [[WorkingOnTheChainGang hard labor]] (abolished in 1960) have also been repealed.
** Some condominiums' bylaws, adopted under the Vichy Regime, still prohibit selling to Jews; this could be considered a double example of this trope since the statutes which these bylaws cite for defining a Jew have been abrogated and the bylaws themselves are nullified by later anti-discrimination statutes.
** Officially, Parisian women were not permitted to wear trousers until 2013. The law had long since ceased to be enforced before that, of course.
* Some unconstitutional statutes in state Codes of the USA have still not been repealed.
** Alabama has still the [[http://www.legislature.state.al.us/codeofalabama/constitution/1901/ca-245806.htm constitutional duty]] to organize a segregated school system [[http://en.wikipedia.org/wiki/Constitution_of_Alabama#Racial_discrimination among other outdated clauses]].
** Massachusetts capital statutes [[http://www.mass.gov/legis/laws/mgl/265-2.htm are still]] [[http://www.mass.gov/legis/laws/mgl/279-60.htm on the books]] even though the [[http://www.nodp.org/ma/stacks/colon-cruz.html Supreme Judicial Court found them unconstitutional in 1982]].
* The possibility of appealing a ruling of the High Court of Australia to the Privy Council has been effectively nullified by the refusal of the High Court to give the leave needed.
* The constitution of the German state of Hesse still includes the death penalty as a possible means of punishment. However, since the death penalty in Germany was abolished on federal level, and federal law trumps state law, this has effectively no meaning.
* Almost all laws passed in UsefulNotes/WestGermany before 1990 have a sentence (usually near the beginning or end) about its implementation in West Berlin being subject to approval of the West Berlin assembly. West Berlin was ''de jure'' not subject to federal German law although it was ''de facto'' treated very similarly to any other part of Germany, however the Allies would not allow laws to enter into force in West Berlin without being passed by West Berlin authorities. Similarly West Berlin did not have any federal [=MPs=] instead sending non-voting delegates chosen by the city parliament to Bonn. Of course upon [[UsefulNotes/TheBerlinRepublic reunification]] those statues became pointless and were left out of new laws, but they were usually not removed from laws already in force.
* The entirety of the Portuguese Commercial Code! It was first published in 1833 and had a major revision in 1888, making it the last of the Portuguese legal codes still binding (all the others were approved during the second half of the 20th Century, substituting the older ones). Although many articles have been revised or outright repealed, it still stands in all its antiquated glory - and it shows! Mentions to the "Kingdom [of Portugal] and its domains" (Portugal has been a Republic since 1910, and lost its "dominions" in 1975, except for one in 1961 and another in 1999) and to its King Charles I "by the Grace of God" (Portugal has officially been secular since 1910), 19th-Century language weird to any modern Portuguese speaker, and no mention of air transportation as a commercial activity (it has to be considered so by analogy from land and sea transport).

* ''Literature/{{Harry Potter}}''
** In ''Literature/{{Harry Potter and the Philosophers Stone}}'', the House Cup championship was such SeriousBusiness that Harry, Hermione and Neville became the most unpopular kids in school after losing Gryffindor a hundred and fifty points and the awarding of the Cup was important enough to almost be a second climax. Later in the series, no one seems to care much about the House Cup anymore when the emphasis on SchoolTropes is dropped in favour of the high-stakes war against [[BigBad Voldemort]], and yet Snape stubbornly continues to punish our heroes by taking points from Gryffindor.
** Quidditch also stopped being important after the third book. The next three books kept creating reasons for Harry to no longer play (having matches cancelled for the Triwizard Tournament in [[Literature/HarryPotterAndTheGobletOfFire Book 4]], having Umbridge temporarily ban Harry from the team in [[Literature/HarryPotterAndTheOrderOfThePhoenix Book 5]], and having Harry on the sidelines due to injuries in [[Literature/HarryPotterAndTheHalfBloodPrince Book 6]]) since it could not be outright ignored.
* Over the years, the ''Literature/HIVESeries'' has gotten [[CerebusSyndrome much darker]], but Block and Tackle continue to appear. When there is a genuine need for some generic mooks, it's always those two, but otherwise they tend to have simple cameos in every volume.
* ''Franchise/TheHitchhikersGuideToTheGalaxy''
** Applies to Zaphod Beeblebrox after he fulfills his self imposed mission. He makes a fairly small appearance in ''Literature/LifeTheUniverseAndEverything'' and was then completely absent, with only one or two mentions, until ''Literature/AndAnotherThing''. [[Radio/TheHitchhikersGuideToTheGalaxy The radio version]] of ''Literature/MostlyHarmless'' (made after Creator/DouglasAdams' death) felt compelled to bring him back anyway.
** Ford Prefect's name. The joke is not only lost entirely on American audiences, but modern British audiences as well, as the Ford Prefect car that was once so popular in Britain has quietly disappeared. (The joke was that Ford, when coming to Earth, had mistaken cars for Earth's dominant life form due to insufficient research.) The German version fixes this by calling the character "Ford Escort", while all other versions keep his name the same. The US film got around the problem by showing Ford and Arthur's first meeting (Ford steps into the street to greet an oncoming car -- which is indeed a Ford Prefect--and Arthur tackling him just in time) and having Ford tell Arthur what he was doing and why, specifically pointing out his unusual name.
* Roran in ''Literature/InheritanceCycle''. In the second book, he was the subject of a subplot in which TheEmpire attacks his village, he rallies the villagers to fight back, and the entire village goes off on a quest to join LaResistance, a story arc widely considered to be the best part of the entire series. Once they properly joined the rebellion, however, Roran was left with his character arc almost finished and virtually nothing to do for the final two books. Apart from occasional relationship development, Roran's face-time in the back half of the series consisted solely of assorted rebellion missions and skirmishes which certainly didn't hurt his reputation as a stone-cold badass but are completely irrelevant {{Filler}}.

[[folder:Print Media]]
* Though the only unhealthy thing about fat per se is that it has nine calories per gram as opposed to four with protein and carbohydrate (though fat is actually essential for vital functions, and is more filling than carbohydrate), women's magazines and health magazines regularly list both calories and fat.
* ''Magazine/NintendoPower'': For a long time, the mail section listed what state a reader sent his letter from, or read "via the Internet" if they sent it through email. Eventually the letters all redundantly read "via the Internet", but this tidbit was never taken out until the Future US takeover.
