A switching PointOfView is closely related to, but distinct from, RotatingProtagonist. Rather than an omniscient third-person narrator showing us Jack, then Sally, then [[DayInTheLimelight Pauline]], as we would with a RotatingProtagonist, we see the story from Jack's perspective, then Sally's, then Pauline's. Can be very useful if the POV is third-person limited or first-person, as this can give us information we otherwise wouldn't have--for instance, we could find out that Pauline's motivations are genuinely good or she really did kill that guy, something neither Jack nor Sally would know.

The most obvious way to do this is to switch from Jack being "I" to Sally being "I," as even if they're both in the scene, it's clear whom the focus is on. A book can also pull this off with third-person limited (you see both as "s/he", but you're only inside one's head at a time). Primarily a literature trope, but a duet or film can also work. You just need narration of some sort.

Switching from first person (I) to second (you) or third (s/he) would also work. Obviously, this is quite useful if one character falls unconscious or ill, or is simply not where the author needs the story to be.

SisterTrope to RashomonStyle, but the accounts do not need to disagree or even overlap, and also RotatingProtagonist, but rather than simply seeing different characters, we get their perspectives. SuperTrope to ScrapbookStory. See also TwistedEchoCut. When all main characters get their POV represented except one, it's a NonPOVProtagonist. Not to be confused with CameraPerspectiveSwitch.


[[folder:Anime and Manga]]
* In the light novels of ''LightNovel/HighSchoolDXD'', after [[spoiler: Issei defeats Raiser]], the light novels show that Lord Gremory and Lord Phenex discuss how the engagement party ended and that Lord Gremory cannot believe that his daughter was able to get the Welsh Dragon as her servant. In the anime, it shows the same events but from Sirzechs and Grayfia's point of view about why he lent Issei the griffon as a last resort and his thoughts on the Welsh Dragon joining. Grayfia then notes that Sirzechs seems to be enjoying it, [[spoiler: probably reminding him of his and Grayfia's circumstances back then.]] In the main storyline, usually either [[TheLancer Kiba]] or [[BadassTeacher Azazel]] get to be the focus of the narration whenever Issei isn't around.
* While there are several moments in ''Manga/SangatsuNoLion'' where focus moves away from the protagonist and narrator Rei in order to listen in on conversations between other characters, Hina and Hayashida both hold the special distinction of momentarily taking over the role of narrator at least once, particularly when their thoughts are focused on Rei's life.
* ''VisualNovel/{{Hakuouki}}'' did this with their OVA Sekkaroku with a different episode focusing on one character and their POV for the same story.
** Okita is the one to suggest Chizuru to be an undercover geisha for the Shinsengumi. But since he is ordered to stay at headquarters due to his coughing, Okita misses a lot of what happened that night and only hears and sees snippets of the story, like seeing Hijikata returning to headquarters with the dressed up Chizuru in the middle of the night.
** Saito and Yamazaki offer themselves as bodyguards for Chizuru and are involved in a lot of the fighting at the geisha house, starting with two lecherous men flirting with Chizuru.
** Heisuke is worried about Chizuru's safety during the whole time, returns to base to urge Kondou and Hijikata to take Chizuru off the mission. Kondou agrees and Heisuke rushes back to the house, wonders where Chizuru has disappeared to and then joins the fighting with Yamazaki.
** Hijikata, ordered by Kondou to check up on Chizuru, arrives at the geisha house in the middle of the fighting. Saito tells Hijikata to take Chizuru to safety. Unfortunately for him, bystanders mistakes him for eloping with a cute geisha girl.
** Kazama arrives after Heisuke left the room, attempting to kiss Chizuru. Osen then arrives to rescue Chizuru and allows her to escape and rejoin with Saito and later Hijikata.
* ''Manga/FairyTail'': Levy replaces Lucy as the narrator in Chapter 274. That's ''not'' a good sign.
** [[spoiler: This is actually because Future Lucy ends up returning to the past.]]
* In ''LightNovelSwordArtOnline'', most of the story is told from Kirito's first-person POV, but occasionally, the perspective will shift to a third-person POV centered around another character, and Lisbeth has two first-person POV segments- one in her story in Volume 2, and a short scene in Volume 4.
* In the manga for ''VideoGame/{{Persona 4}}'', the POV and first person narration occasionally switches around, most often focusing on Soji, but sometimes going to one of his friends.

[[folder:Comic Books]]
* The caption narration of ''ComicBook/KravensLastHunt'' alternates between the points of view of Spider-Man (yellow background, with a few exceptions for emphasis), Kraven (orange), Vermin (green) and Mary Jane Watson-Parker (lilac).
* Gerry Conway's graphic novel ''Parallel Lives'' is narrated - a lot of the time in parallel - by Franchise/SpiderMan and his wife Mary Jane.
* Creator/VertigoComics series ''Faker'' has each of its chapters narrated by another member of the core group.

[[folder:Fan Works]]
* ''Fanfic/ChildOfTheStorm'' does this frequently, with most of its LoadsAndLoadsOfCharacters getting scenes from their point of view, including Harry Dresden's signature FirstPersonSmartass. Early on, this was something of a problem since it tended to shift perspective between paragraphs with little or no warning. Later, scene breaks were added and have been retroactively added to some of the earlier chapters.
* ''Fanfic/MyImmortal'', although the issue is confused by bad writing. The POV character is usually Ebony, but one chapter starts with a note that this chapter is from "Darko"'s point of view. This rule is followed for a bit, but then one line starts with "Draco, Ebory and I", and after that it's back to Ebony's point of view.
* ''Fanfic/{{Deserving}}'', in which you're lucky if any given paragraph ends in the same POV as it began and it often switches mid-sentence, is another bad example.
* ''FanFic/FuckTheJesusBeam'', beginning in chapter nine.
* ''Fanfic/KyonBigDamnHero'', where the breaks are usually followed by a change of narrator.
* ''Fanfic/{{Luminosity}}'''s narrators to date have been Bella, Elspeth, and [[spoiler:Addy]] when Elspeth is asleep/unconscious during an important part.
* ''[[http://www.fanfiction.net/s/8301796/1/Love-Takes-Flight Love Takes Flight]]'' changes points of view between Chance Furlong and Jake Clawson during their first sexual encounter. What is unique about this switching is that the sentences at changing points overlap, sharing a word (or group of words).
** eg. Chance's POV: ''If that wasn't love then....'' Jake's POV: ''What was it Chance saw in him?'' In this case Chance's full thought is "If that wasn't love then what was?"
* ''FanFic/ADarkKnightOverSinCity'' alternates between Franchise/{{Batman}}'s narration or the [=POVs=] of various SinCity characters every chapter.
* ''Fanfic/WinterWar'' switches between about thirty POV characters (third person limited throughout). Most chapters stick with one person's POV, but several "ensemble" chapters juggle several. This allows many, ''many'' [[AscendedExtra Ascended Extras]] a chance to shine.
** Worth noting that in [[spoiler: Hisagi's sections, his narration becomes increasingly vague and Kazeshini's interjections more frequent, which eventually leads to the zanpakuto spirit (briefly) possessing his wielder's body so that both of them can survive. At which point, ''Kazeshini'' is the narrator with Shuuhei not heard from for a chapter or so.]]
* ''Xanatos'' does this a few times, in third person from Light's point of view, and later with L's, and even having [[DeadpanSnarker Matt]] [[FirstPersonSmartass narrate a couple of chapters]].
* Used throughout ''Fanfic/WithStringsAttached''. The four get more or less equal time from their individual viewpoints, but there are also a few sections where other points of view are employed:
** The short passage about the [[DoomyDoomsOfDoom Brothers of Doom]] preparing to be attacked (and then getting attacked—in a totally unexpected way).
-->It was a pity they'd never heard of the Maginot Line.
** Several scenes with Bayanis.
** A scene from the POV of the two guards confronting George outside the building where John is being kept in magical sleep.
** The collective POV of the skahs who have finished off the monsters in Ehndris and are wondering what to do next.
* The stories in the FanFic/ElementalChessTrilogy have this, with the point of view changing in each chapter. The more central characters receive multiple chapters from their perspectives, but many of the supporting cast also each get a chapter.
* In ''FanFic/RottenLuck'', the narration is in first-person from the perspective of the protagonist on the odd-numbered chapters while it becomes third-person on the even-numbered ones.
* Almost every character in ''Darthwiki/TheMovement'' narrates at least one chapter.
* Every fic in ''WesternAnimation/LiloAndStitchTheSeries'' fanfic series ''The FanFic/StarlightSeries'' features this, except for ''Alpha and Omega'', which is told from the first-person perspective of [[OriginalCharacter Experiment 419]].
* The ''WesternAnimation/MikeLuAndOg'' fanfic ''[[https://www.fanfiction.net/s/7921184/1/When-Mike-Met-Mike When Mike Met Mike]]'' is told from a few different points of view.
* In ''FanFic/UtopiaUnmade'', the focus switches between Tsubomi, Erika, Hibiki, Kanade, Love, and Eas every chapter.
* In ''FanFic/DiariesOfAMadman'', Discord occasionally takes over the narration from Navarone. Rarity also briefly narrates during a FreakyFridayFlip.
* In Pottertalia fic ''{{Snakeskins}}'' the POV regularly switched between England and Italy, with the odd other POV (e.g. Draco Malfoy or Romano) added in on certain situations.
* Used every chapter in ''FanFic/{{Wreckstuck}}'', where the point of view switches to a different character every chapter.