* Back in the 1950's, ''Magazine/{{Mad}}'' had actual "departments" for comics and other stuff. Nowadays, "such-and-such department" might as well just be "such-and-such", given that each article just has its own, snarky intro line.

* Music/RedHotChiliPeppers' "Give It Away" was a hit, and so has been played live every gig since its introduction, regardless of whether it fits with the setlist or not (it's dirty funk and their later music has been more in an alternative rock/ballad vein).
** "Under the Bridge" and "Otherside" were written during different bad times in Anthony Kiedis' life, but were hit singles, so they have to play them live even if they aren't representative of those time periods. The album ''One Hot Minute'' was written during bad times in the band members' lives, but oddly, the one track they still occasionally play from it is the most negative song of the whole album, Flea's solo song "Pea".
** "Right on Time" and "Throw Away Your Television" were present in almost every setlist from when they were introduced until being only occasionally played this tour. They were artifacts because they were album tracks from the albums that were being promoted at the time (''Californication'' and ''By the Way'').
*** The funk-oriented bassist Flea and the hard rock drummer Chad Smith seem out of place in the band's alternative rock period which has mostly been written by Anthony Kiedis and John Frusciante (since replaced by Josh Klinghoffer). The band have reintroduced a lot of older tracks in their setlist since, so that might be changing.
* Until Music/{{Genesis}} had enough hits to throw away a lot of their earlier [[EpicRocking epics]], progressive pieces such as SuppersReady, "Dancing With The Moonlit Knight", "Squonk", "Dance On A Volcano" and "The Cinema Show", which were still played even as late as 1986, often clashed considerably with the new sound, style and line-up changes of the band in TheEighties, to the point where they could be seen as artifacts in the setlist.
** A similar effect happened with the Trevor Rabin-era line-up of Music/{{Yes}}, who had to share catchy, post-modern, commercial, Creator/{{MTV}}-approved '80s pop hits like "Owner Of A Lonely Heart" in their setlists with early progressive [[EpicRocking epics]] like "Heart Of The Sunrise" and "Your Move/All Good People" from TheSeventies.
* Despite several centuries of independence from Spain, the Dutch national anthem still contains a statement of loyalty to the Spanish king.
* Russia's current national anthem has the same tune as the [[http://www.youtube.com/watch?v=U06jlgpMtQs Soviet Union's]] but with [[http://www.youtube.com/watch?v=AOAtz8xWM0w different lyrics]].
* Oddly enough, the horn section that the band Music/{{Chicago}} was originally built around became a bit of an artifact in TheEighties as the band's style shifted from progressive rock/jazz outfit to a smoother, poppier, more keyboard-centered AOR/MOR band. The horns seemed to be used very sparingly, and in the background of their hits, when used at all.
** A similar situation would be narrowly [[AvertedTrope averted]] with Music/ElectricLightOrchestra. A side project of Roy Wood and Jeff Lynne of Music/TheMove, originally, until The Move's split, the band was made with the intention of crossbreeding the sound of an ''electric'' rock group with the sound of a string section (''orchestra'') used as an integral part of the group[[note]]The band's press kit claimed they were to pick up where Music/TheBeatles' "Strawberry Fields Forever" and "I Am The Walrus" left off, musically[[/note]]; the band's name was a pun on the electric light bulb and BBC Light Orchestra. Even after the departure of Roy Wood from the band after their debut album, and the group's eventual GenreShift into pop (and at one point, [[DeaderThanDisco disco]]!), they continued to use string arrangements and Beatleseque elements prominently in the group sound; the official string-playing members of the band had less and less to do in the studio after 1974's ''Eldorado'' due to Lynne wanting more elaborate string parts. By the group's 1981 album, the [[NewWaveMusic New Wave]]-inspired, synth-heavy ''Time'', the group had jettisoned strings almost entirely in favor of a synth-pop sound, using only a few string players or studio string parts through TheEighties; ''Time'', however, acknowledged this by shortening the group name to its FanNickname, ''ELO'', officially. 2001's ''Zoom'' had little or no strings on it, either, yet the (canceled) 2001 tour [[note]]it was canceled due to slow ticket sales and the wake of Music/GeorgeHarrison's death, and never got past rehearsals and a DVD concert film[[/note]] was to have used new string players alongside the rock players.
* Music/BlackSabbath intended to title their second album ''War Pigs'', but it got changed to Music/{{Paranoid}} instead due to the popularity of the song with the same title. The rest of the artwork remained unchanged, though, and the war pig on the album cover makes very little sense.
* Music/NewRadicals song 'Flowers' from "Maybe You've Been Brainwashed Too" is a double one. It includes the line "It's '97, why aren't things wild?" - however, their album was only released in late 1998, and the majority of people first heard it in 1999 (as the single "You Get What You Give" was only released then). It's explained by the fact that work on the album began in 1995, and Gregg Alexander was such a perfectionist that it was delayed until he was fully happy with it.
* Music/LinkinPark
** They have this with the rap aspect of their sound. In the first two {{nu metal}}-influenced albums ''Music/HybridTheory'' and ''Music/{{Meteora}}'', it made perfect sense. After they moved on, they downplayed its presence, removing it from most songs, but not entirely. ''Minutes to Midnight'', in the midst of all the ArenaRock, had several rap songs that felt out of place, while ''A Thousand Suns'' was progressive space rock with the occasional industrial hip-hop song. It's hard to imagine any other band putting in random rap if they had just started out with either of those albums. Their later material afterwards was more rap-oriented however, which may mean this may no longer be the case.
** Speaking of their nu metal material, despite trying to distance themselves from the genre and even disowning it, they still have to play the material from their first two albums at every live show completely intact. No matter how at odds their old songs are with what they're trying to do, they remain. Examples include "In the End", "Papercut", "Faint", "Numb", "From the Inside", "Points of Authority", "Crawling", and "One Step Closer". The latter is an especially interesting case, because Chester actually said it was his ''[[CreatorBacklash least favorite song]]'', yet it remains a concert staple. However, "Crawling" has in fact been slowly phased out in the '10s (especially after they learned of its memetic reputation for mocking {{wangst}}).
* Before the concept of ''69 Love Songs'' by Music/TheMagneticFields came into place, Stephin Merritt just knew he wanted to write a long album of songs about love, and at one point had the idea that it would be a double album with 26 songs, one for every letter of the alphabet. "Xylophone Track" and "Zebra" were specifically written with this idea in mind, since "X" and "Z" otherwise don't start a lot of other words in the English language, and were kept as the last two songs on the album. "''A''bsolutely Cuckoo" being the first song on the first disc might also have something to do with the original alphabetical concept.