* The writer of ''FanFic/OriginStory'' is pretty good about switching the POV of the story without making it seem awkward. Most of the story is told from Alex Harris's point of view, but other characters, including [[IronMan Tony Stark]], Happy Hogan, Henry Peter Gyrich, and even Typhoid Mary get a chance to tell the tale from their perspective.
* ''FanFic/BadFutureCrusaders'' uses a SwitchingPOV to tell what could probably suffice as [[JigsawPuzzlePlot three or four different plots]] as one.
* ''FanFic/TheEndOfAllThings'' occasionally switches between first and third person view to either show two sides to a single event or to show what two characters are doing in two different locations.
* ''Fanfic/{{Developments}}'' maintains the same first-person present tense narration as VisualNovel/KatawaShoujo, but switches between various members of the cast, rather than staying with Hisao.
* The ''Literature/{{Worm}}'' fanfiction ''FanFic/{{Intrepid}}'' has the story switches between Taylor, Emma, Madison, and Sophia, with other characters getting interludes. No character has had two chapters told from the P.O.V twice in a row.
* ''Fanfic/SuddenContact'' alternates between various characters from ''Franchise/MassEffect'' and ''VideoGame/StarCraft'' such as Adrien Victus, James Raynor, Alexei Stukov, Tassadar, Daggoth, and Liara T'soni. ''Sudden Supremacy'' adds Zaeed Massani, Tychus Findlay, Garrus Vakarian, Tali'Zorah, David Anderson, Valerian Mengsk, and Selendis.
* ''[[https://www.fanfiction.net/s/8340339/1/The-Quiet-Fox The Quiet Fox]]'' (a Naruto story) combines this with flashbacks since almost every other chapter is narrated by a different person. Oddly, Naruto himself doesn't get to narrate a chapter despite being the main character.
* In ''FanFic/ThisBites'', the entirety of [[spoiler: the event with Baron Omatsuri]] is told through the perspectives of people around the world [[spoiler: as they listen to the SBS and the horror in which the Straw Hats have found themselves.]]
* The ''VideoGame/DragonAgeInquisition'' story ''[[Fanfic/TwiceUponAnAge All This Sh*t is Twice as Weird]]'' does this, with most chapters having different points of view than those which immediately precede or follow them. A few chapters divide the point of view between the two main characters; a few others are presented as letters written by or to various members of the cast.
* ''Fanfic/OneYear'' is told by first person narration, a role that various members of the ''VideoGame/{{Persona 4}}'' cast and [[OriginalCharacter OCs]] take turns playing.
* ''Fanfic/BlackCrayons'' rotates through numerous characters in the ''Film/TransformersFilmSeries''.
* ''FanFic/AChanceMeetingOfTwoMoons'': The story changes from Artemis to Luna's point of view (signaled by linebreaks) during the first five chapters. From chapter 6 on, there are two parallel versions of each chapter, one told from the POV of [[spoiler:Artemis in Luna's world and the other from the POV of Luna in Artemis's world. Some of them even show the same sequence of events from the differing characters' point of view.]]
* ''FanFic/ThePiecesLieWhereTheyFell'': On a regular basis, as the first six chapters are told from the point of view of one of the main characters (Xvital, Night Blade, Page Turner, Wind Breaker, Vix-Lei and Rex, in that order), and then switch up over the course of the rest of the story as the situation calls for it, with occasional P.O.V. segments by various other characters. Incidentally, over the course of chapters 1-48 (and not counting omakes), each of the new Bearers gets exactly eighteen segments each... and all the other characters, put together, ''also'' get a total of eighteen segments. (The authors swear this last part was completely unintentional.) It continues in the sequel ''Picking Up the Pieces'', though characters outside the new Bearers are getting more segments of their own this time around.

* ''Literature/{{Dracula}}'' is composed of a collection of journals and letters that describe the story from the point of view of various characters. It slips up in one case, where Mrs. Harker refers to herself in third person in chapter XXVI (where she is writing a journal but mentions the others made details that she didn't hear.)
* Victorian mystery novelist Creator/WilkieCollins did this more than once, most notably in his classics ''Literature/TheMoonstone'' and ''Literature/TheWomanInWhite''. Each novel was divided up into several different first-person narratives, with occasional other sources like "The Narrative of the Tombstone".
* ''Literature/TheHardyBoys'' naturally utilizes this, having two main characters who, along with their friends, frequently [[LetsSplitUpGang divide and conquer]] to cover more ground. As such, the narrative will jump between the two brothers until they regroup. The early ''Casefiles'' books are also much more liberal with the narrative, briefly following the thoughts and opinions of several other characters besides the Hardys (including one-shot characters and {{Mooks}}).
** The reboot ''Undercover Brothers'' and ''Adventures'' series are told in first-person with Frank and Joe alternating chapters, meaning that the books are constant POV switches between the two of them.