* Music/BillyJoel's "We Didn't Start the Fire" tends to stick out like a sore thumb whenever he includes it in a concert [[CreatorBacklash (not that he plays it often)]] - very few of his songs are as drenched in '80s synth, and most of the other songs are heavily piano-based or have synth parts that are less distracting ("Pressure") or so iconic that you can't really leave them out ("The Entertainer").
** "Captain Jack," on the odd occasion that it's performed, since it's one of his earlier works and he's slightly embarrassed by the more juvenile lyrics (such as the [[ADateWithRosiePalms masturbation references]]).
* Music/CaptainBeefheart's "Run Paint Run Run" (from Doc At The Radar Station) was an outtake from his previous album "Shiny Beast [Bat Chain Puller]", albeit with a new vocal track. This is evident because the track features trombone, a instrument only used on "Shiny Beast" whilst Bruce Fowler was in the band.

* Although ''[[Pinball/LightsCameraAction Lights... Camera... Action!]]'' revolves around completing an action movie, the game also constains numerous references to playing cards, and players must assemble poker hands for extra bonuses. WordOfGod is that the game was originally designed with a card game theme, which was changed to movie-making midway through production.

* The Los Angeles Lakers, an American basketball team, originally played in Minnesota, which actually has, you know, lakes. The name makes absolutely no sense in Los Angeles, but has been around so long that it's not changing.
* The Utah Jazz, also an NBA team. This team originated in New Orleans, the home of jazz music. Utah? Not so much.
** Ironically, after the Jazz left the Charlotte Hornets moved to New Orleans, keeping the Hornets name (earned from Charlotte's nickname, "Hornet's Nest"). The name isn't completely out of place like some of the others, but it's still humorous that New Orleans is on the giving and receiving end of this trope.
*** To turn it around straight again, their team colors are still UNC baby blue and white.
*** The New Orleans franchise has since changed its name to the Pelicans (after the Louisiana state flag), starting with the 2013-14 season. The new Charlotte team, the Bobcats, then announced they would rename themselves Hornets the following season. A deal between the NBA, Pelicans, and Hornets also saw the Pelicans [[RetCon transfer their Charlotte history]] to the current Hornets.
* In the English football (soccer) league, London-based Wimbledon FC, nicknamed 'The Dons' were in financial crisis, which their owners decided to 'solve' by moving them to Milton Keynes, a town over 70 miles away, 2004. Unlike in the US where teams moving is common, this is completely unheard of in English football and it was denounced by virtually everyone. The fans of the original team set up their own club, AFC Wimbledon, while the now-Milton-Keynes-based team was told they couldn't call themselves 'Wimbledon' any more, so they changed to 'Milton Keynes Dons', with the last word representing the original nickname. After years of negotiation, it's now been accepted by both sides that AFC Wimbledon are the legitimate successor team to Wimbledon FC, whereas MK Dons are just a team that started in 2004. However, the suffix 'Dons' still remains.
* In an example of one of these ultimately being changed, in the NFL, when the Houston Oilers moved to Tennessee they kept the Oilers name for a bit, but finally changed to Titans, a name that doesn't scream Tennessee, but at least isn't a nonsensical reference to another region like the Oilers. Also, they had to keep the Oilers name while in Tennessee for a year or two to keep ownership of the name.
* American football has a scoring play known as the ''drop kick'', in which a player can, during play, bounce the ball off the ground and then kick it between the goalposts for a field goal or an extra point. Drop kicks have been obsolete for decades due to changes in play style and the football being made more pointed in shape to accommodate the passing game, but were never actually removed from the rule book. Cue a Miami Dolphins/New England Patriots game and consternation when Patriots backup quarterback Doug Flutie scored the first drop kick in over 60 years (it was a thank-you to coach Bill Belichick, and also Flutie's final NFL game, as he was retiring at the end of that season). Most NFL fans were unaware that the drop kick even existed.
** Likewise, the free kick. A ridiculously rare and obscure play that's only been used a handful of times in the past several decades. It takes place when a team receives a punt or kickoff and signals for a fair catch or otherwise does not return it. From the spot of the ball, rather than run a regular offensive series, the possessing team can attempt a free kick, so called because the opposing team cannot attempt to block it. The kicker and the ball spotter are the only two players involved in the play, with the kicker being allowed to take his sweet time in lining up his kick. In effect, the free kick plays like a normal kickoff, only with a spotter holding the ball rather then it being kicked from a tee. The kicker is aiming the ball for the uprights and if successful, his team receives three points like a field goal. Naturally, because even horrible punts and kickoffs are likely to push the ball well into the receiving team's territory, the circumstances where a free kick would be viable are rare in the extreme. A vast majority of recorded attempts took place in the final seconds of the half; since the opposing team can field the kick if it misses ''(and they almost always do)'', this leaves them no opportunity to run their own plays before time expires. Thus, the free kick serves mostly as a fun and arcane way to run out the clock with a somewhat safer result than throwing up a Hail Mary and risking an interception return they aren't prepared to guard against.
* UsefulNotes/IceHockey, being somewhat of a lesser-tier professional sport in most places, tends to maintain a lot of Artifacts that people either hold up as proof that hockey is the best game ever, or people hold up as proof that the sport is backward compared to other, more popular sports:
** The [[UsefulNotes/NationalHockeyLeague NHL]] instituted one point for an overtime loss starting in the 1999-2000 season, with the intention being that teams would play for a win in overtime for the extra point, instead of previous seasons where teams played defensively to keep the point they'd get in the event of a tie. After the 2004-2005 lockout, regular season games ended in a shootout if overtime kept the game tied, abolishing tie games, making the overtime loss point useless and recreating the same problem that the overtime loss point tried to fix: now teams that are tied at the end of the third period will play defensively in order to force a shootout, which they perceive to be easier to win.
* The UltimateFightingChampionship name is an artifact relating to its origin as a tournament (the winner of each PPV would become the ultimate fighting champion) and before the term Mixed Martial Arts was coined. Now with no tournaments, multiple titles and many cards with no championships at stake, the term is mostly meaningless. When Zuffa bought out UFC from Semaphore Entertainment Group, they essentially only wanted the initials because they had brand value.
* In golf, woods are a type of club with a longer shaft and larger head than irons, but they were so named because the heads were formerly made out of a hard wood. In recent years they have also been made out of metal, but the most professional of golfers still call them woods.