** Very similarly, in the first ''Literature/NancyDrew'': ''Girl Detective'' super special, "Where's Nancy?", Bess and George get this in a major DayInTheLimelight for them. Usually, the GD series is narrated solely by Nancy in first-person, but since she's missing for most of the book, Bess and George alternate first-person chapters, a la Hardy Boys, for most of the book, with the last chapter finally switching back to Nancy.
** The ''Nancy Drew / Hardy Boys Super Mysteries'' of the ''GD/UB'' continuity switch back-and-forth first-person-wise between all three of them (Nancy, Frank, and Joe).
* ''Literature/TheSilverKiss'', by Annette Curtis Klause, switches between [[MeaningfulName Zoë]] and [[OurVampiresAreDifferent Simon]]. The switch is between third-person limited to one or the other, and their respective chapters are named after the proper protagonist.
* ''Literature/OksaPollock'' does this between the good characters, although the most parts are told by Oksa.
* Done so well by Pulitzer Prize winner Michael Shaara in his novel ''Literature/TheKillerAngels'' (the basis for the 1993 film ''Film/{{Gettysburg}}'') that his son Jeff Shaara has [[LikeFatherLikeSon copied the technique]] in every one of his own novels.
* Each chapter in ''The Innkeeper's Song'' by Creator/PeterSBeagle is told from a different character's perspective.
* ''Film/{{Flipped}}'' by Wendelin Van Draanen switches between romantic leads, and even the back cover takes this. One of them is upside-down, but which is a little bit up to the reader.
* ''Literature/ThePoisonwoodBible'' switches between the four daughters' points of view, with their mother's point of view appearing at the beginning and in retrospect of each section of the book.
* Creator/CharlesDickens's ''Literature/BleakHouse'' alternates chapters between the first-person perspective of Esther Summerson and the third-person perspective of an omniscient narrator.
* Creator/JodiPicoult does this in pretty much all her novels, sometimes in first and sometimes third person.
* ''Literature/SoonIWillBeInvincible'': Alternates between Dr. Impossible and Fatale.
* Some Creator/WilliamFaulkner novels alternate chapters among the first-person perspective of several narrators, often [[TheRashomon relating the same events]]. It switched narrators ''within the same sentence'' at least once. His books that follow this include:
** ''Literature/AbsalomAbsalom''
** ''Literature/AsILayDying''
** ''Literature/TheSoundAndTheFury''
* ''The Lover'' (''Ha-Me'ahev''), by Israeli novelist A. B. Yehoshua, which bears the influence of Faulkner's works, switches between the first-person perspectives of members of a Jewish family and an Arab teenager who works for and comes to live with them, each chapter.
* ''Literature/LordOfTheRings'' starts to do this in ''The Two Towers''. The first half of the book is split between Aragorn's party and the Merry and Pippen hobbit duo. Second half of the book is Frodo, Sam, and [[spoiler: Sméagol]]. ''Return of the King'' does a similar mid-way switch, with the two halves of each story taking place concurrently.
* Kristine Kathryn Rusch's ''Fey'' novels, where the viewpoint switches to a new character with each new chapter.
* ''Mrs. Dalloway'' alternates between following the title character and ShellShockedVeteran Septimus.
* In ''Literature/TreasureIsland'', the point of view switches from Jim to the doctor while the former is unconscious.
* ''Anime/LegendOfGalacticHeroes'' switches back and forth between the Galactic Empire and the Free Planets Alliance and their two protagonists, Reinhard von Lohengramm and Yang Wenli. Reinhard and his Empire is the more important side, however, making Yang Wenli the {{deuteragonist}}.
* George R.R. Martin's ''Literature/ASongOfIceAndFire''. The viewpoint character changes every chapter and there have been 31 viewpoint characters through the first five books. This series is one of the more prominent examples due to the multitude of conflicting factions, almost all of which have at least one P.O.V. character representing them and sometimes multiple to represent different mindsets within each faction, fueling the GrayAndGreyMorality the series is famous for. For example, the Battle of Blackwater is mostly depicted from the P.O.V.s of Tyrion and Davos, two sympathetic characters on opposite sides.
* ''Literature/HarryPotter'':
** We follow Harry's point of view throughout 90% of the series, with the exception of the opening chapters of ''[[Literature/HarryPotterAndThePhilosophersStone Philosopher's Stone]]'', ''[[Literature/HarryPotterAndTheGobletOfFire Goblet of Fire]]'', ''[[Literature/HarryPotterAndTheHalfBloodPrince Half-Blood Prince]]'' (first two chapters), and ''[[Literature/HarryPotterAndTheDeathlyHallows Deathly Hallows]]'', which have important establishing events that Harry's not present for (although in the case of ''[[Literature/HarryPotterAndTheGobletOfFire Goblet of Fire]]'', he sees them in a dream).
** There is one other exception: during Harry's first Quidditch match in ''Philosopher's Stone'', we are told what Hermione and Ron are doing and saying, even though Harry is not paying special attention to them and would not be able to hear them.
** There is also, somewhat bizarrely, a couple of sentences from Ron's point of view as he knocks out the troll in ''Philosopher's Stone''. Overall, point of view seems [[EarlyInstallmentWeirdness a little more flexible in book 1]] than it is later in the series.
* The ''Literature/{{Everworld}}'' books rotate among the five main characters the role of the narrator.
* ''Literature/{{Animorphs}}'', another series by the same author as ''Everworld'', does the same thing. They rotate by book in a set order (also Ax and Tobias share the same slot (Getting half as many books as the others) and alternate when their shared slot pops up.) Also the Megamorph side stories alternate by chapter and at least once one of the heroes narrates from beyond the grave.
* The ''Literature/TheBabysittersClub'' books feature rotating first-person protagonists.
* The ''Literature/DeepWaterBlack'' books were each written from the viewpoint of a new character.
* Emily Rodda's ''Literature/TeenPowerInc.'' series rotates the role of narrator among the six members of the core cast.
* Creator/AnthonyPrice's thriller novels all feature the same group of intelligence officers, but each features a different member of the group as the key player and point-of-view character.
* Terry Pratchett likes to switch to the point-of-view of someone about to meet a tragic end.
** He's nowhere near the only one. This is particularly common in murder mysteries, where the first segment is from the victim's point of view, with enough detail to be interesting but not enough to act as a spoiler. (For no particular reason, Emily Brightwell's ''Mrs. Jeffries'' series comes to mind.)
* Terry Goodkind does this a lot in ''Literature/SwordOfTruth'', especially noteworthy though is in the first book where the POV has been on the male main character most of the book (except one small part when he is unconscious) until around half of the book where the POV changes to the female main character. This is done to put more info on her personality and her secret and also to show that she also feels an attraction to him.
* Several of Kelley Armstrong's books (''Haunted'' and ''Personal Demon'', for example) switch between several narrators, with each chapter being told by a different one.
* ''Literature/TheWheelOfTime'' regularly switches POV between around 10 main characters. The books will also regularly include POV chapters of side characters depending on how Robert Jordan wished to show extra information. Or hide it.
* ''Literature/TheRulesOfAttraction'' by Creator/BretEastonEllis is narrated by several characters; all of the more important ones narrate at least one chapter.
* Pretty much everything ever written by Creator/HarryTurtledove runs on this trope. Most of his series have a minimum of 5 or 6 POV characters per volume, allowing him to describe various aspects of a large-scale event (like a war on multiple fronts, as seen by generals, soldiers, and civilians).
* ''The Man In The Brown Suit'' by Creator/AgathaChristie switches between the protagonist's narration and excerpts from a different character's journal, both in first person.
* Every book in the ''Literature/WickedLovely'' series switches between (usually three, although Fragile Eternity has four and stopping time has only two) different third person [=POVs=].
* Irvine Welsh's ''Literature/{{Trainspotting}}'' and its sequel, ''Literature/{{Porno}}'', switch between characters (each with their own personal verbal tics and dialects) in each chapter.
* ''Literature/HowNotToWriteANovel'' has several examples of what can go wrong when a SwitchingPOV is poorly executed or unintentional.
* The ''Literature/KnightAndRogueSeries'' alternates between Michael and Fisk's perspective with each chapter.
* Starting from ''Literature/WarriorCatsTheNewProphecy'', ''Warrior Cats'' has multiple protagonists, switching [=POV=] between them every few chapters.
* The chapters in Ibi Kaslik's ''The Angel Riots'' switch between a limited third-person narration centred on Rize, the titular rock band's drug-addled trombonist, and first-person narration by Jim, a violinist touring with the Riots.
* All the books in Creator/JoWalton's AlternateHistory ''Literature/SmallChange'' trilogy. Each of the novels is structured with alternating chapters from the point of view of Inspector Carmichael (3rd person), and a young woman writing in the 1st person: Lucy Kahn in ''Farthing'', Viola Larkin in ''Ha'Penny'', and Elvira Royston in ''Half a Crown''.
* Each book in the ''Literature/{{Havemercy}}'' series by Jaida Jones and Danielle Bennett rotates first-person perspective through four protagonists.
* The books in ''Literature/TheHeroesOfOlympus'' series switch between the formulaic TwoGuysAndAGirl in first-person from chapter-to-chapter.
* ''Literature/TheKaneChronicles'' do this, switching between Carter and Sadie. As they're both written in first person, they also switch between English dialects - American for Carter, British for Sadie.