* While most national soccer team kits use the colors of the national flag, the German kit is black and white, and the Italian kit is all or mostly blue. This is because black and white, on the one hand, and blue, on the other, were the heraldic colors of the royal houses of Hohenzollern and Savoy, which reigned in Germany and Italy, respectively, before these countries became republics in 1919 and 1946. Meanwhile, the Russian national team still uses the same dark red kit with a few golden details design used by the Soviet Union, despite the USSR's dissolution in 1991 (FIFA recognizes the Russian team as heir of the Soviet team and attributes the latter's historical statistics to the former). Changing the kit's design would be unthinkable in the case of Italy, whose national team is well known by its nickname ''Gli Azzurri'' ("The Blue Ones"). However, alternate designs for Russia and Germany exist with the away kit of Germany often ''green'' for some reason. Even the uniforms for some other sports follow this convention. American Football (for which both Germany and Italy have relatively successful national teams) is a mixed bag, with a blue wearing Italian team and a red black gold German team.
* England, Scotland, Wales and Northern Ireland have their own national soccer teams mostly because the sport was invented in England and the rules to "Association Football" (the official name of the sport) were drawn up in England. The first "international" match was between England and Scotland, mainly because it was the only two places of nation size and shape that could field anything approaching two teams of equal talent.
* Rugby also has some teams that represent countries that don't exist any more, have never existed or are at best political projects. One of the more famous is a United Ireland team (including players from the Republic of Ireland as well as Northern Ireland), but there is also a "West Indies" team.
* The West Indies team in rugby is only a side created for special events. On the other hand, the West Indies is one of the 12 Test UsefulNotes/{{cricket}} "nations" (teams that play at the highest international level). In fairness, most of the former and current British possessions that make up the West Indies cricket side had been briefly united politically as the West Indies Federation.
* The [[UsefulNotes/MLBTeams Cleveland Indians]]' traditional mascot, Chief Wahoo, remains a somewhat controversial one. Due to objections raised over the cartoonish depiction of an American Indian warrior, the Chief is no longer used as silly animated character for rallying fans during games. His image is, however, still used as an emblem on uniforms and merchandise. While the team's owner denies that there are any plans to get rid of the logo, some fans speculate that the Chief is gradually being replaced with the alternate logo, the "Block C".

[[folder:Tabletop Games]]
* In the switch from third edition to fourth edition ''TabletopGame/DungeonsAndDragons'', ability scores ceased to matter much beyond the ability bonus. Yet we still have the old ability scores from 3-18 where the limits can be broken and the players never have one below 8. In some ways, this is an artifact because if it were ever removed, it would only increase the litany of cries that "4E is WoW" from 3rd edition players.
** It's been The Artifact since the switch to Third. In Second, an ability check was made by rolling a D20 and trying to roll less than your ability score. In addition, there were mechanical differences which made all ability scores different rather than having breaks at every even number. In Third, the ability scores could have been replaced almost entirely with ability modifiers, transforming a stat line into something like: Str +2, Dx +1, etc. (''True20'' and ''TabletopGame/MutantsAndMasterminds'' 3rd edition, based on d20 Open Content, did just that.) Almost no mechanics would be changed, and most of those would be simplified, and modifying creatures or changing sizes would be a cinch. This sort of statline is quite common in other games.
** Alignment flirts with this. Many players have felt it was irrelevant for years before, especially during the days of Advanced D&D. At the time, other games were coming out which ignored alignment altogether or grossly redesigned it, and they weren't suffering for a lack of moral categories to put characters into. Alignment also was easily abused by some players, with some game masters putting paladins or other "must be good" characters into situations where one aspect of their vows ''must'' be broken and then punishing them. ("You helped the slaves escape; that's not lawful, so it's a chaotic violation of your paladinhood and...why are you leaving?") Players, too, would abuse the heck out of it, often by being blatant jerkasses to everyone at the table and saying it was just playing their alignment. Then Third went and added in a lot of mechanics which depended on alignment, many of them doing little more than giving min-maxers an excuse to write "true neutral" down and then do whatever they were going to do anyway.
*** The Smite Alignment mechanics got really bad about this with many of the people you could or could not Smite not making any sense at all. For example, a Holy Liberator should rarely, if ever, fight a Paladin, but a Holy Liberator can smite them. However, if a malevolent despot, the type of person a Holy Liberator is made to fight, happens to be Neutral Evil or Chaotic Evil (both of which are entirely possible), their Smite no longer works. The simplification of the system led to characters not equipped to fight things they were supposed to be specialized against if they worked based on alignment. Good/Evil targeting abilities tended to be more consistent than Lawful/Chaotic/Neutral targeting ones though.
** A lot of player races that were converted from old editions suffer from this. Thri-Kreen make a good example. Originally from the much-loved ''TableTopGames/DarkSun'' campaign setting of second edition, third edition's ''Psionics Handbook'' tried to convert them to the then-current ruleset. The end result had a level adjustment of +2 (meaning Thri-Kreen characters are 2 levels lower than other characters, at all times) and 2 racial hit dice (their first 2 levels have no class features), Psionic power points (with a penalty to the stats Psionic casting uses, and a Thri-Kreen's 4 dead levels make them useless as a Psionic caster), and five natural attacks (which, due to the aforementioned 4 dead levels and the penalty required to attack with all of them, means it will just flail ineffectually with all four limbs and bite). The end result was a race that [[MasterOfNone pulled in too many different directions]] to be good at any one thing (in comparison to other races that occasionally stray in to CripplingOverspecialization territory), and was largely ignored.
** Driders ended up with a case of this in the transition to 3E -- as originally designed, it was a punishment for failing because while the transformed drow did indeed got awesome powers and a body themed to their goddess, they then got ''stuck'' at that level of power (a valid reason for drow to look down on them, given their SocialDarwinist tendencies), since driders (unlike drow) couldn't get class levels. 3E brought in rules for giving class levels to monsters, yet settings that had been written before kept the drider punishment and drow looking down on them as there'd been too many references to it to smoothly retcon it out.
** TableTopGames/{{Pathfinder}}, an updated version of the 3.5 rules, attempts to subvert this with their "Misfit Monsters Redeemed" companion book. It tries to take the silliest monsters of past editions like Flumphs (friendly floating jellyfish folk), Flail Snails (giant snails with flails at the end of their antenna), or Adherers (sticky mummies) and [[ReimaginingTheArtifact revamp them to be taken more seriously]]. For example, the Wolf In Sheep's Clothing (a carnivorous tree stump with a ludicrous rabbit shaped lure) can now take any dead body and puppeteer it to draw victims closer. YMMV on whether or not this succeeds.