* Each volume of ''Literature/DirgeForPresterJohn'' contains three books, and the frame narrative of Hiob, or his assistance Alaric.
* The two published volumes of Creator/CharlesStross' ''Literature/HaltingState'' series do this. The narrative alternates between the perspectives of three people involved in the case (with the occasional interlude), all written in [[SecondPersonNarration the second person]].
* ''Literature/BraveNewWorld'' begins with an IntroDump courtesy of Thomas, the Director, and periodically switches to Bernard a few times before settling on the latter. After [[MessianicArchetype John]]'s introduction about halfway through the book, Bernard is phased out in favor of him, at which point Thomas disappears completely after [[LukeYouAreMyFather a startling revelation]].
* The story of ''Literature/ThePillarsOfTheEarth'' is told from the POV of 5 characters, one of them a villain.
* In ''Literature/TunnelInTheSky'', Caroline takes over for Rod as the POV character, via her diary, while he's scouting for a new colony site.
* ''Literature/GoodOmens'' has point of view switch between many different characters, including, but not limited to, Crowley, Aziraphale, Newt Pulsifer, and Anathema Device.
* Jim Butcher's ''Literature/CodexAlera'' series loves this trope. For the first couple of books, our four points of view are Tavi, Amara, Fidelias, and Isana, although other characters will sometimes get sections in the prologue. Fidelias disappears for most of book 3, and Ehren takes his place as a point of view character. Fidelias [[spoiler: (as Marcus)]] comes back for book 4, and the rest of the series mainly rotates POV between the five of them, with occasional diversions.
* Creator/RobertSilverberg's ''The Book of Skulls'' has 4 [=PoVs=], all first person. He's said that he found getting the voices right and distinct quite difficult. And it wasn't like he was new in the field at the time!
* Creator/RobertAHeinlein does this in ''Literature/TheNumberOfTheBeast'', with narration switching among the four principal characters (Lazarus Long also gets to narrate a chapter). The epilogue is told in the usual third person.
* Creator/RobinHobb does this both in [[Literature/RealmOfTheElderlings The LiveShip Traders]] and [[Literature/RealmOfTheElderlings The Rain Wild Chronicles]] series.
* ''Literature/OfFearAndFaith'' is a first-person example of this, with all eight of the main characters getting a chance to be the viewpoint character, occasionally all in the same chapter.
* ''Literature/TheYearOfTheFlood'' switches point of view between Ren and Toby. The two narrative eventually meet and continue on.
* In ''Literature/WorldWar'' pretty much every chapter is a different character from either a different country or from the invading Race itself.
* In ''Literature/StarCarrier'', the chapters switch between the Admiral in charge of the fleet, one of the Starhawk pilots, as well as the aliens humanity is at war with.
* Elisabet Nemert and ''Creator/SimonaAhrnstedt'' are two Swedish writers, who will use this all the time.
** Elisabet Nemert will have a female protagonist, and the novel will be the story of her life. But over the course of the book, we also get to see the perspective of her family members, her friends, her future love interest and even her antagonists.
** Simona Ahrnstedt will have two protagonists: A woman and a man, who are the central love couple. But just like Elisabet Nemert, Simona will show us the perspective of different family members, friends and even antagonists.
* Literature/FirstLight: Peter and Thea get alternating chapters.
* Literature/YoungWizards: Nita's POV is in every book, but in the third book, Dairine gets to share some POV. Kit gets to share POV starting in book five. In books seven and eight, the three share POVs. In the ninth book, it goes back to just Nita and Kit.
* ''Literature/TheDemonata'' switches between the three main characters. Grubbs narrates the most books by far though.
* ''Literature/{{Edenborn}}'' has chapter breaks for Pandora, Haji, Penny, Halloween, and Deuce. The author also uses different writing styles for each.
* ''Literature/ClocksThatDontTick'' is written from the alternating perspectives of Gary, Martha, and Charlemagne. Gary's is the most casual and plebeian, featuring an abundance of contractions, and often times merely implying the subject of a sentence rather than writing it out (ie: ''Decided to approach him'' rather than ''I decided to approach him).'' Martha's perspective is a little better, though she tends to go on tangents, crazily talk to her imaginary friends, and features occasional grammatical mishaps such as ''Me and my three friends'' rather than ''My three friends and I''. Charlemagne's perspective is written the most intelligently, using few contractions and having minimal grammatical errors.
* Creator/StephenKing's ''Literature/{{Christine}}''. Book I is ''Dennis: Teenage Car-Songs'', told from Dennis Guilder's FirstPersonPerspective. In Book II, ''Arnie: Teenage Love-Songs'', King switches to an omniscient narrator. Book III, ''Christine: Teenage Death-Songs'', switches back to Dennis's first-person P.O.V.
* ''Literature/VenissUnderground'' is split into three sections. The first focuses on Nicholas and is written in first person; the second focuses on Nicola and is written in second person; and the third focuses on Shadrach and is written in third person.