** The name "fighter" seems oddly doofy for a combat class, which is because it's from the days when there were only a few classes. The original name was "fighting-man", used to refer to infantry, which was shortened to "fighter." Fighters in those days were simply intended to represent any character who fought with weapons, from soldiers to cavaliers to swashbucklers to generals to berserkers (to the point of changing name as they levelled up in some versions, capping out at [[AwesomeMomentOfCrowning "Lord"]]). Later on, most of these archetypes became represented by their own classes or archetypes, leaving the fighter looking and sounding oddly generic. Nonetheless, the name's stuck around in favor of, say, "warrior", because it's become too associated with the class to drop it.
** An unfortunate one in 3rd was the monk and paladin. Originally, the classes required very high stats all around to take levels in (paladins, for instance, required a Charisma of at least 17), but offered useful abilities that keyed off all those stats. 3rd removed stat requirements for classes, but the monk and paladin continued having most of their abilities key off lots of stats, making them notoriously difficult to use due to [[MasterOfNone requiring every stat to be good]].
** This trope hit a lot of multiclass characters that were converted to 3.x rules early on. Dual-classing or multiclassing in 2nd Edition worked very differently; a fighter 6/wizard 6 would be about on par with a 9th-level character, since taking multiple lower levels in fighter required less XP than taking a higher level in wizard, and they stayed close enough to the curve to be passable at both. In 3.x, it costs the same amount of XP to take the next level regardless of what class you're taking it in, so that same character was now considered 12th level, and [[MasterOfNone completely abysmal at both their skillsets.]] This led to a lot of major NPCs, particularly from ''Forgotten Realms'', being incredibly weak for their supposed level; Storm Silverhand was notoriously a CR 32 character whose strongest ability was casting sorcerer spells a single-classed character got twenty levels ago. Eventually, the designers realized this, and introduced {{Prestige Class}}es like the eldritch knight or arcane trickster to get the old "sort of good at two things" feel.
* ''TabletopGame/{{Exalted}}'' was originally written as a pre-history for the TabletopGame/OldWorldOfDarkness; strong hints of this remained all throughout 1st edition, until that train of thought was pretty much abandoned for 2nd edition. This is why the 1st edition Lunars [[TabletopGame/WerewolfTheApocalypse took more than a few elements from the Garou]] ([[FanonDiscontinuity much to the displeasure of fans]]), Sidereals occasionally had to deal with [[TabletopGame/MageTheAscension Paradox]], and the Underworld was ruled by [[TabletopGame/WraithTheOblivion Deathlords]] and the Neverborn, who were paradoxically called "Malfeans" as well when Malfeas was a [[OurDemonsAreDifferent Yozi]] instead.
** Then again, 2nd Ed keeps throwing in artifacts, or quite possibly the odd ShoutOut - the new Infernal Exalted take their Caste names from [[TabletopGame/DemonTheFallen the Houses of the Fallen]].
* In the ''TabletopGame/ForgottenRealms'' setting, the drow city of Menzoberranzan uses a giant rock called Narbondel to measure time by heating it and letting it cool; this was added to the story when the drow saw via infravision, allowing them to see heat signatures. However, infravision was removed from the game years ago, and replaced with darkvision, that allowed people to see in perfect darkness, only in greyscale. Narbondel remains and continues to function as a clock tower, even though it's not exactly clear ''how'' the drow see it heat and cool.
* The back of ''TabletopGame/MagicTheGathering'' cards. The "Deckmaster" on the back of the cards was originally used to denote that Magic was the first of a series of games with that title (two others carried the "Deckmaster" theme: TabletopGame/VampireTheEternalStruggle and TabletopGame/{{Netrunner}}); it no longer has any real relevance, but is kept to prevent people from being able to easily tell information about the card from just the back. Likewise, the word "Magic" remains blue on the card back despite it having been changed to yellow everywhere else.
** Also, the blue slash over the TER in DECKMASTER is a simple pen mark that no one noticed on the master until it was too late. Technically, the millions of [=MtG=] cards printed over nearly 20 years are all misprints.
** Protection and regeneration. The rules for both mechanics are far messier than anything than would be approved today and there are small nuances that can trip up even experienced players (such as a creature leaving combat when it regenerates). However, both have a very strong flavor behind them as well as [[GrandfatherClause two decades of history]] keeping them in the game.
** The upkeep step. There are still plenty of cards that use it, as it's useful to have a time for things to trigger at the beginning of the turn, but it's long since lost its original purpose [[note]]many early cards had an upkeep cost that had to be paid each turn[[/note]], leaving it with a [[ArtifactTitle name that doesn't make any sense.]]
* Spell cards in the ''TabletopGame/YuGiOh'' card game made a lot more sense back when it was focused mostly on fantasy elements with a pinch of science fiction instead of the other way around.
** Likewise the term "Tribute" would seem extremely out of place nowadays. This is averted in the OCG, where it is called advance summon instead.
** The term "monster" can still describe a lot of cards, but even before [[{{Defictionalization}} the game was properly a game,]] there were plenty of cards that looked basically human or humanoid, along with cards that were downright cute (and not in an UglyCute way; straight-up puppies). In the very early days, the cards had a very [[http://vignette2.wikia.nocookie.net/yugioh/images/3/39/SummonedSkull-JP-Manga-DM-NC-initial.png/revision/latest?cb=20131228215127 grotesque bent]] to them, which made the term fitting, but now, even inhuman cards tend towards a far sleeker appearance that hardly calls to mind a monster.
* Indirect fire weaponry such as mortars in ''TabletopGame/Warhammer40000'' still have their ranges noted as "G" for "guess", as the game mechanic originally called for the player to make a guess without measuring beforehand and place the effect marker at that distance, even if the rules have done away with the guessing two editions ago now, and you just place it where you want to hit and roll the dice...
* The "classic" tabletop game [[TabletopGame/{{Clue}} Clue/Cluedo]] (depending on where you live) is a game about logic and deduction, with very little reason for having a die-roll to move around the board - in fact, different editions of the game change the numbers of squares between various rooms for no apparent reason. The game plays more smoothly and less frustratingly when you allow players to automatically move to a neighbouring room, but it has a die-roll to move because it was a standard element of board games at the time.