* The book series ''Literature/ThePhoenixFiles'' switches between Luke, Peter and Jordan, each of them narrating two of the six books in the series.
* The official novelization of the Disney / Pixar film ''WesternAnimation/InsideOut'', called ''Driven By Emotions'', is this. It tells the events of the film from the perspective of all five of the emotions, starting with Joy, then Disgust, next Fear, then Anger and finally Sadness. This means that for certain events in the film, as many as five different takes are presented.
* ''Literature/LorienLegacies'' does this regularly. From the second book (titled ''[[SequelNumberSnarl The Rise Of Six]]'') the writer has been kind to show the switching narrator (between Marina and John) with different type fonts, and in the third book it properly announces which P.O.V it is, but from then the P.O.V still switches without it being shown.
* ''Literature/{{Run}}'' swaps between Bo's perspective in the present as she and Agnes run away, and Agnes' in the past as the two girls grow into best friends.
* Occurs in several of Creator/FreemanWillsCrofts' detective novels.
** In ''The Cask'', the first chapter is written from the point of view of the man who finds the body; the next two-thirds of the novel follow the police inspector investigating the crime and arresting the prime suspect; and in the last third, the protagonist is a private detective trying to disprove the police case.
** In the first half of ''Golden Ashes'', the viewpoint character is Betty Stanton, a young widow ([[MostWritersAreWriters and aspiring novelist]]) who finds work as a housekeeper. A mystery develops at the house she's looking after, and the second half follows Inspector French as he investigates.
* Many of Creator/DavidLevithan's collaborations with other writers exhibit this. Typically each writer takes on a character and the chapters alternate between their viewpoints.
** ''Literature/WillGraysonWillGrayson'': Creator/JohnGreen as Will Grayson #1, David Levithan as perpetually-lowercase will grayson #2.
** ''Literature/YouKnowMeWell'': Nina [=LaCour=] as Kate, David Levithan as Mark.
** ''Naomi and Ely's No Kiss List'': Aside from the two titular characters, it also features multiple side characters' [=POVs=].
* ''Literature/TheRavenCycle'', while narrated in third-person, nevertheless focuses on a specific character's experiences and inner thoughts each chapter. A given book may put more weight on a certain character, or less. For example, ''The Dream Thieves'' is a Ronan-heavy book while its sequel ''Blue Lily, Lily Blue'' is a Blue- (and Adam-)centric book with no Ronan chapters at all.

[[folder:Live-Action Television]]
* In the TV series ''Series/TheEvent'', flashbacks are told from various [=POVs=].
* Over a longer period, ''Series/BabylonFive'' would do this, with various episodes or story arcs being done primarily from a particular character's point of view, oftentimes nowhere near the titular space station.
* The ''Series/MyNameIsEarl'' DVDBonusContent episode "Bad Karma" (allegedly the first Pilot for the series) starts from Earl's POV, but after Earl dies, it becomes ''My name is Randy''.
** In one episode of the series proper, there's a sequence telling what happened to some stolen silverware, from the POV of Randy, Joy, Crab Man, and the librarian, each of whom get a "My name is X" line.
* ''Series/{{Boomtown}}'' existed for this trope - we would see a crime happen from the perspectives of a number of different people ranging from police officers to victims, suspects and bystanders.
* ''Series/TheAffair'': The second season gradually moves away from RashomonStyle to show differents parts of the events with rotating POV characters but without overlap or contradictory accounts.

* ''Music/{{Hospice}}'' by Music/TheAntlers switches between the perspectives of the hospice worker and the cancer patient, most notably in the song "Thirteen".
* Confusingly, the traditional ballad ''[[http://contemplator.com/ireland/reynard.html Reynardine]]'' shifts perspective from verse to verse between the title character, a bandit and possible member of TheFairFolk, and an omniscient third-person narrator.

[[folder:Video Games]]
* The ''VideoGame/CallOfDuty'' series is big on this trope, with most of the series' campaigns leaping back and forth between two or more (allied) groups. The groups do tend to be involved in separate theaters of war, however.
** ''VideoGame/CallOfDutyBlackOps'' features Switching POV in order to brief Mason on what happened in his absence. In addition to the switching between Mason and Hudson, there's [[spoiler:a flashback mission from Reznov's POV]]. "Rebirth" is the series' most prominent application of the trope, as we get to see just ''how'' different the same event looked from the two main characters' perspectives.
** ''VideoGame/CallOfDutyBlackOps2'' does much the same Switching POV trickery, this time between father and son - the former in [[UsefulNotes/TheEighties the 1980s]] witnessing the start of it all, the latter in [[TwentyMinutesIntoTheFuture 2025]] resolving the conflict. In addition, there are parts of two levels where [[spoiler:Menendez]] is playable, as well as a mission from [[spoiler:Woods']] perspective.