[[folder:Theme Parks]]
* A lot of things in Ride/DisneyThemeParks exist because they were based on tropes that were popular in 1955, when Disneyland was built. Over time, they have become "the way Disneyland is", and therefore new international parks get the same lands and attractions.
** Main Street, USA was built on the Lost and Greatest Generations' (and, especially, Walt Disney's personal) nostalgia for the [[TheGayNineties 1890s/1900s]].
** Adventureland and exotica/Tiki culture, as well as nature documentaries (including Disney's own True-Life Adventures series).
** Frontierland and [[TheWestern westerns]].
** Fantasyland and Tomorrowland have largely escaped this because the tropes they're based on, [[Franchise/DisneyAnimatedCanon Disney's animated films]] and [[ScienceFiction sci-fi]], are still popular.
* Liberty Square at Disney World's Magic Kingdom and the America Sings attraction in Disneyland's Tomorrowland were opened in 1971 and 1974 (respectively) in preparation for the United States' Bicentennial celebration in 1976. They both lasted well beyond that - America Sings didn't close until 1988 and Liberty Square is still open to this day.
* The [[Ride/DisneyThemeParks Disney World]] version of ''Theatre/{{Fantasmic}}'' has an elaborate sequence based on ''Disney/{{Pocahontas}}'', which seems rather dated, seeing as the film was not a big hit. The Disneyland version, which uses ''Disney/PeterPan'', has aged much better.
* Disney's Hollywood Studios has [[http://www.yesterland.com/images-studios/dhs_gatehouse.jpg opened guard gates]] littered (seemingly) randomly around the park. These are a holdover from when the park doubled as a working studio, and were meant to signify to the guests that they were leaving the "onstage" area (which featured the rides) and were entering the "backstage" area (where the studio tours were performed). In October of 2014 the last of these tours closed permanently (the Backlot Tram Tour), and so all the guard gates do now is signify that guests are entering a somewhat more sparse area than the area they were just in.
* Disney's Animal Kingdom theme park was originally intended to include a section called Beastly Kingdom (where Camp Minnie Mickey is today), which would have been themed around fantasy creatures. The idea was scrapped early on due to multiple factors, but a dragon still appears in the park's logo.
* EPCOT was originally a planned futuristic city designed by Walt Disney himself. It stood for [[FunWithAcronyms "Experimental Prototype Community of Tomorrow."]] The city was never built but the EPCOT park was built in tribute to Walt's dream and had a heavily futuristic theme. As time passed, EPCOT's futurism turned into {{Zeerust}} and park was heavily re themed. EPCOT today is themed after current science and technology, the environment, and world culture. The EPCOT name and its staple attractions like Spaceship Earth still remain.
* Ride/SixFlags is the name of a string of theme parks from California to Massachusetts. The six flags are the "six flags of Texas," which have flown over it at various times in its history; the original park is near Dallas. The flags are the Spanish, French, Mexican, Texan (from its time as an independent nation), American, and Confederate. Now that the franchise is in other states, the six flags are simply shown in silhouette, as a brand logo. One reason this makes sense is because displaying the Confederate flag is a '''major''' controversy in American culture. One could argue that the flag is being used in a purely factual historical context, but one can't fault the company for wanting to steer clear of the controversy. However, there is a whole other can of FridgeLogic involved with the confederate flag, given that the Confederacy had three official flag designs during its existence and it is hard to establish which of them actually flew over Texas and what that would make of the "six flags" that gave the name. In addition to that, the flag commonly known as the "Confederate Flag" was not one of those three. (Though the latter two designs included it in the upper left corner with the rest being white or white with a red horizontal strip respectively)
* Originally, each of the tracks at ''Dueling Dragons'', a dual roller coaster at [[Ride/UniversalStudios Islands of Adventure]], was designed to mirror the other so that there would be several near-miss encounters between the two coasters; the ride was even programmed to make certain calculations to ensure optimal timing. However, after a few accidents (possibly involving objects flying from people's pockets and hitting others), Universal made the decision to permanently end the practice of launching the coasters simultaneously, thus getting rid of the near-miss encounters that used to be the ride's main selling point, and thus rendering the design aspect of it completely without purpose (Also, the ride changed its name to ''Dragon Challenge'' after it was co-opted into ''Franchise/HarryPotter'', thus averting an ArtifactTitle).
* Theme Parks in general being associated with Monorails is explained by the era the first Disney parks opened. Back then Monorails were seen as futuristic and some kind of urban transport panacea. That idea [[SocietyMarchesOn now seems quaint]], but as Disney had built monorails Theme Parks around the world decided to FollowTheLeader. Even fictional theme parks such as [[VideoGame/Fallout4 Nuka-World]] will feature them. However, the two biggest disadvantages of monorails are not a major problem for theme parks: They are usually proprietary systems making them difficult to link across city lines (not a problem as no theme park will ever link with a theme park of a different company) and switching is a major headache if it is possible at all (not a problem as most lines are or can be designed as a simple loop).

* ''{{Transformers}}'', since the days of ''WesternAnimation/BeastWars'', has utilized the "size class" system by which toys are designed to fit into certain price points depending on size. One of the oddities of the size class, however, is the term "Deluxe" - it refers to the six-inch scale, and it's by far the most common one, with the majority of figures in nearly any modern line being Deluxes. This might seem a little odd, since "deluxe" usually means something particularly good, rather than the baseline, as Deluxe figures seem to be. This is because in the Beast Wars days, the Deluxe size was the second smallest size, beat out by the 4-inch Basic size, which was intended as the baseline. However, the Deluxe class turned out to be the more popular size, and the Basic class, by 2006, was phased out in favor of the pocket-size Legends or gimmick designs like Real Gear Robots or Activators, leaving Deluxe to be the "standard" size. When the four-inch scale returned in 2009, it was in the form of the fairly uncommon Scouts, even in name reinforcing the Deluxe's dominance.
** The phenomena of "fake kibble" is a pretty consistent one in modern days. Whenever a character gets a redesign, it'll usually have the same vehicle kibble (the parts of the alt-mode that don't wind up tucked away into the robot) as their original design. This even happens when the character's vehicle mode doesn't ''have'' the parts necessary to recreate the original kibble. For instance, Optimus Prime's original design had the front of a flat-nosed truck becoming his chest, so he wound up with a truck grille for the abs and the windshield going on his pecs. Modern-day Optimuses usually have longnose modes that can't really do this, but instead pull a random truck grille and windshield from inside them to duplicate the original design.
* When the first ''[[Film/TheAvengers2012 Avengers]]'' movie came out in 2012, the toy line from Creator/{{Hasbro}} included a Skrull soldier despite no Skrulls appearing in the first movie. It turns out that the Skrull was from a loosely-connected ''Avengers'' video game that THQ was producing that ended up being cancelled.
* The [[MaskOfPower masks]] of ''Franchise/{{Bionicle}}'' existed because of an action gimmick. The masks were easy to pop off, pretty much every set in the first year had at least one mask somewhere, and every toy had some kind of motion feature (swinging arms, snapping jaws). The idea - the characters fought by knocking each other's masks off - was pretty obvious. Even toys without masks had either some compatibility with the gimmick (Bohrok krana could fasten over a mask slot) or a similar function (Rakhshi popping open [[AttackItsWeakPoint when their heads were struck]]). And to cap it off, masks [[MerchandiseDriven made for good collectibles,]] and [[GottaCatchEmAll obtaining a set of masks]] was usually relevant to the storyline. When the Metru Nui arc began, the masks were redesigned to be impossible to easily knock off to improve the toy's stability, and they were only relevant in the storyline as a way to give the characters [[ComboPlatterPowers some extra powers]] or the occasional overpowered MacGuffin. Not long after, the motion features went the way of the dodo as well. By that point, though, the masks had become so ingrained in the setting that it was impossible to ''not'' have Toa without masks.

[[folder:Web Comics]]
* Occasionally mentioned by the ''Webcomic/PennyArcade'' creators who, while enjoying the character DIV, admit that the UsefulNotes/{{DIVX}} format's failure condemns the character's basis to increasing obscurity.
* In ''Webcomic/ElGoonishShive'', the author has been quoted to no longer enjoy several of the earlier gags, especially the hammers. Hammers were sacrificed for good, in exchange for a handful of CharacterDevelopment, setting development and {{plot}} points.
** The level of {{fanservice}} has also dropped off significantly since the author started expressing guilt over objectifying women in the earlier strips. [[ChivalrousPervert Tedd]] and [[OppositeSexClone Ellen]] still have their {{transformation ray}}s, but they almost never see use.
* Once the central premise of the comic, the constant parodies of the ''TabletopGame/DungeonsAndDragons'' rules have essentially vanished from ''Webcomic/TheOrderOfTheStick'', only being occasionally dragged back in to keep longtime fans happy. The author has stated in his commentaries to one of his books that he basically has nothing else to say about the rules and is concentrating on telling a good story now.
* Even though Fred finds ways to keep him important to the plot, pretty much anything involving Largo from ''Webcomic/MegaTokyo'' has felt like this ever since Rodney Caston was forced out of the creative partnership.
* Choo-Choo Bear has faded into the shadows of ''Webcomic/SomethingPositive''; right now almost all of his appearances are as the snooty Q&A cat. (Randy Milholland was always determined to limit his appearances for fear overusing him, though.) He did become more active for a time as a result of an extended crossover with ''Webcomic/GirlsWithSlingshots'', which seems to have run its course.
* Spark from ''Webcomic/DominicDeegan'' dates back to the strip's early Gag Per Day days. He has adapted better than most artifacts do, but he still feels out of place in the post-CerebusSyndrome [[FanNickname Deeganverse]]. And he can completely vanish from stories entirely without warning for nearly years at a time, only to occasionally make appearances to reference an old running gag.
* ''Webcomic/ThisIsNotFiction'': The original premise of the comic was Julian trying to find his CelebrityCrush Sidney Morgan accompanied by [[TheDon Landon]] and [[ShipperOnDeck Isaiah]]. Particularly, after Landon and Julian get arrested, the series goes into CerberusSyndrome and the main focus of the plot becomes Julian and Landon's WillTheyOrWontThey. Eventually, Isaiah recognizes that Julian is not really all that interested in Sidney Morgan anymore and that their latest adventures were pretty much using Sidney Morgan as an excuse to hang around with his friends.
* ''Webcomic/{{Homestuck}}'' has a lot of these, mainly due to how quickly the narative evolves. [[InventoryManagementPuzzle Sylladices]] once played a major role in the story (the first third or so of Act One consisted entirely of John messing around with his sylladex), but are now rarely ever given much thought, the exception being the late-Act Five subplot with Liv Tyler and the Courtyard Droll handling John's Wallet Modus and its contents. A similar fate has befallen [[ItemCrafting punch card alchemy]]; the process became significantly more streamlined when Dave figured out how to upgrade the equipment, so much of the messing-around John needed to do with it early on promptly became irrelevant. Act 6 seems to be bringing these things back into play, at least for a time.
* In ''Webcomic/LeastICouldDo'', the character Jon originally served as Rayne's foil, being the OnlySaneMan who reined in Rayne's zanier impulses. The character fell out of use as [[RealLifeWritesThePlot the author Ryan Sohmer found himself growing distant from Jon's inspiration]], and a new character based on another friend of Sohmer's (Noel) took over the role of Rayne's wingman. Eventaully Sohmer acknowledged this by writing a story arc where Rayne and Jon patch up their friendship, and with Noel's marriage and child Jon has started coming back into the forefront.
** Thankfully Noel hasn't really ever suffered from ReplacementScrappy Syndrome, in that he's notably different from Jon - Jon is the OnlySaneMan who may or may not suffer ulcers from dealing with Rayne; Noel is a DeadpanSnarker who's more than happy to accompany Rayne on his adventures, and only stops Rayne before he's going to do something TOO stupid.
* ''Webcomic/NuzlockeComics'' has undergone an unbelievable amount of ArtEvolution from its early days, but Ruby, the main character, is still drawn in a fairly cartoony style. It's a bit jarring to look at the fairly realistic but stylized cast, then see Ruby's almost {{Gonk}}-like proportions; one comic even features a FandomNod cameo from Hale, who was also based on ''RSE'''s male character and gets a more in-line look. The comic largely skirts around this by playing up Ruby's IdiotHero tendencies.