** The ''VideoGame/ModernWarfare'' series is also an example. The first game alternates between the SAS and Force Recon characters until their union in the endgame. Modern Warfare 2 switches between a squad of Rangers defending the US and Task Force 141 after the person in charge of the attacks. 3, aside from a few one-off characters for certain missions, mainly focuses on [[spoiler:the remains of Task Force 141]] and a team of Delta Force operators in turn.

[[folder:Visual Novels]]
* Narration ([[spoiler:or rather, [[PlayingThePlayer Blick Winkel's]] point of view]]) switches between Takeshi and the Kid in ''VisualNovel/{{Ever 17}}'''s prologue, before settling on one of them for the rest of the game. [[spoiler:It starts switching again in [[MindScrewdriver Coco's route]], and in [[GoldenEnding Coco's epilogue]] it "visits" every character before changing to Blick Winkel's own narration.]]
* In ''VisualNovel/SwanSong'', the main characters take turns providing first-person narration. It's used to both provide different perspectives and focus on different cast constellations.
* Most of the [[WhatCouldHaveBeen beta version]] of ''VisualNovel/KatawaShoujo'' takes place from Hisao's POV. At the very end of Act 3 in Shizune's arc it switches to Misha's POV. [[spoiler:It ends with [[WhamEpisode Misha getting]] [[DrivenToSuicide hit by a car]].]]
* ''Noble Works'' does this rather frequently, though the majority of the story is still told through Takumi's eyes.
* ''VisualNovel/NewDanganRonpaV3'':
** [[spoiler:Halfway through the first trial, when it becomes obvious that Akamatsu - the current POV character and protagonist - is the culprit, the player switches POV to Saihara. The Class Trial UI changes from purple to blue to represent the switch.]]
** [[spoiler:During the final Class Trial, the POV is switched to Ki-Bo, Yumeno and Harukawa for brief segments. They get white, neon blue and red UI, respectively]].

[[folder:Web Comics]]
* ''Webcomic/GunnerkriggCourt'' is predominately shown from Antimony's perspective, but for one particularly {{Mind Screw}}y chapter, it switched to Zimmy's perspective without any warning--just as Zimmy was in the middle of a bout of IdentityAmnesia. In other words, Zimmy thought she was someone else, so the comic portrayed her as that other person.
* In ''Webcomic/SluggyFreelance'', POV switches frequently between characters and {{Cast Herd}}s, sometimes between dimensions.
* ''Webcomic/ProblemSleuth'' keeps switching between the viewpoints of the three protagonists (and a few minor characters).
* ''{{Webcomic/Homestuck}}'' has LoadsAndLoadsOfCharacters and pretty much all of them become the point of view at some point. Though the reader doesn't get to "be" everyone longer than a few pages - but still a significant portion of them.

[[folder:Web Original]]
* Literature/{{Anathema}} follows the stories of Mascot, Dancer, and Radiant. The narration stays with one of the protagonists for a while (between 5 and eight chapters at a time), until it switches to another. Additionally, some of the interlude chapters are told from the point of view of other characters.
* [[http://wanderers-library.wikidot.com/and-we-slipped-away And We Slipped Away]], which is written from the point of view of a man and his murderer during the few seconds before he dies. The two inner monologues run together mid-sentence to form a continuous narrative.
* WebVideo/DoctorHorriblesSingAlongBlog focuses on Dr. Horrible/Billy, but "My Eyes" switches between Dr. Horrible narrating how he can't believe how horrible everything is turning, and Penny narrating how everything can get better.
* The titular character in Literature/DragomirsDiary usually serves as the narrator, since it's, y'know, ''his diary''. But he'll periodically be incapacitated or kidnapped or otherwise distracted from his writing, and someone else will have to take up the quill for a while. Past narrators have included Dragomir's wife, Dragomir's brother, the prince of Dragomir's home, the queen, a rat, a tarantula, and the ''diary itself''.
* ''{{Literature/Oktober}}'': each chapter is presented through each of the 4 characters' journals in turn.
* At the end of series 2 of ''{{Literature/Phaeton}}'' we switch perspectives to Teliha's, WordOfGod states we will see this happening more in series 3.
* In ''Literature/UnlikelyEden'', the two protagonists take turns at narration.
* While ''{{Literature/Worm}}'''s main story is told from Taylor's first-person point of view, the interlude chapters/arcs and the epilogue are told from different characters' perspectives in third-person, giving backstory or filling in parts of the main story that Taylor wasn't present for.
* In ''Roleplay/ThereIsNoGATEWeDidNotFightThere'', multiple story posts and interludes often make use of the points of view of supporting characters. That isn't to say that Kytheus, the protagonist, doesn't get a lot of screentime, though.