* A constant fear for the creator of ''Webcomic/DumbingOfAge''. Due to the sliding timescale that will keep the characters in their freshmen year forever but always in modern times, any specific reference to technology or pop culture has the ability to become this. Amber and Danny playing ''VideoGame/MarioKart'' on DS/3DS/2DS will seem quaint in 10 years (although ''Mario Kart'' will most likely still exist in some form). An early strip had many students list their favorite movies (in the collection commentary, Willis points out that it will seem strange years from now that all these 18 years olds love classic movies), something he tries to avoid when at all possible (Amber's ''VideoGame/WorldOfWarcraft''-esque MMORPG is never named, conversations about ''Franchise/{{Transformers}}'' are kept as generic as possible, citing names like Optimus Prime and Bumblebee).
** During 2016, Amber moved on to ''VideoGame/PokemonGo'', with asides in the AltText expressing anxiety about [[http://www.dumbingofage.com/2016/comic/book-7/01-glower-vacuum/oil/ the game's continued viability]] by the time of publication, given the six months' lead Willis gives himself on the strip. Lampshaded [[http://www.dumbingofage.com/2017/comic/book-7/02-everything-youve-ever-wanted/magikarp/ here]].

[[folder:Web Original]]
* Wiki/TVTropes:
** The "deadpan" in DeadpanSnarker. Due to TropeDecay, a deadpan delivery is no longer part of the trope.
** Some of the oldest trope descriptions show traces of being written back when the wiki focused on TV shows. For example (as of January 2017), CatchPhrase is still defined as "an expression used by a character in numerous episodes of a show", and the AllJustADream twist is defined as occurring "around fifty minutes into the program".
** Many pages end with some odd-looking markup [=<<|ThatLooksLikeThis|>>=]. This is the old index markup, which has been unneeded for several years now. There's also usually a line ruler ([=----=]) separating the examples from the indices -- this was never ''strictly'' necessary, but under the old indexing system was generally considered good practice.
* Sofie Liv and the formerly-eponymous Red Suitcase of the ''Red Suitcase Adventures'', so much so she re-branded the show as ''WebVideo/MovieDorkness''.
* P. Monkey, the purple monkey puppet CompanionCube from ''WebVideo/{{lonelygirl15}}'', appeared frequently in early episodes, but appeared less and less as the series became darker and more plot driven. By the last series, she appeared occasionally, probably because fans like her, but had no effect on the overall plot.
* Pom Pom in ''WebAnimation/HomestarRunner'' was meant to be Homestar's sidekick when the cartoon was still primarily sports-based, easily the number two character in early cartoons, behind Homestar himself. As the cartoon shifted away from sports and more toward Strong Bad and pop culture, Pom Pom became more and more superfluous, now being one of the ''rarest'' of the twelve central characters. Probably doesn't help that he's the straight man with few quirks or flaws in a cartoon where much quirkier characters Strong Bad, Strong Sad, Marzipan, Bubs, and occasionally even Homestar himself can all play the straight man role as necessary, nor that he can't talk in anything besides bubble sounds. Most of his recent appearances make his lack of comedic traits or flaws [[ParodySue the joke.]]
** Coach Z has also gone through this a little bit; as his name implies, he was intended to be a coach for Homestar and the rest. Unlike Pom Pom, Coach Z quickly diversified his output, with him moving from a coach to a creepy, depressing, [[TotallyRadical poorly-rapping,]] and dubiously sane loser who coincidentally lives in the gym locker rooms. That said, he's still called Coach Z, and is implied to [[ThePiratesWhoDontDoAnything still do coaching]]; we just almost never see him doing it.
* Initially, totheark's [[OnceAnEpisode response videos]] from ''WebVideo/MarbleHornets'' [[{{Foreshadowing}} mostly existed to creepily suggest that]] [[spoiler:Jay might be in for more than just documenting an ApocalypticLog]], but since this was revealed in mid-to-late Season 1, the focus has completely shifted from [[spoiler:the ApocalypticLog from the student film to Jay's own ParanormalInvestigation of all of the forces that are controlling his life and what is happening to everyone involved with The Operator]], totheark's original purpose has been nullified. While totheark is still a very important character and his identity is still a driving plot point, his OnceAnEpisode responses have little to no point other than to taunt Jay, [[spoiler:besides the occasional WhamEpisode which he usually hijacks the main Marble Hornets Youtube channel to deliver]].
* Since ''WebVideo/TheHeroicReview'' is made up of cast members and creatures who work on the audio play ''AudioPlay/TheHeroicTaleOfHeroicallyHeroicHeroes'', the first few episodes had each cast member mentioning the role they play in their introduction. This was phased out pretty quickly in favor of just a general greeting from each panelist at the start of the episode.
* The Website/SCPFoundation has old articles (some of whom are about ''literal'' artifacts) which are kept and\or not rewritten because they're old, popular and not influential - sometimes to the chagrin of "we're stuck with * forever". Also, the LaserGuidedAmnesia drugs were first written "amnesiacs", despite the term referring to amnesia ''victims'', not ''inducers''. Most didn't correct to the proper word, "Amnestics".
* The [=YouTube=] review series ''Spectrum Pulse'' maintained the line "We talk about music, movies, art and culture", despite having essentially given up on discussing anything but music, for several years. {{Lampshade|Hanging}}d in Mark Grondin's crossover with ''WebVideo/TheDoubleAgent'', where Ethan tells him to stop lying to himself; Mark responded by saying that it wasn't a lie any more, and showed off the [=YouTube=] thumbnail for his review of ''Film/Deadpool2016''.
* The [[Franchise/TheSlenderManMythos Slender Man]] and his [[TheBlank facelessness]]. He actually wasn't initially conceptualized that way--he ''did'' have a face in the early days of the mythos, but it was impossible to describe because everyone who looked at it saw something different. The reason his photographs involved him being minus a face was because [[GlamourFailure this effect didn't work on cameras]].
* ''WebVideo/TheHappyVideoGameNerd'': Inverted. As part of being the inverse of AVGN, he drank wine instead of beer. When he stopped drinking wine and realized that almost nobody realized this, he decided to retire the title of Happy Video Game Nerd. Currently, he's Stop Skeletons From Fighting.
* ''WebOriginal/TheNostalgiaCritic'' originally used this title because he reviewed things that, well, [[ExactlyWhatItSaysOnTheTin are nostalgic]]. Specifically he was originally reluctant to review anything past 2000, and often made excuses for it like being pressured into reviewing ''Film/BattlefieldEarth'' for his 100th episode or having his future self [[Film/BackToTheFuture take him in a DeLorean]] to a time period where ''Film/TheRoom'' was old enough to be nostalgic. He's long since gone on to review newer content, and even regularly reviews brand new films, but has kept the name.